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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 79 114 it is the complementary color RGB 167 176 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 79 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88 79 114 shade: RGB 93 79 109, RGB 110 97 128, RGB 127 115 147, RGB 144 133 166 and RGB 161 151 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 79 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88 79 114 shade: RGB 88 79 114, RGB 71 61 95, RGB 54 43 76, RGB 37 25 57 and RGB 20 7 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88 79 114 shade: RGB 88 79 114, RGB 97 79 114, RGB 107 79 114, RGB 114 79 112 and RGB 114 79 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88 79 114 shade: RGB 88 79 114 and RGB 79 79 114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88 79 114 shade matches the following richer shades: RGB 88 79 114, RGB 80 63 130, RGB 73 48 145, RGB 65 32 161 and RGB 57 16 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88 79 114 shade: RGB 88 79 114, RGB 96 95 98, RGB 103 110 82, RGB 111 126 67 and RGB 118 142 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88 79 114 shade: RGB 79 89 114, RGB 79 80 114, RGB 88 79 114, RGB 97 79 114 and RGB 106 79 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88 79 114 shade: RGB 50 45 65, RGB 69 62 89, RGB 88 79 114, RGB 107 96 138 and RGB 127 117 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88 79 114 shade: RGB 88 79 114, RGB 114 79 98 and RGB 84 114 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88 79 114 shade: RGB 88 79 114, RGB 114 88 79 and RGB 79 114 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88 79 114 shade: RGB 88 79 114, RGB 114 79 98, RGB 105 114 79 and RGB 79 114 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88 79 114 shade: RGB 88 79 114, RGB 114 79 88, RGB 105 114 79 and RGB 79 114 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 31 / 0 / 55

HEX #584F72

RGB 88 79 114

HSL 255.43, 0.18%, 0.38%

LAB 35.76, 11.83, -18.7

 

Complementary color

CMYK 5 / 0 / 20 / 31

HEX #A7B08D

RGB 167 176 141

HSL 75.43, 0.18%, 0.62%

LAB 70.31, -9.35, 16.9

 

CMYK 15 / 28 / 0 / 57

HEX #5D4F6D

RGB 93 79 109

HSL 268, 0.16%, 0.37%

LAB 36.03, 12.33, -15.12

 

CMYK 14 / 24 / 0 / 50

HEX #6E6180

RGB 110 97 128

HSL 265.16, 0.14%, 0.44%

LAB 43.39, 11.78, -15.39

 

CMYK 14 / 22 / 0 / 42

HEX #7F7393

RGB 127 115 147

HSL 262.5, 0.13%, 0.51%

LAB 50.55, 11.3, -15.67

 

CMYK 13 / 20 / 0 / 35

HEX #9085A6

RGB 144 133 166

HSL 260, 0.16%, 0.59%

LAB 57.52, 10.87, -15.98

 

CMYK 13 / 18 / 0 / 27

HEX #A197B9

RGB 161 151 185

HSL 257.65, 0.2%, 0.66%

LAB 64.33, 10.48, -16.3

 

CMYK 23 / 31 / 0 / 55

HEX #584F72

RGB 88 79 114

HSL 255.43, 0.18%, 0.38%

LAB 35.76, 11.83, -18.7

 

CMYK 25 / 36 / 0 / 63

HEX #473D5F

RGB 71 61 95

HSL 257.65, 0.22%, 0.31%

LAB 28.12, 12.52, -18.61

 

CMYK 29 / 43 / 0 / 70

HEX #362B4C

RGB 54 43 76

HSL 260, 0.28%, 0.23%

LAB 20.18, 13.36, -18.61

 

CMYK 35 / 56 / 0 / 78

HEX #251939

RGB 37 25 57

HSL 262.5, 0.39%, 0.16%

LAB 11.85, 14.43, -18.69

 

CMYK 47 / 82 / 0 / 85

HEX #140726

RGB 20 7 38

HSL 265.16, 0.69%, 0.09%

LAB 3.98, 12.11, -17.25

 

