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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 138 55 it is the complementary color RGB 166 117 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 138 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 138 55 shade: RGB 94 138 50, RGB 111 156 69, RGB 128 174 88, RGB 145 192 107 and RGB 162 210 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 138 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 138 55 shade: RGB 89 138 55, RGB 72 120 36, RGB 55 102 17, RGB 38 84 0 and RGB 21 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 138 55 shade: RGB 89 138 55, RGB 111 138 55, RGB 134 138 55, RGB 138 120 55 and RGB 138 97 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 138 55 shade: RGB 89 138 55, RGB 66 138 55, RGB 55 138 66, RGB 55 138 88 and RGB 55 138 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 138 55 shade matches the following richer shades: RGB 89 138 55, RGB 86 154 39, RGB 83 169 23 and RGB 80 185 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 138 55 shade: RGB 89 138 55, RGB 92 122 70, RGB 95 107 86, RGB 97 91 102 and RGB 100 75 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 138 55 shade: RGB 134 138 55, RGB 112 138 55, RGB 89 138 55, RGB 67 138 55 and RGB 55 138 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 138 55 shade: RGB 51 79 31, RGB 70 109 43, RGB 89 138 55, RGB 108 168 66 and RGB 129 188 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 138 55 shade: RGB 89 138 55, RGB 55 138 120 and RGB 138 55 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 138 55 shade: RGB 89 138 55, RGB 55 89 138 and RGB 138 55 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 138 55 shade: RGB 89 138 55, RGB 55 138 120, RGB 103 55 138 and RGB 138 55 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 138 55 shade: RGB 89 138 55, RGB 55 131 138, RGB 103 55 138 and RGB 138 62 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

Complementary color

CMYK 17 / 42 / 0 / 22

HEX #A675C8

RGB 166 117 200

HSL 275.42, 0.43%, 0.62%

LAB 57.08, 34.7, -35.91

 

CMYK 32 / 0 / 64 / 46

HEX #5E8A32

RGB 94 138 50

HSL 90, 0.47%, 0.37%

LAB 52.72, -30.38, 41.21

 

CMYK 29 / 0 / 56 / 39

HEX #6F9C45

RGB 111 156 69

HSL 91.03, 0.39%, 0.44%

LAB 59.51, -30.5, 40.18

 

CMYK 26 / 0 / 49 / 32

HEX #80AE58

RGB 128 174 88

HSL 92.09, 0.35%, 0.51%

LAB 66.19, -30.51, 39.01

 

CMYK 24 / 0 / 44 / 25

HEX #91C06B

RGB 145 192 107

HSL 93.18, 0.4%, 0.59%

LAB 72.75, -30.47, 37.82

 

CMYK 23 / 0 / 40 / 18

HEX #A2D27E

RGB 162 210 126

HSL 94.29, 0.48%, 0.66%

LAB 79.2, -30.39, 36.64

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 40 / 0 / 70 / 53

HEX #487824

RGB 72 120 36

HSL 94.29, 0.54%, 0.31%

LAB 45.55, -31.58, 39.41

 

CMYK 46 / 0 / 83 / 60

HEX #376611

RGB 55 102 17

HSL 93.18, 0.71%, 0.23%

LAB 38.47, -31.08, 39.53

 

CMYK 55 / 0 / 100 / 67

HEX #265400

RGB 38 84 0

HSL 92.86, 1%, 0.16%

LAB 31.24, -30.13, 38.28

 

CMYK 68 / 0 / 100 / 74

HEX #154200

RGB 21 66 0

HSL 100.91, 1%, 0.13%

LAB 23.86, -28.07, 31.63

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 20 / 0 / 60 / 46

HEX #6F8A37

RGB 111 138 55

HSL 79.52, 0.43%, 0.38%

LAB 53.85, -23.09, 40.43

 

CMYK 3 / 0 / 60 / 46

HEX #868A37

RGB 134 138 55

HSL 62.89, 0.43%, 0.38%

LAB 55.61, -13.2, 42.88

 

CMYK 0 / 13 / 60 / 46

HEX #8A7837

RGB 138 120 55

HSL 46.99, 0.43%, 0.38%

LAB 50.82, -1.48, 37.6

 

CMYK 0 / 30 / 60 / 46

HEX #8A6137

RGB 138 97 55

HSL 30.36, 0.43%, 0.38%

LAB 44.56, 11.82, 30.27

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 52 / 0 / 60 / 46

HEX #428A37

RGB 66 138 55

HSL 112.05, 0.43%, 0.38%

LAB 51.39, -39.49, 36.98

 

CMYK 60 / 0 / 52 / 46

HEX #378A42

RGB 55 138 66

HSL 127.95, 0.43%, 0.38%

LAB 51.13, -41.01, 31.01

 

CMYK 60 / 0 / 36 / 46

HEX #378A58

RGB 55 138 88

HSL 143.86, 0.43%, 0.38%

LAB 51.49, -37.14, 19.47

 

