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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 103 241 it is the complementary color RGB 170 152 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 103 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 103 241 shade: RGB 90 103 236, RGB 107 121 255, RGB 124 139 255, RGB 141 157 255 and RGB 158 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 103 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 103 241 shade: RGB 85 103 241, RGB 68 85 222, RGB 51 67 203, RGB 34 49 184 and RGB 17 31 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 103 241 shade: RGB 85 103 241, RGB 109 85 241, RGB 151 85 241, RGB 193 85 241 and RGB 235 85 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 103 241 shade: RGB 85 103 241 and RGB 85 85 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 103 241 shade matches the following richer shades: RGB 85 103 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 103 241 shade: RGB 85 103 241, RGB 100 114 226, RGB 114 126 211, RGB 129 137 196 and RGB 144 148 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 103 241 shade: RGB 85 186 241, RGB 85 144 241, RGB 85 103 241, RGB 108 85 241 and RGB 150 85 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 103 241 shade: RGB 18 42 225, RGB 47 69 238, RGB 85 103 241, RGB 123 137 244 and RGB 161 171 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 103 241 shade: RGB 85 103 241, RGB 241 85 228 and RGB 165 241 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 103 241 shade: RGB 85 103 241, RGB 241 85 103 and RGB 103 241 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 103 241 shade: RGB 85 103 241, RGB 241 85 228, RGB 241 223 85 and RGB 85 241 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 103 241 shade: RGB 85 103 241, RGB 241 85 181, RGB 241 223 85 and RGB 85 241 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 57 / 0 / 5

HEX #5567F1

RGB 85 103 241

HSL 233.08, 0.85%, 0.64%

LAB 49.48, 35.88, -71.56

 

Complementary color

CMYK 0 / 11 / 92 / 33

HEX #AA980E

RGB 170 152 14

HSL 53.08, 0.85%, 0.36%

LAB 62.54, -6.28, 64.09

 

CMYK 62 / 56 / 0 / 7

HEX #5A67EC

RGB 90 103 236

HSL 234.66, 0.79%, 0.64%

LAB 49.41, 34.99, -68.84

 

CMYK 58 / 53 / 0 / 0

HEX #6B79FF

RGB 107 121 255

HSL 234.32, 1%, 0.71%

LAB 56.11, 33.18, -68.52

 

CMYK 51 / 45 / 0 / 0

HEX #7C8BFF

RGB 124 139 255

HSL 233.13, 1%, 0.74%

LAB 61.63, 25.79, -59.6

 

CMYK 45 / 38 / 0 / 0

HEX #8D9DFF

RGB 141 157 255

HSL 231.58, 1%, 0.78%

LAB 67.27, 19.13, -50.56

 

CMYK 38 / 31 / 0 / 0

HEX #9EAFFF

RGB 158 175 255

HSL 229.48, 1%, 0.81%

LAB 72.99, 13.15, -41.51

 

CMYK 65 / 57 / 0 / 5

HEX #5567F1

RGB 85 103 241

HSL 233.08, 0.85%, 0.64%

LAB 49.48, 35.88, -71.56

 

CMYK 69 / 62 / 0 / 13

HEX #4455DE

RGB 68 85 222

HSL 233.38, 0.7%, 0.57%

LAB 42.76, 38.12, -71.81

 

CMYK 75 / 67 / 0 / 20

HEX #3343CB

RGB 51 67 203

HSL 233.68, 0.6%, 0.5%

LAB 36.04, 40.69, -71.93

 

CMYK 82 / 73 / 0 / 28

HEX #2231B8

RGB 34 49 184

HSL 234, 0.69%, 0.43%

LAB 29.41, 43.51, -71.74

 

CMYK 90 / 81 / 0 / 35

HEX #111FA5

RGB 17 31 165

HSL 234.32, 0.81%, 0.36%

LAB 23.05, 46.25, -70.88

 

CMYK 65 / 57 / 0 / 5

HEX #5567F1

RGB 85 103 241

HSL 233.08, 0.85%, 0.64%

LAB 49.48, 35.88, -71.56

 

CMYK 55 / 65 / 0 / 5

HEX #6D55F1

RGB 109 85 241

HSL 249.23, 0.85%, 0.64%

LAB 47.1, 50.19, -75.34

 

CMYK 37 / 65 / 0 / 5

HEX #9755F1

RGB 151 85 241

HSL 265.38, 0.85%, 0.64%

LAB 51.18, 57.85, -68.53

 

CMYK 20 / 65 / 0 / 5

HEX #C155F1

RGB 193 85 241

HSL 281.54, 0.85%, 0.64%

LAB 56.27, 66.63, -60.06

 

CMYK 2 / 65 / 0 / 5

HEX #EB55F1

RGB 235 85 241

HSL 297.69, 0.85%, 0.64%

LAB 62.09, 75.94, -50.44

 

CMYK 65 / 57 / 0 / 5

HEX #5567F1

RGB 85 103 241

HSL 233.08, 0.85%, 0.64%

LAB 49.48, 35.88, -71.56

 

CMYK 65 / 65 / 0 / 5

HEX #5555F1

RGB 85 85 241

HSL 240, 0.85%, 0.64%

LAB 45.33, 46.64, -78.32

 

CMYK 65 / 57 / 0 / 5

HEX #5567F1

RGB 85 103 241

HSL 233.08, 0.85%, 0.64%

LAB 49.48, 35.88, -71.56

 

CMYK 65 / 57 / 0 / 5

HEX #5567F1

RGB 85 103 241

HSL 233.08, 0.85%, 0.64%

LAB 49.48, 35.88, -71.56

 

