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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 144 225 it is the complementary color RGB 167 111 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 144 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88 144 225 shade: RGB 93 144 220, RGB 110 162 239, RGB 127 180 255, RGB 144 198 255 and RGB 161 216 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 144 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88 144 225 shade: RGB 88 144 225, RGB 71 126 206, RGB 54 108 187, RGB 37 90 168 and RGB 20 72 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88 144 225 shade: RGB 85 142 225, RGB 85 105 225, RGB 104 85 225, RGB 141 85 225 and RGB 179 85 225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88 144 225 shade: RGB 85 142 225, RGB 85 105 225 and RGB 85 85 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88 144 225 shade matches the following richer shades: RGB 85 142 225 and RGB 69 139 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88 144 225 shade: RGB 85 142 225, RGB 102 145 209, RGB 118 148 192, RGB 134 151 176 and RGB 150 154 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88 144 225 shade: RGB 85 218 225, RGB 85 181 225, RGB 85 143 225, RGB 85 106 225 and RGB 102 85 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88 144 225 shade: RGB 34 99 194, RGB 50 119 218, RGB 85 142 225, RGB 121 166 231 and RGB 156 189 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88 144 225 shade: RGB 88 144 225, RGB 194 85 225 and RGB 199 225 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88 144 225 shade: RGB 88 144 225, RGB 225 85 143 and RGB 143 225 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88 144 225 shade: RGB 88 144 225, RGB 194 85 225, RGB 225 167 85 and RGB 116 225 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88 144 225 shade: RGB 88 144 225, RGB 225 85 213, RGB 225 167 85 and RGB 85 225 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 36 / 0 / 12

HEX #5890E1

RGB 88 144 225

HSL 215.47, 0.7%, 0.61%

LAB 59.4, 6.07, -46.7

 

Complementary color

CMYK 0 / 34 / 82 / 35

HEX #A76F1E

RGB 167 111 30

HSL 35.47, 0.7%, 0.39%

LAB 51.47, 15.5, 50.55

 

CMYK 58 / 35 / 0 / 14

HEX #5D90DC

RGB 93 144 220

HSL 215.91, 0.64%, 0.61%

LAB 59.38, 5.41, -43.92

 

CMYK 54 / 32 / 0 / 6

HEX #6EA2EF

RGB 110 162 239

HSL 215.81, 0.8%, 0.68%

LAB 66.05, 4.48, -43.87

 

CMYK 50 / 29 / 0 / 0

HEX #7FB4FF

RGB 127 180 255

HSL 215.16, 1%, 0.75%

LAB 72.48, 2.83, -42.44

 

CMYK 44 / 22 / 0 / 0

HEX #90C6FF

RGB 144 198 255

HSL 210.81, 1%, 0.78%

LAB 78.19, -3.05, -33.5

 

CMYK 37 / 15 / 0 / 0

HEX #A1D8FF

RGB 161 216 255

HSL 204.89, 1%, 0.82%

LAB 83.92, -8.29, -24.64

 

CMYK 61 / 36 / 0 / 12

HEX #5890E1

RGB 88 144 225

HSL 215.47, 0.7%, 0.61%

LAB 59.4, 6.07, -46.7

 

CMYK 66 / 39 / 0 / 19

HEX #477ECE

RGB 71 126 206

HSL 215.56, 0.58%, 0.54%

LAB 52.64, 7.37, -46.78

 

CMYK 71 / 42 / 0 / 27

HEX #366CBB

RGB 54 108 187

HSL 215.64, 0.55%, 0.47%

LAB 45.77, 8.99, -46.87

 

CMYK 78 / 46 / 0 / 34

HEX #255AA8

RGB 37 90 168

HSL 215.73, 0.64%, 0.4%

LAB 38.78, 11.08, -46.94

 

CMYK 87 / 52 / 0 / 42

HEX #144895

RGB 20 72 149

HSL 215.81, 0.76%, 0.33%

LAB 31.7, 13.8, -46.96

 

CMYK 62 / 37 / 0 / 12

HEX #558EE1

RGB 85 142 225

HSL 215.57, 0.7%, 0.61%

LAB 58.71, 6.71, -47.8

 

CMYK 62 / 53 / 0 / 12

HEX #5569E1

RGB 85 105 225

HSL 231.43, 0.7%, 0.61%

LAB 48.85, 29.28, -63.58

 

CMYK 54 / 62 / 0 / 12

HEX #6855E1

RGB 104 85 225

HSL 248.14, 0.7%, 0.61%

LAB 45.46, 44.59, -69.01

 

CMYK 37 / 62 / 0 / 12

HEX #8D55E1

RGB 141 85 225

HSL 264, 0.7%, 0.61%

LAB 49, 51.81, -63.1

 

CMYK 20 / 62 / 0 / 12

HEX #B355E1

RGB 179 85 225

HSL 280.29, 0.7%, 0.61%

LAB 53.51, 60.23, -55.61

 

CMYK 62 / 37 / 0 / 12

HEX #558EE1

RGB 85 142 225

HSL 215.57, 0.7%, 0.61%

LAB 58.71, 6.71, -47.8

 

CMYK 62 / 53 / 0 / 12

HEX #5569E1

RGB 85 105 225

HSL 231.43, 0.7%, 0.61%

LAB 48.85, 29.28, -63.58

 

CMYK 62 / 62 / 0 / 12

HEX #5555E1

RGB 85 85 225

HSL 240, 0.7%, 0.61%

LAB 44.04, 41.48, -71.39

 

CMYK 62 / 37 / 0 / 12

HEX #558EE1

RGB 85 142 225

HSL 215.57, 0.7%, 0.61%

LAB 58.71, 6.71, -47.8

 

