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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 133 95 it is the complementary color RGB 170 122 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 133 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 133 95 shade: RGB 90 133 90, RGB 107 151 109, RGB 124 169 128, RGB 141 187 147 and RGB 158 205 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 133 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 133 95 shade: RGB 85 133 95, RGB 68 115 76, RGB 51 97 57, RGB 34 79 38 and RGB 17 61 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 133 95 shade: RGB 85 133 95, RGB 88 133 85, RGB 101 133 85, RGB 114 133 85 and RGB 127 133 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 133 95 shade: RGB 85 133 95, RGB 85 133 108, RGB 85 133 121, RGB 85 132 133 and RGB 85 119 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 133 95 shade matches the following richer shades: RGB 85 133 95, RGB 67 151 85, RGB 50 169 74, RGB 32 186 64 and RGB 14 204 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 133 95 shade: RGB 85 133 95, RGB 103 116 105, RGB 121 98 116, RGB 138 80 126 and RGB 156 62 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 133 95 shade: RGB 101 133 85, RGB 88 133 85, RGB 85 133 95, RGB 85 133 108 and RGB 85 133 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 133 95 shade: RGB 53 83 59, RGB 69 108 77, RGB 85 133 95, RGB 102 157 114 and RGB 128 173 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 133 95 shade: RGB 85 133 95, RGB 85 114 133 and RGB 133 85 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 133 95 shade: RGB 85 133 95, RGB 95 85 133 and RGB 133 95 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 133 95 shade: RGB 85 133 95, RGB 85 114 133, RGB 133 85 124 and RGB 133 104 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 133 95 shade: RGB 85 133 95, RGB 85 100 133, RGB 133 85 124 and RGB 133 119 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 29 / 48

HEX #55855F

RGB 85 133 95

HSL 132.5, 0.22%, 0.43%

LAB 51.3, -24.8, 15.46

 

Complementary color

CMYK 0 / 28 / 6 / 33

HEX #AA7AA0

RGB 170 122 160

HSL 312.5, 0.22%, 0.57%

LAB 57.08, 24.99, -12.95

 

CMYK 32 / 0 / 32 / 48

HEX #5A855A

RGB 90 133 90

HSL 120, 0.19%, 0.44%

LAB 51.48, -24.01, 18.6

 

CMYK 29 / 0 / 28 / 41

HEX #6B976D

RGB 107 151 109

HSL 122.73, 0.17%, 0.51%

LAB 58.38, -23.75, 17.45

 

CMYK 27 / 0 / 24 / 34

HEX #7CA980

RGB 124 169 128

HSL 125.33, 0.21%, 0.57%

LAB 65.14, -23.51, 16.39

 

CMYK 25 / 0 / 21 / 27

HEX #8DBB93

RGB 141 187 147

HSL 127.83, 0.25%, 0.64%

LAB 71.76, -23.29, 15.41

 

CMYK 23 / 0 / 19 / 20

HEX #9ECDA6

RGB 158 205 166

HSL 130.21, 0.32%, 0.71%

LAB 78.28, -23.08, 14.48

 

CMYK 36 / 0 / 29 / 48

HEX #55855F

RGB 85 133 95

HSL 132.5, 0.22%, 0.43%

LAB 51.3, -24.8, 15.46

 

CMYK 41 / 0 / 34 / 55

HEX #44734C

RGB 68 115 76

HSL 130.21, 0.26%, 0.36%

LAB 44.25, -25.09, 16.68

 

CMYK 47 / 0 / 41 / 62

HEX #336139

RGB 51 97 57

HSL 127.83, 0.31%, 0.29%

LAB 37.02, -25.35, 18.03

 

CMYK 57 / 0 / 52 / 69

HEX #224F26

RGB 34 79 38

HSL 125.33, 0.4%, 0.22%

LAB 29.59, -25.47, 19.54

 

CMYK 72 / 0 / 69 / 76

HEX #113D13

RGB 17 61 19

HSL 122.73, 0.56%, 0.15%

LAB 21.96, -25.17, 21.11

 

CMYK 36 / 0 / 29 / 48

HEX #55855F

RGB 85 133 95

HSL 132.5, 0.22%, 0.43%

LAB 51.3, -24.8, 15.46

 

