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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 149 105 it is the complementary color RGB 166 106 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 149 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 149 105 shade: RGB 94 149 100, RGB 111 167 119, RGB 128 185 138, RGB 145 203 157 and RGB 162 221 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 149 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 149 105 shade: RGB 89 149 105, RGB 72 131 86, RGB 55 113 67, RGB 38 95 48 and RGB 21 77 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 149 105 shade: RGB 89 149 105, RGB 90 149 89, RGB 106 149 89, RGB 122 149 89 and RGB 138 149 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 149 105 shade: RGB 89 149 105, RGB 89 149 122, RGB 89 149 138, RGB 89 145 149 and RGB 89 129 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 149 105 shade matches the following richer shades: RGB 89 149 105, RGB 70 169 96, RGB 51 188 87, RGB 31 207 78 and RGB 12 227 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 149 105 shade: RGB 89 149 105, RGB 109 130 114, RGB 128 111 123, RGB 148 91 133 and RGB 167 72 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 149 105 shade: RGB 105 149 89, RGB 89 149 89, RGB 89 149 105, RGB 89 149 121 and RGB 89 149 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 149 105 shade: RGB 58 98 69, RGB 74 124 87, RGB 89 149 105, RGB 111 169 127 and RGB 137 184 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 149 105 shade: RGB 89 149 105, RGB 89 121 149 and RGB 149 89 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 149 105 shade: RGB 89 149 105, RGB 105 89 149 and RGB 149 105 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 149 105 shade: RGB 89 149 105, RGB 89 121 149, RGB 149 89 133 and RGB 149 117 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 149 105 shade: RGB 89 149 105, RGB 89 103 149, RGB 149 89 133 and RGB 149 135 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 30 / 42

HEX #599569

RGB 89 149 105

HSL 136, 0.25%, 0.47%

LAB 56.72, -29.46, 17.26

 

Complementary color

CMYK 0 / 36 / 10 / 35

HEX #A66A96

RGB 166 106 150

HSL 316, 0.25%, 0.53%

LAB 52.53, 30.79, -14.04

 

CMYK 37 / 0 / 33 / 42

HEX #5E9564

RGB 94 149 100

HSL 126.55, 0.23%, 0.48%

LAB 56.87, -28.78, 20.3

 

CMYK 34 / 0 / 29 / 35

HEX #6FA777

RGB 111 167 119

HSL 128.57, 0.24%, 0.55%

LAB 63.63, -28.51, 19.14

 

CMYK 31 / 0 / 25 / 27

HEX #80B98A

RGB 128 185 138

HSL 130.53, 0.29%, 0.61%

LAB 70.26, -28.24, 18.07

 

CMYK 29 / 0 / 23 / 20

HEX #91CB9D

RGB 145 203 157

HSL 132.41, 0.36%, 0.68%

LAB 76.78, -27.99, 17.07

 

CMYK 27 / 0 / 20 / 13

HEX #A2DDB0

RGB 162 221 176

HSL 134.24, 0.46%, 0.75%

LAB 83.19, -27.75, 16.13

 

CMYK 40 / 0 / 30 / 42

HEX #599569

RGB 89 149 105

HSL 136, 0.25%, 0.47%

LAB 56.72, -29.46, 17.26

 

CMYK 45 / 0 / 34 / 49

HEX #488356

RGB 72 131 86

HSL 134.24, 0.29%, 0.4%

LAB 49.84, -29.72, 18.49

 

CMYK 51 / 0 / 41 / 56

HEX #377143

RGB 55 113 67

HSL 132.41, 0.35%, 0.33%

LAB 42.8, -29.93, 19.85

 

CMYK 60 / 0 / 49 / 63

HEX #265F30

RGB 38 95 48

HSL 130.53, 0.43%, 0.26%

LAB 35.62, -29.97, 21.36

 

CMYK 73 / 0 / 62 / 70

HEX #154D1D

RGB 21 77 29

HSL 128.57, 0.57%, 0.19%

LAB 28.26, -29.59, 22.96

 

CMYK 40 / 0 / 30 / 42

HEX #599569

RGB 89 149 105

HSL 136, 0.25%, 0.47%

LAB 56.72, -29.46, 17.26

 

