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Color name
RGB 89 110 17

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 110 17 it is the complementary color RGB 166 145 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 110 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 110 17 shade: RGB 94 110 12, RGB 111 128 31, RGB 128 146 50, RGB 145 164 69 and RGB 162 182 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 110 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 110 17 shade: RGB 89 110 17, RGB 72 92 0, RGB 55 74 0, RGB 38 56 0 and RGB 21 38 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 110 17 shade: RGB 89 110 17, RGB 110 106 17, RGB 110 81 17, RGB 110 56 17 and RGB 110 30 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 110 17 shade: RGB 89 110 17, RGB 64 110 17, RGB 39 110 17, RGB 17 110 20 and RGB 17 110 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 110 17 shade matches the following richer shades: RGB 89 110 17 and RGB 94 120 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 110 17 shade: RGB 89 110 17, RGB 83 99 27, RGB 77 89 37, RGB 72 79 48 and RGB 66 69 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 110 17 shade: RGB 110 80 17, RGB 110 105 17, RGB 90 110 17, RGB 65 110 17 and RGB 40 110 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 110 17 shade: RGB 31 38 6, RGB 60 74 11, RGB 89 110 17, RGB 118 145 22 and RGB 147 181 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 110 17 shade: RGB 89 110 17, RGB 17 110 55 and RGB 93 17 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 110 17 shade: RGB 89 110 17, RGB 17 90 110 and RGB 110 17 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 110 17 shade: RGB 89 110 17, RGB 17 110 55, RGB 37 17 110 and RGB 110 17 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 110 17 shade: RGB 89 110 17, RGB 17 110 83, RGB 37 17 110 and RGB 110 17 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 85 / 57

HEX #596E11

RGB 89 110 17

HSL 73.55, 0.73%, 0.25%

LAB 43.24, -20.89, 44.65

 

Complementary color

CMYK 30 / 39 / 0 / 7

HEX #A691EE

RGB 166 145 238

HSL 253.55, 0.73%, 0.75%

LAB 65.38, 27.88, -44.11

 

CMYK 15 / 0 / 89 / 57

HEX #5E6E0C

RGB 94 110 12

HSL 69.8, 0.8%, 0.24%

LAB 43.59, -18.81, 46.48

 

CMYK 13 / 0 / 76 / 50

HEX #6F801F

RGB 111 128 31

HSL 70.52, 0.61%, 0.31%

LAB 50.59, -19.72, 47.33

 

CMYK 12 / 0 / 66 / 43

HEX #809232

RGB 128 146 50

HSL 71.25, 0.49%, 0.38%

LAB 57.44, -20.37, 46.98

 

CMYK 12 / 0 / 58 / 36

HEX #91A445

RGB 145 164 69

HSL 72, 0.41%, 0.46%

LAB 64.16, -20.84, 46.12

 

CMYK 11 / 0 / 52 / 29

HEX #A2B658

RGB 162 182 88

HSL 72.77, 0.39%, 0.53%

LAB 70.76, -21.17, 45.05

 

CMYK 19 / 0 / 85 / 57

HEX #596E11

RGB 89 110 17

HSL 73.55, 0.73%, 0.25%

LAB 43.24, -20.89, 44.65

 

CMYK 22 / 0 / 100 / 64

HEX #485C00

RGB 72 92 0

HSL 73.04, 1%, 0.18%

LAB 36.05, -19.87, 42.87

 

CMYK 26 / 0 / 100 / 71

HEX #374A00

RGB 55 74 0

HSL 75.41, 1%, 0.15%

LAB 28.67, -18.27, 36.7

 

CMYK 32 / 0 / 100 / 78

HEX #263800

RGB 38 56 0

HSL 79.29, 1%, 0.11%

LAB 20.98, -16.62, 28.9

 

CMYK 45 / 0 / 100 / 85

HEX #152600

RGB 21 38 0

HSL 86.84, 1%, 0.07%

LAB 12.9, -14.9, 18.72

 

