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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 199 161 it is the complementary color RGB 166 56 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 199 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 199 161 shade: RGB 94 199 156, RGB 111 217 175, RGB 128 235 194, RGB 145 253 213 and RGB 162 255 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 199 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 199 161 shade: RGB 89 199 161, RGB 72 181 142, RGB 55 163 123, RGB 38 145 104 and RGB 21 127 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 199 161 shade: RGB 86 198 160, RGB 86 198 129, RGB 86 198 99, RGB 104 198 86 and RGB 134 198 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 199 161 shade: RGB 86 198 160, RGB 86 198 190, RGB 86 177 198, RGB 86 146 198 and RGB 86 116 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 199 161 shade matches the following richer shades: RGB 86 198 160, RGB 68 217 165, RGB 50 235 171 and RGB 32 253 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 199 161 shade: RGB 86 198 160, RGB 104 180 154, RGB 123 162 148, RGB 141 144 143 and RGB 159 126 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 199 161 shade: RGB 86 198 99, RGB 86 198 129, RGB 86 198 159, RGB 86 198 189 and RGB 86 178 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 199 161 shade: RGB 50 152 117, RGB 61 183 141, RGB 86 198 160, RGB 117 209 177 and RGB 148 219 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 199 161 shade: RGB 89 199 161, RGB 86 103 198 and RGB 198 114 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 199 161 shade: RGB 89 199 161, RGB 159 86 198 and RGB 198 159 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 199 161 shade: RGB 89 199 161, RGB 86 103 198, RGB 198 86 125 and RGB 198 182 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 199 161 shade: RGB 89 199 161, RGB 103 86 198, RGB 198 86 125 and RGB 182 198 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 19 / 22

HEX #59C7A1

RGB 89 199 161

HSL 159.27, 0.5%, 0.56%

LAB 73.25, -40.61, 9.6

 

Complementary color

CMYK 0 / 66 / 43 / 35

HEX #A6385E

RGB 166 56 94

HSL 339.27, 0.5%, 0.44%

LAB 40.81, 48.32, 2.46

 

CMYK 53 / 0 / 22 / 22

HEX #5EC79C

RGB 94 199 156

HSL 155.43, 0.48%, 0.57%

LAB 73.3, -40.6, 12.39

 

CMYK 49 / 0 / 19 / 15

HEX #6FD9AF

RGB 111 217 175

HSL 156.23, 0.58%, 0.64%

LAB 79.67, -40.49, 11.35

 

CMYK 46 / 0 / 17 / 8

HEX #80EBC2

RGB 128 235 194

HSL 157.01, 0.73%, 0.71%

LAB 85.96, -40.34, 10.38

 

CMYK 43 / 0 / 16 / 1

HEX #91FDD5

RGB 145 253 213

HSL 157.78, 0.96%, 0.78%

LAB 92.16, -40.16, 9.47

 

CMYK 36 / 0 / 9 / 0

HEX #A2FFE8

RGB 162 255 232

HSL 165.16, 1%, 0.82%

LAB 93.89, -32.66, 2.25

 

CMYK 55 / 0 / 19 / 22

HEX #59C7A1

RGB 89 199 161

HSL 159.27, 0.5%, 0.56%

LAB 73.25, -40.61, 9.6

 

CMYK 60 / 0 / 22 / 29

HEX #48B58E

RGB 72 181 142

HSL 158.53, 0.43%, 0.5%

LAB 66.81, -40.56, 10.72

 

CMYK 66 / 0 / 25 / 36

HEX #37A37B

RGB 55 163 123

HSL 157.78, 0.5%, 0.43%

LAB 60.28, -40.35, 11.95

 

CMYK 74 / 0 / 28 / 43

HEX #269168

RGB 38 145 104

HSL 157.01, 0.58%, 0.36%

LAB 53.67, -39.91, 13.34

 

CMYK 83 / 0 / 33 / 50

HEX #157F55

RGB 21 127 85

HSL 156.23, 0.72%, 0.29%

LAB 46.97, -39.06, 14.91

 

CMYK 57 / 0 / 19 / 22

HEX #56C6A0

RGB 86 198 160

HSL 159.64, 0.5%, 0.56%

LAB 72.83, -41.03, 9.53

 

