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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 86 131 184 it is the complementary color RGB 169 124 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 86 131 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 86 131 184 shade: RGB 91 131 179, RGB 108 149 198, RGB 125 167 217, RGB 142 185 236 and RGB 159 203 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 86 131 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 86 131 184 shade: RGB 86 131 184, RGB 69 113 165, RGB 52 95 146, RGB 35 77 127 and RGB 18 59 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 86 131 184 shade: RGB 86 131 184, RGB 86 104 184, RGB 93 86 184, RGB 120 86 184 and RGB 146 86 184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 86 131 184 shade: RGB 86 131 184, RGB 86 104 184 and RGB 86 86 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 86 131 184 shade matches the following richer shades: RGB 86 131 184, RGB 66 129 203, RGB 47 127 223 and RGB 27 126 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 86 131 184 shade: RGB 86 131 184, RGB 105 132 164, RGB 124 134 145, RGB 144 135 126 and RGB 163 137 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 86 131 184 shade: RGB 86 184 184, RGB 86 158 184, RGB 86 131 184, RGB 86 105 184 and RGB 92 86 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 86 131 184 shade: RGB 55 90 132, RGB 67 110 161, RGB 86 131 184, RGB 115 152 196 and RGB 144 173 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 86 131 184 shade: RGB 86 131 184, RGB 158 86 184 and RGB 171 184 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 86 131 184 shade: RGB 86 131 184, RGB 184 86 131 and RGB 131 184 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 86 131 184 shade: RGB 86 131 184, RGB 158 86 184, RGB 184 138 86 and RGB 112 184 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 86 131 184 shade: RGB 86 131 184, RGB 184 86 181, RGB 184 138 86 and RGB 86 184 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 29 / 0 / 28

HEX #5683B8

RGB 86 131 184

HSL 212.45, 0.41%, 0.53%

LAB 53.68, 0.04, -32.55

 

Complementary color

CMYK 0 / 27 / 58 / 34

HEX #A97C47

RGB 169 124 71

HSL 32.45, 0.41%, 0.47%

LAB 55.39, 11.41, 35.45

 

CMYK 49 / 27 / 0 / 30

HEX #5B83B3

RGB 91 131 179

HSL 212.73, 0.37%, 0.53%

LAB 53.72, -0.33, -29.6

 

CMYK 45 / 25 / 0 / 22

HEX #6C95C6

RGB 108 149 198

HSL 212.67, 0.44%, 0.6%

LAB 60.57, -0.85, -29.69

 

CMYK 42 / 23 / 0 / 15

HEX #7DA7D9

RGB 125 167 217

HSL 212.61, 0.55%, 0.67%

LAB 67.28, -1.28, -29.8

 

CMYK 40 / 22 / 0 / 7

HEX #8EB9EC

RGB 142 185 236

HSL 212.55, 0.71%, 0.74%

LAB 73.87, -1.63, -29.95

 

CMYK 38 / 20 / 0 / 0

HEX #9FCBFF

RGB 159 203 255

HSL 212.5, 1%, 0.81%

LAB 80.35, -1.94, -30.11

 

CMYK 53 / 29 / 0 / 28

HEX #5683B8

RGB 86 131 184

HSL 212.45, 0.41%, 0.53%

LAB 53.68, 0.04, -32.55

 

CMYK 58 / 32 / 0 / 35

HEX #4571A5

RGB 69 113 165

HSL 212.5, 0.41%, 0.46%

LAB 46.7, 0.84, -32.52

 

CMYK 64 / 35 / 0 / 43

HEX #345F92

RGB 52 95 146

HSL 212.55, 0.47%, 0.39%

LAB 39.56, 1.9, -32.51

 

CMYK 72 / 39 / 0 / 50

HEX #234D7F

RGB 35 77 127

HSL 212.61, 0.57%, 0.32%

LAB 32.25, 3.36, -32.52

 

CMYK 83 / 45 / 0 / 58

HEX #123B6C

RGB 18 59 108

HSL 212.67, 0.71%, 0.25%

LAB 24.76, 5.45, -32.52

 

