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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 86 71 4 it is the complementary color RGB 169 184 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 86 71 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 86 71 4 shade: RGB 91 71 0, RGB 108 89 18, RGB 125 107 37, RGB 142 125 56 and RGB 159 143 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 86 71 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 86 71 4 shade: RGB 86 71 4, RGB 69 53 0, RGB 52 35 0, RGB 35 17 0 and RGB 18 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 86 71 4 shade: RGB 87 72 4, RGB 87 49 4, RGB 87 27 4, RGB 87 4 4 and RGB 87 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 86 71 4 shade: RGB 87 72 4, RGB 80 87 4, RGB 57 87 4, RGB 35 87 4 and RGB 12 87 4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 86 71 4 shade matches the following richer shades: RGB 87 72 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 86 71 4 shade: RGB 87 72 4, RGB 80 67 11, RGB 72 62 18, RGB 65 58 26 and RGB 57 53 33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 86 71 4 shade: RGB 87 27 4, RGB 87 50 4, RGB 87 72 4, RGB 80 87 4 and RGB 58 87 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 86 71 4 shade: RGB 8 7 0, RGB 48 39 2, RGB 87 72 4, RGB 127 104 5 and RGB 166 137 7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 86 71 4 shade: RGB 86 71 4, RGB 4 87 5 and RGB 38 4 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 86 71 4 shade: RGB 86 71 4, RGB 4 87 72 and RGB 72 4 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 86 71 4 shade: RGB 86 71 4, RGB 4 87 5, RGB 4 19 87 and RGB 87 4 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 86 71 4 shade: RGB 86 71 4, RGB 4 87 30, RGB 4 19 87 and RGB 87 4 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 95 / 66

HEX #564704

RGB 86 71 4

HSL 49.02, 0.91%, 0.18%

LAB 30.63, -0.64, 37.87

 

Complementary color

CMYK 33 / 27 / 0 / 2

HEX #A9B8FB

RGB 169 184 251

HSL 229.02, 0.91%, 0.82%

LAB 75.87, 10.07, -34.81

 

CMYK 0 / 22 / 100 / 64

HEX #5B4700

RGB 91 71 0

HSL 46.81, 1%, 0.18%

LAB 31.19, 1.79, 40.14

 

CMYK 0 / 18 / 83 / 58

HEX #6C5912

RGB 108 89 18

HSL 47.33, 0.71%, 0.25%

LAB 38.51, 0.03, 40.73

 

CMYK 0 / 14 / 70 / 51

HEX #7D6B25

RGB 125 107 37

HSL 47.73, 0.54%, 0.32%

LAB 45.65, -1.35, 40.32

 

CMYK 0 / 12 / 61 / 44

HEX #8E7D38

RGB 142 125 56

HSL 48.14, 0.43%, 0.39%

LAB 52.62, -2.4, 39.26

 

CMYK 0 / 10 / 53 / 38

HEX #9F8F4B

RGB 159 143 75

HSL 48.57, 0.36%, 0.46%

LAB 59.46, -3.22, 38

 

CMYK 0 / 17 / 95 / 66

HEX #564704

RGB 86 71 4

HSL 49.02, 0.91%, 0.18%

LAB 30.63, -0.64, 37.87

 

CMYK 0 / 23 / 100 / 73

HEX #453500

RGB 69 53 0

HSL 46.09, 1%, 0.14%

LAB 23.04, 1.61, 32.01

 

CMYK 0 / 33 / 100 / 80

HEX #342300

RGB 52 35 0

HSL 40.38, 1%, 0.1%

LAB 15.13, 4.27, 22.27

 

CMYK 0 / 51 / 100 / 86

HEX #231100

RGB 35 17 0

HSL 29.14, 1%, 0.07%

LAB 6.85, 7.04, 10.39

 

CMYK 0 / 100 / 100 / 93

HEX #120000

RGB 18 0 0

HSL 0, 1%, 0.04%

LAB 1.16, 5.21, 1.84

 

