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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 166 117 it is the complementary color RGB 170 89 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 166 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 166 117 shade: RGB 90 166 112, RGB 107 184 131, RGB 124 202 150, RGB 141 220 169 and RGB 158 238 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 166 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 166 117 shade: RGB 85 166 117, RGB 68 148 98, RGB 51 130 79, RGB 34 112 60 and RGB 17 94 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 166 117 shade: RGB 84 164 116, RGB 84 164 94, RGB 96 164 84, RGB 118 164 84 and RGB 139 164 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 166 117 shade: RGB 84 164 116, RGB 84 164 138, RGB 84 164 159, RGB 84 148 164 and RGB 84 127 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 166 117 shade matches the following richer shades: RGB 84 164 116, RGB 64 185 112, RGB 44 205 108, RGB 24 225 103 and RGB 4 245 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 166 117 shade: RGB 84 164 116, RGB 105 144 120, RGB 125 124 125, RGB 145 104 129 and RGB 165 84 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 166 117 shade: RGB 96 164 84, RGB 84 164 94, RGB 84 164 115, RGB 84 164 136 and RGB 84 164 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 166 117 shade: RGB 56 110 78, RGB 70 137 97, RGB 84 164 116, RGB 110 180 138 and RGB 137 194 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 166 117 shade: RGB 85 166 117, RGB 84 118 164 and RGB 164 84 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 166 117 shade: RGB 85 166 117, RGB 115 84 164 and RGB 164 115 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 166 117 shade: RGB 85 166 117, RGB 84 118 164, RGB 164 84 134 and RGB 164 131 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 166 117 shade: RGB 85 166 117, RGB 84 94 164, RGB 164 84 134 and RGB 164 155 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 30 / 35

HEX #55A675

RGB 85 166 117

HSL 143.7, 0.32%, 0.49%

LAB 62.07, -36.21, 17.91

 

Complementary color

CMYK 0 / 48 / 19 / 33

HEX #AA598A

RGB 170 89 138

HSL 323.7, 0.32%, 0.51%

LAB 48.92, 39.42, -12.35

 

CMYK 46 / 0 / 33 / 35

HEX #5AA670

RGB 90 166 112

HSL 137.37, 0.3%, 0.5%

LAB 62.18, -35.79, 20.84

 

CMYK 42 / 0 / 29 / 28

HEX #6BB883

RGB 107 184 131

HSL 138.7, 0.35%, 0.57%

LAB 68.78, -35.55, 19.65

 

CMYK 39 / 0 / 26 / 21

HEX #7CCA96

RGB 124 202 150

HSL 140, 0.42%, 0.64%

LAB 75.28, -35.29, 18.55

 

CMYK 36 / 0 / 23 / 14

HEX #8DDCA9

RGB 141 220 169

HSL 141.27, 0.53%, 0.71%

LAB 81.68, -35.02, 17.53

 

CMYK 34 / 0 / 21 / 7

HEX #9EEEBC

RGB 158 238 188

HSL 142.5, 0.7%, 0.78%

LAB 87.99, -34.76, 16.57

 

CMYK 49 / 0 / 30 / 35

HEX #55A675

RGB 85 166 117

HSL 143.7, 0.32%, 0.49%

LAB 62.07, -36.21, 17.91

 

CMYK 54 / 0 / 34 / 42

HEX #449462

RGB 68 148 98

HSL 142.5, 0.37%, 0.42%

LAB 55.37, -36.36, 19.19

 

CMYK 61 / 0 / 39 / 49

HEX #33824F

RGB 51 130 79

HSL 141.27, 0.44%, 0.35%

LAB 48.55, -36.38, 20.59

 

CMYK 70 / 0 / 46 / 56

HEX #22703C

RGB 34 112 60

HSL 140, 0.53%, 0.29%

LAB 41.62, -36.11, 22.16

 

CMYK 82 / 0 / 56 / 63

HEX #115E29

RGB 17 94 41

HSL 138.7, 0.69%, 0.22%

LAB 34.57, -35.31, 23.88

 

CMYK 49 / 0 / 29 / 36

HEX #54A474

RGB 84 164 116

HSL 144, 0.32%, 0.49%

LAB 61.39, -35.77, 17.52

 

