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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 177 192 it is the complementary color RGB 170 78 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 177 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 177 192 shade: RGB 90 177 187, RGB 107 195 206, RGB 124 213 225, RGB 141 231 244 and RGB 158 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 177 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 177 192 shade: RGB 85 177 192, RGB 68 159 173, RGB 51 141 154, RGB 34 123 135 and RGB 17 105 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 177 192 shade: RGB 83 176 191, RGB 83 147 191, RGB 83 118 191, RGB 83 89 191 and RGB 107 83 191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 177 192 shade: RGB 83 176 191, RGB 83 147 191, RGB 83 118 191, RGB 83 89 191 and RGB 83 83 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 177 192 shade matches the following richer shades: RGB 83 176 191, RGB 64 190 210, RGB 45 203 229 and RGB 26 217 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 177 192 shade: RGB 83 176 191, RGB 102 162 172, RGB 121 149 153, RGB 140 135 134 and RGB 159 121 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 177 192 shade: RGB 83 191 148, RGB 83 191 177, RGB 83 177 191, RGB 83 148 191 and RGB 83 119 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 177 192 shade: RGB 52 128 140, RGB 63 155 170, RGB 83 176 191, RGB 113 190 202 and RGB 143 204 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 177 192 shade: RGB 85 177 192, RGB 119 83 191 and RGB 191 162 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 177 192 shade: RGB 85 177 192, RGB 191 83 177 and RGB 177 191 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 177 192 shade: RGB 85 177 192, RGB 119 83 191, RGB 191 98 83 and RGB 155 191 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 177 192 shade: RGB 85 177 192, RGB 152 83 191, RGB 191 98 83 and RGB 123 191 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 8 / 0 / 25

HEX #55B1C0

RGB 85 177 192

HSL 188.41, 0.46%, 0.54%

LAB 67.41, -23, -15.96

 

Complementary color

CMYK 0 / 54 / 63 / 33

HEX #AA4E3F

RGB 170 78 63

HSL 8.41, 0.46%, 0.46%

LAB 44.74, 36.59, 26.92

 

CMYK 52 / 5 / 0 / 27

HEX #5AB1BB

RGB 90 177 187

HSL 186.19, 0.42%, 0.54%

LAB 67.43, -23.37, -13.15

 

CMYK 48 / 5 / 0 / 19

HEX #6BC3CE

RGB 107 195 206

HSL 186.67, 0.5%, 0.61%

LAB 73.94, -23.52, -13.72

 

CMYK 45 / 5 / 0 / 12

HEX #7CD5E1

RGB 124 213 225

HSL 187.13, 0.63%, 0.68%

LAB 80.35, -23.62, -14.26

 

CMYK 42 / 5 / 0 / 4

HEX #8DE7F4

RGB 141 231 244

HSL 187.57, 0.82%, 0.75%

LAB 86.68, -23.67, -14.77

 

CMYK 38 / 2 / 0 / 0

HEX #9EF9FF

RGB 158 249 255

HSL 183.71, 1%, 0.81%

LAB 92.68, -25.63, -11.46

 

CMYK 56 / 8 / 0 / 25

HEX #55B1C0

RGB 85 177 192

HSL 188.41, 0.46%, 0.54%

LAB 67.41, -23, -15.96

 

CMYK 61 / 8 / 0 / 32

HEX #449FAD

RGB 68 159 173

HSL 188, 0.44%, 0.47%

LAB 60.82, -22.62, -15.38

 

CMYK 67 / 8 / 0 / 40

HEX #338D9A

RGB 51 141 154

HSL 187.57, 0.5%, 0.4%

LAB 54.12, -22.06, -14.73

 

CMYK 75 / 9 / 0 / 47

HEX #227B87

RGB 34 123 135

HSL 187.13, 0.6%, 0.33%

LAB 47.31, -21.24, -14

 

CMYK 85 / 9 / 0 / 55

HEX #116974

RGB 17 105 116

HSL 186.67, 0.74%, 0.26%

LAB 40.38, -20, -13.15

 

CMYK 57 / 8 / 0 / 25

HEX #53B0BF

RGB 83 176 191

HSL 188.33, 0.46%, 0.54%

LAB 67.01, -23.17, -16.02

 

