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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 52 111 it is the complementary color RGB 170 203 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 52 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 52 111 shade: RGB 90 52 106, RGB 107 70 125, RGB 124 88 144, RGB 141 106 163 and RGB 158 124 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 52 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 52 111 shade: RGB 85 52 111, RGB 68 34 92, RGB 51 16 73, RGB 34 0 54 and RGB 17 0 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 52 111 shade: RGB 85 52 110, RGB 100 52 110, RGB 110 52 105, RGB 110 52 89 and RGB 110 52 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 52 111 shade: RGB 85 52 110, RGB 69 52 110, RGB 53 52 110 and RGB 52 52 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 52 111 shade matches the following richer shades: RGB 85 52 110, RGB 86 39 124, RGB 88 25 137 and RGB 89 12 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 52 111 shade: RGB 85 52 110, RGB 83 65 97, RGB 81 78 84, RGB 80 91 71 and RGB 78 105 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 52 111 shade: RGB 53 52 110, RGB 68 52 110, RGB 84 52 110, RGB 100 52 110 and RGB 110 52 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 52 111 shade: RGB 42 25 54, RGB 63 39 82, RGB 85 52 110, RGB 106 65 139 and RGB 128 78 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 52 111 shade: RGB 85 52 111, RGB 110 52 66 and RGB 52 110 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 52 111 shade: RGB 85 52 111, RGB 110 84 52 and RGB 52 110 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 52 111 shade: RGB 85 52 111, RGB 110 52 66, RGB 78 110 52 and RGB 52 110 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 52 111 shade: RGB 85 52 111, RGB 110 55 52, RGB 78 110 52 and RGB 52 108 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 53 / 0 / 56

HEX #55346F

RGB 85 52 111

HSL 273.56, 0.36%, 0.32%

LAB 28.21, 27.13, -28.64

 

Complementary color

CMYK 16 / 0 / 29 / 20

HEX #AACB90

RGB 170 203 144

HSL 93.56, 0.36%, 0.68%

LAB 78.04, -21.58, 25.91

 

CMYK 15 / 51 / 0 / 58

HEX #5A346A

RGB 90 52 106

HSL 282.22, 0.34%, 0.31%

LAB 28.56, 27.45, -24.84

 

CMYK 14 / 44 / 0 / 51

HEX #6B467D

RGB 107 70 125

HSL 280.36, 0.28%, 0.38%

LAB 35.96, 26.56, -25.06

 

CMYK 14 / 39 / 0 / 44

HEX #7C5890

RGB 124 88 144

HSL 278.57, 0.24%, 0.45%

LAB 43.18, 25.72, -25.24

 

CMYK 13 / 35 / 0 / 36

HEX #8D6AA3

RGB 141 106 163

HSL 276.84, 0.24%, 0.53%

LAB 50.23, 24.95, -25.42

 

CMYK 13 / 32 / 0 / 29

HEX #9E7CB6

RGB 158 124 182

HSL 275.17, 0.28%, 0.6%

LAB 57.14, 24.25, -25.62

 

CMYK 23 / 53 / 0 / 56

HEX #55346F

RGB 85 52 111

HSL 273.56, 0.36%, 0.32%

LAB 28.21, 27.13, -28.64

 

CMYK 26 / 63 / 0 / 64

HEX #44225C

RGB 68 34 92

HSL 275.17, 0.46%, 0.25%

LAB 20.62, 28.1, -28.51

 

CMYK 30 / 78 / 0 / 71

HEX #331049

RGB 51 16 73

HSL 276.84, 0.64%, 0.17%

LAB 12.96, 28.74, -28.07

 

CMYK 37 / 100 / 0 / 79

HEX #220036

RGB 34 0 54

HSL 277.78, 1%, 0.11%

LAB 5.48, 27.78, -26.79

 

CMYK 51 / 100 / 0 / 86

HEX #110023

RGB 17 0 35

HSL 269.14, 1%, 0.07%

LAB 2.17, 12.53, -17.74

 

