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Color name
RGB 88 55 2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 55 2 it is the complementary color RGB 167 200 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 55 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88 55 2 shade: RGB 93 55 0, RGB 110 73 16, RGB 127 91 35, RGB 144 109 54 and RGB 161 127 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 55 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88 55 2 shade: RGB 88 55 2, RGB 71 37 0, RGB 54 19 0, RGB 37 1 0 and RGB 20 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88 55 2 shade: RGB 89 56 1, RGB 89 32 1, RGB 89 8 1 and RGB 89 1 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88 55 2 shade: RGB 89 56 1, RGB 89 79 1, RGB 76 89 1, RGB 52 89 1 and RGB 28 89 1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88 55 2 shade matches the following richer shades: RGB 89 56 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88 55 2 shade: RGB 89 56 1, RGB 82 54 9, RGB 75 52 16, RGB 67 50 24 and RGB 60 49 31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88 55 2 shade: RGB 89 7 1, RGB 89 31 1, RGB 89 54 1, RGB 89 78 1 and RGB 78 89 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88 55 2 shade: RGB 9 5 0, RGB 49 30 1, RGB 89 56 1, RGB 130 81 2 and RGB 170 106 3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88 55 2 shade: RGB 88 55 2, RGB 19 89 1 and RGB 19 1 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88 55 2 shade: RGB 88 55 2, RGB 1 89 54 and RGB 54 1 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88 55 2 shade: RGB 88 55 2, RGB 19 89 1, RGB 1 37 89 and RGB 72 1 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88 55 2 shade: RGB 88 55 2, RGB 1 89 10, RGB 1 37 89 and RGB 89 1 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 98 / 65

HEX #583702

RGB 88 55 2

HSL 36.98, 0.96%, 0.18%

LAB 26.19, 10.38, 35.12

 

Complementary color

CMYK 34 / 21 / 0 / 1

HEX #A7C8FD

RGB 167 200 253

HSL 216.98, 0.96%, 0.82%

LAB 79.96, 1.3, -29.59

 

CMYK 0 / 41 / 100 / 64

HEX #5D3700

RGB 93 55 0

HSL 35.48, 1%, 0.18%

LAB 26.9, 12.82, 36.85

 

CMYK 0 / 34 / 85 / 57

HEX #6E4910

RGB 110 73 16

HSL 36.38, 0.75%, 0.25%

LAB 34.23, 10.61, 37.74

 

CMYK 0 / 28 / 72 / 50

HEX #7F5B23

RGB 127 91 35

HSL 36.52, 0.57%, 0.32%

LAB 41.4, 8.86, 36.9

 

CMYK 0 / 24 / 63 / 44

HEX #906D36

RGB 144 109 54

HSL 36.67, 0.45%, 0.39%

LAB 48.43, 7.48, 35.54

 

CMYK 0 / 21 / 55 / 37

HEX #A17F49

RGB 161 127 73

HSL 36.82, 0.38%, 0.46%

LAB 55.32, 6.38, 34.1

 

CMYK 0 / 38 / 98 / 65

HEX #583702

RGB 88 55 2

HSL 36.98, 0.96%, 0.18%

LAB 26.19, 10.38, 35.12

 

CMYK 0 / 48 / 100 / 72

HEX #472500

RGB 71 37 0

HSL 31.27, 1%, 0.14%

LAB 18.64, 13.15, 27.24

 

CMYK 0 / 65 / 100 / 79

HEX #361300

RGB 54 19 0

HSL 21.11, 1%, 0.11%

LAB 10.92, 16.09, 16.7

 

CMYK 0 / 97 / 100 / 85

HEX #250100

RGB 37 1 0

HSL 1.62, 1%, 0.07%

LAB 3.75, 15.54, 5.9

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 37 / 99 / 65

HEX #593801

RGB 89 56 1

HSL 37.5, 0.98%, 0.18%

LAB 26.6, 10.22, 35.96

 

CMYK 0 / 64 / 99 / 65

HEX #592001

RGB 89 32 1

HSL 21.14, 0.98%, 0.18%

LAB 20.67, 24.7, 30

 

CMYK 0 / 91 / 99 / 65

HEX #590801

RGB 89 8 1

HSL 4.77, 0.98%, 0.18%

LAB 16.99, 34.75, 25.7

 

CMYK 0 / 99 / 99 / 65

HEX #590101

RGB 89 1 1

HSL 0, 0.98%, 0.18%

LAB 16.24, 36.89, 24.79

 

CMYK 0 / 37 / 99 / 65

HEX #593801

RGB 89 56 1

HSL 37.5, 0.98%, 0.18%

LAB 26.6, 10.22, 35.96

 

CMYK 0 / 11 / 99 / 65

HEX #594F01

RGB 89 79 1

HSL 53.18, 0.98%, 0.18%

LAB 33.39, -4.09, 41.23

 

CMYK 15 / 0 / 99 / 65

HEX #4C5901

RGB 76 89 1

HSL 68.86, 0.98%, 0.18%

LAB 35.37, -16.33, 42.17

 

CMYK 42 / 0 / 99 / 65

HEX #345901

RGB 52 89 1

HSL 85.23, 0.98%, 0.18%

LAB 33.73, -27.06, 40.19

 

CMYK 69 / 0 / 99 / 65

HEX #1C5901

RGB 28 89 1

HSL 101.59, 0.98%, 0.18%

LAB 32.69, -35.12, 38.92

 

CMYK 0 / 37 / 99 / 65

HEX #593801

RGB 89 56 1

HSL 37.5, 0.98%, 0.18%

LAB 26.6, 10.22, 35.96

 

