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Color name
RGB 86 25 229

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 86 25 229 it is the complementary color RGB 169 230 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 86 25 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 86 25 229 shade: RGB 91 25 224, RGB 108 43 243, RGB 125 61 255, RGB 142 79 255 and RGB 159 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 86 25 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 86 25 229 shade: RGB 86 25 229, RGB 69 7 210, RGB 52 0 191, RGB 35 0 172 and RGB 18 0 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 86 25 229 shade: RGB 86 25 229, RGB 141 25 229, RGB 196 25 229, RGB 229 25 207 and RGB 229 25 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 86 25 229 shade: RGB 86 25 229, RGB 31 25 229 and RGB 25 25 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 86 25 229 shade matches the following richer shades: RGB 86 25 229 and RGB 78 4 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 86 25 229 shade: RGB 86 25 229, RGB 94 46 208, RGB 103 66 188, RGB 111 87 167 and RGB 119 108 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 86 25 229 shade: RGB 25 76 229, RGB 28 25 229, RGB 83 25 229, RGB 137 25 229 and RGB 192 25 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 86 25 229 shade: RGB 58 17 155, RGB 72 21 192, RGB 86 25 229, RGB 113 62 233 and RGB 141 99 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 86 25 229 shade: RGB 86 25 229, RGB 229 25 130 and RGB 49 229 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 86 25 229 shade: RGB 86 25 229, RGB 229 83 25 and RGB 25 229 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 86 25 229 shade: RGB 86 25 229, RGB 229 25 130, RGB 171 229 25 and RGB 25 229 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 86 25 229 shade: RGB 86 25 229, RGB 229 25 69, RGB 171 229 25 and RGB 25 229 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 89 / 0 / 10

HEX #5619E5

RGB 86 25 229

HSL 257.94, 0.8%, 0.5%

LAB 34.66, 70.49, -89.1

 

Complementary color

CMYK 27 / 0 / 89 / 10

HEX #A9E61A

RGB 169 230 26

HSL 77.94, 0.8%, 0.5%

LAB 84.54, -44.1, 79.69

 

CMYK 59 / 89 / 0 / 12

HEX #5B19E0

RGB 91 25 224

HSL 259.9, 0.8%, 0.49%

LAB 34.6, 69.64, -86.32

 

CMYK 56 / 82 / 0 / 5

HEX #6C2BF3

RGB 108 43 243

HSL 259.5, 0.89%, 0.56%

LAB 40.22, 70.25, -87.77

 

CMYK 51 / 76 / 0 / 0

HEX #7D3DFF

RGB 125 61 255

HSL 259.79, 1%, 0.62%

LAB 45.52, 68.21, -85.71

 

CMYK 44 / 69 / 0 / 0

HEX #8E4FFF

RGB 142 79 255

HSL 261.48, 1%, 0.65%

LAB 50.17, 62.62, -78.02

 

CMYK 38 / 62 / 0 / 0

HEX #9F61FF

RGB 159 97 255

HSL 263.54, 1%, 0.69%

LAB 55.22, 56.87, -69.75

 

CMYK 62 / 89 / 0 / 10

HEX #5619E5

RGB 86 25 229

HSL 257.94, 0.8%, 0.5%

LAB 34.66, 70.49, -89.1

 

CMYK 67 / 97 / 0 / 18

HEX #4507D2

RGB 69 7 210

HSL 258.33, 0.94%, 0.43%

LAB 29.59, 68.57, -86.63

 

CMYK 73 / 100 / 0 / 25

HEX #3400BF

RGB 52 0 191

HSL 256.34, 1%, 0.37%

LAB 25.23, 64.59, -82.78

 

CMYK 80 / 100 / 0 / 33

HEX #2300AC

RGB 35 0 172

HSL 252.21, 1%, 0.34%

LAB 21.34, 59.43, -77.95

 

CMYK 88 / 100 / 0 / 40

HEX #120099

RGB 18 0 153

HSL 247.06, 1%, 0.3%

LAB 17.59, 54.28, -72.64

 