CMYK 0 / 17 / 95 / 66

HEX #574804

RGB 87 72 4

HSL 49.16, 0.91%, 0.18%

LAB 31.04, -0.75, 38.25

 

CMYK 0 / 44 / 95 / 66

HEX #573104

RGB 87 49 4

HSL 32.53, 0.91%, 0.18%

LAB 24.42, 13.74, 32.59

 

CMYK 0 / 69 / 95 / 66

HEX #571B04

RGB 87 27 4

HSL 16.63, 0.91%, 0.18%

LAB 19.3, 26.6, 27.13

 

CMYK 0 / 95 / 95 / 66

HEX #570404

RGB 87 4 4

HSL 0, 0.91%, 0.18%

LAB 16.11, 35.43, 23.29

 

CMYK 0 / 95 / 95 / 66

HEX #570404

RGB 87 4 4

HSL 0, 0.91%, 0.18%

LAB 16.11, 35.43, 23.29

 

CMYK 0 / 17 / 95 / 66

HEX #574804

RGB 87 72 4

HSL 49.16, 0.91%, 0.18%

LAB 31.04, -0.75, 38.25

 

CMYK 8 / 0 / 95 / 66

HEX #505704

RGB 80 87 4

HSL 65.06, 0.91%, 0.18%

LAB 35.06, -13.17, 41.12

 

CMYK 34 / 0 / 95 / 66

HEX #395704

RGB 57 87 4

HSL 81.69, 0.91%, 0.18%

LAB 33.34, -23.87, 39

 

CMYK 60 / 0 / 95 / 66

HEX #235704

RGB 35 87 4

HSL 97.59, 0.91%, 0.18%

LAB 32.22, -32.15, 37.61

 

CMYK 86 / 0 / 95 / 66

HEX #0C5704

RGB 12 87 4

HSL 114.22, 0.91%, 0.18%

LAB 31.59, -37.48, 36.82

 

CMYK 0 / 17 / 95 / 66

HEX #574804

RGB 87 72 4

HSL 49.16, 0.91%, 0.18%

LAB 31.04, -0.75, 38.25

 

CMYK 0 / 17 / 95 / 66

HEX #574804

RGB 87 72 4

HSL 49.16, 0.91%, 0.18%

LAB 31.04, -0.75, 38.25

 

CMYK 0 / 16 / 86 / 69

HEX #50430B

RGB 80 67 11

HSL 48.7, 0.76%, 0.18%

LAB 28.76, -0.99, 33.39

 

CMYK 0 / 14 / 75 / 72

HEX #483E12

RGB 72 62 18

HSL 48.89, 0.6%, 0.18%

LAB 26.35, -1.61, 27.61

 

CMYK 0 / 11 / 60 / 75

HEX #413A1A

RGB 65 58 26

HSL 49.23, 0.43%, 0.18%

LAB 24.4, -1.99, 20.79

 

CMYK 0 / 7 / 42 / 78

HEX #393521

RGB 57 53 33

HSL 50, 0.27%, 0.18%

LAB 22.04, -1.92, 13.27

 

CMYK 0 / 69 / 95 / 66

HEX #571B04

RGB 87 27 4

HSL 16.63, 0.91%, 0.18%

LAB 19.3, 26.6, 27.13

 

CMYK 0 / 43 / 95 / 66

HEX #573204

RGB 87 50 4

HSL 33.25, 0.91%, 0.18%

LAB 24.69, 13.11, 32.85

 

CMYK 0 / 17 / 95 / 66

HEX #574804

RGB 87 72 4

HSL 49.16, 0.91%, 0.18%

LAB 31.04, -0.75, 38.25

 

CMYK 8 / 0 / 95 / 66

HEX #505704

RGB 80 87 4

HSL 65.06, 0.91%, 0.18%

LAB 35.06, -13.17, 41.12

 

