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Color name
RGB 88 216 21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 216 21 it is the complementary color RGB 167 39 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 216 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88 216 21 shade: RGB 93 216 16, RGB 110 234 35, RGB 127 252 54, RGB 144 255 73 and RGB 161 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 216 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88 216 21 shade: RGB 88 216 21, RGB 71 198 2, RGB 54 180 0, RGB 37 162 0 and RGB 20 144 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88 216 21 shade: RGB 87 213 21, RGB 139 213 21, RGB 190 213 21, RGB 213 184 21 and RGB 213 132 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88 216 21 shade: RGB 87 213 21, RGB 35 213 21, RGB 21 213 58, RGB 21 213 110 and RGB 21 213 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88 216 21 shade matches the following richer shades: RGB 87 213 21 and RGB 81 232 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88 216 21 shade: RGB 87 213 21, RGB 93 194 40, RGB 99 175 59, RGB 105 156 78 and RGB 110 137 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88 216 21 shade: RGB 191 213 21, RGB 139 213 21, RGB 88 213 21, RGB 37 213 21 and RGB 21 213 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88 216 21 shade: RGB 56 138 13, RGB 71 175 17, RGB 87 213 21, RGB 107 233 41 and RGB 133 237 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88 216 21 shade: RGB 88 216 21, RGB 21 213 184 and RGB 213 21 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88 216 21 shade: RGB 88 216 21, RGB 21 88 213 and RGB 213 21 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88 216 21 shade: RGB 88 216 21, RGB 21 213 184, RGB 146 21 213 and RGB 213 21 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88 216 21 shade: RGB 88 216 21, RGB 21 184 213, RGB 146 21 213 and RGB 213 49 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 90 / 15

HEX #58D815

RGB 88 216 21

HSL 99.38, 0.82%, 0.46%

LAB 76.82, -64.6, 72.64

 

Complementary color

CMYK 29 / 83 / 0 / 8

HEX #A727EA

RGB 167 39 234

HSL 279.38, 0.82%, 0.54%

LAB 46.45, 76.86, -72.18

 

CMYK 57 / 0 / 93 / 15

HEX #5DD810

RGB 93 216 16

HSL 96.9, 0.86%, 0.45%

LAB 76.97, -63.48, 73.53

 

CMYK 53 / 0 / 85 / 8

HEX #6EEA23

RGB 110 234 35

HSL 97.39, 0.83%, 0.53%

LAB 83.06, -64.71, 75.7

 

CMYK 50 / 0 / 79 / 1

HEX #7FFC36

RGB 127 252 54

HSL 97.88, 0.97%, 0.6%

LAB 89.11, -65.61, 76.75

 

CMYK 44 / 0 / 71 / 0

HEX #90FF49

RGB 144 255 73

HSL 96.59, 1%, 0.64%

LAB 90.75, -60.67, 72.7

 

CMYK 37 / 0 / 64 / 0

HEX #A1FF5C

RGB 161 255 92

HSL 94.6, 1%, 0.68%

LAB 91.63, -53.95, 66.83

 

CMYK 59 / 0 / 90 / 15

HEX #58D815

RGB 88 216 21

HSL 99.38, 0.82%, 0.46%

LAB 76.82, -64.6, 72.64

 

CMYK 64 / 0 / 99 / 22

HEX #47C602

RGB 71 198 2

HSL 98.88, 0.98%, 0.39%

LAB 70.69, -62.96, 69.68

 

CMYK 70 / 0 / 100 / 29

HEX #36B400

RGB 54 180 0

HSL 102, 1%, 0.35%

LAB 64.51, -60.71, 64.82

 

CMYK 77 / 0 / 100 / 36

HEX #25A200

RGB 37 162 0

HSL 106.3, 1%, 0.32%

LAB 58.26, -58.03, 59.7

 

CMYK 86 / 0 / 100 / 44

HEX #149000

RGB 20 144 0

HSL 111.67, 1%, 0.28%

LAB 51.94, -54.78, 54.55

 