CMYK 23 / 53 / 0 / 57

HEX #55346E

RGB 85 52 110

HSL 274.14, 0.36%, 0.32%

LAB 28.15, 26.88, -28.1

 

CMYK 9 / 53 / 0 / 57

HEX #64346E

RGB 100 52 110

HSL 289.66, 0.36%, 0.32%

LAB 30.14, 31.53, -24.83

 

CMYK 0 / 53 / 5 / 57

HEX #6E3469

RGB 110 52 105

HSL 305.17, 0.36%, 0.32%

LAB 31.33, 33.68, -19.68

 

CMYK 0 / 53 / 19 / 57

HEX #6E3459

RGB 110 52 89

HSL 321.72, 0.36%, 0.32%

LAB 30.62, 30.77, -10.47

 

CMYK 0 / 53 / 34 / 57

HEX #6E3449

RGB 110 52 73

HSL 338.28, 0.36%, 0.32%

LAB 30.04, 28.27, -0.91

 

CMYK 23 / 53 / 0 / 57

HEX #55346E

RGB 85 52 110

HSL 274.14, 0.36%, 0.32%

LAB 28.15, 26.88, -28.1

 

CMYK 37 / 53 / 0 / 57

HEX #45346E

RGB 69 52 110

HSL 257.59, 0.36%, 0.32%

LAB 26.29, 22.13, -31.16

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 53 / 53 / 0 / 57

HEX #34346E

RGB 52 52 110

HSL 240, 0.36%, 0.32%

LAB 24.68, 17.58, -33.84

 

CMYK 23 / 53 / 0 / 57

HEX #55346E

RGB 85 52 110

HSL 274.14, 0.36%, 0.32%

LAB 28.15, 26.88, -28.1

 

CMYK 31 / 69 / 0 / 51

HEX #56277C

RGB 86 39 124

HSL 273.18, 0.52%, 0.32%

LAB 26.4, 38.17, -39.78

 

CMYK 36 / 82 / 0 / 46

HEX #581989

RGB 88 25 137

HSL 273.75, 0.69%, 0.32%

LAB 25.49, 48.1, -49.41

 

CMYK 41 / 92 / 0 / 41

HEX #590C96

RGB 89 12 150

HSL 273.48, 0.85%, 0.32%

LAB 25.53, 55.1, -57.41

 

CMYK 23 / 53 / 0 / 57

HEX #55346E

RGB 85 52 110

HSL 274.14, 0.36%, 0.32%

LAB 28.15, 26.88, -28.1

 

CMYK 14 / 33 / 0 / 62

HEX #534161

RGB 83 65 97

HSL 273.75, 0.2%, 0.32%

LAB 30.6, 14.69, -15.97

 

CMYK 4 / 7 / 0 / 67

HEX #514E54

RGB 81 78 84

HSL 270, 0.04%, 0.32%

LAB 33.64, 2.54, -3.09

 

CMYK 12 / 0 / 22 / 64

HEX #505B47

RGB 80 91 71

HSL 93, 0.12%, 0.32%

LAB 37.19, -8.47, 10.13

 

CMYK 26 / 0 / 45 / 59

HEX #4E693A

RGB 78 105 58

HSL 94.47, 0.29%, 0.32%

LAB 41.26, -19.28, 23.25

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 38 / 53 / 0 / 57

HEX #44346E

RGB 68 52 110

HSL 256.55, 0.36%, 0.32%

LAB 26.19, 21.85, -31.33

 

CMYK 24 / 53 / 0 / 57

HEX #54346E

RGB 84 52 110

HSL 273.1, 0.36%, 0.32%

LAB 28.02, 26.57, -28.3

 

CMYK 9 / 53 / 0 / 57

HEX #64346E

RGB 100 52 110

HSL 289.66, 0.36%, 0.32%

LAB 30.14, 31.53, -24.83

 

