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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 179 232 it is the complementary color RGB 167 76 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 179 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88 179 232 shade: RGB 93 179 227, RGB 110 197 246, RGB 127 215 255, RGB 144 233 255 and RGB 161 251 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 179 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88 179 232 shade: RGB 88 179 232, RGB 71 161 213, RGB 54 143 194, RGB 37 125 175 and RGB 20 107 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88 179 232 shade: RGB 88 179 232, RGB 88 140 232, RGB 88 102 232, RGB 114 88 232 and RGB 153 88 232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88 179 232 shade: RGB 88 179 232, RGB 88 140 232, RGB 88 102 232 and RGB 88 88 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88 179 232 shade matches the following richer shades: RGB 88 179 232 and RGB 73 183 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88 179 232 shade: RGB 88 179 232, RGB 104 175 217, RGB 119 171 201, RGB 134 167 186 and RGB 150 163 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88 179 232 shade: RGB 88 232 208, RGB 88 218 232, RGB 88 179 232, RGB 88 141 232 and RGB 88 103 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88 179 232 shade: RGB 28 143 210, RGB 52 163 227, RGB 88 179 232, RGB 125 196 237 and RGB 161 212 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88 179 232 shade: RGB 88 179 232, RGB 170 88 232 and RGB 232 227 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88 179 232 shade: RGB 88 179 232, RGB 232 88 179 and RGB 179 232 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88 179 232 shade: RGB 88 179 232, RGB 170 88 232, RGB 232 141 88 and RGB 151 232 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88 179 232 shade: RGB 88 179 232, RGB 213 88 232, RGB 232 141 88 and RGB 108 232 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 23 / 0 / 9

HEX #58B3E8

RGB 88 179 232

HSL 202.08, 0.76%, 0.63%

LAB 69.57, -11.45, -34.62

 

Complementary color

CMYK 0 / 54 / 86 / 35

HEX #A74C17

RGB 167 76 23

HSL 22.08, 0.76%, 0.37%

LAB 43.43, 34.52, 46.22

 

CMYK 59 / 21 / 0 / 11

HEX #5DB3E3

RGB 93 179 227

HSL 201.49, 0.71%, 0.63%

LAB 69.55, -12.09, -31.91

 

CMYK 55 / 20 / 0 / 4

HEX #6EC5F6

RGB 110 197 246

HSL 201.62, 0.88%, 0.7%

LAB 76.01, -12.66, -32.17

 

CMYK 50 / 16 / 0 / 0

HEX #7FD7FF

RGB 127 215 255

HSL 198.75, 1%, 0.75%

LAB 82.02, -15.92, -27.69

 

CMYK 44 / 9 / 0 / 0

HEX #90E9FF

RGB 144 233 255

HSL 191.89, 1%, 0.78%

LAB 87.69, -21.17, -19

 

CMYK 37 / 2 / 0 / 0

HEX #A1FBFF

RGB 161 251 255

HSL 182.55, 1%, 0.82%

LAB 93.36, -25.85, -10.44

 

CMYK 62 / 23 / 0 / 9

HEX #58B3E8

RGB 88 179 232

HSL 202.08, 0.76%, 0.63%

LAB 69.57, -11.45, -34.62

 

CMYK 67 / 24 / 0 / 16

HEX #47A1D5

RGB 71 161 213

HSL 201.97, 0.63%, 0.56%

LAB 63.04, -10.57, -34.36

 

CMYK 72 / 26 / 0 / 24

HEX #368FC2

RGB 54 143 194

HSL 201.86, 0.56%, 0.49%

LAB 56.41, -9.45, -34.07

 

CMYK 79 / 29 / 0 / 31

HEX #257DAF

RGB 37 125 175

HSL 201.74, 0.65%, 0.42%

LAB 49.68, -8, -33.74

 

CMYK 87 / 31 / 0 / 39

HEX #146B9C

RGB 20 107 156

HSL 201.62, 0.77%, 0.35%

LAB 42.86, -6.07, -33.35

 