CMYK 33 / 0 / 95 / 66

HEX #3A5704

RGB 58 87 4

HSL 80.96, 0.91%, 0.18%

LAB 33.4, -23.43, 39.08

 

CMYK 0 / 13 / 100 / 97

HEX #080700

RGB 8 7 0

HSL 52.5, 1%, 0.02%

LAB 1.84, -0.71, 2.74

 

CMYK 0 / 19 / 96 / 81

HEX #302702

RGB 48 39 2

HSL 48.26, 0.92%, 0.1%

LAB 15.92, -0.59, 22.35

 

CMYK 0 / 17 / 95 / 66

HEX #574804

RGB 87 72 4

HSL 49.16, 0.91%, 0.18%

LAB 31.04, -0.75, 38.25

 

CMYK 0 / 18 / 96 / 50

HEX #7F6805

RGB 127 104 5

HSL 48.69, 0.92%, 0.26%

LAB 44.83, 0.13, 50.38

 

CMYK 0 / 17 / 96 / 35

HEX #A68907

RGB 166 137 7

HSL 49.06, 0.92%, 0.34%

LAB 58.05, -0.07, 61.63

 

CMYK 0 / 17 / 95 / 66

HEX #564704

RGB 86 71 4

HSL 49.02, 0.91%, 0.18%

LAB 30.63, -0.64, 37.87

 

CMYK 95 / 0 / 94 / 66

HEX #045705

RGB 4 87 5

HSL 120.72, 0.91%, 0.18%

LAB 31.47, -38.49, 36.34

 

CMYK 56 / 95 / 0 / 66

HEX #260457

RGB 38 4 87

HSL 264.58, 0.91%, 0.18%

LAB 10.46, 35.88, -41.85

 

CMYK 0 / 17 / 95 / 66

HEX #564704

RGB 86 71 4

HSL 49.02, 0.91%, 0.18%

LAB 30.63, -0.64, 37.87

 

CMYK 95 / 0 / 17 / 66

HEX #045748

RGB 4 87 72

HSL 169.16, 0.91%, 0.18%

LAB 32.5, -26.48, 2.38

 

CMYK 17 / 95 / 0 / 66

HEX #480457

RGB 72 4 87

HSL 289.16, 0.91%, 0.18%

LAB 16.27, 40.93, -32.12

 

CMYK 0 / 17 / 95 / 66

HEX #564704

RGB 86 71 4

HSL 49.02, 0.91%, 0.18%

LAB 30.63, -0.64, 37.87

 

CMYK 95 / 0 / 94 / 66

HEX #045705

RGB 4 87 5

HSL 120.72, 0.91%, 0.18%

LAB 31.47, -38.49, 36.34

 

CMYK 95 / 78 / 0 / 66

HEX #041357

RGB 4 19 87

HSL 229.16, 0.91%, 0.18%

LAB 10.41, 24.29, -42.04

 

CMYK 0 / 95 / 1 / 66

HEX #570456

RGB 87 4 86

HSL 300.72, 0.91%, 0.18%

LAB 19.16, 43.62, -26.64

 

CMYK 0 / 17 / 95 / 66

HEX #564704

RGB 86 71 4

HSL 49.02, 0.91%, 0.18%

LAB 30.63, -0.64, 37.87

 

CMYK 95 / 0 / 66 / 66

HEX #04571E

RGB 4 87 30

HSL 138.8, 0.91%, 0.18%

LAB 31.66, -36.09, 26.31

 

CMYK 95 / 78 / 0 / 66

HEX #041357

RGB 4 19 87

HSL 229.16, 0.91%, 0.18%

LAB 10.41, 24.29, -42.04

 

CMYK 0 / 95 / 30 / 66

HEX #57043D

RGB 87 4 61

HSL 318.8, 0.91%, 0.18%

LAB 17.69, 39.8, -11.74

 

Description

Color code: RGB 86 71 4 | qconv.com Color code: RGB 86 71 4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 71 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 71 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 95 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 95% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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