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Color name
RGB 89 57 199

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 57 199 it is the complementary color RGB 166 198 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 57 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 57 199 shade: RGB 94 57 194, RGB 111 75 213, RGB 128 93 232, RGB 145 111 251 and RGB 162 129 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 57 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 57 199 shade: RGB 89 57 199, RGB 72 39 180, RGB 55 21 161, RGB 38 3 142 and RGB 21 0 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 57 199 shade: RGB 88 56 198, RGB 126 56 198, RGB 165 56 198, RGB 198 56 193 and RGB 198 56 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 57 199 shade: RGB 88 56 198 and RGB 56 56 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 57 199 shade matches the following richer shades: RGB 88 56 198, RGB 76 35 219 and RGB 65 14 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 57 199 shade: RGB 88 56 198, RGB 99 76 178, RGB 110 97 157, RGB 122 117 137 and RGB 133 138 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 57 199 shade: RGB 56 101 198, RGB 56 63 198, RGB 87 56 198, RGB 125 56 198 and RGB 163 56 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 57 199 shade: RGB 59 37 134, RGB 73 47 166, RGB 88 56 198, RGB 115 88 207 and RGB 142 120 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 57 199 shade: RGB 89 57 199, RGB 198 56 139 and RGB 82 198 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 57 199 shade: RGB 89 57 199, RGB 198 87 56 and RGB 56 198 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 57 199 shade: RGB 89 57 199, RGB 198 56 139, RGB 167 198 56 and RGB 56 198 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 57 199 shade: RGB 89 57 199, RGB 198 56 96, RGB 167 198 56 and RGB 56 198 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 71 / 0 / 22

HEX #5939C7

RGB 89 57 199

HSL 253.52, 0.56%, 0.5%

LAB 36.32, 49.95, -69.05

 

Complementary color

CMYK 16 / 0 / 72 / 22

HEX #A6C638

RGB 166 198 56

HSL 73.52, 0.56%, 0.5%

LAB 75.31, -29.72, 63.66

 

CMYK 52 / 71 / 0 / 24

HEX #5E39C2

RGB 94 57 194

HSL 256.2, 0.55%, 0.49%

LAB 36.37, 49.29, -66.02

 

CMYK 48 / 65 / 0 / 16

HEX #6F4BD5

RGB 111 75 213

HSL 255.65, 0.62%, 0.56%

LAB 43.09, 47.98, -66

 

CMYK 45 / 60 / 0 / 9

HEX #805DE8

RGB 128 93 232

HSL 255.11, 0.75%, 0.64%

LAB 49.79, 46.65, -65.84

 

CMYK 42 / 56 / 0 / 2

HEX #916FFB

RGB 145 111 251

HSL 254.57, 0.95%, 0.71%

LAB 56.44, 45.37, -65.63

 

CMYK 36 / 49 / 0 / 0

HEX #A281FF

RGB 162 129 255

HSL 255.71, 1%, 0.75%

LAB 62.17, 40.24, -58.56

 

CMYK 55 / 71 / 0 / 22

HEX #5939C7

RGB 89 57 199

HSL 253.52, 0.56%, 0.5%

LAB 36.32, 49.95, -69.05

 

CMYK 60 / 78 / 0 / 29

HEX #4827B4

RGB 72 39 180

HSL 254.04, 0.64%, 0.43%

LAB 29.72, 51.19, -68.75

 

CMYK 66 / 87 / 0 / 37

HEX #3715A1

RGB 55 21 161

HSL 254.57, 0.77%, 0.36%

LAB 23.41, 51.75, -67.79

 

CMYK 73 / 98 / 0 / 44

HEX #26038E

RGB 38 3 142

HSL 255.11, 0.96%, 0.28%

LAB 17.6, 51.05, -65.76

 

CMYK 83 / 100 / 0 / 52

HEX #15007B

RGB 21 0 123

HSL 250.24, 1%, 0.24%

LAB 13.17, 46.51, -61.16

 

CMYK 56 / 72 / 0 / 22

HEX #5838C6

RGB 88 56 198

HSL 253.52, 0.56%, 0.5%

LAB 35.95, 50.04, -69.07

 

CMYK 36 / 72 / 0 / 22

HEX #7E38C6

RGB 126 56 198

HSL 269.58, 0.56%, 0.5%

LAB 40.15, 56.42, -62.04

 

CMYK 17 / 72 / 0 / 22

HEX #A538C6

RGB 165 56 198

HSL 286.06, 0.56%, 0.5%

LAB 45.5, 64.09, -53.12

 

CMYK 0 / 72 / 3 / 22

HEX #C638C1

RGB 198 56 193

HSL 302.11, 0.56%, 0.5%

LAB 50.32, 70.23, -42.24

 

CMYK 0 / 72 / 22 / 22

HEX #C6389B

RGB 198 56 155

HSL 318.17, 0.56%, 0.5%

LAB 48.51, 64.69, -22.73

 

CMYK 56 / 72 / 0 / 22

HEX #5838C6

RGB 88 56 198

HSL 253.52, 0.56%, 0.5%

LAB 35.95, 50.04, -69.07

 

CMYK 72 / 72 / 0 / 22

HEX #3838C6

RGB 56 56 198

HSL 240, 0.56%, 0.5%

LAB 33.45, 46.04, -73.27

 

CMYK 56 / 72 / 0 / 22

HEX #5838C6

RGB 88 56 198

HSL 253.52, 0.56%, 0.5%

LAB 35.95, 50.04, -69.07

 

CMYK 65 / 84 / 0 / 14

HEX #4C23DB

RGB 76 35 219

HSL 253.37, 0.72%, 0.5%

LAB 33.67, 64.06, -85.03

 