CMYK 57 / 0 / 35 / 22

HEX #56C681

RGB 86 198 129

HSL 143.04, 0.5%, 0.56%

LAB 72.2, -47.49, 25.22

 

CMYK 57 / 0 / 50 / 22

HEX #56C663

RGB 86 198 99

HSL 126.96, 0.5%, 0.56%

LAB 71.74, -52.42, 39.96

 

CMYK 47 / 0 / 57 / 22

HEX #68C656

RGB 104 198 86

HSL 110.36, 0.5%, 0.56%

LAB 72.23, -49.27, 46.93

 

CMYK 32 / 0 / 57 / 22

HEX #86C656

RGB 134 198 86

HSL 94.29, 0.5%, 0.56%

LAB 73.63, -39.57, 48.91

 

CMYK 57 / 0 / 19 / 22

HEX #56C6A0

RGB 86 198 160

HSL 159.64, 0.5%, 0.56%

LAB 72.83, -41.03, 9.53

 

CMYK 57 / 0 / 4 / 22

HEX #56C6BE

RGB 86 198 190

HSL 175.71, 0.5%, 0.56%

LAB 73.6, -33.63, -5.62

 

CMYK 57 / 11 / 0 / 22

HEX #56B1C6

RGB 86 177 198

HSL 191.25, 0.5%, 0.56%

LAB 67.65, -21.07, -18.92

 

CMYK 57 / 26 / 0 / 22

HEX #5692C6

RGB 86 146 198

HSL 207.86, 0.5%, 0.56%

LAB 58.61, -4.23, -32.81

 

CMYK 57 / 41 / 0 / 22

HEX #5674C6

RGB 86 116 198

HSL 223.93, 0.5%, 0.56%

LAB 50.15, 13.62, -46.13

 

CMYK 57 / 0 / 19 / 22

HEX #56C6A0

RGB 86 198 160

HSL 159.64, 0.5%, 0.56%

LAB 72.83, -41.03, 9.53

 

CMYK 69 / 0 / 24 / 15

HEX #44D9A5

RGB 68 217 165

HSL 159.06, 0.66%, 0.56%

LAB 78.21, -51.19, 14.41

 

CMYK 79 / 0 / 27 / 8

HEX #32EBAB

RGB 50 235 171

HSL 159.24, 0.82%, 0.56%

LAB 83.46, -59.16, 18.56

 

CMYK 87 / 0 / 30 / 1

HEX #20FDB0

RGB 32 253 176

HSL 159.1, 0.98%, 0.56%

LAB 88.78, -66.14, 23.32

 

CMYK 57 / 0 / 19 / 22

HEX #56C6A0

RGB 86 198 160

HSL 159.64, 0.5%, 0.56%

LAB 72.83, -41.03, 9.53

 

CMYK 42 / 0 / 14 / 29

HEX #68B49A

RGB 104 180 154

HSL 159.47, 0.34%, 0.56%

LAB 67.96, -29.75, 5.92

 

CMYK 24 / 0 / 9 / 36

HEX #7BA294

RGB 123 162 148

HSL 158.46, 0.17%, 0.56%

LAB 63.5, -16.3, 2.95

 

CMYK 2 / 0 / 1 / 44

HEX #8D908F

RGB 141 144 143

HSL 160, 0.01%, 0.56%

LAB 59.52, -1.29, 0.14

 

CMYK 0 / 21 / 14 / 38

HEX #9F7E89

RGB 159 126 137

HSL 340, 0.15%, 0.56%

LAB 56.19, 14.56, -1.09

 

CMYK 57 / 0 / 50 / 22

HEX #56C663

RGB 86 198 99

HSL 126.96, 0.5%, 0.56%

LAB 71.74, -52.42, 39.96

 

CMYK 57 / 0 / 35 / 22

HEX #56C681

RGB 86 198 129

HSL 143.04, 0.5%, 0.56%

LAB 72.2, -47.49, 25.22

 

CMYK 57 / 0 / 20 / 22

HEX #56C69F

RGB 86 198 159

HSL 159.11, 0.5%, 0.56%

LAB 72.81, -41.26, 10.04

 