CMYK 53 / 29 / 0 / 28

HEX #5683B8

RGB 86 131 184

HSL 212.45, 0.41%, 0.53%

LAB 53.68, 0.04, -32.55

 

CMYK 53 / 43 / 0 / 28

HEX #5668B8

RGB 86 104 184

HSL 228.98, 0.41%, 0.53%

LAB 46.1, 16.47, -44.5

 

CMYK 49 / 53 / 0 / 28

HEX #5D56B8

RGB 93 86 184

HSL 244.29, 0.41%, 0.53%

LAB 41.91, 29.27, -51.17

 

CMYK 35 / 53 / 0 / 28

HEX #7856B8

RGB 120 86 184

HSL 260.82, 0.41%, 0.53%

LAB 44.39, 35.73, -47.06

 

CMYK 21 / 53 / 0 / 28

HEX #9256B8

RGB 146 86 184

HSL 276.73, 0.41%, 0.53%

LAB 47.27, 42.58, -42.3

 

CMYK 53 / 29 / 0 / 28

HEX #5683B8

RGB 86 131 184

HSL 212.45, 0.41%, 0.53%

LAB 53.68, 0.04, -32.55

 

CMYK 53 / 43 / 0 / 28

HEX #5668B8

RGB 86 104 184

HSL 228.98, 0.41%, 0.53%

LAB 46.1, 16.47, -44.5

 

CMYK 53 / 53 / 0 / 28

HEX #5656B8

RGB 86 86 184

HSL 240, 0.41%, 0.53%

LAB 41.37, 27.75, -52.08

 

CMYK 53 / 29 / 0 / 28

HEX #5683B8

RGB 86 131 184

HSL 212.45, 0.41%, 0.53%

LAB 53.68, 0.04, -32.55

 

CMYK 67 / 36 / 0 / 20

HEX #4281CB

RGB 66 129 203

HSL 212.41, 0.57%, 0.53%

LAB 53.14, 3.68, -44.3

 

CMYK 79 / 43 / 0 / 13

HEX #2F7FDF

RGB 47 127 223

HSL 212.73, 0.73%, 0.53%

LAB 53.07, 9.65, -55.74

 

CMYK 89 / 48 / 0 / 5

HEX #1B7EF2

RGB 27 126 242

HSL 212.37, 0.89%, 0.53%

LAB 53.56, 15.92, -65.58

 

CMYK 53 / 29 / 0 / 28

HEX #5683B8

RGB 86 131 184

HSL 212.45, 0.41%, 0.53%

LAB 53.68, 0.04, -32.55

 

CMYK 36 / 20 / 0 / 36

HEX #6984A4

RGB 105 132 164

HSL 212.54, 0.24%, 0.53%

LAB 54.22, -1.49, -20.12

 

CMYK 14 / 8 / 0 / 43

HEX #7C8691

RGB 124 134 145

HSL 211.43, 0.09%, 0.53%

LAB 55.46, -1.27, -7.14

 

CMYK 0 / 6 / 13 / 44

HEX #90877E

RGB 144 135 126

HSL 30, 0.08%, 0.53%

LAB 56.84, 1.74, 6.04

 

CMYK 0 / 16 / 35 / 36

HEX #A3896A

RGB 163 137 106

HSL 32.63, 0.24%, 0.53%

LAB 58.71, 5.23, 20.31

 

CMYK 53 / 0 / 0 / 28

HEX #56B8B8

RGB 86 184 184

HSL 180, 0.41%, 0.53%

LAB 69.27, -28.51, -8.76

 

CMYK 53 / 14 / 0 / 28

HEX #569EB8

RGB 86 158 184

HSL 195.92, 0.41%, 0.53%

LAB 61.56, -15.17, -20.38

 

CMYK 53 / 29 / 0 / 28

HEX #5683B8

RGB 86 131 184

HSL 212.45, 0.41%, 0.53%

LAB 53.68, 0.04, -32.55

 

CMYK 53 / 43 / 0 / 28

HEX #5669B8

RGB 86 105 184

HSL 228.37, 0.41%, 0.53%

LAB 46.37, 15.84, -44.07

 

