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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 195 99 it is the complementary color RGB 166 60 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 195 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 195 99 shade: RGB 94 195 94, RGB 111 213 113, RGB 128 231 132, RGB 145 249 151 and RGB 162 255 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 195 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 195 99 shade: RGB 89 195 99, RGB 72 177 80, RGB 55 159 61, RGB 38 141 42 and RGB 21 123 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 195 99 shade: RGB 90 195 100, RGB 108 195 90, RGB 136 195 90, RGB 165 195 90 and RGB 193 195 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 195 99 shade: RGB 90 195 100, RGB 90 195 128, RGB 90 195 156, RGB 90 195 185 and RGB 90 177 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 195 99 shade matches the following richer shades: RGB 90 195 100, RGB 71 213 85, RGB 53 231 70 and RGB 35 249 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 195 99 shade: RGB 90 195 100, RGB 108 177 114, RGB 126 159 129, RGB 144 141 144 and RGB 162 122 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 195 99 shade: RGB 137 195 90, RGB 109 195 90, RGB 90 195 98, RGB 90 195 126 and RGB 90 195 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 195 99 shade: RGB 53 149 62, RGB 64 179 75, RGB 90 195 100, RGB 120 206 128 and RGB 150 217 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 195 99 shade: RGB 89 195 99, RGB 90 165 195 and RGB 195 90 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 195 99 shade: RGB 89 195 99, RGB 98 90 195 and RGB 195 98 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 195 99 shade: RGB 89 195 99, RGB 90 165 195, RGB 195 90 186 and RGB 195 119 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 195 99 shade: RGB 89 195 99, RGB 90 134 195, RGB 195 90 186 and RGB 195 151 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 49 / 24

HEX #59C363

RGB 89 195 99

HSL 125.66, 0.47%, 0.56%

LAB 70.91, -50.5, 38.96

 

Complementary color

CMYK 0 / 64 / 6 / 35

HEX #A63C9C

RGB 166 60 156

HSL 305.66, 0.47%, 0.44%

LAB 43.86, 55.12, -30.97

 

CMYK 52 / 0 / 52 / 24

HEX #5EC35E

RGB 94 195 94

HSL 120, 0.46%, 0.57%

LAB 71.02, -49.89, 41.59

 

CMYK 48 / 0 / 47 / 16

HEX #6FD571

RGB 111 213 113

HSL 121.18, 0.55%, 0.64%

LAB 77.38, -49.89, 40.29

 

CMYK 45 / 0 / 43 / 9

HEX #80E784

RGB 128 231 132

HSL 122.33, 0.68%, 0.7%

LAB 83.66, -49.8, 39.02

 

CMYK 42 / 0 / 39 / 2

HEX #91F997

RGB 145 249 151

HSL 123.46, 0.9%, 0.77%

LAB 89.86, -49.63, 37.8

 

CMYK 36 / 0 / 33 / 0

HEX #A2FFAA

RGB 162 255 170

HSL 125.16, 1%, 0.82%

LAB 92.62, -44.3, 32.13

 

CMYK 54 / 0 / 49 / 24

HEX #59C363

RGB 89 195 99

HSL 125.66, 0.47%, 0.56%

LAB 70.91, -50.5, 38.96

 

CMYK 59 / 0 / 55 / 31

HEX #48B150

RGB 72 177 80

HSL 124.57, 0.42%, 0.49%

LAB 64.48, -50.3, 40.31

 

CMYK 65 / 0 / 62 / 38

HEX #379F3D

RGB 55 159 61

HSL 123.46, 0.49%, 0.42%

LAB 57.99, -49.81, 41.61

 

CMYK 73 / 0 / 70 / 45

HEX #268D2A

RGB 38 141 42

HSL 122.33, 0.58%, 0.35%

LAB 51.42, -48.84, 42.69

 

CMYK 83 / 0 / 81 / 52

HEX #157B17

RGB 21 123 23

HSL 121.18, 0.71%, 0.28%

LAB 44.78, -47.09, 43.14

 

CMYK 54 / 0 / 49 / 24

HEX #5AC364

RGB 90 195 100

HSL 125.71, 0.47%, 0.56%

LAB 70.96, -50.1, 38.53

 