CMYK 71 / 42 / 0 / 5

HEX #458BF1

RGB 69 139 241

HSL 215.58, 0.86%, 0.61%

LAB 58.11, 11.5, -57.66

 

CMYK 62 / 37 / 0 / 12

HEX #558EE1

RGB 85 142 225

HSL 215.57, 0.7%, 0.61%

LAB 58.71, 6.71, -47.8

 

CMYK 51 / 31 / 0 / 18

HEX #6691D1

RGB 102 145 209

HSL 215.89, 0.54%, 0.61%

LAB 59.6, 3.29, -37.4

 

CMYK 39 / 23 / 0 / 25

HEX #7694C0

RGB 118 148 192

HSL 215.68, 0.37%, 0.61%

LAB 60.64, 0.67, -26.16

 

CMYK 24 / 14 / 0 / 31

HEX #8697B0

RGB 134 151 176

HSL 215.71, 0.21%, 0.61%

LAB 61.94, -0.38, -15.05

 

CMYK 6 / 4 / 0 / 37

HEX #969AA0

RGB 150 154 160

HSL 216, 0.05%, 0.61%

LAB 63.45, -0.24, -3.64

 

CMYK 62 / 3 / 0 / 12

HEX #55DAE1

RGB 85 218 225

HSL 183, 0.7%, 0.61%

LAB 80.47, -33.73, -14.23

 

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

 

CMYK 62 / 36 / 0 / 12

HEX #558FE1

RGB 85 143 225

HSL 215.14, 0.7%, 0.61%

LAB 58.99, 6.11, -47.36

 

CMYK 62 / 53 / 0 / 12

HEX #556AE1

RGB 85 106 225

HSL 231, 0.7%, 0.61%

LAB 49.1, 28.66, -63.17

 

CMYK 55 / 62 / 0 / 12

HEX #6655E1

RGB 102 85 225

HSL 247.29, 0.7%, 0.61%

LAB 45.3, 44.24, -69.28

 

CMYK 82 / 49 / 0 / 24

HEX #2263C2

RGB 34 99 194

HSL 215.63, 0.7%, 0.45%

LAB 43, 15.04, -55.4

 

CMYK 77 / 45 / 0 / 15

HEX #3277DA

RGB 50 119 218

HSL 215.36, 0.69%, 0.53%

LAB 50.61, 13.07, -56.86

 

CMYK 62 / 37 / 0 / 12

HEX #558EE1

RGB 85 142 225

HSL 215.57, 0.7%, 0.61%

LAB 58.71, 6.71, -47.8

 

CMYK 48 / 28 / 0 / 9

HEX #79A6E7

RGB 121 166 231

HSL 215.45, 0.7%, 0.69%

LAB 67.36, 2.28, -37.4

 

CMYK 34 / 20 / 0 / 7

HEX #9CBDED

RGB 156 189 237

HSL 215.56, 0.69%, 0.77%

LAB 75.81, 0.2, -27.44

 

CMYK 61 / 36 / 0 / 12

HEX #5890E1

RGB 88 144 225

HSL 215.47, 0.7%, 0.61%

LAB 59.4, 6.07, -46.7

 

CMYK 14 / 62 / 0 / 12

HEX #C255E1

RGB 194 85 225

HSL 286.71, 0.7%, 0.61%

LAB 55.48, 63.7, -52.35

 

CMYK 12 / 0 / 62 / 12

HEX #C7E155

RGB 199 225 85

HSL 71.14, 0.7%, 0.61%

LAB 85.33, -27.5, 63.51

 

CMYK 61 / 36 / 0 / 12

HEX #5890E1

RGB 88 144 225

HSL 215.47, 0.7%, 0.61%

LAB 59.4, 6.07, -46.7

 

CMYK 0 / 62 / 36 / 12

HEX #E1558F

RGB 225 85 143

HSL 335.14, 0.7%, 0.61%

LAB 56.57, 59.55, -3.03

 

CMYK 36 / 0 / 62 / 12

HEX #8FE155

RGB 143 225 85

HSL 95.14, 0.7%, 0.61%

LAB 82.03, -48.17, 58.96

 

CMYK 61 / 36 / 0 / 12

HEX #5890E1

RGB 88 144 225

HSL 215.47, 0.7%, 0.61%

LAB 59.4, 6.07, -46.7

 

CMYK 14 / 62 / 0 / 12

HEX #C255E1

RGB 194 85 225

HSL 286.71, 0.7%, 0.61%

LAB 55.48, 63.7, -52.35

 

CMYK 0 / 26 / 62 / 12

HEX #E1A755

RGB 225 167 85

HSL 35.14, 0.7%, 0.61%

LAB 72.43, 12.85, 49.88

 

CMYK 48 / 0 / 62 / 12

HEX #74E155

RGB 116 225 85

HSL 106.71, 0.7%, 0.61%

LAB 80.86, -56.52, 57.34

 

CMYK 61 / 36 / 0 / 12

HEX #5890E1

RGB 88 144 225

HSL 215.47, 0.7%, 0.61%

LAB 59.4, 6.07, -46.7

 

CMYK 0 / 62 / 5 / 12

HEX #E155D5

RGB 225 85 213

HSL 305.14, 0.7%, 0.61%

LAB 59.26, 69.05, -39.32

 

CMYK 0 / 26 / 62 / 12

HEX #E1A755

RGB 225 167 85

HSL 35.14, 0.7%, 0.61%

LAB 72.43, 12.85, 49.88

 

CMYK 62 / 0 / 57 / 12

HEX #55E161

RGB 85 225 97

HSL 125.14, 0.7%, 0.61%

LAB 79.98, -62.89, 50.83

 

Description

Color code: RGB 88 144 225 | qconv.com Color code: RGB 88 144 225 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 144 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 144 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 36 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 36% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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