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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 175 79 it is the complementary color RGB 167 80 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 175 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88 175 79 shade: RGB 93 175 74, RGB 110 193 93, RGB 127 211 112, RGB 144 229 131 and RGB 161 247 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 175 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88 175 79 shade: RGB 88 175 79, RGB 71 157 60, RGB 54 139 41, RGB 37 121 22 and RGB 20 103 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88 175 79 shade: RGB 88 175 79, RGB 114 175 79, RGB 140 175 79, RGB 166 175 79 and RGB 175 159 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88 175 79 shade: RGB 88 175 79, RGB 79 175 96, RGB 79 175 122, RGB 79 175 148 and RGB 79 175 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88 175 79 shade matches the following richer shades: RGB 88 175 79, RGB 71 196 58, RGB 54 217 37 and RGB 37 237 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88 175 79 shade: RGB 88 175 79, RGB 104 155 99, RGB 121 134 120, RGB 138 114 140 and RGB 155 93 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88 175 79 shade: RGB 140 175 79, RGB 114 175 79, RGB 88 175 79, RGB 79 175 95 and RGB 79 175 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88 175 79 shade: RGB 59 119 53, RGB 73 147 66, RGB 88 175 79, RGB 115 188 107 and RGB 142 201 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88 175 79 shade: RGB 88 175 79, RGB 79 166 175 and RGB 175 79 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88 175 79 shade: RGB 88 175 79, RGB 79 88 175 and RGB 175 79 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88 175 79 shade: RGB 88 175 79, RGB 79 166 175, RGB 166 79 175 and RGB 175 88 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88 175 79 shade: RGB 88 175 79, RGB 79 137 175, RGB 166 79 175 and RGB 175 117 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

Complementary color

CMYK 5 / 55 / 0 / 31

HEX #A750B0

RGB 167 80 176

HSL 294.38, 0.38%, 0.5%

LAB 48.37, 49.77, -35.72

 

CMYK 47 / 0 / 58 / 31

HEX #5DAF4A

RGB 93 175 74

HSL 108.71, 0.41%, 0.49%

LAB 64.55, -44.54, 43.44

 

CMYK 43 / 0 / 52 / 24

HEX #6EC15D

RGB 110 193 93

HSL 109.8, 0.45%, 0.56%

LAB 71.04, -44.57, 42.24

 

CMYK 40 / 0 / 47 / 17

HEX #7FD370

RGB 127 211 112

HSL 110.91, 0.53%, 0.63%

LAB 77.44, -44.48, 41.01

 

CMYK 37 / 0 / 43 / 10

HEX #90E583

RGB 144 229 131

HSL 112.04, 0.65%, 0.71%

LAB 83.76, -44.34, 39.79

 

CMYK 35 / 0 / 39 / 3

HEX #A1F796

RGB 161 247 150

HSL 113.2, 0.86%, 0.78%

LAB 90, -44.15, 38.61

 

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

CMYK 55 / 0 / 62 / 38

HEX #479D3C

RGB 71 157 60

HSL 113.2, 0.45%, 0.43%

LAB 57.83, -45.22, 42.03

 

CMYK 61 / 0 / 71 / 45

HEX #368B29

RGB 54 139 41

HSL 112.04, 0.54%, 0.35%

LAB 51.16, -44.7, 42.97

 

CMYK 69 / 0 / 82 / 53

HEX #257916

RGB 37 121 22

HSL 110.91, 0.69%, 0.28%

LAB 44.41, -43.63, 43.24

 

CMYK 81 / 0 / 97 / 60

HEX #146703

RGB 20 103 3

HSL 109.8, 0.94%, 0.21%

LAB 37.58, -41.69, 42.23

 

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

CMYK 35 / 0 / 55 / 31

HEX #72AF4F

RGB 114 175 79

HSL 98.13, 0.38%, 0.5%

LAB 65.59, -37.08, 42.54

 

CMYK 20 / 0 / 55 / 31

HEX #8CAF4F

RGB 140 175 79

HSL 81.88, 0.38%, 0.5%

LAB 67.13, -27.38, 44.72

 

CMYK 5 / 0 / 55 / 31

HEX #A6AF4F

RGB 166 175 79

HSL 65.63, 0.38%, 0.5%

LAB 68.99, -16.82, 47.36

 

CMYK 0 / 9 / 55 / 31

HEX #AF9F4F

RGB 175 159 79

HSL 50, 0.38%, 0.5%

LAB 65.34, -4.62, 43.32

 

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

CMYK 55 / 0 / 45 / 31

HEX #4FAF60

RGB 79 175 96

HSL 130.63, 0.38%, 0.5%

LAB 64.3, -45.44, 32.07

 

CMYK 55 / 0 / 30 / 31

HEX #4FAF7A

RGB 79 175 122

HSL 146.88, 0.38%, 0.5%

LAB 64.75, -40.73, 18.81

 

CMYK 55 / 0 / 15 / 31

HEX #4FAF94

RGB 79 175 148

HSL 163.13, 0.38%, 0.5%

LAB 65.33, -34.96, 5.32

 

CMYK 55 / 0 / 1 / 31

HEX #4FAFAE

RGB 79 175 174

HSL 179.38, 0.38%, 0.5%

LAB 66.04, -28.25, -8.06

 