CMYK 62 / 89 / 0 / 10

HEX #5619E5

RGB 86 25 229

HSL 257.94, 0.8%, 0.5%

LAB 34.66, 70.49, -89.1

 

CMYK 38 / 89 / 0 / 10

HEX #8D19E5

RGB 141 25 229

HSL 274.12, 0.8%, 0.5%

LAB 41.24, 75.65, -78.02

 

CMYK 14 / 89 / 0 / 10

HEX #C419E5

RGB 196 25 229

HSL 290.29, 0.8%, 0.5%

LAB 49.6, 83.15, -64.04

 

CMYK 0 / 89 / 10 / 10

HEX #E519CF

RGB 229 25 207

HSL 306.47, 0.8%, 0.5%

LAB 53.88, 85.37, -44.34

 

CMYK 0 / 89 / 34 / 10

HEX #E51998

RGB 229 25 152

HSL 322.65, 0.8%, 0.5%

LAB 51.41, 78.86, -16.02

 

CMYK 62 / 89 / 0 / 10

HEX #5619E5

RGB 86 25 229

HSL 257.94, 0.8%, 0.5%

LAB 34.66, 70.49, -89.1

 

CMYK 86 / 89 / 0 / 10

HEX #1F19E5

RGB 31 25 229

HSL 241.76, 0.8%, 0.5%

LAB 30.98, 68.03, -95.33

 

CMYK 89 / 89 / 0 / 10

HEX #1919E5

RGB 25 25 229

HSL 240, 0.8%, 0.5%

LAB 30.78, 67.9, -95.67

 

CMYK 62 / 89 / 0 / 10

HEX #5619E5

RGB 86 25 229

HSL 257.94, 0.8%, 0.5%

LAB 34.66, 70.49, -89.1

 

CMYK 69 / 98 / 0 / 2

HEX #4E04FA

RGB 78 4 250

HSL 258.05, 0.97%, 0.5%

LAB 35.22, 78.79, -100.1

 

CMYK 62 / 89 / 0 / 10

HEX #5619E5

RGB 86 25 229

HSL 257.94, 0.8%, 0.5%

LAB 34.66, 70.49, -89.1

 

CMYK 55 / 78 / 0 / 18

HEX #5E2ED0

RGB 94 46 208

HSL 257.78, 0.64%, 0.5%

LAB 35.77, 58.46, -75.16

 

CMYK 45 / 65 / 0 / 26

HEX #6742BC

RGB 103 66 188

HSL 258.2, 0.48%, 0.5%

LAB 38.57, 44.38, -58.88

 

CMYK 34 / 48 / 0 / 35

HEX #6F57A7

RGB 111 87 167

HSL 258, 0.31%, 0.5%

LAB 42.74, 28.18, -39.75

 

CMYK 18 / 26 / 0 / 43

HEX #776C92

RGB 119 108 146

HSL 257.37, 0.15%, 0.5%

LAB 47.91, 12.51, -19.18

 

CMYK 89 / 67 / 0 / 10

HEX #194CE5

RGB 25 76 229

HSL 225, 0.8%, 0.5%

LAB 39.64, 42.61, -80.99

 

CMYK 88 / 89 / 0 / 10

HEX #1C19E5

RGB 28 25 229

HSL 240.88, 0.8%, 0.5%

LAB 30.88, 67.96, -95.5

 

CMYK 64 / 89 / 0 / 10

HEX #5319E5

RGB 83 25 229

HSL 257.06, 0.8%, 0.5%

LAB 34.38, 70.29, -89.58

 

CMYK 40 / 89 / 0 / 10

HEX #8919E5

RGB 137 25 229

HSL 272.94, 0.8%, 0.5%

LAB 40.69, 75.19, -78.95

 

CMYK 16 / 89 / 0 / 10

HEX #C019E5

RGB 192 25 229

HSL 289.12, 0.8%, 0.5%

LAB 48.96, 82.54, -65.11

 