CMYK 50 / 53 / 0 / 28

HEX #5C56B8

RGB 92 86 184

HSL 243.67, 0.41%, 0.53%

LAB 41.83, 29.05, -51.31

 

CMYK 58 / 32 / 0 / 48

HEX #375A84

RGB 55 90 132

HSL 212.73, 0.41%, 0.37%

LAB 37.46, 0.75, -27.32

 

CMYK 58 / 32 / 0 / 37

HEX #436EA1

RGB 67 110 161

HSL 212.55, 0.41%, 0.45%

LAB 45.52, 0.9, -32.02

 

CMYK 53 / 29 / 0 / 28

HEX #5683B8

RGB 86 131 184

HSL 212.45, 0.41%, 0.53%

LAB 53.68, 0.04, -32.55

 

CMYK 41 / 22 / 0 / 23

HEX #7398C4

RGB 115 152 196

HSL 212.59, 0.41%, 0.61%

LAB 61.73, -1.31, -26.74

 

CMYK 31 / 17 / 0 / 18

HEX #90ADD0

RGB 144 173 208

HSL 212.81, 0.41%, 0.69%

LAB 69.73, -1.74, -20.99

 

CMYK 53 / 29 / 0 / 28

HEX #5683B8

RGB 86 131 184

HSL 212.45, 0.41%, 0.53%

LAB 53.68, 0.04, -32.55

 

CMYK 14 / 53 / 0 / 28

HEX #9E56B8

RGB 158 86 184

HSL 284.08, 0.41%, 0.53%

LAB 48.74, 45.85, -39.88

 

CMYK 7 / 0 / 53 / 28

HEX #ABB856

RGB 171 184 86

HSL 67.96, 0.41%, 0.53%

LAB 71.97, -18.7, 47.59

 

CMYK 53 / 29 / 0 / 28

HEX #5683B8

RGB 86 131 184

HSL 212.45, 0.41%, 0.53%

LAB 53.68, 0.04, -32.55

 

CMYK 0 / 53 / 29 / 28

HEX #B85683

RGB 184 86 131

HSL 332.45, 0.41%, 0.53%

LAB 50.08, 44.64, -6.22

 

CMYK 29 / 0 / 53 / 28

HEX #83B856

RGB 131 184 86

HSL 92.45, 0.41%, 0.53%

LAB 69.31, -34.32, 43.8

 

CMYK 53 / 29 / 0 / 28

HEX #5683B8

RGB 86 131 184

HSL 212.45, 0.41%, 0.53%

LAB 53.68, 0.04, -32.55

 

CMYK 14 / 53 / 0 / 28

HEX #9E56B8

RGB 158 86 184

HSL 284.08, 0.41%, 0.53%

LAB 48.74, 45.85, -39.88

 

CMYK 0 / 25 / 53 / 28

HEX #B88A56

RGB 184 138 86

HSL 31.84, 0.41%, 0.53%

LAB 60.82, 11.34, 34.47

 

CMYK 39 / 0 / 53 / 28

HEX #70B856

RGB 112 184 86

HSL 104.08, 0.41%, 0.53%

LAB 68.31, -40.93, 42.37

 

CMYK 53 / 29 / 0 / 28

HEX #5683B8

RGB 86 131 184

HSL 212.45, 0.41%, 0.53%

LAB 53.68, 0.04, -32.55

 

CMYK 0 / 53 / 2 / 28

HEX #B856B5

RGB 184 86 181

HSL 301.84, 0.41%, 0.53%

LAB 52.04, 52.49, -32.71

 

CMYK 0 / 25 / 53 / 28

HEX #B88A56

RGB 184 138 86

HSL 31.84, 0.41%, 0.53%

LAB 60.82, 11.34, 34.47

 

CMYK 53 / 0 / 52 / 28

HEX #56B859

RGB 86 184 89

HSL 121.84, 0.41%, 0.53%

LAB 67.26, -48.3, 39.38

 

Description

Color code: RGB 86 131 184 | qconv.com Color code: RGB 86 131 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 131 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 131 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 29 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 29% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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