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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 225 98 it is the complementary color RGB 170 30 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 225 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 225 98 shade: RGB 90 225 93, RGB 107 243 112, RGB 124 255 131, RGB 141 255 150 and RGB 158 255 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 225 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 225 98 shade: RGB 85 225 98, RGB 68 207 79, RGB 51 189 60, RGB 34 171 41 and RGB 17 153 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 225 98 shade: RGB 85 225 98, RGB 110 225 85, RGB 148 225 85, RGB 185 225 85 and RGB 223 225 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 225 98 shade: RGB 85 225 98, RGB 85 225 136, RGB 85 225 173, RGB 85 225 211 and RGB 85 201 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 225 98 shade matches the following richer shades: RGB 85 225 98 and RGB 69 241 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 225 98 shade: RGB 85 225 98, RGB 102 209 111, RGB 118 192 125, RGB 134 176 138 and RGB 150 160 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 225 98 shade: RGB 148 225 85, RGB 111 225 85, RGB 85 225 97, RGB 85 225 134 and RGB 85 225 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 225 98 shade: RGB 34 194 49, RGB 50 218 66, RGB 85 225 98, RGB 121 231 131 and RGB 156 237 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 225 98 shade: RGB 85 225 98, RGB 85 185 225 and RGB 225 85 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 225 98 shade: RGB 85 225 98, RGB 97 85 225 and RGB 225 97 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 225 98 shade: RGB 85 225 98, RGB 85 185 225, RGB 225 85 213 and RGB 225 125 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 225 98 shade: RGB 85 225 98, RGB 85 143 225, RGB 225 85 213 and RGB 225 167 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 56 / 12

HEX #55E162

RGB 85 225 98

HSL 125.57, 0.7%, 0.61%

LAB 79.99, -62.77, 50.39

 

Complementary color

CMYK 0 / 82 / 8 / 33

HEX #AA1E9D

RGB 170 30 157

HSL 305.57, 0.7%, 0.39%

LAB 41.07, 66.16, -35.91

 

CMYK 60 / 0 / 59 / 12

HEX #5AE15D

RGB 90 225 93

HSL 121.33, 0.69%, 0.62%

LAB 80.08, -62.28, 52.77

 

CMYK 56 / 0 / 54 / 5

HEX #6BF370

RGB 107 243 112

HSL 122.21, 0.85%, 0.69%

LAB 86.2, -62.63, 51.55

 

CMYK 51 / 0 / 49 / 0

HEX #7CFF83

RGB 124 255 131

HSL 123.21, 1%, 0.74%

LAB 90.53, -60.52, 48.14

 

CMYK 45 / 0 / 41 / 0

HEX #8DFF96

RGB 141 255 150

HSL 124.74, 1%, 0.78%

LAB 91.41, -53.37, 40.27

 

CMYK 38 / 0 / 34 / 0

HEX #9EFFA9

RGB 158 255 169

HSL 126.8, 1%, 0.81%

LAB 92.42, -45.63, 32.33

 

CMYK 62 / 0 / 56 / 12

HEX #55E162

RGB 85 225 98

HSL 125.57, 0.7%, 0.61%

LAB 79.99, -62.77, 50.39

 

CMYK 67 / 0 / 62 / 19

HEX #44CF4F

RGB 68 207 79

HSL 124.75, 0.59%, 0.54%

LAB 73.82, -62.12, 51.61

 

CMYK 73 / 0 / 68 / 26

HEX #33BD3C

RGB 51 189 60

HSL 123.91, 0.58%, 0.47%

LAB 67.59, -61.06, 52.63

 

CMYK 80 / 0 / 76 / 33

HEX #22AB29

RGB 34 171 41

HSL 123.07, 0.67%, 0.4%

LAB 61.33, -59.43, 53.24

 

CMYK 89 / 0 / 86 / 40

HEX #119916

RGB 17 153 22

HSL 122.21, 0.8%, 0.33%

LAB 55.03, -56.97, 52.96

 

