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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 104 165 it is the complementary color RGB 170 151 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 104 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 104 165 shade: RGB 90 104 160, RGB 107 122 179, RGB 124 140 198, RGB 141 158 217 and RGB 158 176 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 104 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 104 165 shade: RGB 85 104 165, RGB 68 86 146, RGB 51 68 127, RGB 34 50 108 and RGB 17 32 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 104 165 shade: RGB 84 103 164, RGB 87 84 164, RGB 109 84 164, RGB 130 84 164 and RGB 152 84 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 104 165 shade: RGB 84 103 164 and RGB 84 84 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 104 165 shade matches the following richer shades: RGB 84 103 164, RGB 64 93 185, RGB 44 82 205, RGB 24 72 225 and RGB 4 61 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 104 165 shade: RGB 84 103 164, RGB 105 114 144, RGB 125 125 124, RGB 145 135 104 and RGB 165 146 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 104 165 shade: RGB 84 147 164, RGB 84 126 164, RGB 84 104 164, RGB 86 84 164 and RGB 107 84 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 104 165 shade: RGB 56 69 110, RGB 70 86 137, RGB 84 103 164, RGB 110 127 180 and RGB 137 151 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 104 165 shade: RGB 85 104 165, RGB 160 84 164 and RGB 136 164 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 104 165 shade: RGB 85 104 165, RGB 164 84 104 and RGB 104 164 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 104 165 shade: RGB 85 104 165, RGB 160 84 164, RGB 164 144 84 and RGB 88 164 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 104 165 shade: RGB 85 104 165, RGB 164 84 144, RGB 164 144 84 and RGB 84 164 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 37 / 0 / 35

HEX #5568A5

RGB 85 104 165

HSL 225.75, 0.32%, 0.49%

LAB 45.01, 10.13, -35.11

 

Complementary color

CMYK 0 / 11 / 47 / 33

HEX #AA975A

RGB 170 151 90

HSL 45.75, 0.32%, 0.51%

LAB 62.86, -1.42, 34.58

 

CMYK 44 / 35 / 0 / 37

HEX #5A68A0

RGB 90 104 160

HSL 228, 0.28%, 0.49%

LAB 45.1, 9.88, -32

 

CMYK 40 / 32 / 0 / 30

HEX #6B7AB3

RGB 107 122 179

HSL 227.5, 0.32%, 0.56%

LAB 52.17, 9.18, -31.93

 

CMYK 37 / 29 / 0 / 22

HEX #7C8CC6

RGB 124 140 198

HSL 227.03, 0.39%, 0.63%

LAB 59.08, 8.59, -31.91

 

CMYK 35 / 27 / 0 / 15

HEX #8D9ED9

RGB 141 158 217

HSL 226.58, 0.5%, 0.7%

LAB 65.85, 8.09, -31.94

 

CMYK 33 / 25 / 0 / 7

HEX #9EB0EC

RGB 158 176 236

HSL 226.15, 0.67%, 0.77%

LAB 72.48, 7.65, -32.01

 

CMYK 48 / 37 / 0 / 35

HEX #5568A5

RGB 85 104 165

HSL 225.75, 0.32%, 0.49%

LAB 45.01, 10.13, -35.11

 

CMYK 53 / 41 / 0 / 43

HEX #445692

RGB 68 86 146

HSL 226.15, 0.36%, 0.42%

LAB 37.77, 11.15, -35.29

 

CMYK 60 / 46 / 0 / 50

HEX #33447F

RGB 51 68 127

HSL 226.58, 0.43%, 0.35%

LAB 30.33, 12.49, -35.54

 

CMYK 69 / 54 / 0 / 58

HEX #22326C

RGB 34 50 108

HSL 227.03, 0.52%, 0.28%

LAB 22.67, 14.31, -35.85

 

CMYK 81 / 64 / 0 / 65

HEX #112059

RGB 17 32 89

HSL 227.5, 0.68%, 0.21%

LAB 14.81, 16.9, -36.14

 