CMYK 62 / 23 / 0 / 9

HEX #58B3E8

RGB 88 179 232

HSL 202.08, 0.76%, 0.63%

LAB 69.57, -11.45, -34.62

 

CMYK 62 / 40 / 0 / 9

HEX #588CE8

RGB 88 140 232

HSL 218.33, 0.76%, 0.63%

LAB 58.66, 10.77, -51.77

 

CMYK 62 / 56 / 0 / 9

HEX #5866E8

RGB 88 102 232

HSL 234.17, 0.76%, 0.63%

LAB 48.76, 33.95, -67.65

 

CMYK 51 / 62 / 0 / 9

HEX #7258E8

RGB 114 88 232

HSL 250.83, 0.76%, 0.63%

LAB 47.47, 46.75, -69.66

 

CMYK 34 / 62 / 0 / 9

HEX #9958E8

RGB 153 88 232

HSL 267.08, 0.76%, 0.63%

LAB 51.36, 54.55, -63.19

 

CMYK 62 / 23 / 0 / 9

HEX #58B3E8

RGB 88 179 232

HSL 202.08, 0.76%, 0.63%

LAB 69.57, -11.45, -34.62

 

CMYK 62 / 40 / 0 / 9

HEX #588CE8

RGB 88 140 232

HSL 218.33, 0.76%, 0.63%

LAB 58.66, 10.77, -51.77

 

CMYK 62 / 56 / 0 / 9

HEX #5866E8

RGB 88 102 232

HSL 234.17, 0.76%, 0.63%

LAB 48.76, 33.95, -67.65

 

CMYK 62 / 62 / 0 / 9

HEX #5858E8

RGB 88 88 232

HSL 240, 0.76%, 0.63%

LAB 45.47, 42.41, -73.01

 

CMYK 62 / 23 / 0 / 9

HEX #58B3E8

RGB 88 179 232

HSL 202.08, 0.76%, 0.63%

LAB 69.57, -11.45, -34.62

 

CMYK 70 / 26 / 0 / 3

HEX #49B7F7

RGB 73 183 247

HSL 202.07, 0.92%, 0.63%

LAB 70.87, -11.11, -40.78

 

CMYK 62 / 23 / 0 / 9

HEX #58B3E8

RGB 88 179 232

HSL 202.08, 0.76%, 0.63%

LAB 69.57, -11.45, -34.62

 

CMYK 52 / 19 / 0 / 15

HEX #68AFD9

RGB 104 175 217

HSL 202.3, 0.6%, 0.63%

LAB 68.47, -10.68, -28.06

 

CMYK 41 / 15 / 0 / 21

HEX #77ABC9

RGB 119 171 201

HSL 201.95, 0.43%, 0.63%

LAB 67.48, -9.41, -20.71

 

CMYK 28 / 10 / 0 / 27

HEX #86A7BA

RGB 134 167 186

HSL 201.92, 0.27%, 0.63%

LAB 66.71, -6.83, -13.46

 

CMYK 12 / 5 / 0 / 33

HEX #96A3AB

RGB 150 163 171

HSL 202.86, 0.11%, 0.63%

LAB 66.23, -2.92, -5.71

 

CMYK 62 / 0 / 10 / 9

HEX #58E8D0

RGB 88 232 208

HSL 170, 0.76%, 0.63%

LAB 84.14, -44.08, 0.24

 

CMYK 62 / 6 / 0 / 9

HEX #58DAE8

RGB 88 218 232

HSL 185.83, 0.76%, 0.63%

LAB 80.76, -31.29, -17.5

 

CMYK 62 / 23 / 0 / 9

HEX #58B3E8

RGB 88 179 232

HSL 202.08, 0.76%, 0.63%

LAB 69.57, -11.45, -34.62

 

CMYK 62 / 39 / 0 / 9

HEX #588DE8

RGB 88 141 232

HSL 217.92, 0.76%, 0.63%

LAB 58.93, 10.18, -51.33

 

CMYK 62 / 56 / 0 / 9

HEX #5867E8

RGB 88 103 232

HSL 233.75, 0.76%, 0.63%

LAB 49.01, 33.34, -67.26

 

