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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 218 15 it is the complementary color RGB 170 37 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 218 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 218 15 shade: RGB 90 218 10, RGB 107 236 29, RGB 124 254 48, RGB 141 255 67 and RGB 158 255 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 218 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 218 15 shade: RGB 85 218 15, RGB 68 200 0, RGB 51 182 0, RGB 34 164 0 and RGB 17 146 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 218 15 shade: RGB 85 219 15, RGB 140 219 15, RGB 195 219 15, RGB 219 187 15 and RGB 219 132 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 218 15 shade: RGB 85 219 15, RGB 30 219 15, RGB 15 219 54, RGB 15 219 109 and RGB 15 219 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 218 15 shade matches the following richer shades: RGB 85 219 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 218 15 shade: RGB 85 219 15, RGB 91 200 34, RGB 97 181 53, RGB 103 162 72 and RGB 109 143 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 218 15 shade: RGB 195 219 15, RGB 141 219 15, RGB 86 219 15, RGB 32 219 15 and RGB 15 219 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 218 15 shade: RGB 55 142 9, RGB 70 180 12, RGB 85 219 15, RGB 106 239 36 and RGB 132 242 74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 218 15 shade: RGB 85 218 15, RGB 15 219 188 and RGB 219 15 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 218 15 shade: RGB 85 218 15, RGB 15 86 219 and RGB 219 15 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 218 15 shade: RGB 85 218 15, RGB 15 219 188, RGB 147 15 219 and RGB 219 15 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 218 15 shade: RGB 85 218 15, RGB 15 188 219, RGB 147 15 219 and RGB 219 45 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 93 / 15

HEX #55DA0F

RGB 85 218 15

HSL 99.31, 0.87%, 0.46%

LAB 77.35, -66.12, 73.86

 

Complementary color

CMYK 29 / 85 / 0 / 6

HEX #AA25F0

RGB 170 37 240

HSL 279.31, 0.87%, 0.54%

LAB 47.18, 78.96, -74.36

 

CMYK 59 / 0 / 95 / 15

HEX #5ADA0A

RGB 90 218 10

HSL 96.92, 0.91%, 0.45%

LAB 77.48, -65.02, 74.57

 

CMYK 55 / 0 / 88 / 7

HEX #6BEC1D

RGB 107 236 29

HSL 97.39, 0.84%, 0.52%

LAB 83.55, -66.4, 77.24

 

CMYK 51 / 0 / 81 / 0

HEX #7CFE30

RGB 124 254 48

HSL 97.86, 0.99%, 0.59%

LAB 89.57, -67.42, 78.7

 

CMYK 45 / 0 / 74 / 0

HEX #8DFF43

RGB 141 255 67

HSL 96.38, 1%, 0.63%

LAB 90.59, -61.95, 74.48

 

CMYK 38 / 0 / 66 / 0

HEX #9EFF56

RGB 158 255 86

HSL 94.44, 1%, 0.67%

LAB 91.44, -55.38, 68.92

 

CMYK 61 / 0 / 93 / 15

HEX #55DA0F

RGB 85 218 15

HSL 99.31, 0.87%, 0.46%

LAB 77.35, -66.12, 73.86

 

CMYK 66 / 0 / 100 / 22

HEX #44C800

RGB 68 200 0

HSL 99.6, 1%, 0.39%

LAB 71.24, -64.28, 70.31

 

CMYK 72 / 0 / 100 / 29

HEX #33B600

RGB 51 182 0

HSL 103.19, 1%, 0.36%

LAB 65.09, -61.9, 65.26

 

CMYK 79 / 0 / 100 / 36

HEX #22A400

RGB 34 164 0

HSL 107.56, 1%, 0.32%

LAB 58.87, -59.08, 60.17

 

CMYK 88 / 0 / 100 / 43

HEX #119200

RGB 17 146 0

HSL 113.01, 1%, 0.29%

LAB 52.59, -55.67, 55.06

 