CMYK 49 / 37 / 0 / 36

HEX #5467A4

RGB 84 103 164

HSL 225.75, 0.32%, 0.49%

LAB 44.61, 10.18, -35.16

 

CMYK 47 / 49 / 0 / 36

HEX #5754A4

RGB 87 84 164

HSL 242.25, 0.32%, 0.49%

LAB 39.66, 22.89, -43

 

CMYK 34 / 49 / 0 / 36

HEX #6D54A4

RGB 109 84 164

HSL 258.75, 0.32%, 0.49%

LAB 41.65, 28.62, -39.72

 

CMYK 21 / 49 / 0 / 36

HEX #8254A4

RGB 130 84 164

HSL 274.5, 0.32%, 0.49%

LAB 43.9, 34.57, -36.01

 

CMYK 7 / 49 / 0 / 36

HEX #9854A4

RGB 152 84 164

HSL 291, 0.32%, 0.49%

LAB 46.57, 41.05, -31.62

 

CMYK 49 / 37 / 0 / 36

HEX #5467A4

RGB 84 103 164

HSL 225.75, 0.32%, 0.49%

LAB 44.61, 10.18, -35.16

 

CMYK 49 / 49 / 0 / 36

HEX #5454A4

RGB 84 84 164

HSL 240, 0.32%, 0.49%

LAB 39.42, 22.17, -43.4

 

CMYK 49 / 37 / 0 / 36

HEX #5467A4

RGB 84 103 164

HSL 225.75, 0.32%, 0.49%

LAB 44.61, 10.18, -35.16

 

CMYK 65 / 50 / 0 / 27

HEX #405DB9

RGB 64 93 185

HSL 225.62, 0.49%, 0.49%

LAB 41.88, 19.43, -51.91

 

CMYK 79 / 60 / 0 / 20

HEX #2C52CD

RGB 44 82 205

HSL 225.84, 0.65%, 0.49%

LAB 39.54, 31.24, -67.36

 

CMYK 89 / 68 / 0 / 12

HEX #1848E1

RGB 24 72 225

HSL 225.67, 0.81%, 0.49%

LAB 38.31, 43.59, -80.89

 

CMYK 98 / 75 / 0 / 4

HEX #043DF5

RGB 4 61 245

HSL 225.81, 0.97%, 0.49%

LAB 37.76, 56.46, -93.14

 

CMYK 49 / 37 / 0 / 36

HEX #5467A4

RGB 84 103 164

HSL 225.75, 0.32%, 0.49%

LAB 44.61, 10.18, -35.16

 

CMYK 27 / 21 / 0 / 44

HEX #697290

RGB 105 114 144

HSL 226.15, 0.16%, 0.49%

LAB 48.32, 3.77, -17.46

 

CMYK 0 / 0 / 1 / 51

HEX #7D7D7C

RGB 125 125 124

HSL 60, 0%, 0.49%

LAB 52.38, -0.2, 0.54

 

CMYK 0 / 7 / 28 / 43

HEX #918768

RGB 145 135 104

HSL 45.37, 0.16%, 0.49%

LAB 56.43, -1.36, 18.06

 

CMYK 0 / 12 / 49 / 35

HEX #A59254

RGB 165 146 84

HSL 45.93, 0.33%, 0.49%

LAB 60.96, -1.42, 35.27

 

CMYK 49 / 10 / 0 / 36

HEX #5493A4

RGB 84 147 164

HSL 192.75, 0.32%, 0.49%

LAB 57.49, -15.52, -15.24

 

CMYK 49 / 23 / 0 / 36

HEX #547EA4

RGB 84 126 164

HSL 208.5, 0.32%, 0.49%

LAB 51.25, -3.72, -24.79

 

CMYK 49 / 37 / 0 / 36

HEX #5468A4

RGB 84 104 164

HSL 225, 0.32%, 0.49%

LAB 44.89, 9.56, -34.71

 

CMYK 48 / 49 / 0 / 36

HEX #5654A4

RGB 86 84 164

HSL 241.5, 0.32%, 0.49%

LAB 39.58, 22.65, -43.14

 

