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Color name
RGB 89 71 2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 71 2 it is the complementary color RGB 166 184 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 71 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 71 2 shade: RGB 94 71 0, RGB 111 89 16, RGB 128 107 35, RGB 145 125 54 and RGB 162 143 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 71 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 71 2 shade: RGB 89 71 2, RGB 72 53 0, RGB 55 35 0, RGB 38 17 0 and RGB 21 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 71 2 shade: RGB 89 71 1, RGB 89 47 1, RGB 89 24 1 and RGB 89 1 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 71 2 shade: RGB 89 71 1, RGB 84 89 1, RGB 60 89 1, RGB 36 89 1 and RGB 13 89 1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 71 2 shade matches the following richer shades: RGB 89 71 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 71 2 shade: RGB 89 71 1, RGB 82 67 9, RGB 75 63 16, RGB 67 58 24 and RGB 60 54 31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 71 2 shade: RGB 89 23 1, RGB 89 47 1, RGB 89 70 1, RGB 85 89 1 and RGB 62 89 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 71 2 shade: RGB 9 7 0, RGB 49 39 1, RGB 89 71 1, RGB 130 103 2 and RGB 170 136 3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 71 2 shade: RGB 89 71 2, RGB 3 89 1 and RGB 35 1 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 71 2 shade: RGB 89 71 2, RGB 1 89 70 and RGB 70 1 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 71 2 shade: RGB 89 71 2, RGB 3 89 1, RGB 1 20 89 and RGB 88 1 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 71 2 shade: RGB 89 71 2, RGB 1 89 26, RGB 1 20 89 and RGB 89 1 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 98 / 65

HEX #594702

RGB 89 71 2

HSL 47.59, 0.96%, 0.18%

LAB 30.96, 0.83, 39.06

 

Complementary color

CMYK 34 / 27 / 0 / 1

HEX #A6B8FD

RGB 166 184 253

HSL 227.59, 0.96%, 0.82%

LAB 75.75, 9.76, -36.1

 

CMYK 0 / 24 / 100 / 63

HEX #5E4700

RGB 94 71 0

HSL 45.32, 1%, 0.18%

LAB 31.55, 3.33, 40.56

 

CMYK 0 / 20 / 86 / 56

HEX #6F5910

RGB 111 89 16

HSL 46.11, 0.75%, 0.25%

LAB 38.83, 1.43, 41.86

 

CMYK 0 / 16 / 73 / 50

HEX #806B23

RGB 128 107 35

HSL 46.45, 0.57%, 0.32%

LAB 45.94, -0.05, 41.63

 

CMYK 0 / 14 / 63 / 43

HEX #917D36

RGB 145 125 54

HSL 46.81, 0.46%, 0.39%

LAB 52.9, -1.19, 40.64

 

CMYK 0 / 12 / 55 / 36

HEX #A28F49

RGB 162 143 73

HSL 47.19, 0.38%, 0.46%

LAB 59.71, -2.09, 39.4

 

CMYK 0 / 20 / 98 / 65

HEX #594702

RGB 89 71 2

HSL 47.59, 0.96%, 0.18%

LAB 30.96, 0.83, 39.06

 

CMYK 0 / 26 / 100 / 72

HEX #483500

RGB 72 53 0

HSL 44.17, 1%, 0.14%

LAB 23.42, 3.22, 32.52

 

CMYK 0 / 36 / 100 / 78

HEX #372300

RGB 55 35 0

HSL 38.18, 1%, 0.11%

LAB 15.56, 5.94, 22.91

 

CMYK 0 / 55 / 100 / 85

HEX #261100

RGB 38 17 0

HSL 26.84, 1%, 0.07%

LAB 7.34, 8.93, 11.17

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 20 / 99 / 65

HEX #594701

RGB 89 71 1

HSL 47.73, 0.98%, 0.18%

LAB 30.96, 0.79, 39.46

 

CMYK 0 / 47 / 99 / 65

HEX #592F01

RGB 89 47 1

HSL 31.36, 0.98%, 0.18%

LAB 24.19, 15.87, 33.69

 

CMYK 0 / 73 / 99 / 65

HEX #591801

RGB 89 24 1

HSL 15.68, 0.98%, 0.18%

LAB 19.14, 28.78, 28.27

 

CMYK 0 / 99 / 99 / 65

HEX #590101

RGB 89 1 1

HSL 0, 0.98%, 0.18%

LAB 16.24, 36.89, 24.79

 

CMYK 0 / 20 / 99 / 65

HEX #594701

RGB 89 71 1

HSL 47.73, 0.98%, 0.18%

LAB 30.96, 0.79, 39.46

 

CMYK 6 / 0 / 99 / 65

HEX #545901

RGB 84 89 1

HSL 63.41, 0.98%, 0.18%

LAB 36.05, -12.44, 42.98

 

CMYK 33 / 0 / 99 / 65

HEX #3C5901

RGB 60 89 1

HSL 79.77, 0.98%, 0.18%

LAB 34.21, -23.7, 40.77

 

CMYK 60 / 0 / 99 / 65

HEX #245901

RGB 36 89 1

HSL 96.14, 0.98%, 0.18%

LAB 32.97, -32.83, 39.26

 

CMYK 85 / 0 / 99 / 65

HEX #0D5901

RGB 13 89 1

HSL 111.82, 0.98%, 0.18%

LAB 32.33, -38.2, 38.48

 

CMYK 0 / 20 / 99 / 65

HEX #594701

RGB 89 71 1

HSL 47.73, 0.98%, 0.18%

LAB 30.96, 0.79, 39.46

 

