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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 86 140 157 it is the complementary color RGB 169 115 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 86 140 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 86 140 157 shade: RGB 91 140 152, RGB 108 158 171, RGB 125 176 190, RGB 142 194 209 and RGB 159 212 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 86 140 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 86 140 157 shade: RGB 86 140 157, RGB 69 122 138, RGB 52 104 119, RGB 35 86 100 and RGB 18 68 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 86 140 157 shade: RGB 86 140 157, RGB 86 121 157, RGB 86 102 157, RGB 90 86 157 and RGB 109 86 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 86 140 157 shade: RGB 86 140 157, RGB 86 121 157, RGB 86 102 157 and RGB 86 86 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 86 140 157 shade matches the following richer shades: RGB 86 140 157, RGB 67 151 177, RGB 47 161 197, RGB 27 171 217 and RGB 7 182 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 86 140 157 shade: RGB 86 140 157, RGB 106 130 138, RGB 126 120 118, RGB 146 109 98 and RGB 166 99 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 86 140 157 shade: RGB 86 157 136, RGB 86 157 155, RGB 86 141 157, RGB 86 122 157 and RGB 86 103 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 86 140 157 shade: RGB 57 93 104, RGB 72 117 131, RGB 86 140 157, RGB 110 159 175 and RGB 137 177 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 86 140 157 shade: RGB 86 140 157, RGB 117 86 157 and RGB 157 146 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 86 140 157 shade: RGB 86 140 157, RGB 157 86 141 and RGB 141 157 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 86 140 157 shade: RGB 86 140 157, RGB 117 86 157, RGB 157 103 86 and RGB 127 157 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 86 140 157 shade: RGB 86 140 157, RGB 138 86 157, RGB 157 103 86 and RGB 105 157 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 11 / 0 / 38

HEX #568C9D

RGB 86 140 157

HSL 194.37, 0.29%, 0.48%

LAB 55.25, -13.2, -14.63

 

Complementary color

CMYK 0 / 32 / 42 / 34

HEX #A97362

RGB 169 115 98

HSL 14.37, 0.29%, 0.52%

LAB 53.58, 19.16, 18.02

 

CMYK 40 / 8 / 0 / 40

HEX #5B8C98

RGB 91 140 152

HSL 191.8, 0.25%, 0.48%

LAB 55.33, -13.25, -11.6

 

CMYK 37 / 8 / 0 / 33

HEX #6C9EAB

RGB 108 158 171

HSL 192.38, 0.27%, 0.55%

LAB 62.15, -13.29, -12.07

 

CMYK 34 / 7 / 0 / 25

HEX #7DB0BE

RGB 125 176 190

HSL 192.92, 0.33%, 0.62%

LAB 68.84, -13.31, -12.53

 

CMYK 32 / 7 / 0 / 18

HEX #8EC2D1

RGB 142 194 209

HSL 193.43, 0.42%, 0.69%

LAB 75.41, -13.32, -12.97

 

CMYK 30 / 7 / 0 / 11

HEX #9FD4E4

RGB 159 212 228

HSL 193.91, 0.56%, 0.76%

LAB 81.87, -13.32, -13.41

 

CMYK 45 / 11 / 0 / 38

HEX #568C9D

RGB 86 140 157

HSL 194.37, 0.29%, 0.48%

LAB 55.25, -13.2, -14.63

 

CMYK 50 / 12 / 0 / 46

HEX #457A8A

RGB 69 122 138

HSL 193.91, 0.33%, 0.41%

LAB 48.28, -13.02, -14.18

 

CMYK 56 / 13 / 0 / 53

HEX #346877

RGB 52 104 119

HSL 193.43, 0.39%, 0.34%

LAB 41.16, -12.74, -13.71

 

CMYK 65 / 14 / 0 / 61

HEX #235664

RGB 35 86 100

HSL 192.92, 0.48%, 0.26%

LAB 33.84, -12.26, -13.18

 

CMYK 78 / 16 / 0 / 68

HEX #124451

RGB 18 68 81

HSL 192.38, 0.64%, 0.19%

LAB 26.32, -11.43, -12.58

 

CMYK 45 / 11 / 0 / 38

HEX #568C9D

RGB 86 140 157

HSL 194.37, 0.29%, 0.48%

LAB 55.25, -13.2, -14.63

 