CMYK 56 / 50 / 0 / 11

HEX #6472E2

RGB 100 114 226

HSL 233.33, 0.68%, 0.64%

LAB 52.1, 26.82, -58.85

 

CMYK 46 / 40 / 0 / 17

HEX #727ED3

RGB 114 126 211

HSL 232.58, 0.52%, 0.64%

LAB 55.28, 17.99, -45.27

 

CMYK 34 / 30 / 0 / 23

HEX #8189C4

RGB 129 137 196

HSL 232.84, 0.36%, 0.64%

LAB 58.55, 11.21, -31.59

 

CMYK 20 / 18 / 0 / 29

HEX #9094B5

RGB 144 148 181

HSL 233.51, 0.2%, 0.64%

LAB 62.04, 5.69, -17.66

 

CMYK 65 / 23 / 0 / 5

HEX #55BAF1

RGB 85 186 241

HSL 201.15, 0.85%, 0.64%

LAB 71.83, -12.88, -36.02

 

CMYK 65 / 40 / 0 / 5

HEX #5590F1

RGB 85 144 241

HSL 217.31, 0.85%, 0.64%

LAB 60.09, 10.91, -54.47

 

CMYK 65 / 57 / 0 / 5

HEX #5567F1

RGB 85 103 241

HSL 233.08, 0.85%, 0.64%

LAB 49.48, 35.88, -71.56

 

CMYK 55 / 65 / 0 / 5

HEX #6C55F1

RGB 108 85 241

HSL 248.85, 0.85%, 0.64%

LAB 47.02, 50.03, -75.48

 

CMYK 38 / 65 / 0 / 5

HEX #9655F1

RGB 150 85 241

HSL 265, 0.85%, 0.64%

LAB 51.07, 57.65, -68.71

 

CMYK 92 / 81 / 0 / 12

HEX #122AE1

RGB 18 42 225

HSL 233.04, 0.85%, 0.48%

LAB 32.3, 59.98, -90.84

 

CMYK 80 / 71 / 0 / 7

HEX #2F45EE

RGB 47 69 238

HSL 233.09, 0.85%, 0.56%

LAB 39.64, 51.16, -86.06

 

CMYK 65 / 57 / 0 / 5

HEX #5567F1

RGB 85 103 241

HSL 233.08, 0.85%, 0.64%

LAB 49.48, 35.88, -71.56

 

CMYK 50 / 44 / 0 / 4

HEX #7B89F4

RGB 123 137 244

HSL 233.06, 0.85%, 0.72%

LAB 60.46, 23.43, -55.42

 

CMYK 35 / 31 / 0 / 3

HEX #A1ABF7

RGB 161 171 247

HSL 233.02, 0.84%, 0.8%

LAB 71.84, 14.09, -38.96

 

CMYK 65 / 57 / 0 / 5

HEX #5567F1

RGB 85 103 241

HSL 233.08, 0.85%, 0.64%

LAB 49.48, 35.88, -71.56

 

CMYK 0 / 65 / 5 / 5

HEX #F155E4

RGB 241 85 228

HSL 305, 0.85%, 0.64%

LAB 62.34, 75.24, -42.75

 

CMYK 32 / 0 / 65 / 5

HEX #A5F155

RGB 165 241 85

HSL 89.23, 0.85%, 0.64%

LAB 87.76, -47.38, 65.5

 

CMYK 65 / 57 / 0 / 5

HEX #5567F1

RGB 85 103 241

HSL 233.08, 0.85%, 0.64%

LAB 49.48, 35.88, -71.56

 

CMYK 0 / 65 / 57 / 5

HEX #F15567

RGB 241 85 103

HSL 353.08, 0.85%, 0.64%

LAB 58.2, 60.91, 23.12

 

CMYK 57 / 0 / 65 / 5

HEX #67F155

RGB 103 241 85

HSL 113.08, 0.85%, 0.64%

LAB 85.23, -65.76, 62.02

 

CMYK 65 / 57 / 0 / 5

HEX #5567F1

RGB 85 103 241

HSL 233.08, 0.85%, 0.64%

LAB 49.48, 35.88, -71.56

 

CMYK 0 / 65 / 5 / 5

HEX #F155E4

RGB 241 85 228

HSL 305, 0.85%, 0.64%

LAB 62.34, 75.24, -42.75

 

CMYK 0 / 7 / 65 / 5

HEX #F1DF55

RGB 241 223 85

HSL 53.08, 0.85%, 0.64%

LAB 88.03, -9.48, 67.35

 

CMYK 65 / 0 / 59 / 5

HEX #55F162

RGB 85 241 98

HSL 125, 0.85%, 0.64%

LAB 84.86, -68.31, 56.05

 

CMYK 65 / 57 / 0 / 5

HEX #5567F1

RGB 85 103 241

HSL 233.08, 0.85%, 0.64%

LAB 49.48, 35.88, -71.56

 

CMYK 0 / 65 / 25 / 5

HEX #F155B5

RGB 241 85 181

HSL 323.08, 0.85%, 0.64%

LAB 60.37, 68.62, -19.16

 

CMYK 0 / 7 / 65 / 5

HEX #F1DF55

RGB 241 223 85

HSL 53.08, 0.85%, 0.64%

LAB 88.03, -9.48, 67.35

 

CMYK 65 / 0 / 40 / 5

HEX #55F190

RGB 85 241 144

HSL 142.69, 0.85%, 0.64%

LAB 85.43, -61.77, 35.1

 

Description

Color code: RGB 85 103 241 | qconv.com Color code: RGB 85 103 241 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 103 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 103 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 57 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 57% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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