CMYK 40 / 0 / 40 / 42

HEX #5A9559

RGB 90 149 89

HSL 119, 0.25%, 0.47%

LAB 56.48, -31.98, 25.79

 

CMYK 29 / 0 / 40 / 42

HEX #6A9559

RGB 106 149 89

HSL 103, 0.25%, 0.47%

LAB 57.35, -26.42, 27.09

 

CMYK 18 / 0 / 40 / 42

HEX #7A9559

RGB 122 149 89

HSL 87, 0.25%, 0.47%

LAB 58.37, -20.34, 28.61

 

CMYK 7 / 0 / 40 / 42

HEX #8A9559

RGB 138 149 89

HSL 71, 0.25%, 0.47%

LAB 59.54, -13.9, 30.35

 

CMYK 40 / 0 / 30 / 42

HEX #599569

RGB 89 149 105

HSL 136, 0.25%, 0.47%

LAB 56.72, -29.46, 17.26

 

CMYK 40 / 0 / 18 / 42

HEX #59957A

RGB 89 149 122

HSL 153, 0.25%, 0.47%

LAB 57.1, -25.94, 8.19

 

CMYK 40 / 0 / 7 / 42

HEX #59958A

RGB 89 149 138

HSL 169, 0.25%, 0.47%

LAB 57.51, -22.21, -0.33

 

CMYK 40 / 3 / 0 / 42

HEX #599195

RGB 89 145 149

HSL 184, 0.25%, 0.47%

LAB 56.63, -17.31, -7.94

 

CMYK 40 / 13 / 0 / 42

HEX #598195

RGB 89 129 149

HSL 200, 0.25%, 0.47%

LAB 51.83, -8.5, -15.15

 

CMYK 40 / 0 / 30 / 42

HEX #599569

RGB 89 149 105

HSL 136, 0.25%, 0.47%

LAB 56.72, -29.46, 17.26

 

CMYK 59 / 0 / 43 / 34

HEX #46A960

RGB 70 169 96

HSL 135.76, 0.41%, 0.47%

LAB 62.1, -45.2, 29.2

 

CMYK 73 / 0 / 54 / 26

HEX #33BC57

RGB 51 188 87

HSL 135.77, 0.57%, 0.47%

LAB 67.55, -57.51, 40.48

 

CMYK 85 / 0 / 62 / 19

HEX #1FCF4E

RGB 31 207 78

HSL 136.02, 0.74%, 0.47%

LAB 73.2, -67.34, 51.18

 

CMYK 95 / 0 / 70 / 11

HEX #0CE345

RGB 12 227 69

HSL 135.91, 0.9%, 0.47%

LAB 79.3, -75.34, 61.43

 

CMYK 40 / 0 / 30 / 42

HEX #599569

RGB 89 149 105

HSL 136, 0.25%, 0.47%

LAB 56.72, -29.46, 17.26

 

CMYK 16 / 0 / 12 / 49

HEX #6D8272

RGB 109 130 114

HSL 134.29, 0.09%, 0.47%

LAB 52.32, -10.98, 6.13

 

CMYK 0 / 13 / 4 / 50

HEX #806F7B

RGB 128 111 123

HSL 317.65, 0.07%, 0.47%

LAB 48.75, 8.91, -4.18

 

CMYK 0 / 39 / 10 / 42

HEX #945B85

RGB 148 91 133

HSL 315.79, 0.24%, 0.47%

LAB 46.27, 29.9, -13.63

 

CMYK 0 / 57 / 15 / 35

HEX #A7488E

RGB 167 72 142

HSL 315.79, 0.4%, 0.47%

LAB 45.36, 47.69, -20.21

 

CMYK 30 / 0 / 40 / 42

HEX #699559

RGB 105 149 89

HSL 104, 0.25%, 0.47%

LAB 57.29, -26.78, 27

 

CMYK 40 / 0 / 40 / 42

HEX #599559

RGB 89 149 89

HSL 120, 0.25%, 0.47%

LAB 56.43, -32.3, 25.71

 

CMYK 40 / 0 / 30 / 42

HEX #599569

RGB 89 149 105

HSL 136, 0.25%, 0.47%

LAB 56.72, -29.46, 17.26

 

