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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 174 127 it is the complementary color RGB 170 81 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 174 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 174 127 shade: RGB 90 174 122, RGB 107 192 141, RGB 124 210 160, RGB 141 228 179 and RGB 158 246 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 174 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 174 127 shade: RGB 85 174 127, RGB 68 156 108, RGB 51 138 89, RGB 34 120 70 and RGB 17 102 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 174 127 shade: RGB 86 173 127, RGB 86 173 104, RGB 92 173 86, RGB 115 173 86 and RGB 139 173 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 174 127 shade: RGB 86 173 127, RGB 86 173 151, RGB 86 172 173, RGB 86 149 173 and RGB 86 125 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 174 127 shade matches the following richer shades: RGB 86 173 127, RGB 66 193 126, RGB 45 214 125, RGB 25 234 124 and RGB 5 254 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 174 127 shade: RGB 86 173 127, RGB 106 153 128, RGB 126 133 129, RGB 146 113 131 and RGB 167 92 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 174 127 shade: RGB 92 173 86, RGB 86 173 103, RGB 86 173 127, RGB 86 173 150 and RGB 86 173 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 174 127 shade: RGB 57 119 87, RGB 71 147 107, RGB 86 173 127, RGB 114 187 148 and RGB 142 200 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 174 127 shade: RGB 85 174 127, RGB 86 115 173 and RGB 173 92 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 174 127 shade: RGB 85 174 127, RGB 127 86 173 and RGB 173 127 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 174 127 shade: RGB 85 174 127, RGB 86 115 173, RGB 173 86 132 and RGB 173 144 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 174 127 shade: RGB 85 174 127, RGB 86 89 173, RGB 173 86 132 and RGB 173 170 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 27 / 32

HEX #55AE7F

RGB 85 174 127

HSL 148.31, 0.35%, 0.51%

LAB 64.75, -37.79, 16.12

 

Complementary color

CMYK 0 / 52 / 25 / 33

HEX #AA5180

RGB 170 81 128

HSL 328.31, 0.35%, 0.49%

LAB 46.96, 42.06, -9.29

 

CMYK 48 / 0 / 30 / 32

HEX #5AAE7A

RGB 90 174 122

HSL 142.86, 0.34%, 0.52%

LAB 64.84, -37.5, 19.01

 

CMYK 44 / 0 / 27 / 25

HEX #6BC08D

RGB 107 192 141

HSL 144, 0.4%, 0.59%

LAB 71.38, -37.28, 17.85

 

CMYK 41 / 0 / 24 / 18

HEX #7CD2A0

RGB 124 210 160

HSL 145.12, 0.49%, 0.65%

LAB 77.83, -37.04, 16.78

 

CMYK 38 / 0 / 21 / 11

HEX #8DE4B3

RGB 141 228 179

HSL 146.21, 0.62%, 0.72%

LAB 84.18, -36.78, 15.78

 

CMYK 36 / 0 / 20 / 4

HEX #9EF6C6

RGB 158 246 198

HSL 147.27, 0.83%, 0.79%

LAB 90.44, -36.53, 14.84

 

CMYK 51 / 0 / 27 / 32

HEX #55AE7F

RGB 85 174 127

HSL 148.31, 0.35%, 0.51%

LAB 64.75, -37.79, 16.12

 

CMYK 56 / 0 / 31 / 39

HEX #449C6C

RGB 68 156 108

HSL 147.27, 0.39%, 0.44%

LAB 58.12, -37.89, 17.37

 

CMYK 63 / 0 / 36 / 46

HEX #338A59

RGB 51 138 89

HSL 146.21, 0.46%, 0.37%

LAB 51.38, -37.84, 18.75

 

CMYK 72 / 0 / 42 / 53

HEX #227846

RGB 34 120 70

HSL 145.12, 0.56%, 0.3%

LAB 44.54, -37.51, 20.3

 

CMYK 83 / 0 / 50 / 60

HEX #116633

RGB 17 102 51

HSL 144, 0.71%, 0.23%

LAB 37.59, -36.67, 22.04

 

CMYK 50 / 0 / 27 / 32

HEX #56AD7F

RGB 86 173 127

HSL 148.28, 0.35%, 0.51%

LAB 64.48, -37.09, 15.75

 

