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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 159 215 it is the complementary color RGB 170 96 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 159 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 159 215 shade: RGB 90 159 210, RGB 107 177 229, RGB 124 195 248, RGB 141 213 255 and RGB 158 231 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 159 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 159 215 shade: RGB 85 159 215, RGB 68 141 196, RGB 51 123 177, RGB 34 105 158 and RGB 17 87 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 159 215 shade: RGB 85 159 215, RGB 85 124 215, RGB 85 89 215, RGB 116 85 215 and RGB 151 85 215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 159 215 shade: RGB 85 159 215, RGB 85 124 215, RGB 85 89 215 and RGB 85 85 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 159 215 shade matches the following richer shades: RGB 85 159 215, RGB 68 161 232 and RGB 51 164 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 159 215 shade: RGB 85 159 215, RGB 102 157 198, RGB 119 154 181, RGB 136 152 164 and RGB 153 150 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 159 215 shade: RGB 85 215 200, RGB 85 195 215, RGB 85 161 215, RGB 85 126 215 and RGB 85 92 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 159 215 shade: RGB 41 118 176, RGB 52 140 207, RGB 85 159 215, RGB 119 178 223 and RGB 152 197 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 159 215 shade: RGB 85 159 215, RGB 165 85 215 and RGB 213 215 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 159 215 shade: RGB 85 159 215, RGB 215 85 161 and RGB 161 215 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 159 215 shade: RGB 85 159 215, RGB 165 85 215, RGB 215 139 85 and RGB 135 215 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 159 215 shade: RGB 85 159 215, RGB 204 85 215, RGB 215 139 85 and RGB 96 215 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 26 / 0 / 16

HEX #559FD7

RGB 85 159 215

HSL 205.85, 0.62%, 0.59%

LAB 63.04, -6.38, -35.43

 

Complementary color

CMYK 0 / 44 / 76 / 33

HEX #AA6028

RGB 170 96 40

HSL 25.85, 0.62%, 0.41%

LAB 48.34, 25.62, 43.43

 

CMYK 57 / 24 / 0 / 18

HEX #5A9FD2

RGB 90 159 210

HSL 205.5, 0.57%, 0.59%

LAB 63.03, -6.98, -32.65

 

CMYK 53 / 23 / 0 / 10

HEX #6BB1E5

RGB 107 177 229

HSL 205.57, 0.7%, 0.66%

LAB 69.63, -7.58, -32.83

 

CMYK 50 / 21 / 0 / 3

HEX #7CC3F8

RGB 124 195 248

HSL 205.65, 0.9%, 0.73%

LAB 76.13, -8.06, -33.02

 

CMYK 45 / 16 / 0 / 0

HEX #8DD5FF

RGB 141 213 255

HSL 202.11, 1%, 0.78%

LAB 82.09, -11.72, -27.52

 

CMYK 38 / 9 / 0 / 0

HEX #9EE7FF

RGB 158 231 255

HSL 194.85, 1%, 0.81%

LAB 87.8, -16.75, -18.78

 

CMYK 60 / 26 / 0 / 16

HEX #559FD7

RGB 85 159 215

HSL 205.85, 0.62%, 0.59%

LAB 63.04, -6.38, -35.43

 

CMYK 65 / 28 / 0 / 23

HEX #448DC4

RGB 68 141 196

HSL 205.78, 0.52%, 0.52%

LAB 56.35, -5.46, -35.26

 

CMYK 71 / 31 / 0 / 31

HEX #337BB1

RGB 51 123 177

HSL 205.71, 0.55%, 0.45%

LAB 49.55, -4.27, -35.09

 

CMYK 78 / 34 / 0 / 38

HEX #22699E

RGB 34 105 158

HSL 205.65, 0.65%, 0.38%

LAB 42.63, -2.7, -34.88

 

CMYK 88 / 37 / 0 / 45

HEX #11578B

RGB 17 87 139

HSL 205.57, 0.78%, 0.31%

LAB 35.6, -0.57, -34.62

 