CMYK 0 / 37 / 99 / 65

HEX #593801

RGB 89 56 1

HSL 37.5, 0.98%, 0.18%

LAB 26.6, 10.22, 35.96

 

CMYK 0 / 34 / 89 / 68

HEX #523609

RGB 82 54 9

HSL 36.99, 0.8%, 0.18%

LAB 25.11, 8.22, 30.96

 

CMYK 0 / 31 / 79 / 71

HEX #4B3410

RGB 75 52 16

HSL 36.61, 0.65%, 0.18%

LAB 23.64, 6.25, 25.94

 

CMYK 0 / 25 / 64 / 74

HEX #433218

RGB 67 50 24

HSL 36.28, 0.47%, 0.18%

LAB 22.09, 4.05, 19.31

 

CMYK 0 / 18 / 48 / 76

HEX #3C311F

RGB 60 49 31

HSL 37.24, 0.32%, 0.18%

LAB 21.04, 1.94, 13.34

 

CMYK 0 / 92 / 99 / 65

HEX #590701

RGB 89 7 1

HSL 4.09, 0.98%, 0.18%

LAB 16.88, 35.05, 25.58

 

CMYK 0 / 65 / 99 / 65

HEX #591F01

RGB 89 31 1

HSL 20.45, 0.98%, 0.18%

LAB 20.46, 25.24, 29.78

 

CMYK 0 / 39 / 99 / 65

HEX #593601

RGB 89 54 1

HSL 36.14, 0.98%, 0.18%

LAB 26.05, 11.48, 35.46

 

CMYK 0 / 12 / 99 / 65

HEX #594E01

RGB 89 78 1

HSL 52.5, 0.98%, 0.18%

LAB 33.08, -3.48, 41

 

CMYK 12 / 0 / 99 / 65

HEX #4E5901

RGB 78 89 1

HSL 67.5, 0.98%, 0.18%

LAB 35.53, -15.37, 42.37

 

CMYK 0 / 44 / 100 / 96

HEX #090500

RGB 9 5 0

HSL 33.33, 1%, 0.02%

LAB 1.51, 0.35, 2.26

 

CMYK 0 / 39 / 98 / 81

HEX #311E01

RGB 49 30 1

HSL 36.25, 0.96%, 0.1%

LAB 13.13, 6.12, 19.16

 

CMYK 0 / 37 / 99 / 65

HEX #593801

RGB 89 56 1

HSL 37.5, 0.98%, 0.18%

LAB 26.6, 10.22, 35.96

 

CMYK 0 / 38 / 98 / 49

HEX #825102

RGB 130 81 2

HSL 37.03, 0.97%, 0.26%

LAB 38.96, 15.05, 47.14

 

CMYK 0 / 38 / 98 / 33

HEX #AA6A03

RGB 170 106 3

HSL 37.01, 0.97%, 0.34%

LAB 50.52, 19.08, 57.25

 

CMYK 0 / 38 / 98 / 65

HEX #583702

RGB 88 55 2

HSL 36.98, 0.96%, 0.18%

LAB 26.19, 10.38, 35.12

 

CMYK 79 / 0 / 99 / 65

HEX #135901

RGB 19 89 1

HSL 107.73, 0.98%, 0.18%

LAB 32.45, -37.16, 38.63

 

CMYK 79 / 99 / 0 / 65

HEX #130159

RGB 19 1 89

HSL 252.27, 0.98%, 0.18%

LAB 7.96, 36.63, -47.43

 

CMYK 0 / 38 / 98 / 65

HEX #583702

RGB 88 55 2

HSL 36.98, 0.96%, 0.18%

LAB 26.19, 10.38, 35.12

 

CMYK 99 / 0 / 39 / 65

HEX #015936

RGB 1 89 54

HSL 156.14, 0.98%, 0.18%

LAB 32.74, -32.6, 13.89

 

CMYK 39 / 99 / 0 / 65

HEX #360159

RGB 54 1 89

HSL 276.14, 0.98%, 0.18%

LAB 12.78, 39.64, -39.3

 

CMYK 0 / 38 / 98 / 65

HEX #583702

RGB 88 55 2

HSL 36.98, 0.96%, 0.18%

LAB 26.19, 10.38, 35.12

 

CMYK 79 / 0 / 99 / 65

HEX #135901

RGB 19 89 1

HSL 107.73, 0.98%, 0.18%

LAB 32.45, -37.16, 38.63

 

CMYK 99 / 58 / 0 / 65

HEX #012559

RGB 1 37 89

HSL 215.45, 0.98%, 0.18%

LAB 15.75, 11.38, -34.63

 

CMYK 19 / 99 / 0 / 65

HEX #480159

RGB 72 1 89

HSL 288.41, 0.98%, 0.18%

LAB 16.11, 42.3, -33.73

 

CMYK 0 / 38 / 98 / 65

HEX #583702

RGB 88 55 2

HSL 36.98, 0.96%, 0.18%

LAB 26.19, 10.38, 35.12

 

CMYK 99 / 0 / 89 / 65

HEX #01590A

RGB 1 89 10

HSL 126.14, 0.98%, 0.18%

LAB 32.2, -39.22, 35.37

 

CMYK 99 / 58 / 0 / 65

HEX #012559

RGB 1 37 89

HSL 215.45, 0.98%, 0.18%

LAB 15.75, 11.38, -34.63

 

CMYK 0 / 99 / 9 / 65

HEX #590151

RGB 89 1 81

HSL 305.45, 0.98%, 0.18%

LAB 18.97, 44.01, -23.54

 

Description

Color code: RGB 88 55 2 | qconv.com Color code: RGB 88 55 2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 55 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 55 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 98 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 98% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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