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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 192 60 it is the complementary color RGB 170 63 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 192 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 192 60 shade: RGB 90 192 55, RGB 107 210 74, RGB 124 228 93, RGB 141 246 112 and RGB 158 255 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 192 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 192 60 shade: RGB 85 192 60, RGB 68 174 41, RGB 51 156 22, RGB 34 138 3 and RGB 17 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 192 60 shade: RGB 84 189 59, RGB 119 189 59, RGB 154 189 59, RGB 189 189 59 and RGB 189 155 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 192 60 shade: RGB 84 189 59, RGB 59 189 70, RGB 59 189 105, RGB 59 189 140 and RGB 59 189 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 192 60 shade matches the following richer shades: RGB 84 189 59, RGB 72 210 39 and RGB 59 230 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 192 60 shade: RGB 84 189 59, RGB 97 169 80, RGB 109 149 100, RGB 122 129 120 and RGB 134 109 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 192 60 shade: RGB 155 189 59, RGB 120 189 59, RGB 85 189 59, RGB 59 189 68 and RGB 59 189 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 192 60 shade: RGB 56 127 40, RGB 70 158 50, RGB 84 189 59, RGB 110 202 88 and RGB 137 212 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 192 60 shade: RGB 85 192 60, RGB 59 189 189 and RGB 189 59 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 192 60 shade: RGB 85 192 60, RGB 59 85 189 and RGB 189 59 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 192 60 shade: RGB 85 192 60, RGB 59 189 189, RGB 163 59 189 and RGB 189 59 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 192 60 shade: RGB 85 192 60, RGB 59 150 189, RGB 163 59 189 and RGB 189 98 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 69 / 25

HEX #55C03C

RGB 85 192 60

HSL 108.64, 0.52%, 0.49%

LAB 69.44, -54.85, 54.86

 

Complementary color

CMYK 13 / 68 / 0 / 24

HEX #AA3FC3

RGB 170 63 195

HSL 288.64, 0.52%, 0.51%

LAB 47.03, 61.83, -48.89

 

CMYK 53 / 0 / 71 / 25

HEX #5AC037

RGB 90 192 55

HSL 104.67, 0.55%, 0.48%

LAB 69.58, -53.91, 56.97

 

CMYK 49 / 0 / 65 / 18

HEX #6BD24A

RGB 107 210 74

HSL 105.44, 0.6%, 0.56%

LAB 75.89, -54.35, 56.36

 

CMYK 46 / 0 / 59 / 11

HEX #7CE45D

RGB 124 228 93

HSL 106.22, 0.71%, 0.63%

LAB 82.14, -54.59, 55.44

 

CMYK 43 / 0 / 54 / 4

HEX #8DF670

RGB 141 246 112

HSL 107.01, 0.88%, 0.7%

LAB 88.33, -54.67, 54.38

 

CMYK 38 / 0 / 49 / 0

HEX #9EFF83

RGB 158 255 131

HSL 106.94, 1%, 0.76%

LAB 91.88, -50.98, 50.1

 

CMYK 56 / 0 / 69 / 25

HEX #55C03C

RGB 85 192 60

HSL 108.64, 0.52%, 0.49%

LAB 69.44, -54.85, 54.86

 

CMYK 61 / 0 / 76 / 32

HEX #44AE29

RGB 68 174 41

HSL 107.82, 0.62%, 0.42%

LAB 63.06, -54.08, 55.2

 

CMYK 67 / 0 / 86 / 39

HEX #339C16

RGB 51 156 22

HSL 107.01, 0.75%, 0.35%

LAB 56.62, -52.81, 54.61

 

CMYK 75 / 0 / 98 / 46

HEX #228A03

RGB 34 138 3

HSL 106.22, 0.96%, 0.28%

LAB 50.13, -50.85, 52.63

 

CMYK 86 / 0 / 100 / 53

HEX #117800

RGB 17 120 0

HSL 111.5, 1%, 0.24%

LAB 43.58, -47.77, 47.85

 

CMYK 56 / 0 / 69 / 26

HEX #54BD3B

RGB 84 189 59

HSL 108.46, 0.52%, 0.49%

LAB 68.46, -54.08, 54.21

 

