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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 207 175 it is the complementary color RGB 170 48 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 207 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 207 175 shade: RGB 90 207 170, RGB 107 225 189, RGB 124 243 208, RGB 141 255 227 and RGB 158 255 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 207 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 207 175 shade: RGB 85 207 175, RGB 68 189 156, RGB 51 171 137, RGB 34 153 118 and RGB 17 135 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 207 175 shade: RGB 83 206 174, RGB 83 206 141, RGB 83 206 108, RGB 92 206 83 and RGB 125 206 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 207 175 shade: RGB 83 206 174, RGB 83 205 206, RGB 83 172 206, RGB 83 139 206 and RGB 83 106 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 207 175 shade matches the following richer shades: RGB 83 206 174, RGB 66 224 182 and RGB 48 242 191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 207 175 shade: RGB 83 206 174, RGB 101 189 166, RGB 119 171 157, RGB 137 153 149 and RGB 154 135 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 207 175 shade: RGB 83 206 108, RGB 83 206 141, RGB 83 206 174, RGB 83 206 206 and RGB 83 174 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 207 175 shade: RGB 45 162 131, RGB 54 194 157, RGB 83 206 174, RGB 116 215 189 and RGB 148 224 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 207 175 shade: RGB 85 207 175, RGB 83 92 206 and RGB 206 124 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 207 175 shade: RGB 85 207 175, RGB 174 83 206 and RGB 206 174 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 207 175 shade: RGB 85 207 175, RGB 83 92 206, RGB 206 83 116 and RGB 206 198 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 207 175 shade: RGB 85 207 175, RGB 112 83 206, RGB 206 83 116 and RGB 178 206 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 15 / 19

HEX #55CFAF

RGB 85 207 175

HSL 164.26, 0.56%, 0.57%

LAB 75.86, -41.7, 5.78

 

Complementary color

CMYK 0 / 72 / 53 / 33

HEX #AA3050

RGB 170 48 80

HSL 344.26, 0.56%, 0.43%

LAB 39.98, 51.48, 10.2

 

CMYK 57 / 0 / 18 / 19

HEX #5ACFAA

RGB 90 207 170

HSL 161.03, 0.55%, 0.58%

LAB 75.89, -41.87, 8.52

 

CMYK 52 / 0 / 16 / 12

HEX #6BE1BD

RGB 107 225 189

HSL 161.69, 0.66%, 0.65%

LAB 82.19, -41.87, 7.52

 

CMYK 49 / 0 / 14 / 5

HEX #7CF3D0

RGB 124 243 208

HSL 162.35, 0.83%, 0.72%

LAB 88.42, -41.81, 6.58

 

CMYK 45 / 0 / 11 / 0

HEX #8DFFE3

RGB 141 255 227

HSL 165.26, 1%, 0.78%

LAB 92.9, -39.01, 3.27

 

CMYK 38 / 0 / 4 / 0

HEX #9EFFF6

RGB 158 255 246

HSL 174.43, 1%, 0.81%

LAB 94.07, -30.59, -4.74

 

CMYK 59 / 0 / 15 / 19

HEX #55CFAF

RGB 85 207 175

HSL 164.26, 0.56%, 0.57%

LAB 75.86, -41.7, 5.78

 

CMYK 64 / 0 / 17 / 26

HEX #44BD9C

RGB 68 189 156

HSL 163.64, 0.48%, 0.5%

LAB 69.49, -41.5, 6.86

 

CMYK 70 / 0 / 20 / 33

HEX #33AB89

RGB 51 171 137

HSL 163, 0.54%, 0.44%

LAB 63.04, -41.12, 8.05

 

CMYK 78 / 0 / 23 / 40

HEX #229976

RGB 34 153 118

HSL 162.35, 0.64%, 0.37%

LAB 56.52, -40.46, 9.39

 

CMYK 87 / 0 / 27 / 47

HEX #118763

RGB 17 135 99

HSL 161.69, 0.78%, 0.3%

LAB 49.92, -39.37, 10.91

 

CMYK 60 / 0 / 16 / 19

HEX #53CEAE

RGB 83 206 174

HSL 164.39, 0.56%, 0.57%

LAB 75.47, -41.88, 5.76

 