CMYK 23 / 31 / 0 / 55

HEX #584F72

RGB 88 79 114

HSL 255.43, 0.18%, 0.38%

LAB 35.76, 11.83, -18.7

 

CMYK 15 / 31 / 0 / 55

HEX #614F72

RGB 97 79 114

HSL 270.86, 0.18%, 0.38%

LAB 36.65, 14.98, -17.25

 

CMYK 6 / 31 / 0 / 55

HEX #6B4F72

RGB 107 79 114

HSL 288, 0.18%, 0.38%

LAB 37.72, 18.55, -15.51

 

CMYK 0 / 31 / 2 / 55

HEX #724F70

RGB 114 79 112

HSL 303.43, 0.18%, 0.38%

LAB 38.44, 20.68, -13.1

 

CMYK 0 / 31 / 11 / 55

HEX #724F66

RGB 114 79 102

HSL 320.57, 0.18%, 0.38%

LAB 38.07, 18.69, -7.44

 

CMYK 23 / 31 / 0 / 55

HEX #584F72

RGB 88 79 114

HSL 255.43, 0.18%, 0.38%

LAB 35.76, 11.83, -18.7

 

CMYK 31 / 31 / 0 / 55

HEX #4F4F72

RGB 79 79 114

HSL 240, 0.18%, 0.38%

LAB 34.94, 8.81, -20.03

 

CMYK 23 / 31 / 0 / 55

HEX #584F72

RGB 88 79 114

HSL 255.43, 0.18%, 0.38%

LAB 35.76, 11.83, -18.7

 

CMYK 38 / 52 / 0 / 49

HEX #503F82

RGB 80 63 130

HSL 255.22, 0.35%, 0.38%

LAB 31.51, 24.06, -35.38

 

CMYK 50 / 67 / 0 / 43

HEX #493091

RGB 73 48 145

HSL 255.46, 0.5%, 0.38%

LAB 28.31, 36.18, -49.86

 

CMYK 60 / 80 / 0 / 37

HEX #4120A1

RGB 65 32 161

HSL 255.35, 0.67%, 0.38%

LAB 25.95, 48.16, -63.56

 

CMYK 68 / 91 / 0 / 31

HEX #3910B1

RGB 57 16 177

HSL 255.28, 0.83%, 0.38%

LAB 25, 57.81, -74.82

 

CMYK 23 / 31 / 0 / 55

HEX #584F72

RGB 88 79 114

HSL 255.43, 0.18%, 0.38%

LAB 35.76, 11.83, -18.7

 

CMYK 2 / 3 / 0 / 62

HEX #605F62

RGB 96 95 98

HSL 260, 0.02%, 0.38%

LAB 40.5, 1.03, -1.57

 

CMYK 6 / 0 / 25 / 57

HEX #676E52

RGB 103 110 82

HSL 75, 0.15%, 0.38%

LAB 45.14, -7.98, 14.76

 

CMYK 12 / 0 / 47 / 51

HEX #6F7E43

RGB 111 126 67

HSL 75.25, 0.31%, 0.38%

LAB 50.34, -15.58, 30.17

 

CMYK 17 / 0 / 64 / 44

HEX #768E33

RGB 118 142 51

HSL 75.82, 0.47%, 0.38%

LAB 55.52, -22.52, 44.27

 

CMYK 31 / 22 / 0 / 55

HEX #4F5972

RGB 79 89 114

HSL 222.86, 0.18%, 0.38%

LAB 37.88, 2.48, -15.5

 

CMYK 31 / 30 / 0 / 55

HEX #4F5072

RGB 79 80 114

HSL 238.29, 0.18%, 0.38%

LAB 35.23, 8.17, -19.58

 

CMYK 23 / 31 / 0 / 55

HEX #584F72

RGB 88 79 114

HSL 255.43, 0.18%, 0.38%

LAB 35.76, 11.83, -18.7

 

CMYK 15 / 31 / 0 / 55

HEX #614F72

RGB 97 79 114

HSL 270.86, 0.18%, 0.38%

LAB 36.65, 14.98, -17.25

 