CMYK 62 / 0 / 56 / 12

HEX #55E162

RGB 85 225 98

HSL 125.57, 0.7%, 0.61%

LAB 79.99, -62.77, 50.39

 

CMYK 51 / 0 / 62 / 12

HEX #6EE155

RGB 110 225 85

HSL 109.29, 0.7%, 0.61%

LAB 80.64, -58.18, 57.04

 

CMYK 34 / 0 / 62 / 12

HEX #94E155

RGB 148 225 85

HSL 93, 0.7%, 0.61%

LAB 82.27, -46.48, 59.3

 

CMYK 18 / 0 / 62 / 12

HEX #B9E155

RGB 185 225 85

HSL 77.14, 0.7%, 0.61%

LAB 84.39, -32.97, 62.22

 

CMYK 1 / 0 / 62 / 12

HEX #DFE155

RGB 223 225 85

HSL 60.86, 0.7%, 0.61%

LAB 87.09, -17.85, 65.92

 

CMYK 62 / 0 / 56 / 12

HEX #55E162

RGB 85 225 98

HSL 125.57, 0.7%, 0.61%

LAB 79.99, -62.77, 50.39

 

CMYK 62 / 0 / 40 / 12

HEX #55E188

RGB 85 225 136

HSL 141.86, 0.7%, 0.61%

LAB 80.49, -57.14, 32.64

 

CMYK 62 / 0 / 23 / 12

HEX #55E1AD

RGB 85 225 173

HSL 157.71, 0.7%, 0.61%

LAB 81.18, -49.85, 14.42

 

CMYK 62 / 0 / 6 / 12

HEX #55E1D3

RGB 85 225 211

HSL 174, 0.7%, 0.61%

LAB 82.1, -40.72, -4.35

 

CMYK 62 / 11 / 0 / 12

HEX #55C9E1

RGB 85 201 225

HSL 190.29, 0.7%, 0.61%

LAB 75.54, -25.5, -21.67

 

CMYK 62 / 0 / 56 / 12

HEX #55E162

RGB 85 225 98

HSL 125.57, 0.7%, 0.61%

LAB 79.99, -62.77, 50.39

 

CMYK 71 / 0 / 65 / 5

HEX #45F155

RGB 69 241 85

HSL 125.58, 0.86%, 0.61%

LAB 84.4, -72.5, 60.88

 

CMYK 62 / 0 / 56 / 12

HEX #55E162

RGB 85 225 98

HSL 125.57, 0.7%, 0.61%

LAB 79.99, -62.77, 50.39

 

CMYK 51 / 0 / 47 / 18

HEX #66D16F

RGB 102 209 111

HSL 125.05, 0.54%, 0.61%

LAB 75.81, -50.99, 39.24

 

CMYK 39 / 0 / 35 / 25

HEX #76C07D

RGB 118 192 125

HSL 125.68, 0.37%, 0.61%

LAB 71.58, -36.97, 26.71

 

CMYK 24 / 0 / 22 / 31

HEX #86B08A

RGB 134 176 138

HSL 125.71, 0.21%, 0.61%

LAB 67.99, -21.79, 14.96

 

CMYK 6 / 0 / 6 / 37

HEX #96A097

RGB 150 160 151

HSL 126, 0.05%, 0.61%

LAB 64.85, -5.31, 3.45

 

CMYK 34 / 0 / 62 / 12

HEX #94E155

RGB 148 225 85

HSL 93, 0.7%, 0.61%

LAB 82.27, -46.48, 59.3

 

CMYK 51 / 0 / 62 / 12

HEX #6FE155

RGB 111 225 85

HSL 108.86, 0.7%, 0.61%

LAB 80.68, -57.91, 57.09

 

CMYK 62 / 0 / 57 / 12

HEX #55E161

RGB 85 225 97

HSL 125.14, 0.7%, 0.61%

LAB 79.98, -62.89, 50.83

 

CMYK 62 / 0 / 40 / 12

HEX #55E186

RGB 85 225 134

HSL 141, 0.7%, 0.61%

LAB 80.46, -57.49, 33.6

 

