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Color name
RGB 88 139 18

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 139 18 it is the complementary color RGB 167 116 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 139 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88 139 18 shade: RGB 93 139 13, RGB 110 157 32, RGB 127 175 51, RGB 144 193 70 and RGB 161 211 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 139 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88 139 18 shade: RGB 88 139 18, RGB 71 121 0, RGB 54 103 0, RGB 37 85 0 and RGB 20 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88 139 18 shade: RGB 88 139 18, RGB 121 139 18, RGB 139 125 18, RGB 139 92 18 and RGB 139 59 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88 139 18 shade: RGB 88 139 18, RGB 55 139 18, RGB 22 139 18, RGB 18 139 46 and RGB 18 139 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88 139 18 shade matches the following richer shades: RGB 88 139 18 and RGB 90 152 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88 139 18 shade: RGB 88 139 18, RGB 86 127 30, RGB 84 114 43, RGB 82 101 56 and RGB 80 88 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88 139 18 shade: RGB 139 125 18, RGB 121 139 18, RGB 89 139 18, RGB 56 139 18 and RGB 24 139 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88 139 18 shade: RGB 42 66 8, RGB 65 103 13, RGB 88 139 18, RGB 111 176 22 and RGB 134 212 27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88 139 18 shade: RGB 88 139 18, RGB 18 139 93 and RGB 139 18 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88 139 18 shade: RGB 88 139 18, RGB 18 89 139 and RGB 139 18 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88 139 18 shade: RGB 88 139 18, RGB 18 139 93, RGB 68 18 139 and RGB 139 18 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88 139 18 shade: RGB 88 139 18, RGB 18 139 129, RGB 68 18 139 and RGB 139 18 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 87 / 45

HEX #588B12

RGB 88 139 18

HSL 85.29, 0.77%, 0.31%

LAB 52.49, -35.21, 52.5

 

Complementary color

CMYK 30 / 51 / 0 / 7

HEX #A774ED

RGB 167 116 237

HSL 265.29, 0.77%, 0.69%

LAB 58.81, 44.17, -53.96

 

CMYK 33 / 0 / 91 / 45

HEX #5D8B0D

RGB 93 139 13

HSL 81.9, 0.83%, 0.3%

LAB 52.75, -33.43, 53.93

 

CMYK 30 / 0 / 80 / 38

HEX #6E9D20

RGB 110 157 32

HSL 82.56, 0.66%, 0.37%

LAB 59.46, -34.22, 55.33

 

CMYK 27 / 0 / 71 / 31

HEX #7FAF33

RGB 127 175 51

HSL 83.23, 0.55%, 0.44%

LAB 66.07, -34.75, 55.46

 

CMYK 25 / 0 / 64 / 24

HEX #90C146

RGB 144 193 70

HSL 83.9, 0.5%, 0.52%

LAB 72.57, -35.1, 54.94

 

CMYK 24 / 0 / 58 / 17

HEX #A1D359

RGB 161 211 89

HSL 84.59, 0.58%, 0.59%

LAB 78.98, -35.33, 54.09

 

CMYK 37 / 0 / 87 / 45

HEX #588B12

RGB 88 139 18

HSL 85.29, 0.77%, 0.31%

LAB 52.49, -35.21, 52.5

 

CMYK 41 / 0 / 100 / 53

HEX #477900

RGB 71 121 0

HSL 84.79, 1%, 0.24%

LAB 45.65, -34.23, 50.22

 

CMYK 48 / 0 / 100 / 60

HEX #366700

RGB 54 103 0

HSL 88.54, 1%, 0.2%

LAB 38.7, -32.66, 44.44

 

CMYK 56 / 0 / 100 / 67

HEX #255500

RGB 37 85 0

HSL 93.88, 1%, 0.17%

LAB 31.56, -30.9, 38.52

 

CMYK 70 / 0 / 100 / 74

HEX #144300

RGB 20 67 0

HSL 102.09, 1%, 0.13%

LAB 24.2, -28.76, 31.97

 

