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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 104 22 it is the complementary color RGB 170 151 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 104 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 104 22 shade: RGB 90 104 17, RGB 107 122 36, RGB 124 140 55, RGB 141 158 74 and RGB 158 176 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 104 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 104 22 shade: RGB 85 104 22, RGB 68 86 3, RGB 51 68 0, RGB 34 50 0 and RGB 17 32 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 104 22 shade: RGB 85 105 22, RGB 105 102 22, RGB 105 79 22, RGB 105 57 22 and RGB 105 34 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 104 22 shade: RGB 85 105 22, RGB 63 105 22, RGB 41 105 22, RGB 22 105 25 and RGB 22 105 48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 104 22 shade matches the following richer shades: RGB 85 105 22, RGB 91 115 11 and RGB 97 125 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 104 22 shade: RGB 85 105 22, RGB 80 94 32, RGB 74 84 42, RGB 69 74 53 and RGB 63 63 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 104 22 shade: RGB 105 78 22, RGB 105 101 22, RGB 87 105 22, RGB 65 105 22 and RGB 43 105 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 104 22 shade: RGB 30 37 7, RGB 58 71 15, RGB 85 105 22, RGB 113 139 29 and RGB 141 173 36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 104 22 shade: RGB 85 104 22, RGB 22 105 56 and RGB 89 22 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 104 22 shade: RGB 85 104 22, RGB 22 87 105 and RGB 105 22 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 104 22 shade: RGB 85 104 22, RGB 22 105 56, RGB 40 22 105 and RGB 105 22 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 104 22 shade: RGB 85 104 22, RGB 22 105 81, RGB 40 22 105 and RGB 105 22 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 79 / 59

HEX #556816

RGB 85 104 22

HSL 73.9, 0.65%, 0.25%

LAB 41.04, -19.31, 40.84

 

Complementary color

CMYK 27 / 35 / 0 / 9

HEX #AA97E9

RGB 170 151 233

HSL 253.9, 0.65%, 0.75%

LAB 66.95, 24.37, -38.89

 

CMYK 13 / 0 / 84 / 59

HEX #5A6811

RGB 90 104 17

HSL 69.66, 0.72%, 0.24%

LAB 41.4, -17.27, 43.04

 

CMYK 12 / 0 / 70 / 52

HEX #6B7A24

RGB 107 122 36

HSL 70.47, 0.54%, 0.31%

LAB 48.48, -18.06, 43.16

 

CMYK 11 / 0 / 61 / 45

HEX #7C8C37

RGB 124 140 55

HSL 71.29, 0.44%, 0.38%

LAB 55.4, -18.61, 42.42

 

CMYK 11 / 0 / 53 / 38

HEX #8D9E4A

RGB 141 158 74

HSL 72.14, 0.36%, 0.45%

LAB 62.18, -18.99, 41.36

 

CMYK 10 / 0 / 47 / 31

HEX #9EB05D

RGB 158 176 93

HSL 73.01, 0.34%, 0.53%

LAB 68.83, -19.26, 40.2

 

CMYK 18 / 0 / 79 / 59

HEX #556816

RGB 85 104 22

HSL 73.9, 0.65%, 0.25%

LAB 41.04, -19.31, 40.84

 

CMYK 21 / 0 / 97 / 66

HEX #445603

RGB 68 86 3

HSL 73.01, 0.93%, 0.17%

LAB 33.76, -18.43, 39.99

 

CMYK 25 / 0 / 100 / 73

HEX #334400

RGB 51 68 0

HSL 75, 1%, 0.13%

LAB 26.27, -16.92, 34.52

 

CMYK 32 / 0 / 100 / 80

HEX #223200

RGB 34 50 0

HSL 79.2, 1%, 0.1%

LAB 18.46, -15.25, 25.95

 

CMYK 47 / 0 / 100 / 87

HEX #112000

RGB 17 32 0

HSL 88.13, 1%, 0.06%

LAB 10.2, -13.34, 14.97

 

