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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 214 229 it is the complementary color RGB 170 41 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 214 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 214 229 shade: RGB 90 214 224, RGB 107 232 243, RGB 124 250 255, RGB 141 255 255 and RGB 158 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 214 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 214 229 shade: RGB 85 214 229, RGB 68 196 210, RGB 51 178 191, RGB 34 160 172 and RGB 17 142 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 214 229 shade: RGB 87 214 228, RGB 87 175 228, RGB 87 137 228, RGB 87 99 228 and RGB 113 87 228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 214 229 shade: RGB 87 214 228, RGB 87 175 228, RGB 87 137 228, RGB 87 99 228 and RGB 87 87 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 214 229 shade matches the following richer shades: RGB 87 214 228 and RGB 71 226 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 214 229 shade: RGB 87 214 228, RGB 103 201 213, RGB 118 189 197, RGB 134 176 181 and RGB 150 164 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 214 229 shade: RGB 87 228 167, RGB 87 228 205, RGB 87 214 228, RGB 87 176 228 and RGB 87 139 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 214 229 shade: RGB 31 184 202, RGB 51 205 223, RGB 87 214 228, RGB 123 222 234 and RGB 158 231 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 214 229 shade: RGB 85 214 229, RGB 129 87 228 and RGB 228 186 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 214 229 shade: RGB 85 214 229, RGB 228 87 214 and RGB 214 228 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 214 229 shade: RGB 85 214 229, RGB 129 87 228, RGB 228 101 87 and RGB 186 228 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 214 229 shade: RGB 85 214 229, RGB 172 87 228, RGB 228 101 87 and RGB 143 228 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 7 / 0 / 10

HEX #55D6E5

RGB 85 214 229

HSL 186.25, 0.73%, 0.62%

LAB 79.43, -30.7, -17.92

 

Complementary color

CMYK 0 / 76 / 85 / 33

HEX #AA291A

RGB 170 41 26

HSL 6.25, 0.73%, 0.38%

LAB 38.21, 51.09, 40.5

 

CMYK 60 / 4 / 0 / 12

HEX #5AD6E0

RGB 90 214 224

HSL 184.48, 0.68%, 0.62%

LAB 79.41, -31.28, -15.26

 

CMYK 56 / 5 / 0 / 5

HEX #6BE8F3

RGB 107 232 243

HSL 184.85, 0.85%, 0.69%

LAB 85.66, -31.63, -15.9

 

CMYK 51 / 2 / 0 / 0

HEX #7CFAFF

RGB 124 250 255

HSL 182.29, 1%, 0.74%

LAB 91.63, -33.7, -13.17

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 63 / 7 / 0 / 10

HEX #55D6E5

RGB 85 214 229

HSL 186.25, 0.73%, 0.62%

LAB 79.43, -30.7, -17.92

 

CMYK 68 / 7 / 0 / 18

HEX #44C4D2

RGB 68 196 210

HSL 185.92, 0.61%, 0.55%

LAB 73.13, -30.09, -17.24

 

CMYK 73 / 7 / 0 / 25

HEX #33B2BF

RGB 51 178 191

HSL 185.57, 0.58%, 0.47%

LAB 66.75, -29.28, -16.5

 

CMYK 80 / 7 / 0 / 33

HEX #22A0AC

RGB 34 160 172

HSL 185.22, 0.67%, 0.4%

LAB 60.3, -28.18, -15.67

 

CMYK 89 / 7 / 0 / 40

HEX #118E99

RGB 17 142 153

HSL 184.85, 0.8%, 0.33%

LAB 53.78, -26.69, -14.73

 

CMYK 62 / 6 / 0 / 11

HEX #57D6E4

RGB 87 214 228

HSL 185.96, 0.72%, 0.62%

LAB 79.45, -30.66, -17.34

 

CMYK 62 / 23 / 0 / 11

HEX #57AFE4

RGB 87 175 228

HSL 202.55, 0.72%, 0.62%

LAB 68.23, -10.71, -34.52

 

