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Color name
RGB 89 196 104

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 196 104 it is the complementary color RGB 166 59 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 196 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 196 104 shade: RGB 94 196 99, RGB 111 214 118, RGB 128 232 137, RGB 145 250 156 and RGB 162 255 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 196 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 196 104 shade: RGB 89 196 104, RGB 72 178 85, RGB 55 160 66, RGB 38 142 47 and RGB 21 124 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 196 104 shade: RGB 88 196 104, RGB 102 196 88, RGB 131 196 88, RGB 160 196 88 and RGB 190 196 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 196 104 shade: RGB 88 196 104, RGB 88 196 133, RGB 88 196 162, RGB 88 196 191 and RGB 88 173 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 196 104 shade matches the following richer shades: RGB 88 196 104, RGB 70 214 90, RGB 52 232 77 and RGB 34 251 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 196 104 shade: RGB 88 196 104, RGB 107 178 117, RGB 125 160 130, RGB 143 142 143 and RGB 161 124 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 196 104 shade: RGB 132 196 88, RGB 103 196 88, RGB 88 196 103, RGB 88 196 132 and RGB 88 196 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 196 104 shade: RGB 52 150 66, RGB 63 180 79, RGB 88 196 104, RGB 119 207 131 and RGB 150 218 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 196 104 shade: RGB 89 196 104, RGB 88 160 196 and RGB 196 88 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 196 104 shade: RGB 89 196 104, RGB 103 88 196 and RGB 196 103 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 196 104 shade: RGB 89 196 104, RGB 88 160 196, RGB 196 88 182 and RGB 196 124 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 196 104 shade: RGB 89 196 104, RGB 88 128 196, RGB 196 88 182 and RGB 196 157 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 47 / 23

HEX #59C468

RGB 89 196 104

HSL 128.41, 0.48%, 0.56%

LAB 71.28, -50.17, 36.93

 

Complementary color

CMYK 0 / 64 / 9 / 35

HEX #A63B97

RGB 166 59 151

HSL 308.41, 0.48%, 0.44%

LAB 43.46, 54.71, -28.59

 

CMYK 52 / 0 / 49 / 23

HEX #5EC463

RGB 94 196 99

HSL 122.94, 0.46%, 0.57%

LAB 71.39, -49.6, 39.59

 

CMYK 48 / 0 / 45 / 16

HEX #6FD676

RGB 111 214 118

HSL 124.08, 0.56%, 0.64%

LAB 77.75, -49.58, 38.28

 

CMYK 45 / 0 / 41 / 9

HEX #80E889

RGB 128 232 137

HSL 125.19, 0.69%, 0.71%

LAB 84.02, -49.47, 37.01

 

CMYK 42 / 0 / 38 / 2

HEX #91FA9C

RGB 145 250 156

HSL 126.29, 0.91%, 0.77%

LAB 90.23, -49.29, 35.8

 

CMYK 36 / 0 / 31 / 0

HEX #A2FFAF

RGB 162 255 175

HSL 128.39, 1%, 0.82%

LAB 92.71, -43.49, 29.74

 

CMYK 55 / 0 / 47 / 23

HEX #59C468

RGB 89 196 104

HSL 128.41, 0.48%, 0.56%

LAB 71.28, -50.17, 36.93

 

CMYK 60 / 0 / 52 / 30

HEX #48B255

RGB 72 178 85

HSL 127.36, 0.42%, 0.49%

LAB 64.86, -50, 38.31

 

CMYK 66 / 0 / 59 / 37

HEX #37A042

RGB 55 160 66

HSL 126.29, 0.49%, 0.42%

LAB 58.37, -49.56, 39.69

 

CMYK 73 / 0 / 67 / 44

HEX #268E2F

RGB 38 142 47

HSL 125.19, 0.58%, 0.35%

LAB 51.8, -48.67, 40.94

 

CMYK 83 / 0 / 77 / 51

HEX #157C1C

RGB 21 124 28

HSL 124.08, 0.71%, 0.28%

LAB 45.16, -47.04, 41.74

 