CMYK 37 / 0 / 87 / 45

HEX #588B12

RGB 88 139 18

HSL 85.29, 0.77%, 0.31%

LAB 52.49, -35.21, 52.5

 

CMYK 13 / 0 / 87 / 45

HEX #798B12

RGB 121 139 18

HSL 68.93, 0.77%, 0.31%

LAB 54.63, -21.48, 55.17

 

CMYK 0 / 10 / 87 / 45

HEX #8B7D12

RGB 139 125 18

HSL 53.06, 0.77%, 0.31%

LAB 52.06, -5.76, 53.65

 

CMYK 0 / 34 / 87 / 45

HEX #8B5C12

RGB 139 92 18

HSL 36.69, 0.77%, 0.31%

LAB 43.04, 13.18, 46.12

 

CMYK 0 / 58 / 87 / 45

HEX #8B3B12

RGB 139 59 18

HSL 20.33, 0.77%, 0.31%

LAB 35.32, 31.83, 39.56

 

CMYK 37 / 0 / 87 / 45

HEX #588B12

RGB 88 139 18

HSL 85.29, 0.77%, 0.31%

LAB 52.49, -35.21, 52.5

 

CMYK 60 / 0 / 87 / 45

HEX #378B12

RGB 55 139 18

HSL 101.65, 0.77%, 0.31%

LAB 51.06, -46, 50.69

 

CMYK 84 / 0 / 87 / 45

HEX #168B12

RGB 22 139 18

HSL 118.02, 0.77%, 0.31%

LAB 50.31, -52.38, 49.73

 

CMYK 87 / 0 / 67 / 45

HEX #128B2E

RGB 18 139 46

HSL 133.88, 0.77%, 0.31%

LAB 50.44, -50.54, 39.8

 

CMYK 87 / 0 / 43 / 45

HEX #128B4F

RGB 18 139 79

HSL 150.25, 0.77%, 0.31%

LAB 50.87, -45.37, 23.52

 

CMYK 37 / 0 / 87 / 45

HEX #588B12

RGB 88 139 18

HSL 85.29, 0.77%, 0.31%

LAB 52.49, -35.21, 52.5

 

CMYK 41 / 0 / 97 / 40

HEX #5A9805

RGB 90 152 5

HSL 85.31, 0.94%, 0.31%

LAB 56.72, -40.46, 58.44

 

CMYK 37 / 0 / 87 / 45

HEX #588B12

RGB 88 139 18

HSL 85.29, 0.77%, 0.31%

LAB 52.49, -35.21, 52.5

 

CMYK 32 / 0 / 76 / 50

HEX #567F1E

RGB 86 127 30

HSL 85.36, 0.62%, 0.31%

LAB 48.57, -29.89, 45.16

 

CMYK 26 / 0 / 62 / 55

HEX #54722B

RGB 84 114 43

HSL 85.35, 0.45%, 0.31%

LAB 44.37, -23.3, 35.07

 

CMYK 19 / 0 / 45 / 60

HEX #526538

RGB 82 101 56

HSL 85.33, 0.29%, 0.31%

LAB 40.22, -15.75, 23.13

 

CMYK 9 / 0 / 22 / 65

HEX #505845

RGB 80 88 69

HSL 85.26, 0.12%, 0.31%

LAB 36.2, -7.07, 9.98

 

CMYK 0 / 10 / 87 / 45

HEX #8B7D12

RGB 139 125 18

HSL 53.06, 0.77%, 0.31%

LAB 52.06, -5.76, 53.65

 

CMYK 13 / 0 / 87 / 45

HEX #798B12

RGB 121 139 18

HSL 68.93, 0.77%, 0.31%

LAB 54.63, -21.48, 55.17

 

CMYK 36 / 0 / 87 / 45

HEX #598B12

RGB 89 139 18

HSL 84.79, 0.77%, 0.31%

LAB 52.55, -34.82, 52.56

 

CMYK 60 / 0 / 87 / 45

HEX #388B12

RGB 56 139 18

HSL 101.16, 0.77%, 0.31%

LAB 51.09, -45.74, 50.73

 