CMYK 49 / 0 / 43 / 36

HEX #54A45E

RGB 84 164 94

HSL 127.5, 0.32%, 0.49%

LAB 61, -39.77, 28.92

 

CMYK 41 / 0 / 49 / 36

HEX #60A454

RGB 96 164 84

HSL 111, 0.32%, 0.49%

LAB 61.38, -37.62, 34.73

 

CMYK 28 / 0 / 49 / 36

HEX #76A454

RGB 118 164 84

HSL 94.5, 0.32%, 0.49%

LAB 62.54, -29.95, 36.43

 

CMYK 15 / 0 / 49 / 36

HEX #8BA454

RGB 139 164 84

HSL 78.75, 0.32%, 0.49%

LAB 63.9, -21.82, 38.4

 

CMYK 49 / 0 / 29 / 36

HEX #54A474

RGB 84 164 116

HSL 144, 0.32%, 0.49%

LAB 61.39, -35.77, 17.52

 

CMYK 49 / 0 / 16 / 36

HEX #54A48A

RGB 84 164 138

HSL 160.5, 0.32%, 0.49%

LAB 61.89, -30.98, 5.97

 

CMYK 49 / 0 / 3 / 36

HEX #54A49F

RGB 84 164 159

HSL 176.25, 0.32%, 0.49%

LAB 62.46, -25.74, -4.98

 

CMYK 49 / 10 / 0 / 36

HEX #5494A4

RGB 84 148 164

HSL 192, 0.32%, 0.49%

LAB 57.79, -16.06, -14.79

 

CMYK 49 / 23 / 0 / 36

HEX #547FA4

RGB 84 127 164

HSL 207.75, 0.32%, 0.49%

LAB 51.55, -4.3, -24.34

 

CMYK 49 / 0 / 29 / 36

HEX #54A474

RGB 84 164 116

HSL 144, 0.32%, 0.49%

LAB 61.39, -35.77, 17.52

 

CMYK 65 / 0 / 39 / 27

HEX #40B970

RGB 64 185 112

HSL 143.8, 0.49%, 0.49%

LAB 67.25, -50.03, 27.46

 

CMYK 79 / 0 / 47 / 20

HEX #2CCD6C

RGB 44 205 108

HSL 143.85, 0.65%, 0.49%

LAB 73.08, -61.15, 36.97

 

CMYK 89 / 0 / 54 / 12

HEX #18E167

RGB 24 225 103

HSL 143.58, 0.81%, 0.49%

LAB 79.06, -70.24, 46.73

 

CMYK 98 / 0 / 60 / 4

HEX #04F563

RGB 4 245 99

HSL 143.65, 0.97%, 0.49%

LAB 85.11, -77.61, 55.66

 

CMYK 49 / 0 / 29 / 36

HEX #54A474

RGB 84 164 116

HSL 144, 0.32%, 0.49%

LAB 61.39, -35.77, 17.52

 

CMYK 27 / 0 / 17 / 44

HEX #699078

RGB 105 144 120

HSL 143.08, 0.16%, 0.49%

LAB 56.39, -18.72, 8.44

 

CMYK 0 / 1 / 0 / 51

HEX #7D7C7D

RGB 125 124 125

HSL 300, 0%, 0.49%

LAB 52.13, 0.58, -0.42

 

CMYK 0 / 28 / 11 / 43

HEX #916881

RGB 145 104 129

HSL 323.41, 0.16%, 0.49%

LAB 48.89, 20.59, -7.34

 

CMYK 0 / 49 / 19 / 35

HEX #A55485

RGB 165 84 133

HSL 323.7, 0.33%, 0.49%

LAB 47.02, 39.59, -12.29

 

CMYK 41 / 0 / 49 / 36

HEX #60A454

RGB 96 164 84

HSL 111, 0.32%, 0.49%

LAB 61.38, -37.62, 34.73

 

CMYK 49 / 0 / 43 / 36

HEX #54A45E

RGB 84 164 94

HSL 127.5, 0.32%, 0.49%

LAB 61, -39.77, 28.92

 

CMYK 49 / 0 / 30 / 36

HEX #54A473

RGB 84 164 115

HSL 143.25, 0.32%, 0.49%

LAB 61.37, -35.97, 18.04

 