CMYK 37 / 0 / 69 / 26

HEX #77BD3B

RGB 119 189 59

HSL 92.31, 0.52%, 0.49%

LAB 69.92, -43.3, 56.19

 

CMYK 19 / 0 / 69 / 26

HEX #9ABD3B

RGB 154 189 59

HSL 76.15, 0.52%, 0.49%

LAB 71.95, -30.12, 58.92

 

CMYK 0 / 0 / 69 / 26

HEX #BDBD3B

RGB 189 189 59

HSL 60, 0.52%, 0.49%

LAB 74.53, -15.59, 62.36

 

CMYK 0 / 18 / 69 / 26

HEX #BD9B3B

RGB 189 155 59

HSL 44.31, 0.52%, 0.49%

LAB 65.42, 2.24, 53.11

 

CMYK 56 / 0 / 69 / 26

HEX #54BD3B

RGB 84 189 59

HSL 108.46, 0.52%, 0.49%

LAB 68.46, -54.08, 54.21

 

CMYK 69 / 0 / 63 / 26

HEX #3BBD46

RGB 59 189 70

HSL 125.08, 0.52%, 0.49%

LAB 67.85, -58.63, 48.75

 

CMYK 69 / 0 / 44 / 26

HEX #3BBD69

RGB 59 189 105

HSL 141.23, 0.52%, 0.49%

LAB 68.27, -53.71, 32.42

 

CMYK 69 / 0 / 26 / 26

HEX #3BBD8C

RGB 59 189 140

HSL 157.38, 0.52%, 0.49%

LAB 68.91, -46.77, 14.71

 

CMYK 69 / 0 / 7 / 26

HEX #3BBDAF

RGB 59 189 175

HSL 173.54, 0.52%, 0.49%

LAB 69.77, -38.03, -3.16

 

CMYK 56 / 0 / 69 / 26

HEX #54BD3B

RGB 84 189 59

HSL 108.46, 0.52%, 0.49%

LAB 68.46, -54.08, 54.21

 

CMYK 66 / 0 / 81 / 18

HEX #48D227

RGB 72 210 39

HSL 108.42, 0.69%, 0.49%

LAB 74.58, -65.51, 66.74

 

CMYK 74 / 0 / 92 / 10

HEX #3BE613

RGB 59 230 19

HSL 108.63, 0.85%, 0.49%

LAB 80.5, -74.69, 75.74

 

CMYK 56 / 0 / 69 / 26

HEX #54BD3B

RGB 84 189 59

HSL 108.46, 0.52%, 0.49%

LAB 68.46, -54.08, 54.21

 

CMYK 43 / 0 / 53 / 34

HEX #61A950

RGB 97 169 80

HSL 108.54, 0.36%, 0.49%

LAB 62.92, -40.02, 38.65

 

CMYK 27 / 0 / 33 / 42

HEX #6D9564

RGB 109 149 100

HSL 108.98, 0.2%, 0.49%

LAB 57.72, -23.59, 21.58

 

CMYK 5 / 0 / 7 / 49

HEX #7A8178

RGB 122 129 120

HSL 106.67, 0.04%, 0.49%

LAB 53.16, -4.4, 3.98

 

CMYK 4 / 22 / 0 / 45

HEX #866D8C

RGB 134 109 140

HSL 288.39, 0.12%, 0.49%

LAB 49.37, 15.78, -13.26

 

CMYK 18 / 0 / 69 / 26

HEX #9BBD3B

RGB 155 189 59

HSL 75.69, 0.52%, 0.49%

LAB 72.01, -29.72, 59.01

 

CMYK 37 / 0 / 69 / 26

HEX #78BD3B

RGB 120 189 59

HSL 91.85, 0.52%, 0.49%

LAB 69.97, -42.96, 56.26

 

CMYK 55 / 0 / 69 / 26

HEX #55BD3B

RGB 85 189 59

HSL 108, 0.52%, 0.49%

LAB 68.49, -53.82, 54.26

 

CMYK 69 / 0 / 64 / 26

HEX #3BBD44

RGB 59 189 68

HSL 124.15, 0.52%, 0.49%

LAB 67.83, -58.85, 49.6

 