CMYK 62 / 40 / 0 / 11

HEX #5789E4

RGB 87 137 228

HSL 218.72, 0.72%, 0.62%

LAB 57.58, 11.05, -51.26

 

CMYK 62 / 57 / 0 / 11

HEX #5763E4

RGB 87 99 228

HSL 234.89, 0.72%, 0.62%

LAB 47.69, 34.3, -67.14

 

CMYK 50 / 62 / 0 / 11

HEX #7157E4

RGB 113 87 228

HSL 251.06, 0.72%, 0.62%

LAB 46.88, 45.96, -68.37

 

CMYK 62 / 6 / 0 / 11

HEX #57D6E4

RGB 87 214 228

HSL 185.96, 0.72%, 0.62%

LAB 79.45, -30.66, -17.34

 

CMYK 62 / 23 / 0 / 11

HEX #57AFE4

RGB 87 175 228

HSL 202.55, 0.72%, 0.62%

LAB 68.23, -10.71, -34.52

 

CMYK 62 / 40 / 0 / 11

HEX #5789E4

RGB 87 137 228

HSL 218.72, 0.72%, 0.62%

LAB 57.58, 11.05, -51.26

 

CMYK 62 / 57 / 0 / 11

HEX #5763E4

RGB 87 99 228

HSL 234.89, 0.72%, 0.62%

LAB 47.69, 34.3, -67.14

 

CMYK 62 / 62 / 0 / 11

HEX #5757E4

RGB 87 87 228

HSL 240, 0.72%, 0.62%

LAB 44.86, 41.56, -71.74

 

CMYK 62 / 6 / 0 / 11

HEX #57D6E4

RGB 87 214 228

HSL 185.96, 0.72%, 0.62%

LAB 79.45, -30.66, -17.34

 

CMYK 71 / 7 / 0 / 4

HEX #47E2F4

RGB 71 226 244

HSL 186.24, 0.89%, 0.62%

LAB 83.05, -34.04, -20.45

 

CMYK 62 / 6 / 0 / 11

HEX #57D6E4

RGB 87 214 228

HSL 185.96, 0.72%, 0.62%

LAB 79.45, -30.66, -17.34

 

CMYK 52 / 6 / 0 / 16

HEX #67C9D5

RGB 103 201 213

HSL 186.55, 0.57%, 0.62%

LAB 75.74, -25.5, -14.83

 

CMYK 40 / 4 / 0 / 23

HEX #76BDC5

RGB 118 189 197

HSL 186.08, 0.41%, 0.62%

LAB 72.41, -20.18, -11.06

 

CMYK 26 / 3 / 0 / 29

HEX #86B0B5

RGB 134 176 181

HSL 186.38, 0.24%, 0.62%

LAB 69.08, -12.84, -7.15

 

CMYK 10 / 1 / 0 / 35

HEX #96A4A6

RGB 150 164 166

HSL 187.5, 0.08%, 0.62%

LAB 66.36, -4.51, -2.73

 

CMYK 62 / 0 / 27 / 11

HEX #57E4A7

RGB 87 228 167

HSL 154.04, 0.72%, 0.62%

LAB 82, -52, 18.72

 

CMYK 62 / 0 / 10 / 11

HEX #57E4CD

RGB 87 228 205

HSL 170.21, 0.72%, 0.62%

LAB 82.87, -43.25, -0.03

 

CMYK 62 / 6 / 0 / 11

HEX #57D6E4

RGB 87 214 228

HSL 185.96, 0.72%, 0.62%

LAB 79.45, -30.66, -17.34

 

CMYK 62 / 23 / 0 / 11

HEX #57B0E4

RGB 87 176 228

HSL 202.13, 0.72%, 0.62%

LAB 68.52, -11.26, -34.07

 

CMYK 62 / 39 / 0 / 11

HEX #578BE4

RGB 87 139 228

HSL 217.87, 0.72%, 0.62%

LAB 58.13, 9.85, -50.39

 