CMYK 57 / 23 / 0 / 25

HEX #5393BF

RGB 83 147 191

HSL 204.44, 0.46%, 0.54%

LAB 58.48, -7.63, -29.08

 

CMYK 57 / 38 / 0 / 25

HEX #5376BF

RGB 83 118 191

HSL 220.56, 0.46%, 0.54%

LAB 50.17, 9.45, -42.1

 

CMYK 57 / 53 / 0 / 25

HEX #5359BF

RGB 83 89 191

HSL 236.67, 0.46%, 0.54%

LAB 42.38, 27.54, -54.55

 

CMYK 44 / 57 / 0 / 25

HEX #6B53BF

RGB 107 83 191

HSL 253.33, 0.46%, 0.54%

LAB 42.87, 36.31, -53.65

 

CMYK 57 / 8 / 0 / 25

HEX #53B0BF

RGB 83 176 191

HSL 188.33, 0.46%, 0.54%

LAB 67.01, -23.17, -16.02

 

CMYK 57 / 23 / 0 / 25

HEX #5393BF

RGB 83 147 191

HSL 204.44, 0.46%, 0.54%

LAB 58.48, -7.63, -29.08

 

CMYK 57 / 38 / 0 / 25

HEX #5376BF

RGB 83 118 191

HSL 220.56, 0.46%, 0.54%

LAB 50.17, 9.45, -42.1

 

CMYK 57 / 53 / 0 / 25

HEX #5359BF

RGB 83 89 191

HSL 236.67, 0.46%, 0.54%

LAB 42.38, 27.54, -54.55

 

CMYK 57 / 57 / 0 / 25

HEX #5353BF

RGB 83 83 191

HSL 240, 0.46%, 0.54%

LAB 40.88, 31.29, -56.97

 

CMYK 57 / 8 / 0 / 25

HEX #53B0BF

RGB 83 176 191

HSL 188.33, 0.46%, 0.54%

LAB 67.01, -23.17, -16.02

 

CMYK 70 / 10 / 0 / 18

HEX #40BED2

RGB 64 190 210

HSL 188.22, 0.62%, 0.54%

LAB 71.26, -27.71, -20.08

 

CMYK 80 / 11 / 0 / 10

HEX #2DCBE5

RGB 45 203 229

HSL 188.48, 0.78%, 0.54%

LAB 75.41, -30.29, -24.1

 

CMYK 90 / 13 / 0 / 3

HEX #1AD9F8

RGB 26 217 248

HSL 188.38, 0.94%, 0.54%

LAB 79.97, -32.26, -27.32

 

CMYK 57 / 8 / 0 / 25

HEX #53B0BF

RGB 83 176 191

HSL 188.33, 0.46%, 0.54%

LAB 67.01, -23.17, -16.02

 

CMYK 41 / 6 / 0 / 33

HEX #66A2AC

RGB 102 162 172

HSL 188.57, 0.3%, 0.54%

LAB 63.05, -16.79, -11.32

 

CMYK 21 / 3 / 0 / 40

HEX #799599

RGB 121 149 153

HSL 187.5, 0.14%, 0.54%

LAB 59.76, -8.86, -5.37

 

CMYK 0 / 4 / 4 / 45

HEX #8C8786

RGB 140 135 134

HSL 10, 0.03%, 0.54%

LAB 56.71, 1.68, 1.19

 

CMYK 0 / 24 / 28 / 38

HEX #9F7973

RGB 159 121 115

HSL 8.18, 0.19%, 0.54%

LAB 54.33, 13.9, 9.01

 

CMYK 57 / 0 / 23 / 25

HEX #53BF94

RGB 83 191 148

HSL 156.11, 0.46%, 0.54%

LAB 70.34, -41.29, 12.49

 

CMYK 57 / 0 / 7 / 25

HEX #53BFB1

RGB 83 191 177

HSL 172.22, 0.46%, 0.54%

LAB 71.06, -34.32, -2.29

 

CMYK 57 / 7 / 0 / 25

HEX #53B1BF

RGB 83 177 191

HSL 187.78, 0.46%, 0.54%

LAB 67.31, -23.68, -15.57

 