CMYK 45 / 0 / 54 / 24

HEX #6CC35A

RGB 108 195 90

HSL 109.71, 0.47%, 0.56%

LAB 71.53, -46.38, 44.25

 

CMYK 30 / 0 / 54 / 24

HEX #88C35A

RGB 136 195 90

HSL 93.71, 0.47%, 0.56%

LAB 72.89, -37.1, 46.21

 

CMYK 15 / 0 / 54 / 24

HEX #A5C35A

RGB 165 195 90

HSL 77.14, 0.47%, 0.56%

LAB 74.68, -26.17, 48.75

 

CMYK 1 / 0 / 54 / 24

HEX #C1C35A

RGB 193 195 90

HSL 61.14, 0.47%, 0.56%

LAB 76.74, -14.87, 51.68

 

CMYK 54 / 0 / 49 / 24

HEX #5AC364

RGB 90 195 100

HSL 125.71, 0.47%, 0.56%

LAB 70.96, -50.1, 38.53

 

CMYK 54 / 0 / 34 / 24

HEX #5AC380

RGB 90 195 128

HSL 141.71, 0.47%, 0.56%

LAB 71.39, -45.48, 24.69

 

CMYK 54 / 0 / 20 / 24

HEX #5AC39C

RGB 90 195 156

HSL 157.71, 0.47%, 0.56%

LAB 71.96, -39.73, 10.48

 

CMYK 54 / 0 / 5 / 24

HEX #5AC3B9

RGB 90 195 185

HSL 174.29, 0.47%, 0.56%

LAB 72.7, -32.72, -4.22

 

CMYK 54 / 9 / 0 / 24

HEX #5AB1C3

RGB 90 177 195

HSL 190.29, 0.47%, 0.56%

LAB 67.69, -21.12, -17.18

 

CMYK 54 / 0 / 49 / 24

HEX #5AC364

RGB 90 195 100

HSL 125.71, 0.47%, 0.56%

LAB 70.96, -50.1, 38.53

 

CMYK 67 / 0 / 60 / 16

HEX #47D555

RGB 71 213 85

HSL 125.92, 0.63%, 0.56%

LAB 75.81, -62.93, 51.27

 

CMYK 77 / 0 / 70 / 9

HEX #35E746

RGB 53 231 70

HSL 125.73, 0.79%, 0.56%

LAB 80.93, -73.09, 62.89

 

CMYK 86 / 0 / 78 / 2

HEX #23F937

RGB 35 249 55

HSL 125.61, 0.95%, 0.56%

LAB 86.2, -81.25, 73.01

 

CMYK 54 / 0 / 49 / 24

HEX #5AC364

RGB 90 195 100

HSL 125.71, 0.47%, 0.56%

LAB 70.96, -50.1, 38.53

 

CMYK 39 / 0 / 36 / 31

HEX #6CB172

RGB 108 177 114

HSL 125.22, 0.31%, 0.56%

LAB 66.4, -35.07, 25.57

 

CMYK 21 / 0 / 19 / 38

HEX #7E9F81

RGB 126 159 129

HSL 125.45, 0.15%, 0.56%

LAB 62.35, -17.52, 11.97

 

CMYK 0 / 2 / 0 / 44

HEX #908D90

RGB 144 141 144

HSL 300, 0.01%, 0.56%

LAB 58.97, 1.69, -1.21

 

CMYK 0 / 25 / 2 / 36

HEX #A27A9E

RGB 162 122 158

HSL 306, 0.18%, 0.56%

LAB 56.16, 21.8, -13.27

 

CMYK 30 / 0 / 54 / 24

HEX #89C35A

RGB 137 195 90

HSL 93.14, 0.47%, 0.56%

LAB 72.95, -36.74, 46.29

 

CMYK 44 / 0 / 54 / 24

HEX #6DC35A

RGB 109 195 90

HSL 109.14, 0.47%, 0.56%

LAB 71.57, -46.08, 44.31

 

CMYK 54 / 0 / 50 / 24

HEX #5AC362

RGB 90 195 98

HSL 124.57, 0.47%, 0.56%

LAB 70.93, -50.39, 39.48

 