CMYK 85 / 9 / 0 / 21

HEX #1FB8CA

RGB 31 184 202

HSL 186.32, 0.73%, 0.46%

LAB 68.63, -30.66, -19.74

 

CMYK 77 / 8 / 0 / 13

HEX #33CDDF

RGB 51 205 223

HSL 186.28, 0.73%, 0.54%

LAB 75.88, -32.56, -20.14

 

CMYK 62 / 6 / 0 / 11

HEX #57D6E4

RGB 87 214 228

HSL 185.96, 0.72%, 0.62%

LAB 79.45, -30.66, -17.34

 

CMYK 47 / 5 / 0 / 8

HEX #7BDEEA

RGB 123 222 234

HSL 186.49, 0.73%, 0.7%

LAB 83.12, -25.95, -14.9

 

CMYK 34 / 3 / 0 / 6

HEX #9EE7EF

RGB 158 231 239

HSL 185.93, 0.72%, 0.78%

LAB 87.32, -20.61, -11.1

 

CMYK 63 / 7 / 0 / 10

HEX #55D6E5

RGB 85 214 229

HSL 186.25, 0.73%, 0.62%

LAB 79.43, -30.7, -17.92

 

CMYK 43 / 62 / 0 / 11

HEX #8157E4

RGB 129 87 228

HSL 257.87, 0.72%, 0.62%

LAB 48.37, 49.06, -65.89

 

CMYK 0 / 18 / 62 / 11

HEX #E4BA57

RGB 228 186 87

HSL 42.13, 0.72%, 0.62%

LAB 77.46, 4.18, 54.71

 

CMYK 63 / 7 / 0 / 10

HEX #55D6E5

RGB 85 214 229

HSL 186.25, 0.73%, 0.62%

LAB 79.43, -30.7, -17.92

 

CMYK 0 / 62 / 6 / 11

HEX #E457D6

RGB 228 87 214

HSL 305.96, 0.72%, 0.62%

LAB 60.04, 69.15, -38.63

 

CMYK 6 / 0 / 62 / 11

HEX #D6E457

RGB 214 228 87

HSL 65.96, 0.72%, 0.62%

LAB 87.23, -22.82, 65.04

 

CMYK 63 / 7 / 0 / 10

HEX #55D6E5

RGB 85 214 229

HSL 186.25, 0.73%, 0.62%

LAB 79.43, -30.7, -17.92

 

CMYK 43 / 62 / 0 / 11

HEX #8157E4

RGB 129 87 228

HSL 257.87, 0.72%, 0.62%

LAB 48.37, 49.06, -65.89

 

CMYK 0 / 56 / 62 / 11

HEX #E46557

RGB 228 101 87

HSL 5.96, 0.72%, 0.62%

LAB 58.5, 48.42, 32.27

 

CMYK 18 / 0 / 62 / 11

HEX #BAE457

RGB 186 228 87

HSL 77.87, 0.72%, 0.62%

LAB 85.31, -33.82, 62.41

 

CMYK 63 / 7 / 0 / 10

HEX #55D6E5

RGB 85 214 229

HSL 186.25, 0.73%, 0.62%

LAB 79.43, -30.7, -17.92

 

CMYK 25 / 62 / 0 / 11

HEX #AC57E4

RGB 172 87 228

HSL 276.17, 0.72%, 0.62%

LAB 53.16, 58.33, -57.92

 

CMYK 0 / 56 / 62 / 11

HEX #E46557

RGB 228 101 87

HSL 5.96, 0.72%, 0.62%

LAB 58.5, 48.42, 32.27

 

CMYK 37 / 0 / 62 / 11

HEX #8FE457

RGB 143 228 87

HSL 96.17, 0.72%, 0.62%

LAB 82.92, -49.23, 59.11

 

Description

Color code: RGB 85 214 229 | qconv.com Color code: RGB 85 214 229 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 214 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 214 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 7 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 7% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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