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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 86 120 206 it is the complementary color RGB 169 135 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 86 120 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 86 120 206 shade: RGB 91 120 201, RGB 108 138 220, RGB 125 156 239, RGB 142 174 255 and RGB 159 192 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 86 120 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 86 120 206 shade: RGB 86 120 206, RGB 69 102 187, RGB 52 84 168, RGB 35 66 149 and RGB 18 48 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 86 120 206 shade: RGB 85 119 205, RGB 85 86 205, RGB 115 85 205, RGB 148 85 205 and RGB 180 85 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 86 120 206 shade: RGB 85 119 205, RGB 85 86 205 and RGB 85 85 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 86 120 206 shade matches the following richer shades: RGB 85 119 205, RGB 67 111 223 and RGB 49 103 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 86 120 206 shade: RGB 85 119 205, RGB 102 126 187, RGB 120 134 170, RGB 138 142 152 and RGB 156 149 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 86 120 206 shade: RGB 85 183 205, RGB 85 151 205, RGB 85 119 205, RGB 85 87 205 and RGB 115 85 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 86 120 206 shade: RGB 46 79 161, RGB 56 94 193, RGB 85 119 205, RGB 117 144 214 and RGB 148 170 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 86 120 206 shade: RGB 86 120 206, RGB 195 85 205 and RGB 167 205 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 86 120 206 shade: RGB 86 120 206, RGB 205 85 119 and RGB 119 205 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 86 120 206 shade: RGB 86 120 206, RGB 195 85 205, RGB 205 171 85 and RGB 95 205 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 86 120 206 shade: RGB 86 120 206, RGB 205 85 179, RGB 205 171 85 and RGB 85 205 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 42 / 0 / 19

HEX #5678CE

RGB 86 120 206

HSL 223, 0.55%, 0.57%

LAB 51.69, 13.81, -48.25

 

Complementary color

CMYK 0 / 20 / 71 / 34

HEX #A98731

RGB 169 135 49

HSL 43, 0.55%, 0.43%

LAB 58.02, 3.76, 49.17

 

CMYK 55 / 40 / 0 / 21

HEX #5B78C9

RGB 91 120 201

HSL 224.18, 0.5%, 0.57%

LAB 51.69, 13.21, -45.37

 

CMYK 51 / 37 / 0 / 14

HEX #6C8ADC

RGB 108 138 220

HSL 223.93, 0.62%, 0.64%

LAB 58.54, 12.16, -45.2

 

CMYK 48 / 35 / 0 / 6

HEX #7D9CEF

RGB 125 156 239

HSL 223.68, 0.78%, 0.71%

LAB 65.25, 11.28, -45.07

 

CMYK 44 / 32 / 0 / 0

HEX #8EAEFF

RGB 142 174 255

HSL 223.01, 1%, 0.78%

LAB 71.72, 9.69, -43.56

 

CMYK 38 / 25 / 0 / 0

HEX #9FC0FF

RGB 159 192 255

HSL 219.38, 1%, 0.81%

LAB 77.45, 4.01, -34.57

 

CMYK 58 / 42 / 0 / 19

HEX #5678CE

RGB 86 120 206

HSL 223, 0.55%, 0.57%

LAB 51.69, 13.81, -48.25

 

CMYK 63 / 45 / 0 / 27

HEX #4566BB

RGB 69 102 187

HSL 223.22, 0.46%, 0.5%

LAB 44.74, 15.28, -48.47

 

CMYK 69 / 50 / 0 / 34

HEX #3454A8

RGB 52 84 168

HSL 223.45, 0.53%, 0.43%

LAB 37.66, 17.11, -48.72

 

CMYK 77 / 56 / 0 / 42

HEX #234295

RGB 35 66 149

HSL 223.68, 0.62%, 0.36%

LAB 30.46, 19.48, -48.95

 

CMYK 86 / 63 / 0 / 49

HEX #123082

RGB 18 48 130

HSL 223.93, 0.76%, 0.29%

LAB 23.18, 22.55, -49.05

 

