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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 186 53 it is the complementary color RGB 167 69 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 186 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88 186 53 shade: RGB 93 186 48, RGB 110 204 67, RGB 127 222 86, RGB 144 240 105 and RGB 161 255 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 186 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88 186 53 shade: RGB 88 186 53, RGB 71 168 34, RGB 54 150 15, RGB 37 132 0 and RGB 20 114 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88 186 53 shade: RGB 88 186 52, RGB 124 186 52, RGB 160 186 52, RGB 186 177 52 and RGB 186 141 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88 186 53 shade: RGB 88 186 52, RGB 52 186 53, RGB 52 186 89, RGB 52 186 126 and RGB 52 186 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88 186 53 shade matches the following richer shades: RGB 88 186 52, RGB 78 206 33 and RGB 69 225 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88 186 53 shade: RGB 88 186 52, RGB 97 167 72, RGB 106 148 91, RGB 115 128 110 and RGB 124 109 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88 186 53 shade: RGB 160 186 52, RGB 124 186 52, RGB 88 186 52, RGB 52 186 52 and RGB 52 186 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88 186 53 shade: RGB 57 122 34, RGB 72 154 43, RGB 88 186 52, RGB 110 204 76 and RGB 136 213 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88 186 53 shade: RGB 88 186 53, RGB 52 186 178 and RGB 186 52 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88 186 53 shade: RGB 88 186 53, RGB 52 88 186 and RGB 186 52 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88 186 53 shade: RGB 88 186 53, RGB 52 186 178, RGB 151 52 186 and RGB 186 52 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88 186 53 shade: RGB 88 186 53, RGB 52 155 186, RGB 151 52 186 and RGB 186 84 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 72 / 27

HEX #58BA35

RGB 88 186 53

HSL 104.21, 0.56%, 0.47%

LAB 67.61, -52.36, 55.69

 

Complementary color

CMYK 17 / 66 / 0 / 21

HEX #A745CA

RGB 167 69 202

HSL 284.21, 0.56%, 0.53%

LAB 47.93, 60, -51.53

 

CMYK 50 / 0 / 74 / 27

HEX #5DBA30

RGB 93 186 48

HSL 100.43, 0.59%, 0.46%

LAB 67.77, -51.28, 57.72

 

CMYK 46 / 0 / 67 / 20

HEX #6ECC43

RGB 110 204 67

HSL 101.17, 0.57%, 0.53%

LAB 74.13, -51.74, 57.34

 

CMYK 43 / 0 / 61 / 13

HEX #7FDE56

RGB 127 222 86

HSL 101.91, 0.67%, 0.6%

LAB 80.42, -51.99, 56.55

 

CMYK 40 / 0 / 56 / 6

HEX #90F069

RGB 144 240 105

HSL 102.67, 0.82%, 0.68%

LAB 86.64, -52.09, 55.56

 

CMYK 37 / 0 / 51 / 0

HEX #A1FF7C

RGB 161 255 124

HSL 103.05, 1%, 0.74%

LAB 91.93, -50.86, 53.44

 

CMYK 53 / 0 / 72 / 27

HEX #58BA35

RGB 88 186 53

HSL 104.21, 0.56%, 0.47%

LAB 67.61, -52.36, 55.69

 

CMYK 58 / 0 / 80 / 34

HEX #47A822

RGB 71 168 34

HSL 103.43, 0.66%, 0.4%

LAB 61.19, -51.59, 55.68

 

CMYK 64 / 0 / 90 / 41

HEX #36960F

RGB 54 150 15

HSL 102.67, 0.82%, 0.32%

LAB 54.69, -50.34, 54.52

 

CMYK 72 / 0 / 100 / 48

HEX #258400

RGB 37 132 0

HSL 103.18, 1%, 0.26%

LAB 48.13, -48.4, 51.63

 

CMYK 82 / 0 / 100 / 55

HEX #147200

RGB 20 114 0

HSL 109.47, 1%, 0.22%

LAB 41.51, -45.46, 46.21

 

CMYK 53 / 0 / 72 / 27

HEX #58BA34

RGB 88 186 52

HSL 103.88, 0.56%, 0.47%

LAB 67.61, -52.43, 56.05

 