CMYK 40 / 0 / 19 / 42

HEX #599579

RGB 89 149 121

HSL 152, 0.25%, 0.47%

LAB 57.07, -26.16, 8.72

 

CMYK 40 / 0 / 8 / 42

HEX #599589

RGB 89 149 137

HSL 168, 0.25%, 0.47%

LAB 57.49, -22.45, 0.2

 

CMYK 41 / 0 / 30 / 62

HEX #3A6245

RGB 58 98 69

HSL 136.5, 0.26%, 0.31%

LAB 37.96, -21.15, 12.18

 

CMYK 40 / 0 / 30 / 51

HEX #4A7C57

RGB 74 124 87

HSL 135.6, 0.25%, 0.39%

LAB 47.7, -25.48, 15.03

 

CMYK 40 / 0 / 30 / 42

HEX #599569

RGB 89 149 105

HSL 136, 0.25%, 0.47%

LAB 56.72, -29.46, 17.26

 

CMYK 34 / 0 / 25 / 34

HEX #6FA97F

RGB 111 169 127

HSL 136.55, 0.25%, 0.55%

LAB 64.39, -27.99, 15.8

 

CMYK 26 / 0 / 18 / 28

HEX #89B896

RGB 137 184 150

HSL 136.6, 0.25%, 0.63%

LAB 70.73, -22.57, 12.3

 

CMYK 40 / 0 / 30 / 42

HEX #599569

RGB 89 149 105

HSL 136, 0.25%, 0.47%

LAB 56.72, -29.46, 17.26

 

CMYK 40 / 19 / 0 / 42

HEX #597995

RGB 89 121 149

HSL 208, 0.25%, 0.47%

LAB 49.46, -3.89, -18.77

 

CMYK 0 / 40 / 35 / 42

HEX #955961

RGB 149 89 97

HSL 352, 0.25%, 0.47%

LAB 44.8, 25.73, 6.01

 

CMYK 40 / 0 / 30 / 42

HEX #599569

RGB 89 149 105

HSL 136, 0.25%, 0.47%

LAB 56.72, -29.46, 17.26

 

CMYK 30 / 40 / 0 / 42

HEX #695995

RGB 105 89 149

HSL 256, 0.25%, 0.47%

LAB 41.72, 20.35, -30.67

 

CMYK 0 / 30 / 40 / 42

HEX #956959

RGB 149 105 89

HSL 16, 0.25%, 0.47%

LAB 48.53, 15.49, 16.01

 

CMYK 40 / 0 / 30 / 42

HEX #599569

RGB 89 149 105

HSL 136, 0.25%, 0.47%

LAB 56.72, -29.46, 17.26

 

CMYK 40 / 19 / 0 / 42

HEX #597995

RGB 89 121 149

HSL 208, 0.25%, 0.47%

LAB 49.46, -3.89, -18.77

 

CMYK 0 / 40 / 11 / 42

HEX #955985

RGB 149 89 133

HSL 316, 0.25%, 0.47%

LAB 45.94, 31.38, -14.12

 

CMYK 0 / 21 / 40 / 42

HEX #957559

RGB 149 117 89

HSL 28, 0.25%, 0.47%

LAB 51.65, 8.55, 20.23

 

CMYK 40 / 0 / 30 / 42

HEX #599569

RGB 89 149 105

HSL 136, 0.25%, 0.47%

LAB 56.72, -29.46, 17.26

 

CMYK 40 / 31 / 0 / 42

HEX #596795

RGB 89 103 149

HSL 226, 0.25%, 0.47%

LAB 44.22, 6.93, -26.85

 

CMYK 0 / 40 / 11 / 42

HEX #955985

RGB 149 89 133

HSL 316, 0.25%, 0.47%

LAB 45.94, 31.38, -14.12

 

CMYK 0 / 9 / 40 / 42

HEX #958759

RGB 149 135 89

HSL 46, 0.25%, 0.47%

LAB 56.52, -1.65, 26.65

 

Description

Color code: RGB 89 149 105 | qconv.com Color code: RGB 89 149 105 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 149 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 149 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 30 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 30% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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