CMYK 60 / 26 / 0 / 16

HEX #559FD7

RGB 85 159 215

HSL 205.85, 0.62%, 0.59%

LAB 63.04, -6.38, -35.43

 

CMYK 60 / 42 / 0 / 16

HEX #557CD7

RGB 85 124 215

HSL 222, 0.62%, 0.59%

LAB 53.23, 14.18, -50.9

 

CMYK 60 / 59 / 0 / 16

HEX #5559D7

RGB 85 89 215

HSL 238.15, 0.62%, 0.59%

LAB 44.21, 35.81, -65.42

 

CMYK 46 / 60 / 0 / 16

HEX #7455D7

RGB 116 85 215

HSL 254.31, 0.62%, 0.59%

LAB 45.79, 43.94, -62.73

 

CMYK 30 / 60 / 0 / 16

HEX #9755D7

RGB 151 85 215

HSL 270.46, 0.62%, 0.59%

LAB 49.48, 51.57, -56.6

 

CMYK 60 / 26 / 0 / 16

HEX #559FD7

RGB 85 159 215

HSL 205.85, 0.62%, 0.59%

LAB 63.04, -6.38, -35.43

 

CMYK 60 / 42 / 0 / 16

HEX #557CD7

RGB 85 124 215

HSL 222, 0.62%, 0.59%

LAB 53.23, 14.18, -50.9

 

CMYK 60 / 59 / 0 / 16

HEX #5559D7

RGB 85 89 215

HSL 238.15, 0.62%, 0.59%

LAB 44.21, 35.81, -65.42

 

CMYK 60 / 60 / 0 / 16

HEX #5555D7

RGB 85 85 215

HSL 240, 0.62%, 0.59%

LAB 43.26, 38.24, -66.95

 

CMYK 60 / 26 / 0 / 16

HEX #559FD7

RGB 85 159 215

HSL 205.85, 0.62%, 0.59%

LAB 63.04, -6.38, -35.43

 

CMYK 71 / 31 / 0 / 9

HEX #44A1E8

RGB 68 161 232

HSL 205.98, 0.78%, 0.59%

LAB 63.79, -4.65, -43.69

 

CMYK 80 / 34 / 0 / 2

HEX #33A4F9

RGB 51 164 249

HSL 205.76, 0.94%, 0.59%

LAB 65.04, -2.41, -51.08

 

CMYK 60 / 26 / 0 / 16

HEX #559FD7

RGB 85 159 215

HSL 205.85, 0.62%, 0.59%

LAB 63.04, -6.38, -35.43

 

CMYK 48 / 21 / 0 / 22

HEX #669DC6

RGB 102 157 198

HSL 205.63, 0.46%, 0.59%

LAB 62.52, -6.84, -26.7

 

CMYK 34 / 15 / 0 / 29

HEX #779AB5

RGB 119 154 181

HSL 206.13, 0.3%, 0.59%

LAB 61.97, -5.37, -17.92

 

CMYK 17 / 7 / 0 / 36

HEX #8898A4

RGB 136 152 164

HSL 205.71, 0.13%, 0.59%

LAB 61.97, -3.07, -8.21

 

CMYK 0 / 2 / 4 / 40

HEX #999693

RGB 153 150 147

HSL 30, 0.03%, 0.59%

LAB 62.25, 0.53, 1.96

 

CMYK 60 / 0 / 7 / 16

HEX #55D7C8

RGB 85 215 200

HSL 173.08, 0.62%, 0.59%

LAB 78.87, -39.06, -3.24

 

CMYK 60 / 9 / 0 / 16

HEX #55C3D7

RGB 85 195 215

HSL 189.23, 0.62%, 0.59%

LAB 73.46, -25.43, -19.41

 

CMYK 60 / 25 / 0 / 16

HEX #55A1D7

RGB 85 161 215

HSL 204.92, 0.62%, 0.59%

LAB 63.61, -7.49, -34.54

 

CMYK 60 / 41 / 0 / 16

HEX #557ED7

RGB 85 126 215

HSL 221.08, 0.62%, 0.59%

LAB 53.77, 12.96, -50.03

 