CMYK 59 / 42 / 0 / 20

HEX #5577CD

RGB 85 119 205

HSL 223, 0.55%, 0.57%

LAB 51.3, 13.89, -48.29

 

CMYK 59 / 58 / 0 / 20

HEX #5556CD

RGB 85 86 205

HSL 239.5, 0.55%, 0.57%

LAB 42.76, 34.37, -62.04

 

CMYK 44 / 59 / 0 / 20

HEX #7355CD

RGB 115 85 205

HSL 255, 0.55%, 0.57%

LAB 45.01, 40.91, -58.27

 

CMYK 28 / 59 / 0 / 20

HEX #9455CD

RGB 148 85 205

HSL 271.5, 0.55%, 0.57%

LAB 48.51, 48.49, -52.45

 

CMYK 12 / 59 / 0 / 20

HEX #B455CD

RGB 180 85 205

HSL 287.5, 0.55%, 0.57%

LAB 52.52, 56.41, -45.83

 

CMYK 59 / 42 / 0 / 20

HEX #5577CD

RGB 85 119 205

HSL 223, 0.55%, 0.57%

LAB 51.3, 13.89, -48.29

 

CMYK 59 / 58 / 0 / 20

HEX #5556CD

RGB 85 86 205

HSL 239.5, 0.55%, 0.57%

LAB 42.76, 34.37, -62.04

 

CMYK 59 / 59 / 0 / 20

HEX #5555CD

RGB 85 85 205

HSL 240, 0.55%, 0.57%

LAB 42.52, 34.99, -62.43

 

CMYK 59 / 42 / 0 / 20

HEX #5577CD

RGB 85 119 205

HSL 223, 0.55%, 0.57%

LAB 51.3, 13.89, -48.29

 

CMYK 70 / 50 / 0 / 13

HEX #436FDF

RGB 67 111 223

HSL 223.08, 0.71%, 0.57%

LAB 49.36, 22.06, -61.66

 

CMYK 80 / 57 / 0 / 5

HEX #3167F1

RGB 49 103 241

HSL 223.13, 0.87%, 0.57%

LAB 47.89, 31.6, -74.21

 

CMYK 59 / 42 / 0 / 20

HEX #5577CD

RGB 85 119 205

HSL 223, 0.55%, 0.57%

LAB 51.3, 13.89, -48.29

 

CMYK 45 / 33 / 0 / 27

HEX #667EBB

RGB 102 126 187

HSL 223.06, 0.38%, 0.57%

LAB 53.31, 7.81, -34.77

 

CMYK 29 / 21 / 0 / 33

HEX #7886AA

RGB 120 134 170

HSL 223.2, 0.23%, 0.57%

LAB 56.03, 3.45, -20.71

 

CMYK 9 / 7 / 0 / 40

HEX #8A8E98

RGB 138 142 152

HSL 222.86, 0.06%, 0.57%

LAB 58.99, 0.6, -5.81

 

CMYK 0 / 4 / 14 / 39

HEX #9C9586

RGB 156 149 134

HSL 40.91, 0.1%, 0.57%

LAB 61.9, -0.09, 8.84

 

CMYK 59 / 11 / 0 / 20

HEX #55B7CD

RGB 85 183 205

HSL 191, 0.55%, 0.57%

LAB 69.62, -22.29, -19.79

 

CMYK 59 / 26 / 0 / 20

HEX #5597CD

RGB 85 151 205

HSL 207, 0.55%, 0.57%

LAB 60.31, -5.06, -34.1

 

CMYK 59 / 42 / 0 / 20

HEX #5577CD

RGB 85 119 205

HSL 223, 0.55%, 0.57%

LAB 51.3, 13.89, -48.29

 

CMYK 59 / 58 / 0 / 20

HEX #5557CD

RGB 85 87 205

HSL 239, 0.55%, 0.57%

LAB 43, 33.76, -61.65

 