CMYK 34 / 0 / 36 / 48

HEX #588555

RGB 88 133 85

HSL 116.25, 0.22%, 0.43%

LAB 51.27, -25.59, 21.13

 

CMYK 24 / 0 / 36 / 48

HEX #658555

RGB 101 133 85

HSL 100, 0.22%, 0.43%

LAB 52.06, -20.81, 22.31

 

CMYK 14 / 0 / 36 / 48

HEX #728555

RGB 114 133 85

HSL 83.75, 0.22%, 0.43%

LAB 52.96, -15.71, 23.66

 

CMYK 5 / 0 / 36 / 48

HEX #7F8555

RGB 127 133 85

HSL 67.5, 0.22%, 0.43%

LAB 53.97, -10.36, 25.17

 

CMYK 36 / 0 / 29 / 48

HEX #55855F

RGB 85 133 95

HSL 132.5, 0.22%, 0.43%

LAB 51.3, -24.8, 15.46

 

CMYK 36 / 0 / 19 / 48

HEX #55856C

RGB 85 133 108

HSL 148.75, 0.22%, 0.43%

LAB 51.6, -22.13, 8.38

 

CMYK 36 / 0 / 9 / 48

HEX #558579

RGB 85 133 121

HSL 165, 0.22%, 0.43%

LAB 51.94, -19.15, 1.31

 

CMYK 36 / 1 / 0 / 48

HEX #558485

RGB 85 132 133

HSL 181.25, 0.22%, 0.43%

LAB 51.98, -15.62, -5.62

 

CMYK 36 / 11 / 0 / 48

HEX #557785

RGB 85 119 133

HSL 197.5, 0.22%, 0.43%

LAB 48.03, -8.36, -11.53

 

CMYK 36 / 0 / 29 / 48

HEX #55855F

RGB 85 133 95

HSL 132.5, 0.22%, 0.43%

LAB 51.3, -24.8, 15.46

 

CMYK 56 / 0 / 44 / 41

HEX #439755

RGB 67 151 85

HSL 132.86, 0.39%, 0.43%

LAB 56.07, -40.32, 27.23

 

CMYK 70 / 0 / 56 / 34

HEX #32A94A

RGB 50 169 74

HSL 132.1, 0.54%, 0.43%

LAB 61.26, -52.76, 39.22

 

CMYK 83 / 0 / 66 / 27

HEX #20BA40

RGB 32 186 64

HSL 132.47, 0.71%, 0.43%

LAB 66.36, -62.25, 49.56

 

CMYK 93 / 0 / 74 / 20

HEX #0ECC36

RGB 14 204 54

HSL 132.63, 0.87%, 0.43%

LAB 71.92, -69.95, 59.26

 

CMYK 36 / 0 / 29 / 48

HEX #55855F

RGB 85 133 95

HSL 132.5, 0.22%, 0.43%

LAB 51.3, -24.8, 15.46

 

CMYK 11 / 0 / 9 / 55

HEX #677469

RGB 103 116 105

HSL 129.23, 0.06%, 0.43%

LAB 47.49, -7.17, 4.43

 

CMYK 0 / 19 / 4 / 53

HEX #796274

RGB 121 98 116

HSL 313.04, 0.11%, 0.43%

LAB 44.32, 12.61, -6.62

 

CMYK 0 / 42 / 9 / 46

HEX #8A507E

RGB 138 80 126

HSL 312.41, 0.27%, 0.43%

LAB 42.23, 31.38, -15.67

 

CMYK 0 / 60 / 13 / 39

HEX #9C3E88

RGB 156 62 136

HSL 312.77, 0.43%, 0.43%

LAB 41.67, 48.19, -22.4

 

CMYK 24 / 0 / 36 / 48

HEX #658555

RGB 101 133 85

HSL 100, 0.22%, 0.43%

LAB 52.06, -20.81, 22.31

 

CMYK 34 / 0 / 36 / 48

HEX #588555

RGB 88 133 85

HSL 116.25, 0.22%, 0.43%

LAB 51.27, -25.59, 21.13

 

CMYK 36 / 0 / 29 / 48

HEX #55855F

RGB 85 133 95

HSL 132.5, 0.22%, 0.43%

LAB 51.3, -24.8, 15.46

 