CMYK 19 / 0 / 79 / 59

HEX #556916

RGB 85 105 22

HSL 74.46, 0.65%, 0.25%

LAB 41.36, -19.84, 41.15

 

CMYK 0 / 3 / 79 / 59

HEX #696616

RGB 105 102 22

HSL 57.83, 0.65%, 0.25%

LAB 42.1, -8.83, 42.44

 

CMYK 0 / 25 / 79 / 59

HEX #694F16

RGB 105 79 22

HSL 41.2, 0.65%, 0.25%

LAB 35.31, 4.75, 35.98

 

CMYK 0 / 46 / 79 / 59

HEX #693916

RGB 105 57 22

HSL 25.3, 0.65%, 0.25%

LAB 29.38, 18.22, 30.05

 

CMYK 0 / 68 / 79 / 59

HEX #692216

RGB 105 34 22

HSL 8.67, 0.65%, 0.25%

LAB 24.34, 31.04, 24.72

 

CMYK 19 / 0 / 79 / 59

HEX #556916

RGB 85 105 22

HSL 74.46, 0.65%, 0.25%

LAB 41.36, -19.84, 41.15

 

CMYK 40 / 0 / 79 / 59

HEX #3F6916

RGB 63 105 22

HSL 90.36, 0.65%, 0.25%

LAB 39.94, -29.13, 39.29

 

CMYK 61 / 0 / 79 / 59

HEX #296916

RGB 41 105 22

HSL 106.27, 0.65%, 0.25%

LAB 38.95, -36.57, 37.99

 

CMYK 79 / 0 / 76 / 59

HEX #166919

RGB 22 105 25

HSL 122.17, 0.65%, 0.25%

LAB 38.45, -40.64, 36.12

 

CMYK 79 / 0 / 54 / 59

HEX #166930

RGB 22 105 48

HSL 138.8, 0.65%, 0.25%

LAB 38.7, -37.64, 25.12

 

CMYK 19 / 0 / 79 / 59

HEX #556916

RGB 85 105 22

HSL 74.46, 0.65%, 0.25%

LAB 41.36, -19.84, 41.15

 

CMYK 21 / 0 / 90 / 55

HEX #5B730B

RGB 91 115 11

HSL 73.85, 0.83%, 0.25%

LAB 44.96, -22.78, 47.77

 

CMYK 22 / 0 / 99 / 51

HEX #617D01

RGB 97 125 1

HSL 73.55, 0.98%, 0.25%

LAB 48.52, -25.43, 52.9

 

CMYK 19 / 0 / 79 / 59

HEX #556916

RGB 85 105 22

HSL 74.46, 0.65%, 0.25%

LAB 41.36, -19.84, 41.15

 

CMYK 15 / 0 / 66 / 63

HEX #505E20

RGB 80 94 32

HSL 73.55, 0.49%, 0.25%

LAB 37.51, -15.5, 32.79

 

CMYK 12 / 0 / 50 / 67

HEX #4A542A

RGB 74 84 42

HSL 74.29, 0.33%, 0.25%

LAB 33.91, -11.57, 23.13

 

CMYK 7 / 0 / 28 / 71

HEX #454A35

RGB 69 74 53

HSL 74.29, 0.17%, 0.25%

LAB 30.45, -6.28, 11.9

 

CMYK 0 / 0 / 0 / 75

HEX #3F3F3F

RGB 63 63 63

HSL 0, 0%, 0.25%

LAB 26.65, 0, -0

 

CMYK 0 / 26 / 79 / 59

HEX #694E16

RGB 105 78 22

HSL 40.48, 0.65%, 0.25%

LAB 35.02, 5.36, 35.7

 

CMYK 0 / 4 / 79 / 59

HEX #696516

RGB 105 101 22

HSL 57.11, 0.65%, 0.25%

LAB 41.8, -8.27, 42.16

 

CMYK 17 / 0 / 79 / 59

HEX #576916

RGB 87 105 22

HSL 73.01, 0.65%, 0.25%

LAB 41.51, -18.94, 41.34

 

CMYK 38 / 0 / 79 / 59

HEX #416916

RGB 65 105 22

HSL 88.92, 0.65%, 0.25%

LAB 40.06, -28.35, 39.44

 