CMYK 19 / 0 / 85 / 57

HEX #596E11

RGB 89 110 17

HSL 73.55, 0.73%, 0.25%

LAB 43.24, -20.89, 44.65

 

CMYK 0 / 4 / 85 / 57

HEX #6E6A11

RGB 110 106 17

HSL 57.42, 0.73%, 0.25%

LAB 43.75, -8.91, 45.78

 

CMYK 0 / 26 / 85 / 57

HEX #6E5111

RGB 110 81 17

HSL 41.29, 0.73%, 0.25%

LAB 36.44, 5.78, 39.33

 

CMYK 0 / 49 / 85 / 57

HEX #6E3811

RGB 110 56 17

HSL 25.16, 0.73%, 0.25%

LAB 29.87, 20.9, 33.32

 

CMYK 0 / 73 / 85 / 57

HEX #6E1E11

RGB 110 30 17

HSL 8.39, 0.73%, 0.25%

LAB 24.59, 34.59, 28.26

 

CMYK 19 / 0 / 85 / 57

HEX #596E11

RGB 89 110 17

HSL 73.55, 0.73%, 0.25%

LAB 43.24, -20.89, 44.65

 

CMYK 42 / 0 / 85 / 57

HEX #406E11

RGB 64 110 17

HSL 89.68, 0.73%, 0.25%

LAB 41.66, -31.34, 42.64

 

CMYK 65 / 0 / 85 / 57

HEX #276E11

RGB 39 110 17

HSL 105.81, 0.73%, 0.25%

LAB 40.61, -39.4, 41.29

 

CMYK 85 / 0 / 82 / 57

HEX #116E14

RGB 17 110 20

HSL 121.94, 0.73%, 0.25%

LAB 40.12, -43.54, 39.65

 

CMYK 85 / 0 / 59 / 57

HEX #116E2D

RGB 17 110 45

HSL 138.06, 0.73%, 0.25%

LAB 40.35, -40.72, 28.7

 

CMYK 19 / 0 / 85 / 57

HEX #596E11

RGB 89 110 17

HSL 73.55, 0.73%, 0.25%

LAB 43.24, -20.89, 44.65

 

CMYK 22 / 0 / 95 / 53

HEX #5E7806

RGB 94 120 6

HSL 73.68, 0.9%, 0.25%

LAB 46.75, -24.12, 50.38

 

CMYK 19 / 0 / 85 / 57

HEX #596E11

RGB 89 110 17

HSL 73.55, 0.73%, 0.25%

LAB 43.24, -20.89, 44.65

 

CMYK 16 / 0 / 73 / 61

HEX #53631B

RGB 83 99 27

HSL 73.33, 0.57%, 0.25%

LAB 39.31, -17.24, 37.07

 

CMYK 13 / 0 / 58 / 65

HEX #4D5925

RGB 77 89 37

HSL 73.85, 0.41%, 0.25%

LAB 35.71, -13.62, 28.13

 

CMYK 9 / 0 / 39 / 69

HEX #484F30

RGB 72 79 48

HSL 73.55, 0.24%, 0.25%

LAB 32.22, -8.74, 17.4

 

CMYK 4 / 0 / 16 / 73

HEX #42453A

RGB 66 69 58

HSL 76.36, 0.09%, 0.25%

LAB 28.69, -3.59, 6.23

 

CMYK 0 / 27 / 85 / 57

HEX #6E5011

RGB 110 80 17

HSL 40.65, 0.73%, 0.25%

LAB 36.16, 6.39, 39.08

 

CMYK 0 / 5 / 85 / 57

HEX #6E6911

RGB 110 105 17

HSL 56.77, 0.73%, 0.25%

LAB 43.45, -8.34, 45.52

 

CMYK 18 / 0 / 85 / 57

HEX #5A6E11

RGB 90 110 17

HSL 72.9, 0.73%, 0.25%

LAB 43.31, -20.44, 44.75

 

CMYK 41 / 0 / 85 / 57

HEX #416E11

RGB 65 110 17

HSL 89.03, 0.73%, 0.25%

LAB 41.71, -30.96, 42.71

 

