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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 231 120 it is the complementary color RGB 170 24 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 231 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 231 120 shade: RGB 90 231 115, RGB 107 249 134, RGB 124 255 153, RGB 141 255 172 and RGB 158 255 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 231 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 231 120 shade: RGB 85 231 120, RGB 68 213 101, RGB 51 195 82, RGB 34 177 63 and RGB 17 159 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 231 120 shade: RGB 85 230 120, RGB 89 230 85, RGB 128 230 85, RGB 168 230 85 and RGB 207 230 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 231 120 shade: RGB 85 230 120, RGB 85 230 159, RGB 85 230 198, RGB 85 223 230 and RGB 85 184 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 231 120 shade matches the following richer shades: RGB 85 230 120 and RGB 69 246 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 231 120 shade: RGB 85 230 120, RGB 101 215 128, RGB 116 199 136, RGB 132 183 144 and RGB 148 168 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 231 120 shade: RGB 129 230 85, RGB 90 230 85, RGB 85 230 119, RGB 85 230 158 and RGB 85 230 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 231 120 shade: RGB 29 204 71, RGB 49 225 91, RGB 85 230 120, RGB 121 235 148 and RGB 157 241 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 231 120 shade: RGB 85 231 120, RGB 85 167 230 and RGB 230 85 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 231 120 shade: RGB 85 231 120, RGB 119 85 230 and RGB 230 119 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 231 120 shade: RGB 85 231 120, RGB 85 167 230, RGB 230 85 196 and RGB 230 148 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 231 120 shade: RGB 85 231 120, RGB 85 124 230, RGB 230 85 196 and RGB 230 192 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 48 / 9

HEX #55E778

RGB 85 231 120

HSL 134.38, 0.75%, 0.62%

LAB 82.08, -61.95, 42.59

 

Complementary color

CMYK 0 / 86 / 21 / 33

HEX #AA1887

RGB 170 24 135

HSL 314.38, 0.75%, 0.38%

LAB 39.49, 64.4, -24.99

 

CMYK 61 / 0 / 50 / 9

HEX #5AE773

RGB 90 231 115

HSL 130.64, 0.75%, 0.63%

LAB 82.14, -61.65, 45.1

 

CMYK 57 / 0 / 46 / 2

HEX #6BF986

RGB 107 249 134

HSL 131.41, 0.92%, 0.7%

LAB 88.26, -61.88, 43.75

 

CMYK 51 / 0 / 40 / 0

HEX #7CFF99

RGB 124 255 153

HSL 133.28, 1%, 0.74%

LAB 90.83, -57.32, 37.92

 

CMYK 45 / 0 / 33 / 0

HEX #8DFFAC

RGB 141 255 172

HSL 136.32, 1%, 0.78%

LAB 91.76, -49.87, 29.81

 

CMYK 38 / 0 / 25 / 0

HEX #9EFFBF

RGB 158 255 191

HSL 140.41, 1%, 0.81%

LAB 92.82, -41.88, 21.76

 

CMYK 63 / 0 / 48 / 9

HEX #55E778

RGB 85 231 120

HSL 134.38, 0.75%, 0.62%

LAB 82.08, -61.95, 42.59

 

CMYK 68 / 0 / 53 / 16

HEX #44D565

RGB 68 213 101

HSL 133.66, 0.63%, 0.55%

LAB 75.92, -61.44, 44.02

 

CMYK 74 / 0 / 58 / 24

HEX #33C352

RGB 51 195 82

HSL 132.92, 0.59%, 0.48%

LAB 69.71, -60.59, 45.44

 

CMYK 81 / 0 / 64 / 31

HEX #22B13F

RGB 34 177 63

HSL 132.17, 0.68%, 0.41%

LAB 63.46, -59.26, 46.78

 

CMYK 89 / 0 / 72 / 38

HEX #119F2C

RGB 17 159 44

HSL 131.41, 0.81%, 0.35%

LAB 57.17, -57.22, 47.84

 