CMYK 69 / 0 / 46 / 26

HEX #3BBD67

RGB 59 189 103

HSL 140.31, 0.52%, 0.49%

LAB 68.24, -54.05, 33.4

 

CMYK 56 / 0 / 69 / 50

HEX #387F28

RGB 56 127 40

HSL 108.97, 0.52%, 0.33%

LAB 47.2, -39.54, 39.19

 

CMYK 56 / 0 / 68 / 38

HEX #469E32

RGB 70 158 50

HSL 108.89, 0.52%, 0.41%

LAB 58.02, -46.91, 46.66

 

CMYK 56 / 0 / 69 / 26

HEX #54BD3B

RGB 84 189 59

HSL 108.46, 0.52%, 0.49%

LAB 68.46, -54.08, 54.21

 

CMYK 46 / 0 / 56 / 21

HEX #6ECA58

RGB 110 202 88

HSL 108.42, 0.52%, 0.57%

LAB 73.71, -48.89, 47.8

 

CMYK 35 / 0 / 43 / 17

HEX #89D478

RGB 137 212 120

HSL 108.91, 0.52%, 0.65%

LAB 78.32, -40.66, 38.25

 

CMYK 56 / 0 / 69 / 25

HEX #55C03C

RGB 85 192 60

HSL 108.64, 0.52%, 0.49%

LAB 69.44, -54.85, 54.86

 

CMYK 69 / 0 / 0 / 26

HEX #3BBDBD

RGB 59 189 189

HSL 180, 0.52%, 0.49%

LAB 70.18, -34.12, -10.24

 

CMYK 0 / 69 / 28 / 26

HEX #BD3B89

RGB 189 59 137

HSL 324, 0.52%, 0.49%

LAB 46.65, 58.91, -14.91

 

CMYK 56 / 0 / 69 / 25

HEX #55C03C

RGB 85 192 60

HSL 108.64, 0.52%, 0.49%

LAB 69.44, -54.85, 54.86

 

CMYK 69 / 55 / 0 / 26

HEX #3B55BD

RGB 59 85 189

HSL 228, 0.52%, 0.49%

LAB 39.75, 25.24, -57.7

 

CMYK 0 / 69 / 55 / 26

HEX #BD3B55

RGB 189 59 85

HSL 348, 0.52%, 0.49%

LAB 45.09, 53.56, 14.67

 

CMYK 56 / 0 / 69 / 25

HEX #55C03C

RGB 85 192 60

HSL 108.64, 0.52%, 0.49%

LAB 69.44, -54.85, 54.86

 

CMYK 69 / 0 / 0 / 26

HEX #3BBDBD

RGB 59 189 189

HSL 180, 0.52%, 0.49%

LAB 70.18, -34.12, -10.24

 

CMYK 14 / 69 / 0 / 26

HEX #A33BBD

RGB 163 59 189

HSL 288, 0.52%, 0.49%

LAB 45.07, 60.75, -48.6

 

CMYK 0 / 69 / 69 / 26

HEX #BD3B3B

RGB 189 59 59

HSL 0, 0.52%, 0.49%

LAB 44.61, 51.87, 29.85

 

CMYK 56 / 0 / 69 / 25

HEX #55C03C

RGB 85 192 60

HSL 108.64, 0.52%, 0.49%

LAB 69.44, -54.85, 54.86

 

CMYK 69 / 21 / 0 / 26

HEX #3B96BD

RGB 59 150 189

HSL 198, 0.52%, 0.49%

LAB 58.43, -14.31, -28.09

 

CMYK 14 / 69 / 0 / 26

HEX #A33BBD

RGB 163 59 189

HSL 288, 0.52%, 0.49%

LAB 45.07, 60.75, -48.6

 

CMYK 0 / 48 / 69 / 26

HEX #BD623B

RGB 189 98 59

HSL 18, 0.52%, 0.49%

LAB 51.69, 33.4, 38.16

 

Description

Color code: RGB 85 192 60 | qconv.com Color code: RGB 85 192 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 192 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 192 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 69 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 69% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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