CMYK 55 / 0 / 47 / 23

HEX #58C468

RGB 88 196 104

HSL 128.89, 0.48%, 0.56%

LAB 71.25, -50.42, 36.88

 

CMYK 48 / 0 / 55 / 23

HEX #66C458

RGB 102 196 88

HSL 112.22, 0.48%, 0.56%

LAB 71.56, -48.81, 45.18

 

CMYK 33 / 0 / 55 / 23

HEX #83C458

RGB 131 196 88

HSL 96.11, 0.48%, 0.56%

LAB 72.9, -39.52, 47.09

 

CMYK 18 / 0 / 55 / 23

HEX #A0C458

RGB 160 196 88

HSL 80, 0.48%, 0.56%

LAB 74.61, -28.8, 49.52

 

CMYK 3 / 0 / 55 / 23

HEX #BEC458

RGB 190 196 88

HSL 63.33, 0.48%, 0.56%

LAB 76.76, -16.77, 52.55

 

CMYK 55 / 0 / 47 / 23

HEX #58C468

RGB 88 196 104

HSL 128.89, 0.48%, 0.56%

LAB 71.25, -50.42, 36.88

 

CMYK 55 / 0 / 32 / 23

HEX #58C485

RGB 88 196 133

HSL 145, 0.48%, 0.56%

LAB 71.72, -45.43, 22.47

 

CMYK 55 / 0 / 17 / 23

HEX #58C4A2

RGB 88 196 162

HSL 161.11, 0.48%, 0.56%

LAB 72.34, -39.25, 7.75

 

CMYK 55 / 0 / 3 / 23

HEX #58C4BF

RGB 88 196 191

HSL 177.22, 0.48%, 0.56%

LAB 73.1, -32.03, -6.9

 

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

CMYK 55 / 0 / 47 / 23

HEX #58C468

RGB 88 196 104

HSL 128.89, 0.48%, 0.56%

LAB 71.25, -50.42, 36.88

 

CMYK 67 / 0 / 58 / 16

HEX #46D65A

RGB 70 214 90

HSL 128.33, 0.64%, 0.56%

LAB 76.15, -62.86, 49.42

 

CMYK 78 / 0 / 67 / 9

HEX #34E84D

RGB 52 232 77

HSL 128.33, 0.8%, 0.56%

LAB 81.28, -72.89, 60.58

 

CMYK 86 / 0 / 75 / 2

HEX #22FB40

RGB 34 251 64

HSL 128.29, 0.96%, 0.56%

LAB 86.85, -81.29, 70.91

 

CMYK 55 / 0 / 47 / 23

HEX #58C468

RGB 88 196 104

HSL 128.89, 0.48%, 0.56%

LAB 71.25, -50.42, 36.88

 

CMYK 40 / 0 / 34 / 30

HEX #6BB275

RGB 107 178 117

HSL 128.45, 0.32%, 0.56%

LAB 66.71, -35.33, 24.37

 

CMYK 22 / 0 / 19 / 37

HEX #7DA082

RGB 125 160 130

HSL 128.57, 0.16%, 0.56%

LAB 62.6, -18.2, 11.76

 

CMYK 0 / 1 / 0 / 44

HEX #8F8E8F

RGB 143 142 143

HSL 300, 0%, 0.56%

LAB 59.13, 0.57, -0.41

 

CMYK 0 / 23 / 3 / 37

HEX #A17C9C

RGB 161 124 156

HSL 308.11, 0.16%, 0.56%

LAB 56.48, 19.91, -11.63

 

CMYK 33 / 0 / 55 / 23

HEX #84C458

RGB 132 196 88

HSL 95.56, 0.48%, 0.56%

LAB 72.95, -39.17, 47.17

 

CMYK 47 / 0 / 55 / 23

HEX #67C458

RGB 103 196 88

HSL 111.67, 0.48%, 0.56%

LAB 71.6, -48.52, 45.24

 

CMYK 55 / 0 / 47 / 23

HEX #58C467

RGB 88 196 103

HSL 128.33, 0.48%, 0.56%

LAB 71.24, -50.57, 37.37

 

CMYK 55 / 0 / 33 / 23

HEX #58C484

RGB 88 196 132

HSL 144.44, 0.48%, 0.56%

LAB 71.7, -45.62, 22.98

 