CMYK 63 / 0 / 48 / 10

HEX #55E678

RGB 85 230 120

HSL 134.48, 0.74%, 0.62%

LAB 81.77, -61.58, 42.21

 

CMYK 61 / 0 / 63 / 10

HEX #59E655

RGB 89 230 85

HSL 118.34, 0.74%, 0.62%

LAB 81.5, -65.11, 57.81

 

CMYK 44 / 0 / 63 / 10

HEX #80E655

RGB 128 230 85

HSL 102.21, 0.74%, 0.62%

LAB 82.83, -54.95, 59.65

 

CMYK 27 / 0 / 63 / 10

HEX #A8E655

RGB 168 230 85

HSL 85.66, 0.74%, 0.62%

LAB 84.78, -41.59, 62.34

 

CMYK 10 / 0 / 63 / 10

HEX #CFE655

RGB 207 230 85

HSL 69.52, 0.74%, 0.62%

LAB 87.25, -26.7, 65.72

 

CMYK 63 / 0 / 48 / 10

HEX #55E678

RGB 85 230 120

HSL 134.48, 0.74%, 0.62%

LAB 81.77, -61.58, 42.21

 

CMYK 63 / 0 / 31 / 10

HEX #55E69F

RGB 85 230 159

HSL 150.62, 0.74%, 0.62%

LAB 82.39, -54.8, 23.41

 

CMYK 63 / 0 / 14 / 10

HEX #55E6C6

RGB 85 230 198

HSL 166.76, 0.74%, 0.62%

LAB 83.23, -46.18, 4.18

 

CMYK 63 / 3 / 0 / 10

HEX #55DFE6

RGB 85 223 230

HSL 182.9, 0.74%, 0.62%

LAB 82.07, -34.69, -14.48

 

CMYK 63 / 20 / 0 / 10

HEX #55B8E6

RGB 85 184 230

HSL 199.03, 0.74%, 0.62%

LAB 70.82, -15.26, -31.61

 

CMYK 63 / 0 / 48 / 10

HEX #55E678

RGB 85 230 120

HSL 134.48, 0.74%, 0.62%

LAB 81.77, -61.58, 42.21

 

CMYK 72 / 0 / 54 / 4

HEX #45F670

RGB 69 246 112

HSL 134.58, 0.91%, 0.62%

LAB 86.18, -71.01, 51.3

 

CMYK 63 / 0 / 48 / 10

HEX #55E678

RGB 85 230 120

HSL 134.48, 0.74%, 0.62%

LAB 81.77, -61.58, 42.21

 

CMYK 53 / 0 / 40 / 16

HEX #65D780

RGB 101 215 128

HSL 134.21, 0.59%, 0.62%

LAB 77.83, -51.03, 33.29

 

CMYK 42 / 0 / 32 / 22

HEX #74C788

RGB 116 199 136

HSL 134.46, 0.43%, 0.62%

LAB 73.76, -38.83, 23.84

 

CMYK 28 / 0 / 21 / 28

HEX #84B790

RGB 132 183 144

HSL 134.12, 0.26%, 0.62%

LAB 70.03, -24.85, 14.52

 

CMYK 12 / 0 / 10 / 34

HEX #94A898

RGB 148 168 152

HSL 132, 0.1%, 0.62%

LAB 66.95, -10.14, 5.91

 

CMYK 44 / 0 / 63 / 10

HEX #81E655

RGB 129 230 85

HSL 101.79, 0.74%, 0.62%

LAB 82.87, -54.65, 59.71

 

CMYK 61 / 0 / 63 / 10

HEX #5AE655

RGB 90 230 85

HSL 117.93, 0.74%, 0.62%

LAB 81.52, -64.89, 57.84

 

CMYK 63 / 0 / 48 / 10

HEX #55E677

RGB 85 230 119

HSL 134.07, 0.74%, 0.62%

LAB 81.76, -61.73, 42.68

 

CMYK 63 / 0 / 31 / 10

HEX #55E69E

RGB 85 230 158

HSL 150.21, 0.74%, 0.62%

LAB 82.38, -55, 23.9

 

