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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 221 175 it is the complementary color RGB 166 34 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 221 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 221 175 shade: RGB 94 221 170, RGB 111 239 189, RGB 128 255 208, RGB 145 255 227 and RGB 162 255 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 221 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 221 175 shade: RGB 89 221 175, RGB 72 203 156, RGB 55 185 137, RGB 38 167 118 and RGB 21 149 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 221 175 shade: RGB 89 221 175, RGB 89 221 140, RGB 89 221 104, RGB 110 221 89 and RGB 145 221 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 221 175 shade: RGB 89 221 175, RGB 89 221 210, RGB 89 196 221, RGB 89 160 221 and RGB 89 125 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 221 175 shade matches the following richer shades: RGB 89 221 175, RGB 73 237 180 and RGB 57 253 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 221 175 shade: RGB 89 221 175, RGB 106 205 170, RGB 122 189 165, RGB 138 172 160 and RGB 154 156 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 221 175 shade: RGB 89 221 105, RGB 89 221 140, RGB 89 221 175, RGB 89 221 210 and RGB 89 197 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 221 175 shade: RGB 38 189 137, RGB 55 214 158, RGB 89 221 175, RGB 124 228 191 and RGB 158 235 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 221 175 shade: RGB 89 221 175, RGB 89 109 221 and RGB 221 122 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 221 175 shade: RGB 89 221 175, RGB 175 89 221 and RGB 221 175 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 221 175 shade: RGB 89 221 175, RGB 89 109 221, RGB 221 89 135 and RGB 221 201 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 221 175 shade: RGB 89 221 175, RGB 109 89 221, RGB 221 89 135 and RGB 201 221 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 21 / 13

HEX #59DDAF

RGB 89 221 175

HSL 159.09, 0.66%, 0.61%

LAB 80.14, -46.99, 11.92

 

Complementary color

CMYK 0 / 80 / 52 / 35

HEX #A62250

RGB 166 34 80

HSL 339.09, 0.66%, 0.39%

LAB 37.54, 55.02, 6.65

 

CMYK 57 / 0 / 23 / 13

HEX #5EDDAA

RGB 94 221 170

HSL 155.91, 0.65%, 0.62%

LAB 80.18, -47.09, 14.63

 

CMYK 54 / 0 / 21 / 6

HEX #6FEFBD

RGB 111 239 189

HSL 156.56, 0.8%, 0.69%

LAB 86.4, -47.09, 13.53

 

CMYK 50 / 0 / 18 / 0

HEX #80FFD0

RGB 128 255 208

HSL 157.8, 1%, 0.75%

LAB 91.98, -46.15, 11.7

 

CMYK 43 / 0 / 11 / 0

HEX #91FFE3

RGB 145 255 227

HSL 164.73, 1%, 0.78%

LAB 93.05, -38.05, 3.52

 

CMYK 36 / 0 / 4 / 0

HEX #A2FFF6

RGB 162 255 246

HSL 174.19, 1%, 0.82%

LAB 94.25, -29.58, -4.46

 

CMYK 60 / 0 / 21 / 13

HEX #59DDAF

RGB 89 221 175

HSL 159.09, 0.66%, 0.61%

LAB 80.14, -46.99, 11.92

 

CMYK 65 / 0 / 23 / 20

HEX #48CB9C

RGB 72 203 156

HSL 158.47, 0.56%, 0.54%

LAB 73.86, -46.79, 13.09

 

CMYK 70 / 0 / 26 / 27

HEX #37B989

RGB 55 185 137

HSL 157.85, 0.54%, 0.47%

LAB 67.51, -46.42, 14.38

 

CMYK 77 / 0 / 29 / 35

HEX #26A776

RGB 38 167 118

HSL 157.21, 0.63%, 0.4%

LAB 61.1, -45.77, 15.81

 

CMYK 86 / 0 / 34 / 42

HEX #159563

RGB 21 149 99

HSL 156.56, 0.75%, 0.33%

LAB 54.61, -44.72, 17.41

 

CMYK 60 / 0 / 21 / 13

HEX #59DDAF

RGB 89 221 175

HSL 159.09, 0.66%, 0.61%

LAB 80.14, -46.99, 11.92

 

