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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 138 74 it is the complementary color RGB 170 117 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 138 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 138 74 shade: RGB 90 138 69, RGB 107 156 88, RGB 124 174 107, RGB 141 192 126 and RGB 158 210 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 138 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 138 74 shade: RGB 85 138 74, RGB 68 120 55, RGB 51 102 36, RGB 34 84 17 and RGB 17 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 138 74 shade: RGB 86 139 74, RGB 103 139 74, RGB 120 139 74, RGB 137 139 74 and RGB 139 123 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 138 74 shade: RGB 86 139 74, RGB 74 139 81, RGB 74 139 98, RGB 74 139 115 and RGB 74 139 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 138 74 shade matches the following richer shades: RGB 86 139 74, RGB 74 156 57, RGB 63 173 40, RGB 51 191 22 and RGB 40 208 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 138 74 shade: RGB 86 139 74, RGB 97 121 92, RGB 108 104 109, RGB 120 87 126 and RGB 131 69 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 138 74 shade: RGB 121 139 74, RGB 103 139 74, RGB 86 139 74, RGB 74 139 80 and RGB 74 139 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 138 74 shade: RGB 52 85 46, RGB 69 112 60, RGB 86 139 74, RGB 102 165 89 and RGB 127 180 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 138 74 shade: RGB 85 138 74, RGB 74 138 139 and RGB 139 74 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 138 74 shade: RGB 85 138 74, RGB 74 86 139 and RGB 139 74 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 138 74 shade: RGB 85 138 74, RGB 74 138 139, RGB 127 74 139 and RGB 139 76 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 138 74 shade: RGB 85 138 74, RGB 74 118 139, RGB 127 74 139 and RGB 139 95 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 46 / 46

HEX #558A4A

RGB 85 138 74

HSL 109.69, 0.3%, 0.42%

LAB 52.51, -30.81, 28.76

 

Complementary color

CMYK 6 / 35 / 0 / 29

HEX #AA75B5

RGB 170 117 181

HSL 289.69, 0.3%, 0.58%

LAB 56.69, 31.89, -25.63

 

CMYK 35 / 0 / 50 / 46

HEX #5A8A45

RGB 90 138 69

HSL 101.74, 0.33%, 0.41%

LAB 52.71, -29.74, 31.72

 

CMYK 31 / 0 / 44 / 39

HEX #6B9C58

RGB 107 156 88

HSL 103.24, 0.28%, 0.48%

LAB 59.53, -29.6, 30.44

 

CMYK 29 / 0 / 39 / 32

HEX #7CAE6B

RGB 124 174 107

HSL 104.78, 0.29%, 0.55%

LAB 66.23, -29.43, 29.21

 

CMYK 27 / 0 / 34 / 25

HEX #8DC07E

RGB 141 192 126

HSL 106.36, 0.34%, 0.62%

LAB 72.81, -29.24, 28.04

 

CMYK 25 / 0 / 31 / 18

HEX #9ED291

RGB 158 210 145

HSL 108, 0.42%, 0.7%

LAB 79.27, -29.05, 26.93

 

CMYK 38 / 0 / 46 / 46

HEX #558A4A

RGB 85 138 74

HSL 109.69, 0.3%, 0.42%

LAB 52.51, -30.81, 28.76

 

CMYK 43 / 0 / 54 / 53

HEX #447837

RGB 68 120 55

HSL 108, 0.37%, 0.34%

LAB 45.55, -30.92, 30.09

 

CMYK 50 / 0 / 65 / 60

HEX #336624

RGB 51 102 36

HSL 106.36, 0.48%, 0.27%

LAB 38.44, -30.85, 31.34

 

CMYK 60 / 0 / 80 / 67

HEX #225411

RGB 34 84 17

HSL 104.78, 0.66%, 0.2%

LAB 31.16, -30.38, 32.12

 

CMYK 74 / 0 / 100 / 74

HEX #114200

RGB 17 66 0

HSL 104.55, 1%, 0.13%

LAB 23.72, -29.17, 31.46

 

CMYK 38 / 0 / 47 / 45

HEX #568B4A

RGB 86 139 74

HSL 108.92, 0.31%, 0.42%

LAB 52.88, -30.93, 29.24

 

