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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 205 163 it is the complementary color RGB 170 50 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 205 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 205 163 shade: RGB 90 205 158, RGB 107 223 177, RGB 124 241 196, RGB 141 255 215 and RGB 158 255 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 205 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 205 163 shade: RGB 85 205 163, RGB 68 187 144, RGB 51 169 125, RGB 34 151 106 and RGB 17 133 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 205 163 shade: RGB 85 205 163, RGB 85 205 130, RGB 85 205 98, RGB 104 205 85 and RGB 136 205 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 205 163 shade: RGB 85 205 163, RGB 85 205 195, RGB 85 182 205, RGB 85 150 205 and RGB 85 117 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 205 163 shade matches the following richer shades: RGB 85 205 163, RGB 67 223 168 and RGB 49 241 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 205 163 shade: RGB 85 205 163, RGB 102 187 158, RGB 120 170 152, RGB 138 152 147 and RGB 156 134 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 205 163 shade: RGB 85 205 99, RGB 85 205 131, RGB 85 205 163, RGB 85 205 195 and RGB 85 183 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 205 163 shade: RGB 46 161 121, RGB 56 193 145, RGB 85 205 163, RGB 117 214 180 and RGB 148 224 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 205 163 shade: RGB 85 205 163, RGB 85 103 205 and RGB 205 115 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 205 163 shade: RGB 85 205 163, RGB 163 85 205 and RGB 205 163 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 205 163 shade: RGB 85 205 163, RGB 85 103 205, RGB 205 85 127 and RGB 205 187 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 205 163 shade: RGB 85 205 163, RGB 103 85 205, RGB 205 85 127 and RGB 187 205 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

Complementary color

CMYK 0 / 71 / 46 / 33

HEX #AA325C

RGB 170 50 92

HSL 339, 0.55%, 0.43%

LAB 40.57, 51.8, 3.47

 

CMYK 56 / 0 / 23 / 20

HEX #5ACD9E

RGB 90 205 158

HSL 155.48, 0.53%, 0.58%

LAB 75.02, -43.69, 13.72

 

CMYK 52 / 0 / 21 / 13

HEX #6BDFB1

RGB 107 223 177

HSL 156.21, 0.64%, 0.65%

LAB 81.33, -43.64, 12.63

 

CMYK 49 / 0 / 19 / 5

HEX #7CF1C4

RGB 124 241 196

HSL 156.92, 0.81%, 0.72%

LAB 87.57, -43.53, 11.62

 

CMYK 45 / 0 / 16 / 0

HEX #8DFFD7

RGB 141 255 215

HSL 158.95, 1%, 0.78%

LAB 92.61, -41.62, 9.06

 

CMYK 38 / 0 / 8 / 0

HEX #9EFFEA

RGB 158 255 234

HSL 167.01, 1%, 0.81%

LAB 93.77, -33.27, 1.01

 

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

CMYK 64 / 0 / 23 / 27

HEX #44BB90

RGB 68 187 144

HSL 158.32, 0.47%, 0.5%

LAB 68.59, -43.47, 12.13

 

CMYK 70 / 0 / 26 / 34

HEX #33A97D

RGB 51 169 125

HSL 157.63, 0.54%, 0.43%

LAB 62.13, -43.13, 13.42

 

CMYK 77 / 0 / 30 / 41

HEX #22976A

RGB 34 151 106

HSL 156.92, 0.63%, 0.36%

LAB 55.6, -42.51, 14.87

 

CMYK 87 / 0 / 35 / 48

HEX #118557

RGB 17 133 87

HSL 156.21, 0.77%, 0.29%

LAB 48.99, -41.43, 16.51

 

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

CMYK 59 / 0 / 37 / 20

HEX #55CD82

RGB 85 205 130

HSL 142.5, 0.55%, 0.57%

LAB 74.32, -50.38, 27.54

 

CMYK 59 / 0 / 52 / 20

HEX #55CD62

RGB 85 205 98

HSL 126.5, 0.55%, 0.57%

LAB 73.85, -55.47, 43.04

 

CMYK 49 / 0 / 59 / 20

HEX #68CD55

RGB 104 205 85

HSL 110.5, 0.55%, 0.57%

LAB 74.36, -52.17, 49.86

 

CMYK 34 / 0 / 59 / 20

HEX #88CD55

RGB 136 205 85

HSL 94.5, 0.55%, 0.57%

LAB 75.79, -42.04, 51.88

 

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

CMYK 59 / 0 / 5 / 20

HEX #55CDC3

RGB 85 205 195

HSL 175, 0.55%, 0.57%

LAB 75.78, -35.78, -5.1

 

CMYK 59 / 11 / 0 / 20

HEX #55B6CD

RGB 85 182 205

HSL 191.5, 0.55%, 0.57%

LAB 69.32, -21.78, -20.23

 

CMYK 59 / 27 / 0 / 20

HEX #5596CD

RGB 85 150 205

HSL 207.5, 0.55%, 0.57%

LAB 60.03, -4.49, -34.55

 