CMYK 59 / 0 / 79 / 59

HEX #2B6916

RGB 43 105 22

HSL 104.82, 0.65%, 0.25%

LAB 39.03, -35.99, 38.08

 

CMYK 19 / 0 / 81 / 85

HEX #1E2507

RGB 30 37 7

HSL 74, 0.68%, 0.09%

LAB 13.32, -8.81, 16.56

 

CMYK 18 / 0 / 79 / 72

HEX #3A470F

RGB 58 71 15

HSL 73.93, 0.65%, 0.17%

LAB 27.95, -14.33, 30.23

 

CMYK 19 / 0 / 79 / 59

HEX #556916

RGB 85 105 22

HSL 74.46, 0.65%, 0.25%

LAB 41.36, -19.84, 41.15

 

CMYK 19 / 0 / 79 / 45

HEX #718B1D

RGB 113 139 29

HSL 74.18, 0.65%, 0.33%

LAB 54.1, -24.55, 51.38

 

CMYK 18 / 0 / 79 / 32

HEX #8DAD24

RGB 141 173 36

HSL 74.01, 0.66%, 0.41%

LAB 66.27, -29.03, 61.08

 

CMYK 18 / 0 / 79 / 59

HEX #556816

RGB 85 104 22

HSL 73.9, 0.65%, 0.25%

LAB 41.04, -19.31, 40.84

 

CMYK 79 / 0 / 47 / 59

HEX #166938

RGB 22 105 56

HSL 144.58, 0.65%, 0.25%

LAB 38.83, -36.18, 20.79

 

CMYK 15 / 79 / 0 / 59

HEX #591669

RGB 89 22 105

HSL 288.43, 0.65%, 0.25%

LAB 22.71, 42.27, -33.51

 

CMYK 18 / 0 / 79 / 59

HEX #556816

RGB 85 104 22

HSL 73.9, 0.65%, 0.25%

LAB 41.04, -19.31, 40.84

 

CMYK 79 / 17 / 0 / 59

HEX #165769

RGB 22 87 105

HSL 193.01, 0.65%, 0.25%

LAB 34, -13.27, -16.12

 

CMYK 0 / 79 / 17 / 59

HEX #691657

RGB 105 22 87

HSL 313.01, 0.65%, 0.25%

LAB 24.53, 42.89, -18.6

 

CMYK 18 / 0 / 79 / 59

HEX #556816

RGB 85 104 22

HSL 73.9, 0.65%, 0.25%

LAB 41.04, -19.31, 40.84

 

CMYK 79 / 0 / 47 / 59

HEX #166938

RGB 22 105 56

HSL 144.58, 0.65%, 0.25%

LAB 38.83, -36.18, 20.79

 

CMYK 62 / 79 / 0 / 59

HEX #281669

RGB 40 22 105

HSL 253.01, 0.65%, 0.25%

LAB 15.72, 32.91, -45.19

 

CMYK 0 / 79 / 33 / 59

HEX #691646

RGB 105 22 70

HSL 325.3, 0.65%, 0.25%

LAB 23.74, 40.47, -8.39

 

CMYK 18 / 0 / 79 / 59

HEX #556816

RGB 85 104 22

HSL 73.9, 0.65%, 0.25%

LAB 41.04, -19.31, 40.84

 

CMYK 79 / 0 / 23 / 59

HEX #166951

RGB 22 105 81

HSL 162.65, 0.65%, 0.25%

LAB 39.36, -30.35, 6.67

 

CMYK 62 / 79 / 0 / 59

HEX #281669

RGB 40 22 105

HSL 253.01, 0.65%, 0.25%

LAB 15.72, 32.91, -45.19

 

CMYK 0 / 79 / 57 / 59

HEX #69162D

RGB 105 22 45

HSL 343.37, 0.65%, 0.25%

LAB 22.88, 37.77, 7.57

 

Description

Color code: RGB 85 104 22 | qconv.com Color code: RGB 85 104 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 104 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 104 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 79 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 79% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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