CMYK 60 / 0 / 37 / 13

HEX #59DD8C

RGB 89 221 140

HSL 143.18, 0.66%, 0.61%

LAB 79.46, -54.08, 29.25

 

CMYK 60 / 0 / 53 / 13

HEX #59DD68

RGB 89 221 104

HSL 126.82, 0.66%, 0.61%

LAB 78.95, -59.71, 46.4

 

CMYK 50 / 0 / 60 / 13

HEX #6EDD59

RGB 110 221 89

HSL 110.45, 0.66%, 0.61%

LAB 79.47, -56.26, 54

 

CMYK 34 / 0 / 60 / 13

HEX #91DD59

RGB 145 221 89

HSL 94.55, 0.66%, 0.61%

LAB 80.99, -45.45, 56.13

 

CMYK 60 / 0 / 21 / 13

HEX #59DDAF

RGB 89 221 175

HSL 159.09, 0.66%, 0.61%

LAB 80.14, -46.99, 11.92

 

CMYK 60 / 0 / 5 / 13

HEX #59DDD2

RGB 89 221 210

HSL 175, 0.66%, 0.61%

LAB 81.01, -38.5, -5.41

 

CMYK 60 / 11 / 0 / 13

HEX #59C4DD

RGB 89 196 221

HSL 191.36, 0.66%, 0.61%

LAB 74.08, -23.47, -21.72

 

CMYK 60 / 28 / 0 / 13

HEX #59A0DD

RGB 89 160 221

HSL 207.73, 0.66%, 0.61%

LAB 63.74, -4.26, -37.65

 

CMYK 60 / 43 / 0 / 13

HEX #597DDD

RGB 89 125 221

HSL 223.64, 0.66%, 0.61%

LAB 54.04, 16.34, -52.97

 

CMYK 60 / 0 / 21 / 13

HEX #59DDAF

RGB 89 221 175

HSL 159.09, 0.66%, 0.61%

LAB 80.14, -46.99, 11.92

 

CMYK 69 / 0 / 24 / 7

HEX #49EDB4

RGB 73 237 180

HSL 159.15, 0.82%, 0.61%

LAB 84.63, -55.12, 15.57

 

CMYK 77 / 0 / 27 / 1

HEX #39FDB9

RGB 57 253 185

HSL 159.18, 0.98%, 0.61%

LAB 89.22, -62.18, 19.37

 

CMYK 60 / 0 / 21 / 13

HEX #59DDAF

RGB 89 221 175

HSL 159.09, 0.66%, 0.61%

LAB 80.14, -46.99, 11.92

 

CMYK 48 / 0 / 17 / 20

HEX #6ACDAA

RGB 106 205 170

HSL 158.79, 0.5%, 0.61%

LAB 75.84, -37.38, 8.53

 

CMYK 35 / 0 / 13 / 26

HEX #7ABDA5

RGB 122 189 165

HSL 158.51, 0.34%, 0.61%

LAB 71.72, -26.64, 5.42

 

CMYK 20 / 0 / 7 / 33

HEX #8AACA0

RGB 138 172 160

HSL 158.82, 0.17%, 0.61%

LAB 67.61, -14.09, 2.34

 

CMYK 1 / 0 / 1 / 39

HEX #9A9C9B

RGB 154 156 155

HSL 150, 0.01%, 0.61%

LAB 64.17, -0.91, 0.26

 

CMYK 60 / 0 / 52 / 13

HEX #59DD69

RGB 89 221 105

HSL 127.27, 0.66%, 0.61%

LAB 78.96, -59.57, 45.94

 

CMYK 60 / 0 / 37 / 13

HEX #59DD8C

RGB 89 221 140

HSL 143.18, 0.66%, 0.61%

LAB 79.46, -54.08, 29.25

 

CMYK 60 / 0 / 21 / 13

HEX #59DDAF

RGB 89 221 175

HSL 159.09, 0.66%, 0.61%

LAB 80.14, -46.99, 11.92

 

CMYK 60 / 0 / 5 / 13

HEX #59DDD2

RGB 89 221 210

HSL 175, 0.66%, 0.61%

LAB 81.01, -38.5, -5.41

 