CMYK 0 / 20 / 99 / 65

HEX #594701

RGB 89 71 1

HSL 47.73, 0.98%, 0.18%

LAB 30.96, 0.79, 39.46

 

CMYK 0 / 18 / 89 / 68

HEX #524309

RGB 82 67 9

HSL 47.67, 0.8%, 0.18%

LAB 28.97, -0.04, 34.42

 

CMYK 0 / 16 / 79 / 71

HEX #4B3F10

RGB 75 63 16

HSL 47.8, 0.65%, 0.18%

LAB 26.98, -0.82, 29.35

 

CMYK 0 / 13 / 64 / 74

HEX #433A18

RGB 67 58 24

HSL 47.44, 0.47%, 0.18%

LAB 24.59, -1.16, 22.25

 

CMYK 0 / 10 / 48 / 76

HEX #3C361F

RGB 60 54 31

HSL 47.59, 0.32%, 0.18%

LAB 22.65, -1.35, 15.41

 

CMYK 0 / 74 / 99 / 65

HEX #591701

RGB 89 23 1

HSL 15, 0.98%, 0.18%

LAB 18.97, 29.25, 28.07

 

CMYK 0 / 47 / 99 / 65

HEX #592F01

RGB 89 47 1

HSL 31.36, 0.98%, 0.18%

LAB 24.19, 15.87, 33.69

 

CMYK 0 / 21 / 99 / 65

HEX #594601

RGB 89 70 1

HSL 47.05, 0.98%, 0.18%

LAB 30.66, 1.41, 39.24

 

CMYK 4 / 0 / 99 / 65

HEX #555901

RGB 85 89 1

HSL 62.73, 0.98%, 0.18%

LAB 36.13, -11.95, 43.09

 

CMYK 30 / 0 / 99 / 65

HEX #3E5901

RGB 62 89 1

HSL 78.41, 0.98%, 0.18%

LAB 34.34, -22.82, 40.93

 

CMYK 0 / 22 / 100 / 96

HEX #090700

RGB 9 7 0

HSL 46.67, 1%, 0.02%

LAB 1.9, -0.45, 2.83

 

CMYK 0 / 20 / 98 / 81

HEX #312701

RGB 49 39 1

HSL 47.5, 0.96%, 0.1%

LAB 16.03, -0.1, 22.93

 

CMYK 0 / 20 / 99 / 65

HEX #594701

RGB 89 71 1

HSL 47.73, 0.98%, 0.18%

LAB 30.96, 0.79, 39.46

 

CMYK 0 / 21 / 98 / 49

HEX #826702

RGB 130 103 2

HSL 47.34, 0.97%, 0.26%

LAB 44.87, 2.1, 51.27

 

CMYK 0 / 20 / 98 / 33

HEX #AA8803

RGB 170 136 3

HSL 47.78, 0.97%, 0.34%

LAB 58.19, 2.27, 62.57

 

CMYK 0 / 20 / 98 / 65

HEX #594702

RGB 89 71 2

HSL 47.59, 0.96%, 0.18%

LAB 30.96, 0.83, 39.06

 

CMYK 97 / 0 / 99 / 65

HEX #035901

RGB 3 89 1

HSL 118.64, 0.98%, 0.18%

LAB 32.18, -39.53, 38.3

 

CMYK 61 / 99 / 0 / 65

HEX #230159

RGB 35 1 89

HSL 263.18, 0.98%, 0.18%

LAB 9.8, 37.63, -44.32

 

CMYK 0 / 20 / 98 / 65

HEX #594702

RGB 89 71 2

HSL 47.59, 0.96%, 0.18%

LAB 30.96, 0.83, 39.06

 

CMYK 99 / 0 / 21 / 65

HEX #015946

RGB 1 89 70

HSL 167.05, 0.98%, 0.18%

LAB 33.12, -28.33, 4.52

 

CMYK 21 / 99 / 0 / 65

HEX #460159

RGB 70 1 89

HSL 287.05, 0.98%, 0.18%

LAB 15.72, 41.98, -34.38

 

CMYK 0 / 20 / 98 / 65

HEX #594702

RGB 89 71 2

HSL 47.59, 0.96%, 0.18%

LAB 30.96, 0.83, 39.06

 

CMYK 97 / 0 / 99 / 65

HEX #035901

RGB 3 89 1

HSL 118.64, 0.98%, 0.18%

LAB 32.18, -39.53, 38.3

 

CMYK 99 / 78 / 0 / 65

HEX #011459

RGB 1 20 89

HSL 227.05, 0.98%, 0.18%

LAB 10.76, 24.18, -42.81

 

CMYK 1 / 99 / 0 / 65

HEX #580159

RGB 88 1 89

HSL 299.32, 0.98%, 0.18%

LAB 19.3, 45.14, -28.43

 

CMYK 0 / 20 / 98 / 65

HEX #594702

RGB 89 71 2

HSL 47.59, 0.96%, 0.18%

LAB 30.96, 0.83, 39.06

 

CMYK 99 / 0 / 71 / 65

HEX #01591A

RGB 1 89 26

HSL 137.05, 0.98%, 0.18%

LAB 32.32, -37.72, 29.05

 

CMYK 99 / 78 / 0 / 65

HEX #011459

RGB 1 20 89

HSL 227.05, 0.98%, 0.18%

LAB 10.76, 24.18, -42.81

 

CMYK 0 / 99 / 28 / 65

HEX #590140

RGB 89 1 64

HSL 317.05, 0.98%, 0.18%

LAB 17.99, 41.54, -13.35

 

Description

Color code: RGB 89 71 2 | qconv.com Color code: RGB 89 71 2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 71 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 71 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 98 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 98% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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