CMYK 83 / 0 / 87 / 45

HEX #188B12

RGB 24 139 18

HSL 117.02, 0.77%, 0.31%

LAB 50.34, -52.13, 49.77

 

CMYK 36 / 0 / 88 / 74

HEX #2A4208

RGB 42 66 8

HSL 84.83, 0.78%, 0.15%

LAB 24.97, -19.52, 29.82

 

CMYK 37 / 0 / 87 / 60

HEX #41670D

RGB 65 103 13

HSL 85.33, 0.78%, 0.23%

LAB 39.33, -27.9, 41.75

 

CMYK 37 / 0 / 87 / 45

HEX #588B12

RGB 88 139 18

HSL 85.29, 0.77%, 0.31%

LAB 52.49, -35.21, 52.5

 

CMYK 37 / 0 / 88 / 31

HEX #6FB016

RGB 111 176 22

HSL 85.32, 0.78%, 0.39%

LAB 65.35, -42.6, 63.13

 

CMYK 37 / 0 / 87 / 17

HEX #86D41B

RGB 134 212 27

HSL 85.3, 0.77%, 0.47%

LAB 77.42, -49.23, 72.84

 

CMYK 37 / 0 / 87 / 45

HEX #588B12

RGB 88 139 18

HSL 85.29, 0.77%, 0.31%

LAB 52.49, -35.21, 52.5

 

CMYK 87 / 0 / 33 / 45

HEX #128B5D

RGB 18 139 93

HSL 157.19, 0.77%, 0.31%

LAB 51.13, -42.37, 16.03

 

CMYK 0 / 87 / 1 / 45

HEX #8B1289

RGB 139 18 137

HSL 300.99, 0.77%, 0.31%

LAB 33.41, 59.49, -36.21

 

CMYK 37 / 0 / 87 / 45

HEX #588B12

RGB 88 139 18

HSL 85.29, 0.77%, 0.31%

LAB 52.49, -35.21, 52.5

 

CMYK 87 / 36 / 0 / 45

HEX #12598B

RGB 18 89 139

HSL 204.79, 0.77%, 0.31%

LAB 36.25, -1.77, -33.59

 

CMYK 0 / 87 / 36 / 45

HEX #8B1259

RGB 139 18 89

HSL 324.79, 0.77%, 0.31%

LAB 30.98, 52.9, -9.43

 

CMYK 37 / 0 / 87 / 45

HEX #588B12

RGB 88 139 18

HSL 85.29, 0.77%, 0.31%

LAB 52.49, -35.21, 52.5

 

CMYK 87 / 0 / 33 / 45

HEX #128B5D

RGB 18 139 93

HSL 157.19, 0.77%, 0.31%

LAB 51.13, -42.37, 16.03

 

CMYK 51 / 87 / 0 / 45

HEX #44128B

RGB 68 18 139

HSL 264.79, 0.77%, 0.31%

LAB 22.04, 48.2, -56.44

 

CMYK 0 / 87 / 54 / 45

HEX #8B1240

RGB 139 18 64

HSL 337.19, 0.77%, 0.31%

LAB 30.14, 50.49, 5.87

 

CMYK 37 / 0 / 87 / 45

HEX #588B12

RGB 88 139 18

HSL 85.29, 0.77%, 0.31%

LAB 52.49, -35.21, 52.5

 

CMYK 87 / 0 / 7 / 45

HEX #128B81

RGB 18 139 129

HSL 175.04, 0.77%, 0.31%

LAB 52.04, -32.75, -3.43

 

CMYK 51 / 87 / 0 / 45

HEX #44128B

RGB 68 18 139

HSL 264.79, 0.77%, 0.31%

LAB 22.04, 48.2, -56.44

 

CMYK 0 / 87 / 80 / 45

HEX #8B121C

RGB 139 18 28

HSL 355.04, 0.77%, 0.31%

LAB 29.43, 48.4, 28.59

 

Description

Color code: RGB 88 139 18 | qconv.com Color code: RGB 88 139 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 139 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 139 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 87 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 87% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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