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Color name
RGB 89 215 40

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 215 40 it is the complementary color RGB 166 40 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 215 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 215 40 shade: RGB 94 215 35, RGB 111 233 54, RGB 128 251 73, RGB 145 255 92 and RGB 162 255 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 215 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 215 40 shade: RGB 89 215 40, RGB 72 197 21, RGB 55 179 2, RGB 38 161 0 and RGB 21 143 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 215 40 shade: RGB 88 215 39, RGB 136 215 39, RGB 183 215 39, RGB 215 199 39 and RGB 215 152 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 215 40 shade: RGB 88 215 39, RGB 41 215 39, RGB 39 215 85, RGB 39 215 132 and RGB 39 215 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 215 40 shade matches the following richer shades: RGB 88 215 39 and RGB 79 236 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 215 40 shade: RGB 88 215 39, RGB 97 194 60, RGB 106 174 80, RGB 116 153 101 and RGB 125 132 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 215 40 shade: RGB 183 215 39, RGB 136 215 39, RGB 89 215 39, RGB 42 215 39 and RGB 39 215 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 215 40 shade: RGB 60 145 26, RGB 74 180 33, RGB 88 215 39, RGB 115 221 74 and RGB 142 228 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 215 40 shade: RGB 89 215 40, RGB 39 215 200 and RGB 215 39 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 215 40 shade: RGB 89 215 40, RGB 39 89 215 and RGB 215 39 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 215 40 shade: RGB 89 215 40, RGB 39 215 200, RGB 165 39 215 and RGB 215 39 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 215 40 shade: RGB 89 215 40, RGB 39 177 215, RGB 165 39 215 and RGB 215 77 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 81 / 16

HEX #59D728

RGB 89 215 40

HSL 103.2, 0.69%, 0.5%

LAB 76.61, -63.32, 68.51

 

Complementary color

CMYK 23 / 81 / 0 / 16

HEX #A628D7

RGB 166 40 215

HSL 283.2, 0.69%, 0.5%

LAB 44.98, 72.77, -63.75

 

CMYK 56 / 0 / 84 / 16

HEX #5ED723

RGB 94 215 35

HSL 100.33, 0.72%, 0.49%

LAB 76.74, -62.29, 69.92

 

CMYK 52 / 0 / 77 / 9

HEX #6FE936

RGB 111 233 54

HSL 100.89, 0.8%, 0.56%

LAB 82.87, -63.21, 70.68

 

CMYK 49 / 0 / 71 / 2

HEX #80FB49

RGB 128 251 73

HSL 101.46, 0.96%, 0.64%

LAB 88.95, -63.84, 70.68

 

CMYK 43 / 0 / 64 / 0

HEX #91FF5C

RGB 145 255 92

HSL 100.49, 1%, 0.68%

LAB 90.92, -58.95, 65.86

 

CMYK 36 / 0 / 56 / 0

HEX #A2FF6F

RGB 162 255 111

HSL 98.75, 1%, 0.72%

LAB 91.84, -51.92, 59.17

 

CMYK 59 / 0 / 81 / 16

HEX #59D728

RGB 89 215 40

HSL 103.2, 0.69%, 0.5%

LAB 76.61, -63.32, 68.51

 

CMYK 63 / 0 / 89 / 23

HEX #48C515

RGB 72 197 21

HSL 102.61, 0.81%, 0.43%

LAB 70.43, -61.99, 67.06

 

CMYK 69 / 0 / 99 / 30

HEX #37B302

RGB 55 179 2

HSL 102.03, 0.98%, 0.35%

LAB 64.21, -60.16, 64.33

 

CMYK 76 / 0 / 100 / 37

HEX #26A100

RGB 38 161 0

HSL 105.84, 1%, 0.32%

LAB 57.94, -57.56, 59.46

 

CMYK 85 / 0 / 100 / 44

HEX #158F00

RGB 21 143 0

HSL 111.19, 1%, 0.28%

LAB 51.62, -54.37, 54.29

 