CMYK 87 / 32 / 0 / 18

HEX #1C8FD2

RGB 28 143 210

HSL 202.09, 0.76%, 0.47%

LAB 56.63, -6.37, -42.79

 

CMYK 77 / 28 / 0 / 11

HEX #34A3E3

RGB 52 163 227

HSL 201.94, 0.76%, 0.55%

LAB 63.73, -9.48, -41.06

 

CMYK 62 / 23 / 0 / 9

HEX #58B3E8

RGB 88 179 232

HSL 202.08, 0.76%, 0.63%

LAB 69.57, -11.45, -34.62

 

CMYK 47 / 17 / 0 / 7

HEX #7DC4ED

RGB 125 196 237

HSL 201.96, 0.76%, 0.71%

LAB 76.04, -11.46, -27.23

 

CMYK 33 / 12 / 0 / 5

HEX #A1D4F2

RGB 161 212 242

HSL 202.22, 0.76%, 0.79%

LAB 82.42, -9.42, -20.03

 

CMYK 62 / 23 / 0 / 9

HEX #58B3E8

RGB 88 179 232

HSL 202.08, 0.76%, 0.63%

LAB 69.57, -11.45, -34.62

 

CMYK 27 / 62 / 0 / 9

HEX #AA58E8

RGB 170 88 232

HSL 274.17, 0.76%, 0.63%

LAB 53.33, 58.28, -59.9

 

CMYK 0 / 2 / 62 / 9

HEX #E8E358

RGB 232 227 88

HSL 57.92, 0.76%, 0.63%

LAB 88.35, -14.98, 66.25

 

CMYK 62 / 23 / 0 / 9

HEX #58B3E8

RGB 88 179 232

HSL 202.08, 0.76%, 0.63%

LAB 69.57, -11.45, -34.62

 

CMYK 0 / 62 / 23 / 9

HEX #E858B3

RGB 232 88 179

HSL 322.08, 0.76%, 0.63%

LAB 59.33, 64.71, -19.71

 

CMYK 23 / 0 / 62 / 9

HEX #B3E858

RGB 179 232 88

HSL 82.08, 0.76%, 0.63%

LAB 86.01, -38.2, 62.63

 

CMYK 62 / 23 / 0 / 9

HEX #58B3E8

RGB 88 179 232

HSL 202.08, 0.76%, 0.63%

LAB 69.57, -11.45, -34.62

 

CMYK 27 / 62 / 0 / 9

HEX #AA58E8

RGB 170 88 232

HSL 274.17, 0.76%, 0.63%

LAB 53.33, 58.28, -59.9

 

CMYK 0 / 39 / 62 / 9

HEX #E88D58

RGB 232 141 88

HSL 22.08, 0.76%, 0.63%

LAB 67.21, 29.78, 42.5

 

CMYK 35 / 0 / 62 / 9

HEX #97E858

RGB 151 232 88

HSL 93.75, 0.76%, 0.63%

LAB 84.48, -48.15, 60.53

 

CMYK 62 / 23 / 0 / 9

HEX #58B3E8

RGB 88 179 232

HSL 202.08, 0.76%, 0.63%

LAB 69.57, -11.45, -34.62

 

CMYK 8 / 62 / 0 / 9

HEX #D558E8

RGB 213 88 232

HSL 292.08, 0.76%, 0.63%

LAB 58.93, 68.15, -50.64

 

CMYK 0 / 39 / 62 / 9

HEX #E88D58

RGB 232 141 88

HSL 22.08, 0.76%, 0.63%

LAB 67.21, 29.78, 42.5

 

CMYK 53 / 0 / 62 / 9

HEX #6CE858

RGB 108 232 88

HSL 111.67, 0.76%, 0.63%

LAB 82.7, -61.01, 58.06

 

Description

Color code: RGB 88 179 232 | qconv.com Color code: RGB 88 179 232 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 179 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 179 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 23 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 23% 0% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

66% - Datos Útiles, Utilid...
Link: http://www.datines.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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