CMYK 63 / 89 / 0 / 39

HEX #3A119B

RGB 58 17 155

HSL 257.83, 0.8%, 0.34%

LAB 22.54, 51.74, -65.55

 

CMYK 63 / 89 / 0 / 25

HEX #4815C0

RGB 72 21 192

HSL 257.89, 0.8%, 0.42%

LAB 28.69, 61.32, -77.57

 

CMYK 62 / 89 / 0 / 10

HEX #5619E5

RGB 86 25 229

HSL 257.94, 0.8%, 0.5%

LAB 34.66, 70.49, -89.1

 

CMYK 52 / 73 / 0 / 9

HEX #713EE9

RGB 113 62 233

HSL 257.89, 0.8%, 0.58%

LAB 42.52, 60.42, -78.32

 

CMYK 41 / 58 / 0 / 7

HEX #8D63ED

RGB 141 99 237

HSL 258.26, 0.79%, 0.66%

LAB 52.62, 47.4, -64.02

 

CMYK 62 / 89 / 0 / 10

HEX #5619E5

RGB 86 25 229

HSL 257.94, 0.8%, 0.5%

LAB 34.66, 70.49, -89.1

 

CMYK 0 / 89 / 43 / 10

HEX #E51982

RGB 229 25 130

HSL 329.12, 0.8%, 0.5%

LAB 50.65, 76.79, -3.94

 

CMYK 79 / 0 / 89 / 10

HEX #31E519

RGB 49 229 25

HSL 112.94, 0.8%, 0.5%

LAB 80.05, -75.61, 74.4

 

CMYK 62 / 89 / 0 / 10

HEX #5619E5

RGB 86 25 229

HSL 257.94, 0.8%, 0.5%

LAB 34.66, 70.49, -89.1

 

CMYK 0 / 64 / 89 / 10

HEX #E55319

RGB 229 83 25

HSL 17.06, 0.8%, 0.5%

LAB 54.98, 54.39, 58.99

 

CMYK 89 / 0 / 64 / 10

HEX #19E553

RGB 25 229 83

HSL 137.06, 0.8%, 0.5%

LAB 80.11, -73.89, 56.79

 

CMYK 62 / 89 / 0 / 10

HEX #5619E5

RGB 86 25 229

HSL 257.94, 0.8%, 0.5%

LAB 34.66, 70.49, -89.1

 

CMYK 0 / 89 / 43 / 10

HEX #E51982

RGB 229 25 130

HSL 329.12, 0.8%, 0.5%

LAB 50.65, 76.79, -3.94

 

CMYK 25 / 0 / 89 / 10

HEX #ABE519

RGB 171 229 25

HSL 77.06, 0.8%, 0.5%

LAB 84.36, -42.93, 79.75

 

CMYK 89 / 0 / 46 / 10

HEX #19E57C

RGB 25 229 124

HSL 149.12, 0.8%, 0.5%

LAB 80.57, -68.21, 38.54

 

CMYK 62 / 89 / 0 / 10

HEX #5619E5

RGB 86 25 229

HSL 257.94, 0.8%, 0.5%

LAB 34.66, 70.49, -89.1

 

CMYK 0 / 89 / 70 / 10

HEX #E51945

RGB 229 25 69

HSL 347.06, 0.8%, 0.5%

LAB 49.23, 72.84, 31.28

 

CMYK 25 / 0 / 89 / 10

HEX #ABE519

RGB 171 229 25

HSL 77.06, 0.8%, 0.5%

LAB 84.36, -42.93, 79.75

 

CMYK 89 / 0 / 19 / 10

HEX #19E5B9

RGB 25 229 185

HSL 167.06, 0.8%, 0.5%

LAB 81.7, -55.46, 8.71

 

Description

Color code: RGB 86 25 229 | qconv.com Color code: RGB 86 25 229 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 25 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 25 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 89 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 89% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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