CMYK 54 / 0 / 35 / 24

HEX #5AC37E

RGB 90 195 126

HSL 140.57, 0.47%, 0.56%

LAB 71.36, -45.85, 25.69

 

CMYK 54 / 0 / 21 / 24

HEX #5AC39B

RGB 90 195 155

HSL 157.14, 0.47%, 0.56%

LAB 71.94, -39.96, 10.99

 

CMYK 64 / 0 / 58 / 42

HEX #35953E

RGB 53 149 62

HSL 125.63, 0.48%, 0.4%

LAB 54.66, -46.38, 37.26

 

CMYK 64 / 0 / 58 / 30

HEX #40B34B

RGB 64 179 75

HSL 125.74, 0.47%, 0.48%

LAB 64.83, -53.5, 43.06

 

CMYK 54 / 0 / 49 / 24

HEX #5AC364

RGB 90 195 100

HSL 125.71, 0.47%, 0.56%

LAB 70.96, -50.1, 38.53

 

CMYK 42 / 0 / 38 / 19

HEX #78CE80

RGB 120 206 128

HSL 125.58, 0.47%, 0.64%

LAB 75.88, -42.1, 30.87

 

CMYK 31 / 0 / 28 / 15

HEX #96D99D

RGB 150 217 157

HSL 126.27, 0.47%, 0.72%

LAB 81.04, -33.03, 23

 

CMYK 54 / 0 / 49 / 24

HEX #59C363

RGB 89 195 99

HSL 125.66, 0.47%, 0.56%

LAB 70.91, -50.5, 38.96

 

CMYK 54 / 15 / 0 / 24

HEX #5AA5C3

RGB 90 165 195

HSL 197.14, 0.47%, 0.56%

LAB 64.18, -14.82, -22.52

 

CMYK 0 / 54 / 37 / 24

HEX #C35A7B

RGB 195 90 123

HSL 341.14, 0.47%, 0.56%

LAB 52.22, 45.36, 1.89

 

CMYK 54 / 0 / 49 / 24

HEX #59C363

RGB 89 195 99

HSL 125.66, 0.47%, 0.56%

LAB 70.91, -50.5, 38.96

 

CMYK 50 / 54 / 0 / 24

HEX #625AC3

RGB 98 90 195

HSL 244.57, 0.47%, 0.56%

LAB 44.02, 31.3, -54.17

 

CMYK 0 / 50 / 54 / 24

HEX #C3625A

RGB 195 98 90

HSL 4.57, 0.47%, 0.56%

LAB 53.03, 37.96, 22.53

 

CMYK 54 / 0 / 49 / 24

HEX #59C363

RGB 89 195 99

HSL 125.66, 0.47%, 0.56%

LAB 70.91, -50.5, 38.96

 

CMYK 54 / 15 / 0 / 24

HEX #5AA5C3

RGB 90 165 195

HSL 197.14, 0.47%, 0.56%

LAB 64.18, -14.82, -22.52

 

CMYK 0 / 54 / 5 / 24

HEX #C35ABA

RGB 195 90 186

HSL 305.14, 0.47%, 0.56%

LAB 54.51, 54.54, -31.63

 

CMYK 0 / 39 / 54 / 24

HEX #C3775A

RGB 195 119 90

HSL 16.57, 0.47%, 0.56%

LAB 57.59, 26.77, 28.48

 

CMYK 54 / 0 / 49 / 24

HEX #59C363

RGB 89 195 99

HSL 125.66, 0.47%, 0.56%

LAB 70.91, -50.5, 38.96

 

CMYK 54 / 31 / 0 / 24

HEX #5A86C3

RGB 90 134 195

HSL 214.86, 0.47%, 0.56%

LAB 55.24, 2.65, -36.37

 

CMYK 0 / 54 / 5 / 24

HEX #C35ABA

RGB 195 90 186

HSL 305.14, 0.47%, 0.56%

LAB 54.51, 54.54, -31.63

 

CMYK 0 / 23 / 54 / 24

HEX #C3975A

RGB 195 151 90

HSL 34.86, 0.47%, 0.56%

LAB 65.34, 9.21, 38.2

 

Description

Color code: RGB 89 195 99 | qconv.com Color code: RGB 89 195 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 195 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 195 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 49 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 49% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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