CMYK 59 / 0 / 82 / 16

HEX #58D727

RGB 88 215 39

HSL 103.3, 0.69%, 0.5%

LAB 76.57, -63.61, 68.72

 

CMYK 37 / 0 / 82 / 16

HEX #88D727

RGB 136 215 39

HSL 86.93, 0.69%, 0.5%

LAB 78.45, -49.35, 71.12

 

CMYK 15 / 0 / 82 / 16

HEX #B7D727

RGB 183 215 39

HSL 70.91, 0.69%, 0.5%

LAB 81.19, -31.56, 74.58

 

CMYK 0 / 7 / 82 / 16

HEX #D7C727

RGB 215 199 39

HSL 54.55, 0.69%, 0.5%

LAB 79.29, -10.34, 73.92

 

CMYK 0 / 29 / 82 / 16

HEX #D79827

RGB 215 152 39

HSL 38.52, 0.69%, 0.5%

LAB 67.31, 14.39, 63.59

 

CMYK 59 / 0 / 82 / 16

HEX #58D727

RGB 88 215 39

HSL 103.3, 0.69%, 0.5%

LAB 76.57, -63.61, 68.72

 

CMYK 81 / 0 / 82 / 16

HEX #29D727

RGB 41 215 39

HSL 119.32, 0.69%, 0.5%

LAB 75.59, -71.95, 67.46

 

CMYK 82 / 0 / 60 / 16

HEX #27D755

RGB 39 215 85

HSL 135.68, 0.69%, 0.5%

LAB 75.88, -68.25, 51.19

 

CMYK 82 / 0 / 39 / 16

HEX #27D784

RGB 39 215 132

HSL 151.7, 0.69%, 0.5%

LAB 76.5, -60.92, 29.23

 

CMYK 82 / 0 / 16 / 16

HEX #27D7B4

RGB 39 215 180

HSL 168.07, 0.69%, 0.5%

LAB 77.48, -50.17, 5.32

 

CMYK 59 / 0 / 82 / 16

HEX #58D727

RGB 88 215 39

HSL 103.3, 0.69%, 0.5%

LAB 76.57, -63.61, 68.72

 

CMYK 67 / 0 / 92 / 7

HEX #4FEC12

RGB 79 236 18

HSL 103.21, 0.86%, 0.5%

LAB 82.75, -73.07, 77.9

 

CMYK 59 / 0 / 82 / 16

HEX #58D727

RGB 88 215 39

HSL 103.3, 0.69%, 0.5%

LAB 76.57, -63.61, 68.72

 

CMYK 50 / 0 / 69 / 24

HEX #61C23C

RGB 97 194 60

HSL 103.43, 0.53%, 0.5%

LAB 70.49, -52.29, 56.1

 

CMYK 39 / 0 / 54 / 32

HEX #6AAE50

RGB 106 174 80

HSL 103.4, 0.37%, 0.5%

LAB 64.9, -39.26, 41.12

 

CMYK 24 / 0 / 34 / 40

HEX #749965

RGB 116 153 101

HSL 102.69, 0.2%, 0.5%

LAB 59.37, -22.9, 23.32

 

CMYK 5 / 0 / 8 / 48

HEX #7D847A

RGB 125 132 122

HSL 102, 0.04%, 0.5%

LAB 54.31, -4.57, 4.5

 

CMYK 15 / 0 / 82 / 16

HEX #B7D727

RGB 183 215 39

HSL 70.91, 0.69%, 0.5%

LAB 81.19, -31.56, 74.58

 

CMYK 37 / 0 / 82 / 16

HEX #88D727

RGB 136 215 39

HSL 86.93, 0.69%, 0.5%

LAB 78.45, -49.35, 71.12

 

CMYK 59 / 0 / 82 / 16

HEX #59D727

RGB 89 215 39

HSL 102.95, 0.69%, 0.5%

LAB 76.6, -63.36, 68.76

 

CMYK 80 / 0 / 82 / 16

HEX #2AD727

RGB 42 215 39

HSL 118.98, 0.69%, 0.5%

LAB 75.6, -71.84, 67.48

 