CMYK 7 / 31 / 0 / 55

HEX #6A4F72

RGB 106 79 114

HSL 286.29, 0.18%, 0.38%

LAB 37.61, 18.19, -15.69

 

CMYK 23 / 31 / 0 / 75

HEX #322D41

RGB 50 45 65

HSL 255, 0.18%, 0.22%

LAB 19.79, 7.33, -11.77

 

CMYK 22 / 30 / 0 / 65

HEX #453E59

RGB 69 62 89

HSL 255.56, 0.18%, 0.3%

LAB 27.93, 9.51, -15.04

 

CMYK 23 / 31 / 0 / 55

HEX #584F72

RGB 88 79 114

HSL 255.43, 0.18%, 0.38%

LAB 35.76, 11.83, -18.7

 

CMYK 22 / 30 / 0 / 46

HEX #6B608A

RGB 107 96 138

HSL 255.71, 0.18%, 0.46%

LAB 43.25, 13.81, -21.66

 

CMYK 20 / 26 / 0 / 38

HEX #7F759F

RGB 127 117 159

HSL 254.29, 0.18%, 0.54%

LAB 51.54, 12.93, -21.19

 

CMYK 23 / 31 / 0 / 55

HEX #584F72

RGB 88 79 114

HSL 255.43, 0.18%, 0.38%

LAB 35.76, 11.83, -18.7

 

CMYK 0 / 31 / 14 / 55

HEX #724F62

RGB 114 79 98

HSL 327.43, 0.18%, 0.38%

LAB 37.93, 17.94, -5.15

 

CMYK 26 / 0 / 31 / 55

HEX #54724F

RGB 84 114 79

HSL 111.43, 0.18%, 0.38%

LAB 44.92, -18.3, 15.99

 

CMYK 23 / 31 / 0 / 55

HEX #584F72

RGB 88 79 114

HSL 255.43, 0.18%, 0.38%

LAB 35.76, 11.83, -18.7

 

CMYK 0 / 23 / 31 / 55

HEX #72584F

RGB 114 88 79

HSL 15.43, 0.18%, 0.38%

LAB 39.78, 9.27, 9.32

 

CMYK 31 / 0 / 23 / 55

HEX #4F7258

RGB 79 114 88

HSL 135.43, 0.18%, 0.38%

LAB 44.8, -18.4, 10.48

 

CMYK 23 / 31 / 0 / 55

HEX #584F72

RGB 88 79 114

HSL 255.43, 0.18%, 0.38%

LAB 35.76, 11.83, -18.7

 

CMYK 0 / 31 / 14 / 55

HEX #724F62

RGB 114 79 98

HSL 327.43, 0.18%, 0.38%

LAB 37.93, 17.94, -5.15

 

CMYK 8 / 0 / 31 / 55

HEX #69724F

RGB 105 114 79

HSL 75.43, 0.18%, 0.38%

LAB 46.45, -9.89, 18.31

 

CMYK 31 / 0 / 17 / 55

HEX #4F725F

RGB 79 114 95

HSL 147.43, 0.18%, 0.38%

LAB 44.97, -16.91, 6.56

 

CMYK 23 / 31 / 0 / 55

HEX #584F72

RGB 88 79 114

HSL 255.43, 0.18%, 0.38%

LAB 35.76, 11.83, -18.7

 

CMYK 0 / 31 / 23 / 55

HEX #724F58

RGB 114 79 88

HSL 344.57, 0.18%, 0.38%

LAB 37.62, 16.18, 0.63

 

CMYK 8 / 0 / 31 / 55

HEX #69724F

RGB 105 114 79

HSL 75.43, 0.18%, 0.38%

LAB 46.45, -9.89, 18.31

 

CMYK 31 / 0 / 8 / 55

HEX #4F7269

RGB 79 114 105

HSL 164.57, 0.18%, 0.38%

LAB 45.24, -14.61, 0.98

 

Description

Color code: RGB 88 79 114 | qconv.com Color code: RGB 88 79 114 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 79 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 79 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 31 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 31% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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