CMYK 26 / 0 / 47 / 45

HEX #678B4A

RGB 103 139 74

HSL 93.23, 0.31%, 0.42%

LAB 53.86, -24.69, 30.67

 

CMYK 14 / 0 / 47 / 45

HEX #788B4A

RGB 120 139 74

HSL 77.54, 0.31%, 0.42%

LAB 55.02, -17.87, 32.37

 

CMYK 1 / 0 / 47 / 45

HEX #898B4A

RGB 137 139 74

HSL 61.85, 0.31%, 0.42%

LAB 56.37, -10.68, 34.32

 

CMYK 0 / 12 / 47 / 45

HEX #8B7B4A

RGB 139 123 74

HSL 45.23, 0.31%, 0.42%

LAB 52.01, -0.95, 28.96

 

CMYK 38 / 0 / 47 / 45

HEX #568B4A

RGB 86 139 74

HSL 108.92, 0.31%, 0.42%

LAB 52.88, -30.93, 29.24

 

CMYK 47 / 0 / 42 / 45

HEX #4A8B51

RGB 74 139 81

HSL 126.46, 0.31%, 0.42%

LAB 52.41, -33.75, 24.72

 

CMYK 47 / 0 / 29 / 45

HEX #4A8B62

RGB 74 139 98

HSL 142.15, 0.31%, 0.42%

LAB 52.73, -30.57, 15.63

 

CMYK 47 / 0 / 17 / 45

HEX #4A8B73

RGB 74 139 115

HSL 157.85, 0.31%, 0.42%

LAB 53.12, -26.84, 6.43

 

CMYK 47 / 0 / 4 / 45

HEX #4A8B85

RGB 74 139 133

HSL 174.46, 0.31%, 0.42%

LAB 53.62, -22.33, -3.26

 

CMYK 38 / 0 / 47 / 45

HEX #568B4A

RGB 86 139 74

HSL 108.92, 0.31%, 0.42%

LAB 52.88, -30.93, 29.24

 

CMYK 53 / 0 / 63 / 39

HEX #4A9C39

RGB 74 156 57

HSL 109.7, 0.46%, 0.42%

LAB 57.59, -44.3, 43.16

 

CMYK 64 / 0 / 77 / 32

HEX #3FAD28

RGB 63 173 40

HSL 109.62, 0.62%, 0.42%

LAB 62.59, -54.97, 55.02

 

CMYK 73 / 0 / 88 / 25

HEX #33BF16

RGB 51 191 22

HSL 109.7, 0.79%, 0.42%

LAB 68.04, -64.14, 64.63

 

CMYK 81 / 0 / 98 / 18

HEX #28D005

RGB 40 208 5

HSL 109.66, 0.95%, 0.42%

LAB 73.27, -71.14, 71.19

 

CMYK 38 / 0 / 47 / 45

HEX #568B4A

RGB 86 139 74

HSL 108.92, 0.31%, 0.42%

LAB 52.88, -30.93, 29.24

 

CMYK 20 / 0 / 24 / 53

HEX #61795C

RGB 97 121 92

HSL 109.66, 0.14%, 0.42%

LAB 48.25, -14.77, 13.1

 

CMYK 1 / 5 / 0 / 57

HEX #6C686D

RGB 108 104 109

HSL 288, 0.02%, 0.42%

LAB 44.51, 2.58, -2.25

 

CMYK 5 / 31 / 0 / 51

HEX #78577E

RGB 120 87 126

HSL 290.77, 0.18%, 0.42%

LAB 41.71, 20.95, -16.65

 

CMYK 9 / 52 / 0 / 44

HEX #834590

RGB 131 69 144

HSL 289.6, 0.35%, 0.42%

LAB 39.74, 38.79, -30.56

 

CMYK 13 / 0 / 47 / 45

HEX #798B4A

RGB 121 139 74

HSL 76.62, 0.31%, 0.42%

LAB 55.1, -17.45, 32.48

 

CMYK 26 / 0 / 47 / 45

HEX #678B4A

RGB 103 139 74

HSL 93.23, 0.31%, 0.42%

LAB 53.86, -24.69, 30.67

 

CMYK 38 / 0 / 47 / 45

HEX #568B4A

RGB 86 139 74

HSL 108.92, 0.31%, 0.42%

LAB 52.88, -30.93, 29.24

 