CMYK 82 / 0 / 61 / 16

HEX #27D753

RGB 39 215 83

HSL 135, 0.69%, 0.5%

LAB 75.86, -68.48, 52.05

 

CMYK 59 / 0 / 82 / 43

HEX #3C911A

RGB 60 145 26

HSL 102.86, 0.7%, 0.34%

LAB 53.26, -46.49, 50.55

 

CMYK 59 / 0 / 82 / 29

HEX #4AB421

RGB 74 180 33

HSL 103.27, 0.69%, 0.42%

LAB 65.13, -55.2, 59.69

 

CMYK 59 / 0 / 82 / 16

HEX #58D727

RGB 88 215 39

HSL 103.3, 0.69%, 0.5%

LAB 76.57, -63.61, 68.72

 

CMYK 48 / 0 / 67 / 13

HEX #73DD4A

RGB 115 221 74

HSL 103.27, 0.68%, 0.58%

LAB 79.53, -56.26, 60.37

 

CMYK 38 / 0 / 52 / 11

HEX #8EE46D

RGB 142 228 109

HSL 103.36, 0.69%, 0.66%

LAB 83.09, -47.33, 49.53

 

CMYK 59 / 0 / 81 / 16

HEX #59D728

RGB 89 215 40

HSL 103.2, 0.69%, 0.5%

LAB 76.61, -63.32, 68.51

 

CMYK 82 / 0 / 7 / 16

HEX #27D7C8

RGB 39 215 200

HSL 174.89, 0.69%, 0.5%

LAB 77.99, -44.86, -4.63

 

CMYK 0 / 82 / 26 / 16

HEX #D7279F

RGB 215 39 159

HSL 319.09, 0.69%, 0.5%

LAB 49.98, 74.02, -22.6

 

CMYK 59 / 0 / 81 / 16

HEX #59D728

RGB 89 215 40

HSL 103.2, 0.69%, 0.5%

LAB 76.61, -63.32, 68.51

 

CMYK 82 / 59 / 0 / 16

HEX #2759D7

RGB 39 89 215

HSL 222.95, 0.69%, 0.5%

LAB 41.97, 30.02, -69.15

 

CMYK 0 / 82 / 59 / 16

HEX #D72759

RGB 215 39 89

HSL 342.95, 0.69%, 0.5%

LAB 47.78, 67.61, 16.67

 

CMYK 59 / 0 / 81 / 16

HEX #59D728

RGB 89 215 40

HSL 103.2, 0.69%, 0.5%

LAB 76.61, -63.32, 68.51

 

CMYK 82 / 0 / 7 / 16

HEX #27D7C8

RGB 39 215 200

HSL 174.89, 0.69%, 0.5%

LAB 77.99, -44.86, -4.63

 

CMYK 23 / 82 / 0 / 16

HEX #A527D7

RGB 165 39 215

HSL 282.95, 0.69%, 0.5%

LAB 44.74, 72.88, -64.16

 

CMYK 0 / 82 / 75 / 16

HEX #D72736

RGB 215 39 54

HSL 354.89, 0.69%, 0.5%

LAB 47.19, 65.84, 37.04

 

CMYK 59 / 0 / 81 / 16

HEX #59D728

RGB 89 215 40

HSL 103.2, 0.69%, 0.5%

LAB 76.61, -63.32, 68.51

 

CMYK 82 / 18 / 0 / 16

HEX #27B1D7

RGB 39 177 215

HSL 192.95, 0.69%, 0.5%

LAB 67.11, -22.32, -29.21

 

CMYK 23 / 82 / 0 / 16

HEX #A527D7

RGB 165 39 215

HSL 282.95, 0.69%, 0.5%

LAB 44.74, 72.88, -64.16

 

CMYK 0 / 64 / 82 / 16

HEX #D74D27

RGB 215 77 39

HSL 12.95, 0.69%, 0.5%

LAB 51.73, 52.42, 49.6

 

Description

Color code: RGB 89 215 40 | qconv.com Color code: RGB 89 215 40 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 215 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 215 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 81 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 81% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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