CMYK 45 / 23 / 0 / 38

HEX #56799D

RGB 86 121 157

HSL 210.42, 0.29%, 0.48%

LAB 49.6, -2.38, -23.25

 

CMYK 45 / 35 / 0 / 38

HEX #56669D

RGB 86 102 157

HSL 226.48, 0.29%, 0.48%

LAB 44.11, 9.13, -31.79

 

CMYK 43 / 45 / 0 / 38

HEX #5A569D

RGB 90 86 157

HSL 243.38, 0.29%, 0.48%

LAB 40.02, 20.24, -38.23

 

CMYK 31 / 45 / 0 / 38

HEX #6D569D

RGB 109 86 157

HSL 259.44, 0.29%, 0.48%

LAB 41.75, 25.52, -35.38

 

CMYK 45 / 11 / 0 / 38

HEX #568C9D

RGB 86 140 157

HSL 194.37, 0.29%, 0.48%

LAB 55.25, -13.2, -14.63

 

CMYK 45 / 23 / 0 / 38

HEX #56799D

RGB 86 121 157

HSL 210.42, 0.29%, 0.48%

LAB 49.6, -2.38, -23.25

 

CMYK 45 / 35 / 0 / 38

HEX #56669D

RGB 86 102 157

HSL 226.48, 0.29%, 0.48%

LAB 44.11, 9.13, -31.79

 

CMYK 45 / 45 / 0 / 38

HEX #56569D

RGB 86 86 157

HSL 240, 0.29%, 0.48%

LAB 39.7, 19.2, -38.77

 

CMYK 45 / 11 / 0 / 38

HEX #568C9D

RGB 86 140 157

HSL 194.37, 0.29%, 0.48%

LAB 55.25, -13.2, -14.63

 

CMYK 62 / 15 / 0 / 31

HEX #4397B1

RGB 67 151 177

HSL 194.18, 0.45%, 0.48%

LAB 58.51, -17.38, -21.16

 

CMYK 76 / 18 / 0 / 23

HEX #2FA1C5

RGB 47 161 197

HSL 194.4, 0.61%, 0.48%

LAB 61.76, -19.17, -27.47

 

CMYK 88 / 21 / 0 / 15

HEX #1BABD9

RGB 27 171 217

HSL 194.53, 0.78%, 0.48%

LAB 65.25, -19.38, -33.2

 

CMYK 97 / 23 / 0 / 7

HEX #07B6ED

RGB 7 182 237

HSL 194.35, 0.94%, 0.48%

LAB 69.19, -19.02, -38.04

 

CMYK 45 / 11 / 0 / 38

HEX #568C9D

RGB 86 140 157

HSL 194.37, 0.29%, 0.48%

LAB 55.25, -13.2, -14.63

 

CMYK 23 / 6 / 0 / 46

HEX #6A828A

RGB 106 130 138

HSL 195, 0.13%, 0.48%

LAB 52.8, -6.72, -7.18

 

CMYK 0 / 5 / 6 / 51

HEX #7E7876

RGB 126 120 118

HSL 15, 0.03%, 0.48%

LAB 50.89, 1.91, 1.91

 

CMYK 0 / 25 / 33 / 43

HEX #926D62

RGB 146 109 98

HSL 13.75, 0.2%, 0.48%

LAB 49.41, 13.09, 11.86

 

CMYK 0 / 40 / 53 / 35

HEX #A6634E

RGB 166 99 78

HSL 14.32, 0.36%, 0.48%

LAB 48.98, 24.85, 23.45

 

CMYK 45 / 0 / 13 / 38

HEX #569D88

RGB 86 157 136

HSL 162.25, 0.29%, 0.48%

LAB 59.77, -27.54, 4.07

 

CMYK 45 / 0 / 1 / 38

HEX #569D9B

RGB 86 157 155

HSL 178.31, 0.29%, 0.48%

LAB 60.3, -22.77, -5.91

 

CMYK 45 / 10 / 0 / 38

HEX #568D9D

RGB 86 141 157

HSL 193.52, 0.29%, 0.48%

LAB 55.55, -13.75, -14.17

 