CMYK 60 / 11 / 0 / 13

HEX #59C5DD

RGB 89 197 221

HSL 190.91, 0.66%, 0.61%

LAB 74.37, -23.98, -21.28

 

CMYK 80 / 0 / 28 / 26

HEX #26BD89

RGB 38 189 137

HSL 159.34, 0.67%, 0.45%

LAB 68.47, -50.22, 15.67

 

CMYK 74 / 0 / 26 / 16

HEX #37D69E

RGB 55 214 158

HSL 158.87, 0.66%, 0.53%

LAB 76.9, -53.37, 16.24

 

CMYK 60 / 0 / 21 / 13

HEX #59DDAF

RGB 89 221 175

HSL 159.09, 0.66%, 0.61%

LAB 80.14, -46.99, 11.92

 

CMYK 46 / 0 / 16 / 11

HEX #7CE4BF

RGB 124 228 191

HSL 158.65, 0.66%, 0.69%

LAB 83.72, -38.82, 8.74

 

CMYK 33 / 0 / 11 / 8

HEX #9EEBD0

RGB 158 235 208

HSL 158.96, 0.66%, 0.77%

LAB 87.6, -29.41, 5.59

 

CMYK 60 / 0 / 21 / 13

HEX #59DDAF

RGB 89 221 175

HSL 159.09, 0.66%, 0.61%

LAB 80.14, -46.99, 11.92

 

CMYK 60 / 51 / 0 / 13

HEX #596DDD

RGB 89 109 221

HSL 230.91, 0.66%, 0.61%

LAB 49.84, 26.17, -59.71

 

CMYK 0 / 45 / 60 / 13

HEX #DD7A59

RGB 221 122 89

HSL 15, 0.66%, 0.61%

LAB 61.66, 35.45, 34.89

 

CMYK 60 / 0 / 21 / 13

HEX #59DDAF

RGB 89 221 175

HSL 159.09, 0.66%, 0.61%

LAB 80.14, -46.99, 11.92

 

CMYK 21 / 60 / 0 / 13

HEX #AF59DD

RGB 175 89 221

HSL 279.09, 0.66%, 0.61%

LAB 53.47, 56.55, -53.45

 

CMYK 0 / 21 / 60 / 13

HEX #DDAF59

RGB 221 175 89

HSL 39.09, 0.66%, 0.61%

LAB 74.03, 7.19, 49.69

 

CMYK 60 / 0 / 21 / 13

HEX #59DDAF

RGB 89 221 175

HSL 159.09, 0.66%, 0.61%

LAB 80.14, -46.99, 11.92

 

CMYK 60 / 51 / 0 / 13

HEX #596DDD

RGB 89 109 221

HSL 230.91, 0.66%, 0.61%

LAB 49.84, 26.17, -59.71

 

CMYK 0 / 60 / 39 / 13

HEX #DD5987

RGB 221 89 135

HSL 339.09, 0.66%, 0.61%

LAB 56.35, 55.71, 1.28

 

CMYK 0 / 9 / 60 / 13

HEX #DDC959

RGB 221 201 89

HSL 50.91, 0.66%, 0.61%

LAB 80.66, -6.39, 57.2

 

CMYK 60 / 0 / 21 / 13

HEX #59DDAF

RGB 89 221 175

HSL 159.09, 0.66%, 0.61%

LAB 80.14, -46.99, 11.92

 

CMYK 51 / 60 / 0 / 13

HEX #6D59DD

RGB 109 89 221

HSL 249.09, 0.66%, 0.61%

LAB 46.47, 42.01, -65.09

 

CMYK 0 / 60 / 39 / 13

HEX #DD5987

RGB 221 89 135

HSL 339.09, 0.66%, 0.61%

LAB 56.35, 55.71, 1.28

 

CMYK 9 / 0 / 60 / 13

HEX #C9DD59

RGB 201 221 89

HSL 69.09, 0.66%, 0.61%

LAB 84.41, -24.52, 60.88

 

Description

Color code: RGB 89 221 175 | qconv.com Color code: RGB 89 221 175 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 221 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 221 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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