CMYK 36 / 0 / 19 / 48

HEX #55856C

RGB 85 133 108

HSL 148.75, 0.22%, 0.43%

LAB 51.6, -22.13, 8.38

 

CMYK 36 / 0 / 10 / 48

HEX #558578

RGB 85 133 120

HSL 163.75, 0.22%, 0.43%

LAB 51.91, -19.39, 1.85

 

CMYK 36 / 0 / 29 / 67

HEX #35533B

RGB 53 83 59

HSL 132, 0.22%, 0.27%

LAB 32.39, -16.95, 10.61

 

CMYK 36 / 0 / 29 / 58

HEX #456C4D

RGB 69 108 77

HSL 132.31, 0.22%, 0.35%

LAB 42.04, -20.97, 13.09

 

CMYK 36 / 0 / 29 / 48

HEX #55855F

RGB 85 133 95

HSL 132.5, 0.22%, 0.43%

LAB 51.3, -24.8, 15.46

 

CMYK 35 / 0 / 27 / 38

HEX #669D72

RGB 102 157 114

HSL 133.09, 0.22%, 0.51%

LAB 60.03, -27.49, 16.88

 

CMYK 26 / 0 / 21 / 32

HEX #80AD89

RGB 128 173 137

HSL 132, 0.22%, 0.59%

LAB 66.74, -22.5, 13.71

 

CMYK 36 / 0 / 29 / 48

HEX #55855F

RGB 85 133 95

HSL 132.5, 0.22%, 0.43%

LAB 51.3, -24.8, 15.46

 

CMYK 36 / 14 / 0 / 48

HEX #557285

RGB 85 114 133

HSL 203.75, 0.22%, 0.43%

LAB 46.52, -5.46, -13.8

 

CMYK 0 / 36 / 29 / 48

HEX #85555F

RGB 133 85 95

HSL 347.5, 0.22%, 0.43%

LAB 41.7, 21.4, 2.51

 

CMYK 36 / 0 / 29 / 48

HEX #55855F

RGB 85 133 95

HSL 132.5, 0.22%, 0.43%

LAB 51.3, -24.8, 15.46

 

CMYK 29 / 36 / 0 / 48

HEX #5F5585

RGB 95 85 133

HSL 252.5, 0.22%, 0.43%

LAB 38.94, 15.42, -25.41

 

CMYK 0 / 29 / 36 / 48

HEX #855F55

RGB 133 95 85

HSL 12.5, 0.22%, 0.43%

LAB 43.98, 14.06, 11.85

 

CMYK 36 / 0 / 29 / 48

HEX #55855F

RGB 85 133 95

HSL 132.5, 0.22%, 0.43%

LAB 51.3, -24.8, 15.46

 

CMYK 36 / 14 / 0 / 48

HEX #557285

RGB 85 114 133

HSL 203.75, 0.22%, 0.43%

LAB 46.52, -5.46, -13.8

 

CMYK 0 / 36 / 7 / 48

HEX #85557C

RGB 133 85 124

HSL 311.25, 0.22%, 0.43%

LAB 42.67, 26.37, -13.83

 

CMYK 0 / 22 / 36 / 48

HEX #856855

RGB 133 104 85

HSL 23.75, 0.22%, 0.43%

LAB 46.37, 8.75, 15.13

 

CMYK 36 / 0 / 29 / 48

HEX #55855F

RGB 85 133 95

HSL 132.5, 0.22%, 0.43%

LAB 51.3, -24.8, 15.46

 

CMYK 36 / 25 / 0 / 48

HEX #556485

RGB 85 100 133

HSL 221.25, 0.22%, 0.43%

LAB 42.37, 2.94, -20.16

 

CMYK 0 / 36 / 7 / 48

HEX #85557C

RGB 133 85 124

HSL 311.25, 0.22%, 0.43%

LAB 42.67, 26.37, -13.83

 

CMYK 0 / 11 / 36 / 48

HEX #857755

RGB 133 119 85

HSL 42.5, 0.22%, 0.43%

LAB 50.49, 0.03, 20.7

 

Description

Color code: RGB 85 133 95 | qconv.com Color code: RGB 85 133 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 133 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 133 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 29 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 29% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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