CMYK 63 / 0 / 15 / 10

HEX #55E6C4

RGB 85 230 196

HSL 165.93, 0.74%, 0.62%

LAB 83.18, -46.66, 5.17

 

CMYK 86 / 0 / 65 / 20

HEX #1DCC47

RGB 29 204 71

HSL 134.4, 0.75%, 0.46%

LAB 72.16, -67.37, 52.99

 

CMYK 78 / 0 / 60 / 12

HEX #31E15B

RGB 49 225 91

HSL 134.32, 0.75%, 0.54%

LAB 79.19, -69.57, 52.4

 

CMYK 63 / 0 / 48 / 10

HEX #55E678

RGB 85 230 120

HSL 134.48, 0.74%, 0.62%

LAB 81.77, -61.58, 42.21

 

CMYK 49 / 0 / 37 / 8

HEX #79EB94

RGB 121 235 148

HSL 134.21, 0.74%, 0.7%

LAB 84.8, -50.84, 32.47

 

CMYK 35 / 0 / 27 / 5

HEX #9DF1B1

RGB 157 241 177

HSL 134.29, 0.75%, 0.78%

LAB 88.57, -38.42, 23.04

 

CMYK 63 / 0 / 48 / 9

HEX #55E778

RGB 85 231 120

HSL 134.38, 0.75%, 0.62%

LAB 82.08, -61.95, 42.59

 

CMYK 63 / 27 / 0 / 10

HEX #55A7E6

RGB 85 167 230

HSL 206.07, 0.74%, 0.62%

LAB 65.97, -6.02, -39.14

 

CMYK 0 / 63 / 53 / 10

HEX #E6556D

RGB 230 85 109

HSL 350.07, 0.74%, 0.62%

LAB 56.51, 57.86, 17.02

 

CMYK 63 / 0 / 48 / 9

HEX #55E778

RGB 85 231 120

HSL 134.38, 0.75%, 0.62%

LAB 82.08, -61.95, 42.59

 

CMYK 48 / 63 / 0 / 10

HEX #7755E6

RGB 119 85 230

HSL 254.07, 0.74%, 0.62%

LAB 47.15, 48.77, -69.04

 

CMYK 0 / 48 / 63 / 10

HEX #E67755

RGB 230 119 85

HSL 14.07, 0.74%, 0.62%

LAB 62.23, 40.19, 38.04

 

CMYK 63 / 0 / 48 / 9

HEX #55E778

RGB 85 231 120

HSL 134.38, 0.75%, 0.62%

LAB 82.08, -61.95, 42.59

 

CMYK 63 / 27 / 0 / 10

HEX #55A7E6

RGB 85 167 230

HSL 206.07, 0.74%, 0.62%

LAB 65.97, -6.02, -39.14

 

CMYK 0 / 63 / 15 / 10

HEX #E655C4

RGB 230 85 196

HSL 314.07, 0.74%, 0.62%

LAB 59.26, 67.74, -29.61

 

CMYK 0 / 36 / 63 / 10

HEX #E69455

RGB 230 148 85

HSL 26.07, 0.74%, 0.62%

LAB 68.5, 25.06, 45.5

 

CMYK 63 / 0 / 48 / 9

HEX #55E778

RGB 85 231 120

HSL 134.38, 0.75%, 0.62%

LAB 82.08, -61.95, 42.59

 

CMYK 63 / 46 / 0 / 10

HEX #557CE6

RGB 85 124 230

HSL 223.86, 0.74%, 0.62%

LAB 54.09, 19.25, -57.95

 

CMYK 0 / 63 / 15 / 10

HEX #E655C4

RGB 230 85 196

HSL 314.07, 0.74%, 0.62%

LAB 59.26, 67.74, -29.61

 

CMYK 0 / 17 / 63 / 10

HEX #E6C055

RGB 230 192 85

HSL 44.28, 0.74%, 0.62%

LAB 79.14, 1.76, 57.53

 

Description

Color code: RGB 85 231 120 | qconv.com Color code: RGB 85 231 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 231 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 231 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 48 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 48% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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