CMYK 57 / 0 / 5 / 22

HEX #56C6BD

RGB 86 198 189

HSL 175.18, 0.5%, 0.56%

LAB 73.57, -33.9, -5.12

 

CMYK 57 / 10 / 0 / 22

HEX #56B2C6

RGB 86 178 198

HSL 190.71, 0.5%, 0.56%

LAB 67.94, -21.58, -18.47

 

CMYK 67 / 0 / 23 / 40

HEX #329875

RGB 50 152 117

HSL 159.41, 0.5%, 0.4%

LAB 56.5, -37.86, 9.98

 

CMYK 67 / 0 / 23 / 28

HEX #3DB78D

RGB 61 183 141

HSL 159.34, 0.5%, 0.48%

LAB 67.11, -43.69, 11.65

 

CMYK 57 / 0 / 19 / 22

HEX #56C6A0

RGB 86 198 160

HSL 159.64, 0.5%, 0.56%

LAB 72.83, -41.03, 9.53

 

CMYK 44 / 0 / 15 / 18

HEX #75D1B1

RGB 117 209 177

HSL 159.13, 0.5%, 0.64%

LAB 77.61, -34.93, 7.38

 

CMYK 32 / 0 / 11 / 14

HEX #94DBC3

RGB 148 219 195

HSL 159.72, 0.5%, 0.72%

LAB 82.32, -27.32, 4.75

 

CMYK 55 / 0 / 19 / 22

HEX #59C7A1

RGB 89 199 161

HSL 159.27, 0.5%, 0.56%

LAB 73.25, -40.61, 9.6

 

CMYK 57 / 48 / 0 / 22

HEX #5667C6

RGB 86 103 198

HSL 230.89, 0.5%, 0.56%

LAB 46.65, 21.69, -51.71

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 55 / 0 / 19 / 22

HEX #59C7A1

RGB 89 199 161

HSL 159.27, 0.5%, 0.56%

LAB 73.25, -40.61, 9.6

 

CMYK 20 / 57 / 0 / 22

HEX #9F56C6

RGB 159 86 198

HSL 279.11, 0.5%, 0.56%

LAB 49.62, 49.12, -46.58

 

CMYK 0 / 20 / 57 / 22

HEX #C69F56

RGB 198 159 86

HSL 39.11, 0.5%, 0.56%

LAB 67.63, 5.81, 43.08

 

CMYK 55 / 0 / 19 / 22

HEX #59C7A1

RGB 89 199 161

HSL 159.27, 0.5%, 0.56%

LAB 73.25, -40.61, 9.6

 

CMYK 57 / 48 / 0 / 22

HEX #5667C6

RGB 86 103 198

HSL 230.89, 0.5%, 0.56%

LAB 46.65, 21.69, -51.71

 

CMYK 0 / 57 / 37 / 22

HEX #C6567D

RGB 198 86 125

HSL 339.11, 0.5%, 0.56%

LAB 52, 48.54, 0.43

 

CMYK 0 / 8 / 57 / 22

HEX #C6B656

RGB 198 182 86

HSL 51.43, 0.5%, 0.56%

LAB 73.63, -6.43, 50.08

 

CMYK 55 / 0 / 19 / 22

HEX #59C7A1

RGB 89 199 161

HSL 159.27, 0.5%, 0.56%

LAB 73.25, -40.61, 9.6

 

CMYK 48 / 57 / 0 / 22

HEX #6756C6

RGB 103 86 198

HSL 249.11, 0.5%, 0.56%

LAB 43.68, 35.71, -56.43

 

CMYK 0 / 57 / 37 / 22

HEX #C6567D

RGB 198 86 125

HSL 339.11, 0.5%, 0.56%

LAB 52, 48.54, 0.43

 

CMYK 8 / 0 / 57 / 22

HEX #B6C656

RGB 182 198 86

HSL 68.57, 0.5%, 0.56%

LAB 76.68, -21.19, 53.21

 

Description

Color code: RGB 89 199 161 | qconv.com Color code: RGB 89 199 161 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 199 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 199 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 19 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 19% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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