CMYK 44 / 59 / 0 / 20

HEX #7355CD

RGB 115 85 205

HSL 255, 0.55%, 0.57%

LAB 45.01, 40.91, -58.27

 

CMYK 71 / 51 / 0 / 37

HEX #2E4FA1

RGB 46 79 161

HSL 222.78, 0.56%, 0.41%

LAB 35.49, 16.87, -48.04

 

CMYK 71 / 51 / 0 / 24

HEX #385EC1

RGB 56 94 193

HSL 223.36, 0.55%, 0.49%

LAB 42.3, 20.45, -55.91

 

CMYK 59 / 42 / 0 / 20

HEX #5577CD

RGB 85 119 205

HSL 223, 0.55%, 0.57%

LAB 51.3, 13.89, -48.29

 

CMYK 45 / 33 / 0 / 16

HEX #7590D6

RGB 117 144 214

HSL 223.3, 0.54%, 0.65%

LAB 60.41, 8.96, -38.86

 

CMYK 34 / 24 / 0 / 12

HEX #94AAE0

RGB 148 170 224

HSL 222.63, 0.55%, 0.73%

LAB 69.77, 5.12, -29.69

 

CMYK 58 / 42 / 0 / 19

HEX #5678CE

RGB 86 120 206

HSL 223, 0.55%, 0.57%

LAB 51.69, 13.81, -48.25

 

CMYK 5 / 59 / 0 / 20

HEX #C355CD

RGB 195 85 205

HSL 295, 0.55%, 0.57%

LAB 54.56, 60.2, -42.46

 

CMYK 19 / 0 / 59 / 20

HEX #A7CD55

RGB 167 205 85

HSL 79, 0.55%, 0.57%

LAB 77.6, -30.61, 54.41

 

CMYK 58 / 42 / 0 / 19

HEX #5678CE

RGB 86 120 206

HSL 223, 0.55%, 0.57%

LAB 51.69, 13.81, -48.25

 

CMYK 0 / 59 / 42 / 20

HEX #CD5577

RGB 205 85 119

HSL 343, 0.55%, 0.57%

LAB 52.74, 50.66, 5.21

 

CMYK 42 / 0 / 59 / 20

HEX #77CD55

RGB 119 205 85

HSL 103, 0.55%, 0.57%

LAB 74.98, -47.67, 50.73

 

CMYK 58 / 42 / 0 / 19

HEX #5678CE

RGB 86 120 206

HSL 223, 0.55%, 0.57%

LAB 51.69, 13.81, -48.25

 

CMYK 5 / 59 / 0 / 20

HEX #C355CD

RGB 195 85 205

HSL 295, 0.55%, 0.57%

LAB 54.56, 60.2, -42.46

 

CMYK 0 / 17 / 59 / 20

HEX #CDAB55

RGB 205 171 85

HSL 43, 0.55%, 0.57%

LAB 71.39, 2.26, 48.15

 

CMYK 54 / 0 / 59 / 20

HEX #5FCD55

RGB 95 205 85

HSL 115, 0.55%, 0.57%

LAB 74.03, -54.62, 49.39

 

CMYK 58 / 42 / 0 / 19

HEX #5678CE

RGB 86 120 206

HSL 223, 0.55%, 0.57%

LAB 51.69, 13.81, -48.25

 

CMYK 0 / 59 / 13 / 20

HEX #CD55B3

RGB 205 85 179

HSL 313, 0.55%, 0.57%

LAB 54.79, 58.49, -27.04

 

CMYK 0 / 17 / 59 / 20

HEX #CDAB55

RGB 205 171 85

HSL 43, 0.55%, 0.57%

LAB 71.39, 2.26, 48.15

 

CMYK 59 / 0 / 46 / 20

HEX #55CD6F

RGB 85 205 111

HSL 133, 0.55%, 0.57%

LAB 74.02, -53.58, 36.86

 

Description

Color code: RGB 86 120 206 | qconv.com Color code: RGB 86 120 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 120 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 120 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 42 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 42% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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