CMYK 57 / 23 / 0 / 25

HEX #5394BF

RGB 83 148 191

HSL 203.89, 0.46%, 0.54%

LAB 58.77, -8.2, -28.63

 

CMYK 57 / 38 / 0 / 25

HEX #5377BF

RGB 83 119 191

HSL 220, 0.46%, 0.54%

LAB 50.45, 8.84, -41.66

 

CMYK 63 / 9 / 0 / 45

HEX #34808C

RGB 52 128 140

HSL 188.18, 0.46%, 0.38%

LAB 49.57, -19.4, -13.47

 

CMYK 63 / 9 / 0 / 33

HEX #3F9BAA

RGB 63 155 170

HSL 188.41, 0.46%, 0.46%

LAB 59.34, -22.36, -15.93

 

CMYK 57 / 8 / 0 / 25

HEX #53B0BF

RGB 83 176 191

HSL 188.33, 0.46%, 0.54%

LAB 67.01, -23.17, -16.02

 

CMYK 44 / 6 / 0 / 21

HEX #71BECA

RGB 113 190 202

HSL 188.09, 0.46%, 0.62%

LAB 72.63, -20.65, -13.49

 

CMYK 33 / 4 / 0 / 16

HEX #8FCCD5

RGB 143 204 213

HSL 187.71, 0.45%, 0.7%

LAB 78.36, -17.24, -10.72

 

CMYK 56 / 8 / 0 / 25

HEX #55B1C0

RGB 85 177 192

HSL 188.41, 0.46%, 0.54%

LAB 67.41, -23, -15.96

 

CMYK 38 / 57 / 0 / 25

HEX #7753BF

RGB 119 83 191

HSL 260, 0.46%, 0.54%

LAB 44.05, 39.1, -51.7

 

CMYK 0 / 15 / 57 / 25

HEX #BFA253

RGB 191 162 83

HSL 43.89, 0.46%, 0.54%

LAB 67.68, 0.96, 44.47

 

CMYK 56 / 8 / 0 / 25

HEX #55B1C0

RGB 85 177 192

HSL 188.41, 0.46%, 0.54%

LAB 67.41, -23, -15.96

 

CMYK 0 / 57 / 7 / 25

HEX #BF53B1

RGB 191 83 177

HSL 307.78, 0.46%, 0.54%

LAB 52.33, 55.17, -29.86

 

CMYK 7 / 0 / 57 / 25

HEX #B1BF53

RGB 177 191 83

HSL 67.78, 0.46%, 0.54%

LAB 74.34, -20.01, 51.82

 

CMYK 56 / 8 / 0 / 25

HEX #55B1C0

RGB 85 177 192

HSL 188.41, 0.46%, 0.54%

LAB 67.41, -23, -15.96

 

CMYK 38 / 57 / 0 / 25

HEX #7753BF

RGB 119 83 191

HSL 260, 0.46%, 0.54%

LAB 44.05, 39.1, -51.7

 

CMYK 0 / 49 / 57 / 25

HEX #BF6253

RGB 191 98 83

HSL 8.33, 0.46%, 0.54%

LAB 52.33, 35.85, 25.56

 

CMYK 19 / 0 / 57 / 25

HEX #9BBF53

RGB 155 191 83

HSL 80, 0.46%, 0.54%

LAB 72.8, -28.82, 49.65

 

CMYK 56 / 8 / 0 / 25

HEX #55B1C0

RGB 85 177 192

HSL 188.41, 0.46%, 0.54%

LAB 67.41, -23, -15.96

 

CMYK 20 / 57 / 0 / 25

HEX #9853BF

RGB 152 83 191

HSL 278.33, 0.46%, 0.54%

LAB 47.78, 47.33, -45.51

 

CMYK 0 / 49 / 57 / 25

HEX #BF6253

RGB 191 98 83

HSL 8.33, 0.46%, 0.54%

LAB 52.33, 35.85, 25.56

 

CMYK 36 / 0 / 57 / 25

HEX #7BBF53

RGB 123 191 83

HSL 97.78, 0.46%, 0.54%

LAB 70.94, -40.62, 47.03

 

Description

Color code: RGB 85 177 192 | qconv.com Color code: RGB 85 177 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 177 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 177 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 8 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 8% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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