CMYK 60 / 0 / 20 / 46

HEX #378A6E

RGB 55 138 110

HSL 159.76, 0.43%, 0.38%

LAB 51.97, -32.22, 7.57

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 44 / 0 / 75 / 40

HEX #569A27

RGB 86 154 39

HSL 95.48, 0.6%, 0.38%

LAB 57.3, -41.28, 50.45

 

CMYK 51 / 0 / 86 / 34

HEX #53A917

RGB 83 169 23

HSL 95.34, 0.76%, 0.38%

LAB 61.89, -49.09, 59.43

 

CMYK 57 / 0 / 96 / 27

HEX #50B908

RGB 80 185 8

HSL 95.59, 0.92%, 0.38%

LAB 66.84, -56.24, 66.01

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 25 / 0 / 43 / 52

HEX #5C7A46

RGB 92 122 70

HSL 94.62, 0.27%, 0.38%

LAB 47.8, -20.87, 25.03

 

CMYK 11 / 0 / 20 / 58

HEX #5F6B56

RGB 95 107 86

HSL 94.29, 0.11%, 0.38%

LAB 43.68, -8.84, 10.27

 

CMYK 5 / 11 / 0 / 60

HEX #615B66

RGB 97 91 102

HSL 272.73, 0.06%, 0.38%

LAB 39.55, 4.72, -5.42

 

CMYK 15 / 36 / 0 / 54

HEX #644B75

RGB 100 75 117

HSL 275.71, 0.22%, 0.38%

LAB 36.03, 19.25, -20.04

 

CMYK 3 / 0 / 60 / 46

HEX #868A37

RGB 134 138 55

HSL 62.89, 0.43%, 0.38%

LAB 55.61, -13.2, 42.88

 

CMYK 19 / 0 / 60 / 46

HEX #708A37

RGB 112 138 55

HSL 78.8, 0.43%, 0.38%

LAB 53.92, -22.67, 40.53

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

CMYK 60 / 0 / 54 / 46

HEX #378A40

RGB 55 138 64

HSL 126.51, 0.43%, 0.38%

LAB 51.11, -41.31, 32.01

 

CMYK 35 / 0 / 61 / 69

HEX #334F1F

RGB 51 79 31

HSL 95, 0.44%, 0.22%

LAB 30.39, -20.3, 24.71

 

CMYK 36 / 0 / 61 / 57

HEX #466D2B

RGB 70 109 43

HSL 95.45, 0.43%, 0.3%

LAB 41.87, -26.44, 31.99

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 36 / 0 / 61 / 34

HEX #6CA842

RGB 108 168 66

HSL 95.29, 0.44%, 0.46%

LAB 63, -37.43, 45.57

 

CMYK 31 / 0 / 54 / 26

HEX #81BC57

RGB 129 188 87

HSL 95.05, 0.43%, 0.54%

LAB 70.4, -36.75, 44.59

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 60 / 0 / 13 / 46

HEX #378A78

RGB 55 138 120

HSL 166.99, 0.43%, 0.38%

LAB 52.23, -29.68, 2.16

 

CMYK 0 / 60 / 11 / 46

HEX #8A377B

RGB 138 55 123

HSL 310.84, 0.43%, 0.38%

LAB 37.05, 44.05, -21.79

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 60 / 36 / 0 / 46

HEX #37598A

RGB 55 89 138

HSL 215.42, 0.43%, 0.38%

LAB 37.47, 3.48, -30.97

 

CMYK 0 / 60 / 36 / 46

HEX #8A3759

RGB 138 55 89

HSL 335.42, 0.43%, 0.38%

LAB 35.71, 38.97, -2.39

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 60 / 0 / 13 / 46

HEX #378A78

RGB 55 138 120

HSL 166.99, 0.43%, 0.38%

LAB 52.23, -29.68, 2.16

 

CMYK 25 / 60 / 0 / 46

HEX #67378A

RGB 103 55 138

HSL 274.7, 0.43%, 0.38%

LAB 32.81, 37.24, -38.1

 

CMYK 0 / 60 / 47 / 46

HEX #8A3749

RGB 138 55 73

HSL 346.99, 0.43%, 0.38%

LAB 35.24, 37.1, 7.17

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 60 / 5 / 0 / 46

HEX #37838A

RGB 55 131 138

HSL 185.06, 0.43%, 0.38%

LAB 50.55, -21.03, -10.82

 

CMYK 25 / 60 / 0 / 46

HEX #67378A

RGB 103 55 138

HSL 274.7, 0.43%, 0.38%

LAB 32.81, 37.24, -38.1

 

CMYK 0 / 55 / 60 / 46

HEX #8A3E37

RGB 138 62 55

HSL 5.06, 0.43%, 0.38%

LAB 36.22, 31.81, 19.9

 

Description

Color code: RGB 89 138 55 | qconv.com Color code: RGB 89 138 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 138 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 138 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 60 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 60% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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