CMYK 60 / 0 / 32 / 19

HEX #53CE8D

RGB 83 206 141

HSL 148.29, 0.56%, 0.57%

LAB 74.76, -49.12, 22.36

 

CMYK 60 / 0 / 48 / 19

HEX #53CE6C

RGB 83 206 108

HSL 132.2, 0.56%, 0.57%

LAB 74.23, -54.87, 38.61

 

CMYK 55 / 0 / 60 / 19

HEX #5CCE53

RGB 92 206 83

HSL 115.61, 0.56%, 0.57%

LAB 74.22, -55.99, 50.48

 

CMYK 39 / 0 / 60 / 19

HEX #7DCE53

RGB 125 206 83

HSL 99.51, 0.56%, 0.57%

LAB 75.53, -46.37, 52.33

 

CMYK 60 / 0 / 16 / 19

HEX #53CEAE

RGB 83 206 174

HSL 164.39, 0.56%, 0.57%

LAB 75.47, -41.88, 5.76

 

CMYK 60 / 0 / 0 / 19

HEX #53CDCE

RGB 83 205 206

HSL 180.49, 0.56%, 0.57%

LAB 76.04, -33.18, -10.66

 

CMYK 60 / 17 / 0 / 19

HEX #53ACCE

RGB 83 172 206

HSL 196.59, 0.56%, 0.57%

LAB 66.37, -16.65, -25.3

 

CMYK 60 / 33 / 0 / 19

HEX #538BCE

RGB 83 139 206

HSL 212.68, 0.56%, 0.57%

LAB 56.84, 1.8, -40.1

 

CMYK 60 / 49 / 0 / 19

HEX #536ACE

RGB 83 106 206

HSL 228.78, 0.56%, 0.57%

LAB 47.76, 21.9, -54.54

 

CMYK 60 / 0 / 16 / 19

HEX #53CEAE

RGB 83 206 174

HSL 164.39, 0.56%, 0.57%

LAB 75.47, -41.88, 5.76

 

CMYK 71 / 0 / 19 / 12

HEX #42E0B6

RGB 66 224 182

HSL 164.05, 0.72%, 0.57%

LAB 80.65, -50.39, 8.87

 

CMYK 80 / 0 / 21 / 5

HEX #30F2BF

RGB 48 242 191

HSL 164.23, 0.88%, 0.57%

LAB 85.95, -57.49, 11.67

 

CMYK 60 / 0 / 16 / 19

HEX #53CEAE

RGB 83 206 174

HSL 164.39, 0.56%, 0.57%

LAB 75.47, -41.88, 5.76

 

CMYK 47 / 0 / 12 / 26

HEX #65BDA6

RGB 101 189 166

HSL 164.32, 0.4%, 0.57%

LAB 70.81, -32.07, 3.44

 

CMYK 30 / 0 / 8 / 33

HEX #77AB9D

RGB 119 171 157

HSL 163.85, 0.24%, 0.57%

LAB 66.12, -20.27, 1.7

 

CMYK 10 / 0 / 3 / 40

HEX #899995

RGB 137 153 149

HSL 165, 0.07%, 0.57%

LAB 61.89, -6.5, 0.15

 

CMYK 0 / 12 / 9 / 40

HEX #9A878C

RGB 154 135 140

HSL 344.21, 0.09%, 0.57%

LAB 58.12, 8.06, -0.04

 

CMYK 60 / 0 / 48 / 19

HEX #53CE6C

RGB 83 206 108

HSL 132.2, 0.56%, 0.57%

LAB 74.23, -54.87, 38.61

 

CMYK 60 / 0 / 32 / 19

HEX #53CE8D

RGB 83 206 141

HSL 148.29, 0.56%, 0.57%

LAB 74.76, -49.12, 22.36

 

CMYK 60 / 0 / 16 / 19

HEX #53CEAE

RGB 83 206 174

HSL 164.39, 0.56%, 0.57%

LAB 75.47, -41.88, 5.76

 

CMYK 60 / 0 / 0 / 19

HEX #53CECE

RGB 83 206 206

HSL 180, 0.56%, 0.57%

LAB 76.34, -33.65, -10.22

 