CMYK 64 / 0 / 85 / 57

HEX #286E11

RGB 40 110 17

HSL 105.16, 0.73%, 0.25%

LAB 40.64, -39.14, 41.33

 

CMYK 18 / 0 / 84 / 85

HEX #1F2606

RGB 31 38 6

HSL 73.13, 0.73%, 0.09%

LAB 13.77, -9.03, 17.59

 

CMYK 19 / 0 / 85 / 71

HEX #3C4A0B

RGB 60 74 11

HSL 73.33, 0.74%, 0.17%

LAB 29.11, -15.3, 33.01

 

CMYK 19 / 0 / 85 / 57

HEX #596E11

RGB 89 110 17

HSL 73.55, 0.73%, 0.25%

LAB 43.24, -20.89, 44.65

 

CMYK 19 / 0 / 85 / 43

HEX #769116

RGB 118 145 22

HSL 73.17, 0.74%, 0.33%

LAB 56.25, -25.66, 55.48

 

CMYK 19 / 0 / 85 / 29

HEX #93B51C

RGB 147 181 28

HSL 73.33, 0.73%, 0.41%

LAB 68.99, -30.65, 65.76

 

CMYK 19 / 0 / 85 / 57

HEX #596E11

RGB 89 110 17

HSL 73.55, 0.73%, 0.25%

LAB 43.24, -20.89, 44.65

 

CMYK 85 / 0 / 50 / 57

HEX #116E37

RGB 17 110 55

HSL 144.52, 0.73%, 0.25%

LAB 40.49, -39.04, 23.46

 

CMYK 15 / 85 / 0 / 57

HEX #5D116E

RGB 93 17 110

HSL 289.03, 0.73%, 0.25%

LAB 23.18, 45.85, -35.96

 

CMYK 19 / 0 / 85 / 57

HEX #596E11

RGB 89 110 17

HSL 73.55, 0.73%, 0.25%

LAB 43.24, -20.89, 44.65

 

CMYK 85 / 18 / 0 / 57

HEX #115A6E

RGB 17 90 110

HSL 192.9, 0.73%, 0.25%

LAB 35.12, -13.77, -17.52

 

CMYK 0 / 85 / 18 / 57

HEX #6E115A

RGB 110 17 90

HSL 312.9, 0.73%, 0.25%

LAB 25.12, 46.15, -19.6

 

CMYK 19 / 0 / 85 / 57

HEX #596E11

RGB 89 110 17

HSL 73.55, 0.73%, 0.25%

LAB 43.24, -20.89, 44.65

 

CMYK 85 / 0 / 50 / 57

HEX #116E37

RGB 17 110 55

HSL 144.52, 0.73%, 0.25%

LAB 40.49, -39.04, 23.46

 

CMYK 66 / 85 / 0 / 57

HEX #25116E

RGB 37 17 110

HSL 252.9, 0.73%, 0.25%

LAB 15.06, 36.75, -49.56

 

CMYK 0 / 85 / 35 / 57

HEX #6E1147

RGB 110 17 71

HSL 325.16, 0.73%, 0.25%

LAB 24.23, 43.59, -8.23

 

CMYK 19 / 0 / 85 / 57

HEX #596E11

RGB 89 110 17

HSL 73.55, 0.73%, 0.25%

LAB 43.24, -20.89, 44.65

 

CMYK 85 / 0 / 25 / 57

HEX #116E53

RGB 17 110 83

HSL 162.58, 0.73%, 0.25%

LAB 41.05, -32.71, 7.85

 

CMYK 66 / 85 / 0 / 57

HEX #25116E

RGB 37 17 110

HSL 252.9, 0.73%, 0.25%

LAB 15.06, 36.75, -49.56

 

CMYK 0 / 85 / 61 / 57

HEX #6E112B

RGB 110 17 43

HSL 343.23, 0.73%, 0.25%

LAB 23.31, 40.83, 9.71

 

Description

Color code: RGB 89 110 17 | qconv.com Color code: RGB 89 110 17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 110 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 110 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 85 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 85% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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