CMYK 55 / 0 / 18 / 23

HEX #58C4A0

RGB 88 196 160

HSL 160, 0.48%, 0.56%

LAB 72.29, -39.72, 8.77

 

CMYK 65 / 0 / 56 / 41

HEX #349642

RGB 52 150 66

HSL 128.57, 0.49%, 0.4%

LAB 55.01, -46.44, 35.69

 

CMYK 65 / 0 / 56 / 29

HEX #3FB44F

RGB 63 180 79

HSL 128.21, 0.48%, 0.48%

LAB 65.17, -53.56, 41.55

 

CMYK 55 / 0 / 47 / 23

HEX #58C468

RGB 88 196 104

HSL 128.89, 0.48%, 0.56%

LAB 71.25, -50.42, 36.88

 

CMYK 43 / 0 / 37 / 19

HEX #77CF83

RGB 119 207 131

HSL 128.18, 0.48%, 0.64%

LAB 76.18, -42.35, 29.72

 

CMYK 31 / 0 / 27 / 15

HEX #96DA9F

RGB 150 218 159

HSL 127.94, 0.48%, 0.72%

LAB 81.36, -33.15, 22.39

 

CMYK 55 / 0 / 47 / 23

HEX #59C468

RGB 89 196 104

HSL 128.41, 0.48%, 0.56%

LAB 71.28, -50.17, 36.93

 

CMYK 55 / 18 / 0 / 23

HEX #58A0C4

RGB 88 160 196

HSL 200, 0.48%, 0.56%

LAB 62.68, -12.24, -25.39

 

CMYK 0 / 55 / 40 / 23

HEX #C45875

RGB 196 88 117

HSL 343.89, 0.48%, 0.56%

LAB 51.84, 46, 4.93

 

CMYK 55 / 0 / 47 / 23

HEX #59C468

RGB 89 196 104

HSL 128.41, 0.48%, 0.56%

LAB 71.28, -50.17, 36.93

 

CMYK 47 / 55 / 0 / 23

HEX #6758C4

RGB 103 88 196

HSL 248.33, 0.48%, 0.56%

LAB 44.01, 33.91, -54.73

 

CMYK 0 / 47 / 55 / 23

HEX #C46758

RGB 196 103 88

HSL 8.33, 0.48%, 0.56%

LAB 54.18, 35.57, 25.22

 

CMYK 55 / 0 / 47 / 23

HEX #59C468

RGB 89 196 104

HSL 128.41, 0.48%, 0.56%

LAB 71.28, -50.17, 36.93

 

CMYK 55 / 18 / 0 / 23

HEX #58A0C4

RGB 88 160 196

HSL 200, 0.48%, 0.56%

LAB 62.68, -12.24, -25.39

 

CMYK 0 / 55 / 7 / 23

HEX #C458B6

RGB 196 88 182

HSL 307.78, 0.48%, 0.56%

LAB 54.13, 55.09, -29.91

 

CMYK 0 / 37 / 55 / 23

HEX #C47C58

RGB 196 124 88

HSL 20, 0.48%, 0.56%

LAB 58.84, 24.28, 31.2

 

CMYK 55 / 0 / 47 / 23

HEX #59C468

RGB 89 196 104

HSL 128.41, 0.48%, 0.56%

LAB 71.28, -50.17, 36.93

 

CMYK 55 / 35 / 0 / 23

HEX #5880C4

RGB 88 128 196

HSL 217.78, 0.48%, 0.56%

LAB 53.49, 6.1, -39.69

 

CMYK 0 / 55 / 7 / 23

HEX #C458B6

RGB 196 88 182

HSL 307.78, 0.48%, 0.56%

LAB 54.13, 55.09, -29.91

 

CMYK 0 / 20 / 55 / 23

HEX #C49D58

RGB 196 157 88

HSL 38.33, 0.48%, 0.56%

LAB 66.94, 6.2, 41.2

 

Description

Color code: RGB 89 196 104 | qconv.com Color code: RGB 89 196 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 196 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 196 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 47 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 47% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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