CMYK 45 / 22 / 0 / 38

HEX #567A9D

RGB 86 122 157

HSL 209.58, 0.29%, 0.48%

LAB 49.9, -2.97, -22.8

 

CMYK 45 / 34 / 0 / 38

HEX #56679D

RGB 86 103 157

HSL 225.63, 0.29%, 0.48%

LAB 44.39, 8.51, -31.35

 

CMYK 45 / 11 / 0 / 59

HEX #395D68

RGB 57 93 104

HSL 194.04, 0.29%, 0.32%

LAB 37.29, -9.68, -10.34

 

CMYK 45 / 11 / 0 / 49

HEX #487583

RGB 72 117 131

HSL 194.24, 0.29%, 0.4%

LAB 46.63, -11.48, -12.52

 

CMYK 45 / 11 / 0 / 38

HEX #568C9D

RGB 86 140 157

HSL 194.37, 0.29%, 0.48%

LAB 55.25, -13.2, -14.63

 

CMYK 37 / 9 / 0 / 31

HEX #6E9FAF

RGB 110 159 175

HSL 194.77, 0.29%, 0.56%

LAB 62.68, -12.23, -13.52

 

CMYK 28 / 7 / 0 / 25

HEX #89B1BE

RGB 137 177 190

HSL 194.72, 0.29%, 0.64%

LAB 69.81, -10.36, -11.01

 

CMYK 45 / 11 / 0 / 38

HEX #568C9D

RGB 86 140 157

HSL 194.37, 0.29%, 0.48%

LAB 55.25, -13.2, -14.63

 

CMYK 25 / 45 / 0 / 38

HEX #75569D

RGB 117 86 157

HSL 266.2, 0.29%, 0.48%

LAB 42.57, 27.87, -34.04

 

CMYK 0 / 7 / 45 / 38

HEX #9D9256

RGB 157 146 86

HSL 50.7, 0.29%, 0.48%

LAB 60.25, -4.64, 33.17

 

CMYK 45 / 11 / 0 / 38

HEX #568C9D

RGB 86 140 157

HSL 194.37, 0.29%, 0.48%

LAB 55.25, -13.2, -14.63

 

CMYK 0 / 45 / 10 / 38

HEX #9D568D

RGB 157 86 141

HSL 313.52, 0.29%, 0.48%

LAB 46.64, 37.18, -17.77

 

CMYK 10 / 0 / 45 / 38

HEX #8D9D56

RGB 141 157 86

HSL 73.52, 0.29%, 0.48%

LAB 62.04, -17.21, 35.12

 

CMYK 45 / 11 / 0 / 38

HEX #568C9D

RGB 86 140 157

HSL 194.37, 0.29%, 0.48%

LAB 55.25, -13.2, -14.63

 

CMYK 25 / 45 / 0 / 38

HEX #75569D

RGB 117 86 157

HSL 266.2, 0.29%, 0.48%

LAB 42.57, 27.87, -34.04

 

CMYK 0 / 34 / 45 / 38

HEX #9D6756

RGB 157 103 86

HSL 14.37, 0.29%, 0.48%

LAB 48.93, 19.65, 18.49

 

CMYK 19 / 0 / 45 / 38

HEX #7F9D56

RGB 127 157 86

HSL 85.35, 0.29%, 0.48%

LAB 61.04, -22.83, 33.66

 

CMYK 45 / 11 / 0 / 38

HEX #568C9D

RGB 86 140 157

HSL 194.37, 0.29%, 0.48%

LAB 55.25, -13.2, -14.63

 

CMYK 12 / 45 / 0 / 38

HEX #8A569D

RGB 138 86 157

HSL 283.94, 0.29%, 0.48%

LAB 44.93, 34.23, -30.16

 

CMYK 0 / 34 / 45 / 38

HEX #9D6756

RGB 157 103 86

HSL 14.37, 0.29%, 0.48%

LAB 48.93, 19.65, 18.49

 

CMYK 33 / 0 / 45 / 38

HEX #699D56

RGB 105 157 86

HSL 103.94, 0.29%, 0.48%

LAB 59.7, -31.07, 31.69

 

Description

Color code: RGB 86 140 157 | qconv.com Color code: RGB 86 140 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 140 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 140 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 11 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 11% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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