CMYK 33 / 0 / 72 / 27

HEX #7CBA34

RGB 124 186 52

HSL 87.76, 0.56%, 0.47%

LAB 69.22, -40.72, 58.21

 

CMYK 14 / 0 / 72 / 27

HEX #A0BA34

RGB 160 186 52

HSL 71.64, 0.56%, 0.47%

LAB 71.45, -26.65, 61.15

 

CMYK 0 / 5 / 72 / 27

HEX #BAB134

RGB 186 177 52

HSL 55.97, 0.56%, 0.47%

LAB 70.96, -11.1, 61.38

 

CMYK 0 / 24 / 72 / 27

HEX #BA8D34

RGB 186 141 52

HSL 39.85, 0.56%, 0.47%

LAB 61.43, 8.18, 51.92

 

CMYK 53 / 0 / 72 / 27

HEX #58BA34

RGB 88 186 52

HSL 103.88, 0.56%, 0.47%

LAB 67.61, -52.43, 56.05

 

CMYK 72 / 0 / 72 / 27

HEX #34BA35

RGB 52 186 53

HSL 120.45, 0.56%, 0.47%

LAB 66.6, -60.55, 54.33

 

CMYK 72 / 0 / 52 / 27

HEX #34BA59

RGB 52 186 89

HSL 136.57, 0.56%, 0.47%

LAB 66.95, -56.35, 38.78

 

CMYK 72 / 0 / 32 / 27

HEX #34BA7E

RGB 52 186 126

HSL 153.13, 0.56%, 0.47%

LAB 67.54, -49.69, 20.36

 

CMYK 72 / 0 / 13 / 27

HEX #34BAA2

RGB 52 186 162

HSL 169.25, 0.56%, 0.47%

LAB 68.36, -41.14, 1.89

 

CMYK 53 / 0 / 72 / 27

HEX #58BA34

RGB 88 186 52

HSL 103.88, 0.56%, 0.47%

LAB 67.61, -52.43, 56.05

 

CMYK 62 / 0 / 84 / 19

HEX #4ECE21

RGB 78 206 33

HSL 104.39, 0.72%, 0.47%

LAB 73.46, -63.19, 67.29

 

CMYK 69 / 0 / 94 / 12

HEX #45E10D

RGB 69 225 13

HSL 104.15, 0.89%, 0.47%

LAB 79.12, -71.67, 75.39

 

CMYK 53 / 0 / 72 / 27

HEX #58BA34

RGB 88 186 52

HSL 103.88, 0.56%, 0.47%

LAB 67.61, -52.43, 56.05

 

CMYK 42 / 0 / 57 / 35

HEX #61A748

RGB 97 167 72

HSL 104.21, 0.4%, 0.47%

LAB 62.21, -40.12, 41.7

 

CMYK 28 / 0 / 39 / 42

HEX #6A945B

RGB 106 148 91

HSL 104.21, 0.24%, 0.47%

LAB 57.07, -25.62, 25.65

 

CMYK 10 / 0 / 14 / 50

HEX #73806E

RGB 115 128 110

HSL 103.33, 0.08%, 0.47%

LAB 52.07, -8.41, 8.16

 

CMYK 5 / 16 / 0 / 49

HEX #7C6D82

RGB 124 109 130

HSL 282.86, 0.09%, 0.47%

LAB 48.05, 10.04, -9.42

 

CMYK 14 / 0 / 72 / 27

HEX #A0BA34

RGB 160 186 52

HSL 71.64, 0.56%, 0.47%

LAB 71.45, -26.65, 61.15

 

CMYK 33 / 0 / 72 / 27

HEX #7CBA34

RGB 124 186 52

HSL 87.76, 0.56%, 0.47%

LAB 69.22, -40.72, 58.21

 

CMYK 53 / 0 / 72 / 27

HEX #58BA34

RGB 88 186 52

HSL 103.88, 0.56%, 0.47%

LAB 67.61, -52.43, 56.05

 

CMYK 72 / 0 / 72 / 27

HEX #34BA34

RGB 52 186 52

HSL 120, 0.56%, 0.47%

LAB 66.59, -60.63, 54.69

 