CMYK 60 / 16 / 0 / 19

HEX #53AECE

RGB 83 174 206

HSL 195.61, 0.56%, 0.57%

LAB 66.95, -17.71, -24.41

 

CMYK 72 / 0 / 19 / 36

HEX #2DA283

RGB 45 162 131

HSL 164.1, 0.57%, 0.41%

LAB 59.92, -39.59, 6.93

 

CMYK 72 / 0 / 19 / 24

HEX #36C29D

RGB 54 194 157

HSL 164.14, 0.56%, 0.49%

LAB 70.73, -45.58, 8.06

 

CMYK 60 / 0 / 16 / 19

HEX #53CEAE

RGB 83 206 174

HSL 164.39, 0.56%, 0.57%

LAB 75.47, -41.88, 5.76

 

CMYK 46 / 0 / 12 / 16

HEX #74D7BD

RGB 116 215 189

HSL 164.24, 0.55%, 0.65%

LAB 79.61, -35.27, 3.83

 

CMYK 34 / 0 / 9 / 12

HEX #94E0CC

RGB 148 224 204

HSL 164.21, 0.55%, 0.73%

LAB 83.95, -27.81, 2.34

 

CMYK 59 / 0 / 15 / 19

HEX #55CFAF

RGB 85 207 175

HSL 164.26, 0.56%, 0.57%

LAB 75.86, -41.7, 5.78

 

CMYK 60 / 55 / 0 / 19

HEX #535CCE

RGB 83 92 206

HSL 235.61, 0.56%, 0.57%

LAB 44.16, 30.64, -60.34

 

CMYK 0 / 40 / 60 / 19

HEX #CE7C53

RGB 206 124 83

HSL 20, 0.56%, 0.57%

LAB 60.03, 27.97, 35.7

 

CMYK 59 / 0 / 15 / 19

HEX #55CFAF

RGB 85 207 175

HSL 164.26, 0.56%, 0.57%

LAB 75.86, -41.7, 5.78

 

CMYK 16 / 60 / 0 / 19

HEX #AE53CE

RGB 174 83 206

HSL 284.39, 0.56%, 0.57%

LAB 51.43, 56.06, -48.18

 

CMYK 0 / 16 / 60 / 19

HEX #CEAE53

RGB 206 174 83

HSL 44.39, 0.56%, 0.57%

LAB 72.24, 0.95, 50.1

 

CMYK 59 / 0 / 15 / 19

HEX #55CFAF

RGB 85 207 175

HSL 164.26, 0.56%, 0.57%

LAB 75.86, -41.7, 5.78

 

CMYK 60 / 55 / 0 / 19

HEX #535CCE

RGB 83 92 206

HSL 235.61, 0.56%, 0.57%

LAB 44.16, 30.64, -60.34

 

CMYK 0 / 60 / 44 / 19

HEX #CE5374

RGB 206 83 116

HSL 343.9, 0.56%, 0.57%

LAB 52.47, 51.59, 6.65

 

CMYK 0 / 4 / 60 / 19

HEX #CEC653

RGB 206 198 83

HSL 56.1, 0.56%, 0.57%

LAB 78.54, -11.53, 57.14

 

CMYK 59 / 0 / 15 / 19

HEX #55CFAF

RGB 85 207 175

HSL 164.26, 0.56%, 0.57%

LAB 75.86, -41.7, 5.78

 

CMYK 46 / 60 / 0 / 19

HEX #7053CE

RGB 112 83 206

HSL 254.15, 0.56%, 0.57%

LAB 44.36, 41.7, -59.91

 

CMYK 0 / 60 / 44 / 19

HEX #CE5374

RGB 206 83 116

HSL 343.9, 0.56%, 0.57%

LAB 52.47, 51.59, 6.65

 

CMYK 14 / 0 / 60 / 19

HEX #B2CE53

RGB 178 206 83

HSL 73.66, 0.56%, 0.57%

LAB 78.6, -26.93, 56.6

 

Description

Color code: RGB 85 207 175 | qconv.com Color code: RGB 85 207 175 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 207 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 207 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 15 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 15% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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