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

CMYK 64 / 0 / 70 / 23

HEX #47C43A

RGB 71 196 58

HSL 114.35, 0.54%, 0.5%

LAB 70.26, -59.79, 56.37

 

CMYK 75 / 0 / 83 / 15

HEX #36D925

RGB 54 217 37

HSL 114.33, 0.71%, 0.5%

LAB 76.4, -70.95, 68.78

 

CMYK 84 / 0 / 93 / 7

HEX #25ED11

RGB 37 237 17

HSL 114.55, 0.87%, 0.5%

LAB 82.38, -79.33, 77.43

 

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

CMYK 33 / 0 / 36 / 39

HEX #689B63

RGB 104 155 99

HSL 114.64, 0.22%, 0.5%

LAB 59.24, -28.49, 24.11

 

CMYK 10 / 0 / 10 / 47

HEX #798678

RGB 121 134 120

HSL 115.71, 0.06%, 0.5%

LAB 54.52, -7.58, 5.92

 

CMYK 1 / 19 / 0 / 45

HEX #8A728C

RGB 138 114 140

HSL 295.38, 0.1%, 0.5%

LAB 51.07, 14.27, -10.66

 

CMYK 4 / 42 / 0 / 37

HEX #9B5DA1

RGB 155 93 161

HSL 294.71, 0.27%, 0.5%

LAB 48.72, 36.46, -26.46

 

CMYK 20 / 0 / 55 / 31

HEX #8CAF4F

RGB 140 175 79

HSL 81.88, 0.38%, 0.5%

LAB 67.13, -27.38, 44.72

 

CMYK 35 / 0 / 55 / 31

HEX #72AF4F

RGB 114 175 79

HSL 98.13, 0.38%, 0.5%

LAB 65.59, -37.08, 42.54

 

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

CMYK 55 / 0 / 46 / 31

HEX #4FAF5F

RGB 79 175 95

HSL 130, 0.38%, 0.5%

LAB 64.28, -45.6, 32.57

 

CMYK 55 / 0 / 31 / 31

HEX #4FAF79

RGB 79 175 121

HSL 146.25, 0.38%, 0.5%

LAB 64.73, -40.94, 19.33

 

CMYK 50 / 0 / 55 / 53

HEX #3B7735

RGB 59 119 53

HSL 114.55, 0.38%, 0.34%

LAB 44.77, -33.7, 30.11

 

CMYK 50 / 0 / 55 / 42

HEX #499342

RGB 73 147 66

HSL 114.81, 0.38%, 0.42%

LAB 54.74, -39.82, 35.54

 

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

CMYK 39 / 0 / 43 / 26

HEX #73BC6B

RGB 115 188 107

HSL 114.07, 0.38%, 0.58%

LAB 69.95, -38.93, 33.93

 

CMYK 29 / 0 / 33 / 21

HEX #8EC987

RGB 142 201 135

HSL 113.64, 0.38%, 0.66%

LAB 75.62, -31.77, 27.09

 

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

CMYK 55 / 5 / 0 / 31

HEX #4FA6AF

RGB 79 166 175

HSL 185.63, 0.38%, 0.5%

LAB 63.37, -23.47, -12.62

 

CMYK 0 / 55 / 27 / 31

HEX #AF4F7F

RGB 175 79 127

HSL 330, 0.38%, 0.5%

LAB 47.29, 44.58, -8.13

 

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

CMYK 55 / 50 / 0 / 31

HEX #4F58AF

RGB 79 88 175

HSL 234.38, 0.38%, 0.5%

LAB 40.79, 22.07, -47.74

 

CMYK 0 / 55 / 50 / 31

HEX #AF4F58

RGB 175 79 88

HSL 354.38, 0.38%, 0.5%

LAB 46.19, 40.03, 13.98

 

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

CMYK 55 / 5 / 0 / 31

HEX #4FA6AF

RGB 79 166 175

HSL 185.63, 0.38%, 0.5%

LAB 63.37, -23.47, -12.62

 

CMYK 5 / 55 / 0 / 31

HEX #A64FAF

RGB 166 79 175

HSL 294.38, 0.38%, 0.5%

LAB 48, 49.79, -35.72

 

CMYK 0 / 50 / 55 / 31

HEX #AF584F

RGB 175 88 79

HSL 5.63, 0.38%, 0.5%

LAB 47.83, 34.56, 21.58

 

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

CMYK 55 / 22 / 0 / 31

HEX #4F89AF

RGB 79 137 175

HSL 203.75, 0.38%, 0.5%

LAB 54.71, -7.84, -25.82

 

CMYK 5 / 55 / 0 / 31

HEX #A64FAF

RGB 166 79 175

HSL 294.38, 0.38%, 0.5%

LAB 48, 49.79, -35.72

 

CMYK 0 / 33 / 55 / 31

HEX #AF754F

RGB 175 117 79

HSL 23.75, 0.38%, 0.5%

LAB 54.45, 18.61, 30.1

 

Description

Color code: RGB 88 175 79 | qconv.com Color code: RGB 88 175 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 175 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 175 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 55 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 55% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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