CMYK 61 / 0 / 93 / 14

HEX #55DB0F

RGB 85 219 15

HSL 99.41, 0.87%, 0.46%

LAB 77.66, -66.45, 74.12

 

CMYK 36 / 0 / 93 / 14

HEX #8CDB0F

RGB 140 219 15

HSL 83.24, 0.87%, 0.46%

LAB 79.77, -50.25, 76.71

 

CMYK 11 / 0 / 93 / 14

HEX #C3DB0F

RGB 195 219 15

HSL 67.06, 0.87%, 0.46%

LAB 83.07, -29.08, 80.73

 

CMYK 0 / 15 / 93 / 14

HEX #DBBB0F

RGB 219 187 15

HSL 50.59, 0.87%, 0.46%

LAB 76.46, -2.94, 76.54

 

CMYK 0 / 40 / 93 / 14

HEX #DB840F

RGB 219 132 15

HSL 34.41, 0.87%, 0.46%

LAB 63.01, 26.33, 66.71

 

CMYK 61 / 0 / 93 / 14

HEX #55DB0F

RGB 85 219 15

HSL 99.41, 0.87%, 0.46%

LAB 77.66, -66.45, 74.12

 

CMYK 86 / 0 / 93 / 14

HEX #1EDB0F

RGB 30 219 15

HSL 115.59, 0.87%, 0.46%

LAB 76.66, -75.03, 72.89

 

CMYK 93 / 0 / 75 / 14

HEX #0FDB36

RGB 15 219 54

HSL 131.47, 0.87%, 0.46%

LAB 76.7, -74.18, 64.04

 

CMYK 93 / 0 / 50 / 14

HEX #0FDB6D

RGB 15 219 109

HSL 147.65, 0.87%, 0.46%

LAB 77.2, -67.9, 41.6

 

CMYK 93 / 0 / 25 / 14

HEX #0FDBA5

RGB 15 219 165

HSL 164.12, 0.87%, 0.46%

LAB 78.16, -56.86, 14.24

 

CMYK 61 / 0 / 93 / 14

HEX #55DB0F

RGB 85 219 15

HSL 99.41, 0.87%, 0.46%

LAB 77.66, -66.45, 74.12

 

CMYK 61 / 0 / 93 / 14

HEX #55DB0F

RGB 85 219 15

HSL 99.41, 0.87%, 0.46%

LAB 77.66, -66.45, 74.12

 

CMYK 55 / 0 / 83 / 22

HEX #5BC822

RGB 91 200 34

HSL 99.4, 0.71%, 0.46%

LAB 71.99, -57.82, 65.88

 

CMYK 46 / 0 / 71 / 29

HEX #61B535

RGB 97 181 53

HSL 99.38, 0.55%, 0.46%

LAB 66.4, -47.74, 54.56

 

CMYK 36 / 0 / 56 / 36

HEX #67A248

RGB 103 162 72

HSL 99.33, 0.38%, 0.46%

LAB 60.95, -35.87, 40.3

 

CMYK 24 / 0 / 36 / 44

HEX #6D8F5B

RGB 109 143 91

HSL 99.23, 0.22%, 0.46%

LAB 55.74, -21.99, 23.92

 

CMYK 11 / 0 / 93 / 14

HEX #C3DB0F

RGB 195 219 15

HSL 67.06, 0.87%, 0.46%

LAB 83.07, -29.08, 80.73

 

CMYK 36 / 0 / 93 / 14

HEX #8DDB0F

RGB 141 219 15

HSL 82.94, 0.87%, 0.46%

LAB 79.82, -49.9, 76.77

 

CMYK 61 / 0 / 93 / 14

HEX #56DB0F

RGB 86 219 15

HSL 99.12, 0.87%, 0.46%

LAB 77.68, -66.21, 74.15

 

CMYK 85 / 0 / 93 / 14

HEX #20DB0F

RGB 32 219 15

HSL 115, 0.87%, 0.46%

LAB 76.68, -74.86, 72.92

 

CMYK 93 / 0 / 76 / 14

HEX #0FDB34

RGB 15 219 52

HSL 130.88, 0.87%, 0.46%

LAB 76.69, -74.32, 64.67

 