CMYK 49 / 0 / 17 / 36

HEX #54A488

RGB 84 164 136

HSL 159, 0.32%, 0.49%

LAB 61.84, -31.45, 7.02

 

CMYK 49 / 0 / 4 / 36

HEX #54A49E

RGB 84 164 158

HSL 175.5, 0.32%, 0.49%

LAB 62.43, -26, -4.47

 

CMYK 49 / 0 / 29 / 57

HEX #386E4E

RGB 56 110 78

HSL 144.44, 0.33%, 0.33%

LAB 42.07, -25.97, 12.43

 

CMYK 49 / 0 / 29 / 46

HEX #468961

RGB 70 137 97

HSL 144.18, 0.32%, 0.41%

LAB 51.9, -30.97, 15.03

 

CMYK 49 / 0 / 29 / 36

HEX #54A474

RGB 84 164 116

HSL 144, 0.32%, 0.49%

LAB 61.39, -35.77, 17.52

 

CMYK 39 / 0 / 23 / 29

HEX #6EB48A

RGB 110 180 138

HSL 144, 0.32%, 0.57%

LAB 67.87, -31.44, 14.6

 

CMYK 29 / 0 / 18 / 24

HEX #89C2A0

RGB 137 194 160

HSL 144.21, 0.32%, 0.65%

LAB 73.83, -25.59, 11.25

 

CMYK 49 / 0 / 30 / 35

HEX #55A675

RGB 85 166 117

HSL 143.7, 0.32%, 0.49%

LAB 62.07, -36.21, 17.91

 

CMYK 49 / 28 / 0 / 36

HEX #5476A4

RGB 84 118 164

HSL 214.5, 0.32%, 0.49%

LAB 48.91, 1.01, -28.42

 

CMYK 0 / 49 / 48 / 36

HEX #A45456

RGB 164 84 86

HSL 358.5, 0.32%, 0.49%

LAB 45.5, 33.08, 13.98

 

CMYK 49 / 0 / 30 / 35

HEX #55A675

RGB 85 166 117

HSL 143.7, 0.32%, 0.49%

LAB 62.07, -36.21, 17.91

 

CMYK 30 / 49 / 0 / 36

HEX #7354A4

RGB 115 84 164

HSL 263.25, 0.32%, 0.49%

LAB 42.26, 30.29, -38.71

 

CMYK 0 / 30 / 49 / 36

HEX #A47354

RGB 164 115 84

HSL 23.25, 0.32%, 0.49%

LAB 52.72, 15.54, 24.82

 

CMYK 49 / 0 / 30 / 35

HEX #55A675

RGB 85 166 117

HSL 143.7, 0.32%, 0.49%

LAB 62.07, -36.21, 17.91

 

CMYK 49 / 28 / 0 / 36

HEX #5476A4

RGB 84 118 164

HSL 214.5, 0.32%, 0.49%

LAB 48.91, 1.01, -28.42

 

CMYK 0 / 49 / 18 / 36

HEX #A45486

RGB 164 84 134

HSL 322.5, 0.32%, 0.49%

LAB 46.91, 39.41, -13.06

 

CMYK 0 / 20 / 49 / 36

HEX #A48354

RGB 164 131 84

HSL 35.25, 0.32%, 0.49%

LAB 56.85, 6.48, 30.11

 

CMYK 49 / 0 / 30 / 35

HEX #55A675

RGB 85 166 117

HSL 143.7, 0.32%, 0.49%

LAB 62.07, -36.21, 17.91

 

CMYK 49 / 43 / 0 / 36

HEX #545EA4

RGB 84 94 164

HSL 232.5, 0.32%, 0.49%

LAB 42.11, 15.83, -39.11

 

CMYK 0 / 49 / 18 / 36

HEX #A45486

RGB 164 84 134

HSL 322.5, 0.32%, 0.49%

LAB 46.91, 39.41, -13.06

 

CMYK 0 / 5 / 49 / 36

HEX #A49B54

RGB 164 155 84

HSL 53.25, 0.32%, 0.49%

LAB 63.32, -6.73, 38.15

 

Description

Color code: RGB 85 166 117 | qconv.com Color code: RGB 85 166 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 166 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 166 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 30 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 30% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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