CMYK 50 / 0 / 40 / 32

HEX #56AD68

RGB 86 173 104

HSL 132.41, 0.35%, 0.51%

LAB 64.05, -41.44, 27.61

 

CMYK 47 / 0 / 50 / 32

HEX #5CAD56

RGB 92 173 86

HSL 115.86, 0.35%, 0.51%

LAB 64.03, -42.49, 36.95

 

CMYK 34 / 0 / 50 / 32

HEX #73AD56

RGB 115 173 86

HSL 100, 0.35%, 0.51%

LAB 65.12, -34.99, 38.55

 

CMYK 20 / 0 / 50 / 32

HEX #8BAD56

RGB 139 173 86

HSL 83.45, 0.35%, 0.51%

LAB 66.56, -26.07, 40.62

 

CMYK 50 / 0 / 27 / 32

HEX #56AD7F

RGB 86 173 127

HSL 148.28, 0.35%, 0.51%

LAB 64.48, -37.09, 15.75

 

CMYK 50 / 0 / 13 / 32

HEX #56AD97

RGB 86 173 151

HSL 164.83, 0.35%, 0.51%

LAB 65.04, -31.68, 3.28

 

CMYK 50 / 1 / 0 / 32

HEX #56ACAD

RGB 86 172 173

HSL 180.69, 0.35%, 0.51%

LAB 65.36, -25.55, -8.5

 

CMYK 50 / 14 / 0 / 32

HEX #5695AD

RGB 86 149 173

HSL 196.55, 0.35%, 0.51%

LAB 58.5, -13.53, -18.83

 

CMYK 50 / 28 / 0 / 32

HEX #567DAD

RGB 86 125 173

HSL 213.1, 0.35%, 0.51%

LAB 51.45, 0.13, -29.69

 

CMYK 50 / 0 / 27 / 32

HEX #56AD7F

RGB 86 173 127

HSL 148.28, 0.35%, 0.51%

LAB 64.48, -37.09, 15.75

 

CMYK 66 / 0 / 35 / 24

HEX #42C17E

RGB 66 193 126

HSL 148.35, 0.51%, 0.51%

LAB 70.04, -50.14, 23.8

 

CMYK 79 / 0 / 42 / 16

HEX #2DD67D

RGB 45 214 125

HSL 148.4, 0.67%, 0.51%

LAB 76.15, -61.25, 32.37

 

CMYK 89 / 0 / 47 / 8

HEX #19EA7C

RGB 25 234 124

HSL 148.42, 0.83%, 0.51%

LAB 82.11, -69.85, 40.5

 

CMYK 98 / 0 / 52 / 0

HEX #05FE7B

RGB 5 254 123

HSL 148.43, 0.99%, 0.51%

LAB 88.13, -77.06, 48.48

 

CMYK 50 / 0 / 27 / 32

HEX #56AD7F

RGB 86 173 127

HSL 148.28, 0.35%, 0.51%

LAB 64.48, -37.09, 15.75

 

CMYK 31 / 0 / 16 / 40

HEX #6A9980

RGB 106 153 128

HSL 148.09, 0.19%, 0.51%

LAB 59.35, -21.4, 8.11

 

CMYK 5 / 0 / 3 / 48

HEX #7E8581

RGB 126 133 129

HSL 145.71, 0.03%, 0.51%

LAB 54.86, -3.39, 1.25

 

CMYK 0 / 23 / 10 / 43

HEX #927183

RGB 146 113 131

HSL 327.27, 0.13%, 0.51%

LAB 51.34, 16.08, -4.88

 

CMYK 0 / 45 / 21 / 35

HEX #A75C84

RGB 167 92 132

HSL 328, 0.3%, 0.51%

LAB 48.93, 35.85, -8.79

 

CMYK 47 / 0 / 50 / 32

HEX #5CAD56

RGB 92 173 86

HSL 115.86, 0.35%, 0.51%

LAB 64.03, -42.49, 36.95

 

CMYK 50 / 0 / 40 / 32

HEX #56AD67

RGB 86 173 103

HSL 131.72, 0.35%, 0.51%

LAB 64.04, -41.61, 28.12

 

CMYK 50 / 0 / 27 / 32

HEX #56AD7F

RGB 86 173 127

HSL 148.28, 0.35%, 0.51%

LAB 64.48, -37.09, 15.75

 