CMYK 59 / 0 / 90 / 16

HEX #57D515

RGB 87 213 21

HSL 99.38, 0.82%, 0.46%

LAB 75.87, -63.83, 71.83

 

CMYK 35 / 0 / 90 / 16

HEX #8BD515

RGB 139 213 21

HSL 83.13, 0.82%, 0.46%

LAB 77.95, -48.04, 74.41

 

CMYK 11 / 0 / 90 / 16

HEX #BED515

RGB 190 213 21

HSL 67.19, 0.82%, 0.46%

LAB 81.07, -28.21, 78.22

 

CMYK 0 / 14 / 90 / 16

HEX #D5B815

RGB 213 184 21

HSL 50.94, 0.82%, 0.46%

LAB 75.13, -3.91, 74.37

 

CMYK 0 / 38 / 90 / 16

HEX #D58415

RGB 213 132 21

HSL 34.69, 0.82%, 0.46%

LAB 62.26, 23.87, 64.53

 

CMYK 59 / 0 / 90 / 16

HEX #57D515

RGB 87 213 21

HSL 99.38, 0.82%, 0.46%

LAB 75.87, -63.83, 71.83

 

CMYK 84 / 0 / 90 / 16

HEX #23D515

RGB 35 213 21

HSL 115.63, 0.82%, 0.46%

LAB 74.82, -72.75, 70.53

 

CMYK 90 / 0 / 73 / 16

HEX #15D53A

RGB 21 213 58

HSL 131.56, 0.82%, 0.46%

LAB 74.86, -71.84, 60.85

 

CMYK 90 / 0 / 48 / 16

HEX #15D56E

RGB 21 213 110

HSL 147.81, 0.82%, 0.46%

LAB 75.37, -65.5, 38.83

 

CMYK 90 / 0 / 24 / 16

HEX #15D5A2

RGB 21 213 162

HSL 164.06, 0.82%, 0.46%

LAB 76.29, -55.01, 13.2

 

CMYK 59 / 0 / 90 / 16

HEX #57D515

RGB 87 213 21

HSL 99.38, 0.82%, 0.46%

LAB 75.87, -63.83, 71.83

 

CMYK 65 / 0 / 99 / 9

HEX #51E802

RGB 81 232 2

HSL 99.39, 0.98%, 0.46%

LAB 81.55, -71.69, 78.45

 

CMYK 59 / 0 / 90 / 16

HEX #57D515

RGB 87 213 21

HSL 99.38, 0.82%, 0.46%

LAB 75.87, -63.83, 71.83

 

CMYK 52 / 0 / 79 / 24

HEX #5DC228

RGB 93 194 40

HSL 99.35, 0.66%, 0.46%

LAB 70.22, -54.78, 62.65

 

CMYK 43 / 0 / 66 / 31

HEX #63AF3B

RGB 99 175 59

HSL 99.31, 0.5%, 0.46%

LAB 64.67, -44.16, 50.35

 

CMYK 33 / 0 / 50 / 39

HEX #699C4E

RGB 105 156 78

HSL 99.23, 0.33%, 0.46%

LAB 59.28, -31.67, 35.32

 

CMYK 20 / 0 / 29 / 46

HEX #6E8961

RGB 110 137 97

HSL 100.5, 0.17%, 0.46%

LAB 54.1, -17.53, 18.39

 

CMYK 10 / 0 / 90 / 16

HEX #BFD515

RGB 191 213 21

HSL 66.88, 0.82%, 0.46%

LAB 81.14, -27.8, 78.31

 

CMYK 35 / 0 / 90 / 16

HEX #8BD515

RGB 139 213 21

HSL 83.13, 0.82%, 0.46%

LAB 77.95, -48.04, 74.41

 

CMYK 59 / 0 / 90 / 16

HEX #58D515

RGB 88 213 21

HSL 99.06, 0.82%, 0.46%

LAB 75.9, -63.59, 71.86

 

CMYK 83 / 0 / 90 / 16

HEX #25D515

RGB 37 213 21

HSL 115, 0.82%, 0.46%

LAB 74.85, -72.54, 70.56

 