CMYK 35 / 49 / 0 / 36

HEX #6B54A4

RGB 107 84 164

HSL 257.25, 0.32%, 0.49%

LAB 41.45, 28.08, -40.05

 

CMYK 49 / 37 / 0 / 57

HEX #38456E

RGB 56 69 110

HSL 225.56, 0.33%, 0.33%

LAB 29.97, 7.1, -25.41

 

CMYK 49 / 37 / 0 / 46

HEX #465689

RGB 70 86 137

HSL 225.67, 0.32%, 0.41%

LAB 37.42, 8.67, -30.38

 

CMYK 49 / 37 / 0 / 36

HEX #5467A4

RGB 84 103 164

HSL 225.75, 0.32%, 0.49%

LAB 44.61, 10.18, -35.16

 

CMYK 39 / 29 / 0 / 29

HEX #6E7FB4

RGB 110 127 180

HSL 225.43, 0.32%, 0.57%

LAB 53.8, 7.32, -29.95

 

CMYK 29 / 22 / 0 / 24

HEX #8997C2

RGB 137 151 194

HSL 225.26, 0.32%, 0.65%

LAB 62.8, 4.97, -23.85

 

CMYK 48 / 37 / 0 / 35

HEX #5568A5

RGB 85 104 165

HSL 225.75, 0.32%, 0.49%

LAB 45.01, 10.13, -35.11

 

CMYK 2 / 49 / 0 / 36

HEX #A054A4

RGB 160 84 164

HSL 297, 0.32%, 0.49%

LAB 47.62, 43.43, -29.91

 

CMYK 17 / 0 / 49 / 36

HEX #88A454

RGB 136 164 84

HSL 81, 0.32%, 0.49%

LAB 63.69, -23.02, 38.1

 

CMYK 48 / 37 / 0 / 35

HEX #5568A5

RGB 85 104 165

HSL 225.75, 0.32%, 0.49%

LAB 45.01, 10.13, -35.11

 

CMYK 0 / 49 / 37 / 36

HEX #A45468

RGB 164 84 104

HSL 345, 0.32%, 0.49%

LAB 45.95, 35.14, 3.68

 

CMYK 37 / 0 / 49 / 36

HEX #68A454

RGB 104 164 84

HSL 105, 0.32%, 0.49%

LAB 61.77, -34.95, 35.3

 

CMYK 48 / 37 / 0 / 35

HEX #5568A5

RGB 85 104 165

HSL 225.75, 0.32%, 0.49%

LAB 45.01, 10.13, -35.11

 

CMYK 2 / 49 / 0 / 36

HEX #A054A4

RGB 160 84 164

HSL 297, 0.32%, 0.49%

LAB 47.62, 43.43, -29.91

 

CMYK 0 / 12 / 49 / 36

HEX #A49054

RGB 164 144 84

HSL 45, 0.32%, 0.49%

LAB 60.32, -0.75, 34.47

 

CMYK 46 / 0 / 49 / 36

HEX #58A454

RGB 88 164 84

HSL 117, 0.32%, 0.49%

LAB 61.02, -40.12, 34.2

 

CMYK 48 / 37 / 0 / 35

HEX #5568A5

RGB 85 104 165

HSL 225.75, 0.32%, 0.49%

LAB 45.01, 10.13, -35.11

 

CMYK 0 / 49 / 12 / 36

HEX #A45490

RGB 164 84 144

HSL 315, 0.32%, 0.49%

LAB 47.3, 41.05, -18.48

 

CMYK 0 / 12 / 49 / 36

HEX #A49054

RGB 164 144 84

HSL 45, 0.32%, 0.49%

LAB 60.32, -0.75, 34.47

 

CMYK 49 / 0 / 37 / 36

HEX #54A468

RGB 84 164 104

HSL 135, 0.32%, 0.49%

LAB 61.16, -38.06, 23.78

 

Description

Color code: RGB 85 104 165 | qconv.com Color code: RGB 85 104 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 104 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 104 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 37 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 37% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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