CMYK 50 / 0 / 13 / 32

HEX #56AD96

RGB 86 173 150

HSL 164.14, 0.35%, 0.51%

LAB 65.02, -31.93, 3.8

 

CMYK 50 / 0 / 0 / 32

HEX #56ADAD

RGB 86 173 173

HSL 180, 0.35%, 0.51%

LAB 65.66, -26.05, -8.06

 

CMYK 52 / 0 / 27 / 53

HEX #397757

RGB 57 119 87

HSL 149.03, 0.35%, 0.35%

LAB 45.29, -28.11, 11.59

 

CMYK 52 / 0 / 27 / 42

HEX #47936B

RGB 71 147 107

HSL 148.42, 0.35%, 0.43%

LAB 55.35, -33.27, 14.12

 

CMYK 50 / 0 / 27 / 32

HEX #56AD7F

RGB 86 173 127

HSL 148.28, 0.35%, 0.51%

LAB 64.48, -37.09, 15.75

 

CMYK 39 / 0 / 21 / 27

HEX #72BB94

RGB 114 187 148

HSL 147.95, 0.35%, 0.59%

LAB 70.36, -31.58, 12.68

 

CMYK 29 / 0 / 16 / 22

HEX #8EC8A9

RGB 142 200 169

HSL 147.93, 0.35%, 0.67%

LAB 76.02, -25.2, 9.55

 

CMYK 51 / 0 / 27 / 32

HEX #55AE7F

RGB 85 174 127

HSL 148.31, 0.35%, 0.51%

LAB 64.75, -37.79, 16.12

 

CMYK 50 / 34 / 0 / 32

HEX #5673AD

RGB 86 115 173

HSL 220, 0.35%, 0.51%

LAB 48.58, 6.14, -34.17

 

CMYK 0 / 47 / 50 / 32

HEX #AD5C56

RGB 173 92 86

HSL 4.14, 0.35%, 0.51%

LAB 48.52, 32.28, 18.31

 

CMYK 51 / 0 / 27 / 32

HEX #55AE7F

RGB 85 174 127

HSL 148.31, 0.35%, 0.51%

LAB 64.75, -37.79, 16.12

 

CMYK 27 / 50 / 0 / 32

HEX #7F56AD

RGB 127 86 173

HSL 268.28, 0.35%, 0.51%

LAB 44.5, 34.75, -40.4

 

CMYK 0 / 27 / 50 / 32

HEX #AD7F56

RGB 173 127 86

HSL 28.28, 0.35%, 0.51%

LAB 56.82, 12.79, 29.17

 

CMYK 51 / 0 / 27 / 32

HEX #55AE7F

RGB 85 174 127

HSL 148.31, 0.35%, 0.51%

LAB 64.75, -37.79, 16.12

 

CMYK 50 / 34 / 0 / 32

HEX #5673AD

RGB 86 115 173

HSL 220, 0.35%, 0.51%

LAB 48.58, 6.14, -34.17

 

CMYK 0 / 50 / 24 / 32

HEX #AD5684

RGB 173 86 132

HSL 328.28, 0.35%, 0.51%

LAB 48.52, 41.09, -9.32

 

CMYK 0 / 17 / 50 / 32

HEX #AD9056

RGB 173 144 86

HSL 40, 0.35%, 0.51%

LAB 61.22, 3.31, 34.72

 

CMYK 51 / 0 / 27 / 32

HEX #55AE7F

RGB 85 174 127

HSL 148.31, 0.35%, 0.51%

LAB 64.75, -37.79, 16.12

 

CMYK 50 / 49 / 0 / 32

HEX #5659AD

RGB 86 89 173

HSL 237.93, 0.35%, 0.51%

LAB 41.44, 22.34, -45.5

 

CMYK 0 / 50 / 24 / 32

HEX #AD5684

RGB 173 86 132

HSL 328.28, 0.35%, 0.51%

LAB 48.52, 41.09, -9.32

 

CMYK 0 / 2 / 50 / 32

HEX #ADAA56

RGB 173 170 86

HSL 57.93, 0.35%, 0.51%

LAB 68.25, -10.68, 43.25

 

Description

Color code: RGB 85 174 127 | qconv.com Color code: RGB 85 174 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 174 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 174 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 27 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 27% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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