CMYK 90 / 0 / 74 / 16

HEX #15D538

RGB 21 213 56

HSL 130.94, 0.82%, 0.46%

LAB 74.85, -72, 61.53

 

CMYK 59 / 0 / 91 / 46

HEX #388A0D

RGB 56 138 13

HSL 99.36, 0.83%, 0.3%

LAB 50.74, -45.56, 51.55

 

CMYK 59 / 0 / 90 / 31

HEX #47AF11

RGB 71 175 17

HSL 99.49, 0.82%, 0.38%

LAB 63.38, -54.85, 61.76

 

CMYK 59 / 0 / 90 / 16

HEX #57D515

RGB 87 213 21

HSL 99.38, 0.82%, 0.46%

LAB 75.87, -63.83, 71.83

 

CMYK 54 / 0 / 82 / 9

HEX #6BE929

RGB 107 233 41

HSL 99.38, 0.81%, 0.54%

LAB 82.68, -64.92, 73.97

 

CMYK 44 / 0 / 67 / 7

HEX #85ED4F

RGB 133 237 79

HSL 99.49, 0.81%, 0.62%

LAB 85.06, -56.67, 64.51

 

CMYK 59 / 0 / 90 / 15

HEX #58D815

RGB 88 216 21

HSL 99.38, 0.82%, 0.46%

LAB 76.82, -64.6, 72.64

 

CMYK 90 / 0 / 14 / 16

HEX #15D5B8

RGB 21 213 184

HSL 170.94, 0.82%, 0.46%

LAB 76.81, -49.47, 2.18

 

CMYK 0 / 90 / 23 / 16

HEX #D515A5

RGB 213 21 165

HSL 315, 0.82%, 0.46%

LAB 48.76, 77.53, -28.08

 

CMYK 59 / 0 / 90 / 15

HEX #58D815

RGB 88 216 21

HSL 99.38, 0.82%, 0.46%

LAB 76.82, -64.6, 72.64

 

CMYK 90 / 59 / 0 / 16

HEX #1558D5

RGB 21 88 213

HSL 219.06, 0.82%, 0.46%

LAB 41.13, 28.75, -69.41

 

CMYK 0 / 90 / 59 / 16

HEX #D51558

RGB 213 21 88

HSL 339.06, 0.82%, 0.46%

LAB 46.16, 70.49, 15.02

 

CMYK 59 / 0 / 90 / 15

HEX #58D815

RGB 88 216 21

HSL 99.38, 0.82%, 0.46%

LAB 76.82, -64.6, 72.64

 

CMYK 90 / 0 / 14 / 16

HEX #15D5B8

RGB 21 213 184

HSL 170.94, 0.82%, 0.46%

LAB 76.81, -49.47, 2.18

 

CMYK 31 / 90 / 0 / 16

HEX #9215D5

RGB 146 21 213

HSL 279.06, 0.82%, 0.46%

LAB 40.33, 73.81, -70.32

 

CMYK 0 / 90 / 77 / 16

HEX #D51531

RGB 213 21 49

HSL 351.25, 0.82%, 0.46%

LAB 45.5, 68.63, 37.97

 

CMYK 59 / 0 / 90 / 15

HEX #58D815

RGB 88 216 21

HSL 99.38, 0.82%, 0.46%

LAB 76.82, -64.6, 72.64

 

CMYK 90 / 14 / 0 / 16

HEX #15B8D5

RGB 21 184 213

HSL 189.06, 0.82%, 0.46%

LAB 68.93, -27.69, -25.34

 

CMYK 31 / 90 / 0 / 16

HEX #9215D5

RGB 146 21 213

HSL 279.06, 0.82%, 0.46%

LAB 40.33, 73.81, -70.32

 

CMYK 0 / 77 / 90 / 16

HEX #D53115

RGB 213 49 21

HSL 8.75, 0.82%, 0.46%

LAB 47.49, 61.67, 53.68

 

Description

Color code: RGB 88 216 21 | qconv.com Color code: RGB 88 216 21 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 216 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 216 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 90% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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