CMYK 47 / 0 / 42 / 45

HEX #4A8B50

RGB 74 139 80

HSL 125.54, 0.31%, 0.42%

LAB 52.4, -33.91, 25.25

 

CMYK 47 / 0 / 30 / 45

HEX #4A8B61

RGB 74 139 97

HSL 141.23, 0.31%, 0.42%

LAB 52.71, -30.78, 16.17

 

CMYK 39 / 0 / 46 / 67

HEX #34552E

RGB 52 85 46

HSL 110.77, 0.3%, 0.26%

LAB 32.75, -20.85, 19.01

 

CMYK 38 / 0 / 46 / 56

HEX #45703C

RGB 69 112 60

HSL 109.62, 0.3%, 0.34%

LAB 43.03, -26.02, 24.26

 

CMYK 38 / 0 / 47 / 45

HEX #568B4A

RGB 86 139 74

HSL 108.92, 0.31%, 0.42%

LAB 52.88, -30.93, 29.24

 

CMYK 38 / 0 / 46 / 35

HEX #66A559

RGB 102 165 89

HSL 109.74, 0.3%, 0.5%

LAB 62.05, -35.4, 33.05

 

CMYK 29 / 0 / 36 / 29

HEX #7FB474

RGB 127 180 116

HSL 109.69, 0.3%, 0.58%

LAB 68.33, -29.89, 27.23

 

CMYK 38 / 0 / 46 / 46

HEX #558A4A

RGB 85 138 74

HSL 109.69, 0.3%, 0.42%

LAB 52.51, -30.81, 28.76

 

CMYK 47 / 1 / 0 / 45

HEX #4A8A8B

RGB 74 138 139

HSL 180.92, 0.31%, 0.42%

LAB 53.49, -20.19, -6.92

 

CMYK 0 / 47 / 19 / 45

HEX #8B4A70

RGB 139 74 112

HSL 324.92, 0.31%, 0.42%

LAB 40.5, 32.65, -9.67

 

CMYK 38 / 0 / 46 / 46

HEX #558A4A

RGB 85 138 74

HSL 109.69, 0.3%, 0.42%

LAB 52.51, -30.81, 28.76

 

CMYK 47 / 38 / 0 / 45

HEX #4A568B

RGB 74 86 139

HSL 228.92, 0.31%, 0.42%

LAB 37.8, 10.38, -30.98

 

CMYK 0 / 47 / 38 / 45

HEX #8B4A56

RGB 139 74 86

HSL 348.92, 0.31%, 0.42%

LAB 39.68, 28.86, 5.28

 

CMYK 38 / 0 / 46 / 46

HEX #558A4A

RGB 85 138 74

HSL 109.69, 0.3%, 0.42%

LAB 52.51, -30.81, 28.76

 

CMYK 47 / 1 / 0 / 45

HEX #4A8A8B

RGB 74 138 139

HSL 180.92, 0.31%, 0.42%

LAB 53.49, -20.19, -6.92

 

CMYK 9 / 47 / 0 / 45

HEX #7F4A8B

RGB 127 74 139

HSL 288.92, 0.31%, 0.42%

LAB 40.04, 33.74, -27.09

 

CMYK 0 / 45 / 47 / 45

HEX #8B4C4A

RGB 139 76 74

HSL 1.85, 0.31%, 0.42%

LAB 39.84, 26.3, 12.96

 

CMYK 38 / 0 / 46 / 46

HEX #558A4A

RGB 85 138 74

HSL 109.69, 0.3%, 0.42%

LAB 52.51, -30.81, 28.76

 

CMYK 47 / 15 / 0 / 45

HEX #4A768B

RGB 74 118 139

HSL 199.38, 0.31%, 0.42%

LAB 47.34, -9.17, -16.19

 

CMYK 9 / 47 / 0 / 45

HEX #7F4A8B

RGB 127 74 139

HSL 288.92, 0.31%, 0.42%

LAB 40.04, 33.74, -27.09

 

CMYK 0 / 32 / 47 / 45

HEX #8B5F4A

RGB 139 95 74

HSL 19.38, 0.31%, 0.42%

LAB 44.47, 15.28, 19.22

 

Description

Color code: RGB 85 138 74 | qconv.com Color code: RGB 85 138 74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 138 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 138 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 46 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 46% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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