CMYK 0 / 53 / 4 / 57

HEX #6E346A

RGB 110 52 106

HSL 304.14, 0.36%, 0.32%

LAB 31.37, 33.87, -20.24

 

CMYK 22 / 54 / 0 / 79

HEX #2A1936

RGB 42 25 54

HSL 275.17, 0.37%, 0.15%

LAB 12.31, 15.27, -15.77

 

CMYK 23 / 52 / 0 / 68

HEX #3F2752

RGB 63 39 82

HSL 273.49, 0.36%, 0.24%

LAB 20.51, 20.78, -22.06

 

CMYK 23 / 53 / 0 / 57

HEX #55346E

RGB 85 52 110

HSL 274.14, 0.36%, 0.32%

LAB 28.15, 26.88, -28.1

 

CMYK 24 / 53 / 0 / 45

HEX #6A418B

RGB 106 65 139

HSL 273.24, 0.36%, 0.4%

LAB 35.42, 32.6, -34.55

 

CMYK 23 / 53 / 0 / 35

HEX #804EA7

RGB 128 78 167

HSL 273.71, 0.36%, 0.48%

LAB 42.5, 38.13, -40.01

 

CMYK 23 / 53 / 0 / 56

HEX #55346F

RGB 85 52 111

HSL 273.56, 0.36%, 0.32%

LAB 28.21, 27.13, -28.64

 

CMYK 0 / 53 / 40 / 57

HEX #6E3442

RGB 110 52 66

HSL 345.52, 0.36%, 0.32%

LAB 29.82, 27.32, 3.37

 

CMYK 53 / 0 / 45 / 57

HEX #346E3D

RGB 52 110 61

HSL 129.31, 0.36%, 0.32%

LAB 41.56, -30.51, 21.64

 

CMYK 23 / 53 / 0 / 56

HEX #55346F

RGB 85 52 111

HSL 273.56, 0.36%, 0.32%

LAB 28.21, 27.13, -28.64

 

CMYK 0 / 24 / 53 / 57

HEX #6E5434

RGB 110 84 52

HSL 33.1, 0.36%, 0.32%

LAB 37.67, 6.43, 22.77

 

CMYK 53 / 0 / 24 / 57

HEX #346E54

RGB 52 110 84

HSL 153.1, 0.36%, 0.32%

LAB 42.03, -25.74, 8.78

 

CMYK 23 / 53 / 0 / 56

HEX #55346F

RGB 85 52 111

HSL 273.56, 0.36%, 0.32%

LAB 28.21, 27.13, -28.64

 

CMYK 0 / 53 / 40 / 57

HEX #6E3442

RGB 110 52 66

HSL 345.52, 0.36%, 0.32%

LAB 29.82, 27.32, 3.37

 

CMYK 29 / 0 / 53 / 57

HEX #4E6E34

RGB 78 110 52

HSL 93.1, 0.36%, 0.32%

LAB 42.79, -22.7, 28.48

 

CMYK 53 / 0 / 13 / 57

HEX #346E60

RGB 52 110 96

HSL 165.52, 0.36%, 0.32%

LAB 42.35, -22.73, 2.01

 

CMYK 23 / 53 / 0 / 56

HEX #55346F

RGB 85 52 111

HSL 273.56, 0.36%, 0.32%

LAB 28.21, 27.13, -28.64

 

CMYK 0 / 50 / 53 / 57

HEX #6E3734

RGB 110 55 52

HSL 3.1, 0.36%, 0.32%

LAB 30.15, 23.96, 12.96

 

CMYK 29 / 0 / 53 / 57

HEX #4E6E34

RGB 78 110 52

HSL 93.1, 0.36%, 0.32%

LAB 42.79, -22.7, 28.48

 

CMYK 53 / 2 / 0 / 57

HEX #346C6E

RGB 52 108 110

HSL 182.07, 0.36%, 0.32%

LAB 42.12, -17.74, -6.79

 

Description

Color code: RGB 85 52 111 | qconv.com Color code: RGB 85 52 111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 52 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 52 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 53 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 53% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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