CMYK 60 / 57 / 0 / 16

HEX #555CD7

RGB 85 92 215

HSL 236.77, 0.62%, 0.59%

LAB 44.93, 33.97, -64.24

 

CMYK 77 / 33 / 0 / 31

HEX #2976B0

RGB 41 118 176

HSL 205.78, 0.62%, 0.43%

LAB 47.7, -3.02, -37.43

 

CMYK 75 / 32 / 0 / 19

HEX #348CCF

RGB 52 140 207

HSL 205.94, 0.62%, 0.51%

LAB 56.08, -3.43, -41.94

 

CMYK 60 / 26 / 0 / 16

HEX #559FD7

RGB 85 159 215

HSL 205.85, 0.62%, 0.59%

LAB 63.04, -6.38, -35.43

 

CMYK 47 / 20 / 0 / 13

HEX #77B2DF

RGB 119 178 223

HSL 205.96, 0.62%, 0.67%

LAB 70.24, -7.14, -28.57

 

CMYK 34 / 14 / 0 / 10

HEX #98C5E6

RGB 152 197 230

HSL 205.38, 0.61%, 0.75%

LAB 77.47, -6.96, -21.15

 

CMYK 60 / 26 / 0 / 16

HEX #559FD7

RGB 85 159 215

HSL 205.85, 0.62%, 0.59%

LAB 63.04, -6.38, -35.43

 

CMYK 23 / 60 / 0 / 16

HEX #A555D7

RGB 165 85 215

HSL 276.92, 0.62%, 0.59%

LAB 51.15, 54.83, -53.82

 

CMYK 1 / 0 / 60 / 16

HEX #D5D755

RGB 213 215 85

HSL 60.92, 0.62%, 0.59%

LAB 83.65, -17.02, 62.01

 

CMYK 60 / 26 / 0 / 16

HEX #559FD7

RGB 85 159 215

HSL 205.85, 0.62%, 0.59%

LAB 63.04, -6.38, -35.43

 

CMYK 0 / 60 / 25 / 16

HEX #D755A1

RGB 215 85 161

HSL 324.92, 0.62%, 0.59%

LAB 55.6, 58.76, -15.19

 

CMYK 25 / 0 / 60 / 16

HEX #A1D755

RGB 161 215 85

HSL 84.92, 0.62%, 0.59%

LAB 80.09, -37.49, 57.09

 

CMYK 60 / 26 / 0 / 16

HEX #559FD7

RGB 85 159 215

HSL 205.85, 0.62%, 0.59%

LAB 63.04, -6.38, -35.43

 

CMYK 23 / 60 / 0 / 16

HEX #A555D7

RGB 165 85 215

HSL 276.92, 0.62%, 0.59%

LAB 51.15, 54.83, -53.82

 

CMYK 0 / 35 / 60 / 16

HEX #D78B55

RGB 215 139 85

HSL 24.92, 0.62%, 0.59%

LAB 64.62, 23.72, 40.46

 

CMYK 37 / 0 / 60 / 16

HEX #87D755

RGB 135 215 85

HSL 96.92, 0.62%, 0.59%

LAB 78.7, -46.65, 55.15

 

CMYK 60 / 26 / 0 / 16

HEX #559FD7

RGB 85 159 215

HSL 205.85, 0.62%, 0.59%

LAB 63.04, -6.38, -35.43

 

CMYK 5 / 60 / 0 / 16

HEX #CC55D7

RGB 204 85 215

HSL 294.92, 0.62%, 0.59%

LAB 56.33, 64.23, -45.27

 

CMYK 0 / 35 / 60 / 16

HEX #D78B55

RGB 215 139 85

HSL 24.92, 0.62%, 0.59%

LAB 64.62, 23.72, 40.46

 

CMYK 55 / 0 / 60 / 16

HEX #60D755

RGB 96 215 85

HSL 114.92, 0.62%, 0.59%

LAB 77.13, -58.11, 52.95

 

Description

Color code: RGB 85 159 215 | qconv.com Color code: RGB 85 159 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 159 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 159 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 26 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 26% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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