CMYK 61 / 0 / 94 / 44

HEX #378E09

RGB 55 142 9

HSL 99.25, 0.88%, 0.3%

LAB 52.04, -47.42, 53.37

 

CMYK 61 / 0 / 93 / 29

HEX #46B40C

RGB 70 180 12

HSL 99.29, 0.88%, 0.38%

LAB 64.94, -56.97, 63.83

 

CMYK 61 / 0 / 93 / 14

HEX #55DB0F

RGB 85 219 15

HSL 99.41, 0.87%, 0.46%

LAB 77.66, -66.45, 74.12

 

CMYK 56 / 0 / 85 / 6

HEX #6AEF24

RGB 106 239 36

HSL 99.31, 0.86%, 0.54%

LAB 84.44, -67.45, 76.65

 

CMYK 45 / 0 / 69 / 5

HEX #84F24A

RGB 132 242 74

HSL 99.29, 0.87%, 0.62%

LAB 86.46, -59.27, 67.83

 

CMYK 61 / 0 / 93 / 15

HEX #55DA0F

RGB 85 218 15

HSL 99.31, 0.87%, 0.46%

LAB 77.35, -66.12, 73.86

 

CMYK 93 / 0 / 14 / 14

HEX #0FDBBC

RGB 15 219 188

HSL 170.88, 0.87%, 0.46%

LAB 78.69, -51.12, 2.78

 

CMYK 0 / 93 / 23 / 14

HEX #DB0FA8

RGB 219 15 168

HSL 315, 0.87%, 0.46%

LAB 49.77, 79.77, -28.2

 

CMYK 61 / 0 / 93 / 15

HEX #55DA0F

RGB 85 218 15

HSL 99.31, 0.87%, 0.46%

LAB 77.35, -66.12, 73.86

 

CMYK 93 / 61 / 0 / 14

HEX #0F56DB

RGB 15 86 219

HSL 219.12, 0.87%, 0.46%

LAB 41.01, 32.12, -73.03

 

CMYK 0 / 93 / 61 / 14

HEX #DB0F56

RGB 219 15 86

HSL 339.12, 0.87%, 0.46%

LAB 47.07, 72.55, 17.7

 

CMYK 61 / 0 / 93 / 15

HEX #55DA0F

RGB 85 218 15

HSL 99.31, 0.87%, 0.46%

LAB 77.35, -66.12, 73.86

 

CMYK 93 / 0 / 14 / 14

HEX #0FDBBC

RGB 15 219 188

HSL 170.88, 0.87%, 0.46%

LAB 78.69, -51.12, 2.78

 

CMYK 33 / 93 / 0 / 14

HEX #930FDB

RGB 147 15 219

HSL 278.82, 0.87%, 0.46%

LAB 40.67, 76.05, -73.21

 

CMYK 0 / 93 / 79 / 14

HEX #DB0F2D

RGB 219 15 45

HSL 351.18, 0.87%, 0.46%

LAB 46.43, 70.78, 41.61

 

CMYK 61 / 0 / 93 / 15

HEX #55DA0F

RGB 85 218 15

HSL 99.31, 0.87%, 0.46%

LAB 77.35, -66.12, 73.86

 

CMYK 93 / 14 / 0 / 14

HEX #0FBCDB

RGB 15 188 219

HSL 189.12, 0.87%, 0.46%

LAB 70.3, -27.95, -26.51

 

CMYK 33 / 93 / 0 / 14

HEX #930FDB

RGB 147 15 219

HSL 278.82, 0.87%, 0.46%

LAB 40.67, 76.05, -73.21

 

CMYK 0 / 79 / 93 / 14

HEX #DB2D0F

RGB 219 45 15

HSL 8.82, 0.87%, 0.46%

LAB 48.22, 64.5, 56.81

 

Description

Color code: RGB 85 218 15 | qconv.com Color code: RGB 85 218 15 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 218 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 218 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 93 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 93% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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