CMYK 73 / 94 / 0 / 6

HEX #410EF0

RGB 65 14 240

HSL 253.54, 0.89%, 0.5%

LAB 33.41, 74.49, -97.49

 

CMYK 56 / 72 / 0 / 22

HEX #5838C6

RGB 88 56 198

HSL 253.52, 0.56%, 0.5%

LAB 35.95, 50.04, -69.07

 

CMYK 44 / 57 / 0 / 30

HEX #634CB2

RGB 99 76 178

HSL 253.53, 0.4%, 0.5%

LAB 39.64, 34.89, -51.28

 

CMYK 30 / 38 / 0 / 38

HEX #6E619D

RGB 110 97 157

HSL 253, 0.24%, 0.5%

LAB 44.66, 19.1, -30.8

 

CMYK 11 / 15 / 0 / 46

HEX #7A7589

RGB 122 117 137

HSL 255, 0.08%, 0.5%

LAB 50.29, 6.1, -10.21

 

CMYK 4 / 0 / 16 / 46

HEX #858A74

RGB 133 138 116

HSL 73.64, 0.09%, 0.5%

LAB 56.51, -5.95, 11.17

 

CMYK 72 / 49 / 0 / 22

HEX #3865C6

RGB 56 101 198

HSL 220.99, 0.56%, 0.5%

LAB 44.55, 17.79, -55.17

 

CMYK 72 / 68 / 0 / 22

HEX #383FC6

RGB 56 63 198

HSL 237.04, 0.56%, 0.5%

LAB 34.95, 41.92, -70.8

 

CMYK 56 / 72 / 0 / 22

HEX #5738C6

RGB 87 56 198

HSL 253.1, 0.56%, 0.5%

LAB 35.85, 49.89, -69.23

 

CMYK 37 / 72 / 0 / 22

HEX #7D38C6

RGB 125 56 198

HSL 269.15, 0.56%, 0.5%

LAB 40.02, 56.23, -62.25

 

CMYK 18 / 72 / 0 / 22

HEX #A338C6

RGB 163 56 198

HSL 285.21, 0.56%, 0.5%

LAB 45.21, 63.67, -53.61

 

CMYK 56 / 72 / 0 / 47

HEX #3B2586

RGB 59 37 134

HSL 253.61, 0.57%, 0.34%

LAB 23.59, 36.62, -50.8

 

CMYK 56 / 72 / 0 / 35

HEX #492FA6

RGB 73 47 166

HSL 253.11, 0.56%, 0.42%

LAB 29.92, 43.11, -60.03

 

CMYK 56 / 72 / 0 / 22

HEX #5838C6

RGB 88 56 198

HSL 253.52, 0.56%, 0.5%

LAB 35.95, 50.04, -69.07

 

CMYK 44 / 57 / 0 / 19

HEX #7358CF

RGB 115 88 207

HSL 253.61, 0.55%, 0.58%

LAB 45.81, 39.74, -58.13

 

CMYK 35 / 45 / 0 / 15

HEX #8E78D9

RGB 142 120 217

HSL 253.61, 0.56%, 0.66%

LAB 56.28, 30.37, -46.93

 

CMYK 55 / 71 / 0 / 22

HEX #5939C7

RGB 89 57 199

HSL 253.52, 0.56%, 0.5%

LAB 36.32, 49.95, -69.05

 

CMYK 0 / 72 / 30 / 22

HEX #C6388B

RGB 198 56 139

HSL 324.93, 0.56%, 0.5%

LAB 47.88, 62.67, -14.11

 

CMYK 59 / 0 / 72 / 22

HEX #52C638

RGB 82 198 56

HSL 109.01, 0.56%, 0.5%

LAB 71.19, -58.11, 58.17

 

CMYK 55 / 71 / 0 / 22

HEX #5939C7

RGB 89 57 199

HSL 253.52, 0.56%, 0.5%

LAB 36.32, 49.95, -69.05

 

CMYK 0 / 56 / 72 / 22

HEX #C65738

RGB 198 87 56

HSL 13.1, 0.56%, 0.5%

LAB 50.81, 42.36, 39.15

 

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

CMYK 55 / 71 / 0 / 22

HEX #5939C7

RGB 89 57 199

HSL 253.52, 0.56%, 0.5%

LAB 36.32, 49.95, -69.05

 

CMYK 0 / 72 / 30 / 22

HEX #C6388B

RGB 198 56 139

HSL 324.93, 0.56%, 0.5%

LAB 47.88, 62.67, -14.11

 

CMYK 16 / 0 / 72 / 22

HEX #A7C638

RGB 167 198 56

HSL 73.1, 0.56%, 0.5%

LAB 75.38, -29.32, 63.75

 

CMYK 72 / 0 / 42 / 22

HEX #38C673

RGB 56 198 115

HSL 144.93, 0.56%, 0.5%

LAB 71.19, -55.81, 31.04

 

CMYK 55 / 71 / 0 / 22

HEX #5939C7

RGB 89 57 199

HSL 253.52, 0.56%, 0.5%

LAB 36.32, 49.95, -69.05

 

CMYK 0 / 72 / 52 / 22

HEX #C63860

RGB 198 56 96

HSL 343.1, 0.56%, 0.5%

LAB 46.55, 58.32, 10.18

 

CMYK 16 / 0 / 72 / 22

HEX #A7C638

RGB 167 198 56

HSL 73.1, 0.56%, 0.5%

LAB 75.38, -29.32, 63.75

 

CMYK 72 / 0 / 20 / 22

HEX #38C69E

RGB 56 198 158

HSL 163.1, 0.56%, 0.5%

LAB 72.03, -46.74, 9.36

 

Description

Color code: RGB 89 57 199 | qconv.com Color code: RGB 89 57 199 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 57 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 57 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 71 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 71% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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