CMYK 59 / 43 / 0 / 20

HEX #5575CD

RGB 85 117 205

HSL 224, 0.55%, 0.57%

LAB 50.76, 15.12, -49.16

 

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

CMYK 70 / 0 / 25 / 13

HEX #43DFA8

RGB 67 223 168

HSL 158.85, 0.71%, 0.57%

LAB 80.06, -53.08, 15.42

 

CMYK 80 / 0 / 28 / 5

HEX #31F1AE

RGB 49 241 174

HSL 159.06, 0.87%, 0.57%

LAB 85.31, -60.87, 19.58

 

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

CMYK 45 / 0 / 16 / 27

HEX #66BB9E

RGB 102 187 158

HSL 159.53, 0.38%, 0.57%

LAB 70.06, -32.72, 6.73

 

CMYK 29 / 0 / 11 / 33

HEX #78AA98

RGB 120 170 152

HSL 158.4, 0.23%, 0.57%

LAB 65.76, -20.55, 3.96

 

CMYK 9 / 0 / 3 / 40

HEX #8A9893

RGB 138 152 147

HSL 158.57, 0.06%, 0.57%

LAB 61.63, -6, 0.91

 

CMYK 0 / 14 / 9 / 39

HEX #9C868E

RGB 156 134 142

HSL 338.18, 0.1%, 0.57%

LAB 58.1, 9.75, -1.2

 

CMYK 59 / 0 / 52 / 20

HEX #55CD63

RGB 85 205 99

HSL 127, 0.55%, 0.57%

LAB 73.87, -55.33, 42.57

 

CMYK 59 / 0 / 36 / 20

HEX #55CD83

RGB 85 205 131

HSL 143, 0.55%, 0.57%

LAB 74.34, -50.19, 27.04

 

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

CMYK 59 / 0 / 5 / 20

HEX #55CDC3

RGB 85 205 195

HSL 175, 0.55%, 0.57%

LAB 75.78, -35.78, -5.1

 

CMYK 59 / 11 / 0 / 20

HEX #55B7CD

RGB 85 183 205

HSL 191, 0.55%, 0.57%

LAB 69.62, -22.29, -19.79

 

CMYK 71 / 0 / 25 / 37

HEX #2EA179

RGB 46 161 121

HSL 159.13, 0.56%, 0.41%

LAB 59.39, -41.47, 11.78

 

CMYK 71 / 0 / 25 / 24

HEX #38C191

RGB 56 193 145

HSL 158.98, 0.55%, 0.49%

LAB 70.19, -47.73, 13.8

 

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

CMYK 45 / 0 / 16 / 16

HEX #75D6B4

RGB 117 214 180

HSL 158.97, 0.54%, 0.65%

LAB 79.14, -36.58, 7.96

 

CMYK 34 / 0 / 12 / 12

HEX #94E0C5

RGB 148 224 197

HSL 158.68, 0.55%, 0.73%

LAB 83.78, -29.3, 5.79

 

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

CMYK 59 / 50 / 0 / 20

HEX #5567CD

RGB 85 103 205

HSL 231, 0.55%, 0.57%

LAB 47.03, 23.81, -55.14

 

CMYK 0 / 44 / 59 / 20

HEX #CD7355

RGB 205 115 85

HSL 15, 0.55%, 0.57%

LAB 57.94, 32.53, 31.98

 

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

CMYK 20 / 59 / 0 / 20

HEX #A355CD

RGB 163 85 205

HSL 279, 0.55%, 0.57%

LAB 50.32, 52.16, -49.45

 

CMYK 0 / 20 / 59 / 20

HEX #CDA355

RGB 205 163 85

HSL 39, 0.55%, 0.57%

LAB 69.35, 6.55, 45.78

 

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

CMYK 59 / 50 / 0 / 20

HEX #5567CD

RGB 85 103 205

HSL 231, 0.55%, 0.57%

LAB 47.03, 23.81, -55.14

 

CMYK 0 / 59 / 38 / 20

HEX #CD557F

RGB 205 85 127

HSL 339, 0.55%, 0.57%

LAB 52.96, 51.53, 0.77

 

CMYK 0 / 9 / 59 / 20

HEX #CDBB55

RGB 205 187 85

HSL 51, 0.55%, 0.57%

LAB 75.56, -6.16, 52.91

 

CMYK 59 / 0 / 20 / 20

HEX #55CDA3

RGB 85 205 163

HSL 159, 0.55%, 0.57%

LAB 74.97, -43.62, 10.96

 

CMYK 50 / 59 / 0 / 20

HEX #6755CD

RGB 103 85 205

HSL 249, 0.55%, 0.57%

LAB 43.93, 38.4, -60.07

 

CMYK 0 / 59 / 38 / 20

HEX #CD557F

RGB 205 85 127

HSL 339, 0.55%, 0.57%

LAB 52.96, 51.53, 0.77

 

CMYK 9 / 0 / 59 / 20

HEX #BBCD55

RGB 187 205 85

HSL 69, 0.55%, 0.57%

LAB 78.97, -22.69, 56.33

 

Description

Color code: RGB 85 205 163 | qconv.com Color code: RGB 85 205 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 205 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 205 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 20 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 20% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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