CMYK 72 / 0 / 53 / 27

HEX #34BA58

RGB 52 186 88

HSL 136.12, 0.56%, 0.47%

LAB 66.94, -56.5, 39.26

 

CMYK 53 / 0 / 72 / 52

HEX #397A22

RGB 57 122 34

HSL 104.32, 0.56%, 0.31%

LAB 45.5, -37.75, 40

 

CMYK 53 / 0 / 72 / 40

HEX #489A2B

RGB 72 154 43

HSL 104.32, 0.56%, 0.39%

LAB 56.75, -45.39, 48.18

 

CMYK 53 / 0 / 72 / 27

HEX #58BA34

RGB 88 186 52

HSL 103.88, 0.56%, 0.47%

LAB 67.61, -52.43, 56.05

 

CMYK 46 / 0 / 63 / 20

HEX #6ECC4C

RGB 110 204 76

HSL 104.06, 0.56%, 0.55%

LAB 74.2, -50.94, 53.7

 

CMYK 36 / 0 / 49 / 16

HEX #88D56C

RGB 136 213 108

HSL 104, 0.56%, 0.63%

LAB 78.41, -42.98, 44.25

 

CMYK 53 / 0 / 72 / 27

HEX #58BA35

RGB 88 186 53

HSL 104.21, 0.56%, 0.47%

LAB 67.61, -52.36, 55.69

 

CMYK 72 / 0 / 4 / 27

HEX #34BAB2

RGB 52 186 178

HSL 176.42, 0.56%, 0.47%

LAB 68.8, -36.77, -6.26

 

CMYK 0 / 72 / 24 / 27

HEX #BA348E

RGB 186 52 142

HSL 319.7, 0.56%, 0.47%

LAB 45.43, 61.3, -19.85

 

CMYK 53 / 0 / 72 / 27

HEX #58BA35

RGB 88 186 53

HSL 104.21, 0.56%, 0.47%

LAB 67.61, -52.36, 55.69

 

CMYK 72 / 53 / 0 / 27

HEX #3458BA

RGB 52 88 186

HSL 223.88, 0.56%, 0.47%

LAB 40.01, 21.19, -55.55

 

CMYK 0 / 72 / 53 / 27

HEX #BA3458

RGB 186 52 88

HSL 343.88, 0.56%, 0.47%

LAB 43.65, 55.53, 10.75

 

CMYK 53 / 0 / 72 / 27

HEX #58BA35

RGB 88 186 53

HSL 104.21, 0.56%, 0.47%

LAB 67.61, -52.36, 55.69

 

CMYK 72 / 0 / 4 / 27

HEX #34BAB2

RGB 52 186 178

HSL 176.42, 0.56%, 0.47%

LAB 68.8, -36.77, -6.26

 

CMYK 19 / 72 / 0 / 27

HEX #9734BA

RGB 151 52 186

HSL 284.33, 0.56%, 0.47%

LAB 42.12, 60.38, -51.66

 

CMYK 0 / 72 / 67 / 27

HEX #BA343D

RGB 186 52 61

HSL 355.97, 0.56%, 0.47%

LAB 43.11, 53.69, 26.7

 

CMYK 53 / 0 / 72 / 27

HEX #58BA35

RGB 88 186 53

HSL 104.21, 0.56%, 0.47%

LAB 67.61, -52.36, 55.69

 

CMYK 72 / 17 / 0 / 27

HEX #349BBA

RGB 52 155 186

HSL 193.88, 0.56%, 0.47%

LAB 59.63, -19.01, -24.56

 

CMYK 19 / 72 / 0 / 27

HEX #9734BA

RGB 151 52 186

HSL 284.33, 0.56%, 0.47%

LAB 42.12, 60.38, -51.66

 

CMYK 0 / 55 / 72 / 27

HEX #BA5434

RGB 186 84 52

HSL 14.33, 0.56%, 0.47%

LAB 48.29, 39.07, 37.97

 

Description

Color code: RGB 88 186 53 | qconv.com Color code: RGB 88 186 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 186 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 186 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 72 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 72% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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