CMYK 62 / 0 / 24 / 12

HEX #55E1AB

RGB 85 225 171

HSL 156.86, 0.7%, 0.61%

LAB 81.14, -50.29, 15.42

 

CMYK 82 / 0 / 75 / 24

HEX #22C231

RGB 34 194 49

HSL 125.63, 0.7%, 0.45%

LAB 68.86, -65.88, 57.97

 

CMYK 77 / 0 / 70 / 15

HEX #32DA42

RGB 50 218 66

HSL 125.71, 0.69%, 0.53%

LAB 76.81, -69.86, 60.05

 

CMYK 62 / 0 / 56 / 12

HEX #55E162

RGB 85 225 98

HSL 125.57, 0.7%, 0.61%

LAB 79.99, -62.77, 50.39

 

CMYK 48 / 0 / 43 / 9

HEX #79E783

RGB 121 231 131

HSL 125.45, 0.7%, 0.69%

LAB 83.37, -51.87, 39.09

 

CMYK 34 / 0 / 31 / 7

HEX #9CEDA3

RGB 156 237 163

HSL 125.19, 0.69%, 0.77%

LAB 87.13, -39.29, 28.24

 

CMYK 62 / 0 / 56 / 12

HEX #55E162

RGB 85 225 98

HSL 125.57, 0.7%, 0.61%

LAB 79.99, -62.77, 50.39

 

CMYK 62 / 18 / 0 / 12

HEX #55B9E1

RGB 85 185 225

HSL 197.14, 0.7%, 0.61%

LAB 70.92, -17.33, -28.74

 

CMYK 0 / 62 / 42 / 12

HEX #E15582

RGB 225 85 130

HSL 340.71, 0.7%, 0.61%

LAB 56.2, 58.18, 4.09

 

CMYK 62 / 0 / 56 / 12

HEX #55E162

RGB 85 225 98

HSL 125.57, 0.7%, 0.61%

LAB 79.99, -62.77, 50.39

 

CMYK 57 / 62 / 0 / 12

HEX #6155E1

RGB 97 85 225

HSL 245.14, 0.7%, 0.61%

LAB 44.91, 43.39, -69.94

 

CMYK 0 / 57 / 62 / 12

HEX #E16155

RGB 225 97 85

HSL 5.14, 0.7%, 0.61%

LAB 57.28, 49.1, 31.78

 

CMYK 62 / 0 / 56 / 12

HEX #55E162

RGB 85 225 98

HSL 125.57, 0.7%, 0.61%

LAB 79.99, -62.77, 50.39

 

CMYK 62 / 18 / 0 / 12

HEX #55B9E1

RGB 85 185 225

HSL 197.14, 0.7%, 0.61%

LAB 70.92, -17.33, -28.74

 

CMYK 0 / 62 / 5 / 12

HEX #E155D5

RGB 225 85 213

HSL 305.14, 0.7%, 0.61%

LAB 59.26, 69.05, -39.32

 

CMYK 0 / 44 / 62 / 12

HEX #E17D55

RGB 225 125 85

HSL 17.14, 0.7%, 0.61%

LAB 62.79, 35.18, 38.55

 

CMYK 62 / 0 / 56 / 12

HEX #55E162

RGB 85 225 98

HSL 125.57, 0.7%, 0.61%

LAB 79.99, -62.77, 50.39

 

CMYK 62 / 36 / 0 / 12

HEX #558FE1

RGB 85 143 225

HSL 215.14, 0.7%, 0.61%

LAB 58.99, 6.11, -47.36

 

CMYK 0 / 62 / 5 / 12

HEX #E155D5

RGB 225 85 213

HSL 305.14, 0.7%, 0.61%

LAB 59.26, 69.05, -39.32

 

CMYK 0 / 26 / 62 / 12

HEX #E1A755

RGB 225 167 85

HSL 35.14, 0.7%, 0.61%

LAB 72.43, 12.85, 49.88

 

Description

Color code: RGB 85 225 98 | qconv.com Color code: RGB 85 225 98 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 225 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 225 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 56 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 56% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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