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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 33 190 it is the complementary color RGB 171 222 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 33 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 33 190 shade: RGB 89 33 185, RGB 106 51 204, RGB 123 69 223, RGB 140 87 242 and RGB 157 105 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 33 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 33 190 shade: RGB 84 33 190, RGB 67 15 171, RGB 50 0 152, RGB 33 0 133 and RGB 16 0 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 33 190 shade: RGB 84 33 190, RGB 127 33 190, RGB 169 33 190, RGB 190 33 169 and RGB 190 33 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 33 190 shade: RGB 84 33 190, RGB 42 33 190 and RGB 33 33 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 33 190 shade matches the following richer shades: RGB 84 33 190 and RGB 78 15 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 33 190 shade: RGB 84 33 190, RGB 91 51 172, RGB 97 69 154, RGB 103 88 136 and RGB 110 106 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 33 190 shade: RGB 33 67 190, RGB 41 33 190, RGB 83 33 190, RGB 125 33 190 and RGB 167 33 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 33 190 shade: RGB 53 21 120, RGB 69 27 155, RGB 84 33 190, RGB 102 47 218 and RGB 128 82 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 33 190 shade: RGB 84 33 190, RGB 190 33 109 and RGB 46 190 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 33 190 shade: RGB 84 33 190, RGB 190 83 33 and RGB 33 190 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 33 190 shade: RGB 84 33 190, RGB 190 33 109, RGB 140 190 33 and RGB 33 190 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 33 190 shade: RGB 84 33 190, RGB 190 33 62, RGB 140 190 33 and RGB 33 190 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 83 / 0 / 25

HEX #5421BE

RGB 84 33 190

HSL 259.49, 0.7%, 0.44%

LAB 31.09, 57.86, -72.38

 

Complementary color

CMYK 23 / 0 / 71 / 13

HEX #ABDE41

RGB 171 222 65

HSL 79.49, 0.7%, 0.56%

LAB 82.53, -38.29, 67.71

 

CMYK 52 / 82 / 0 / 27

HEX #5921B9

RGB 89 33 185

HSL 262.11, 0.7%, 0.43%

LAB 31.15, 57.14, -69.31

 

CMYK 48 / 75 / 0 / 20

HEX #6A33CC

RGB 106 51 204

HSL 261.57, 0.6%, 0.5%

LAB 37.47, 56.82, -70.01

 

CMYK 45 / 69 / 0 / 13

HEX #7B45DF

RGB 123 69 223

HSL 261.04, 0.71%, 0.57%

LAB 43.94, 55.98, -70.28

 

CMYK 42 / 64 / 0 / 5

HEX #8C57F2

RGB 140 87 242

HSL 260.52, 0.86%, 0.65%

LAB 50.46, 54.93, -70.32

 

CMYK 38 / 59 / 0 / 0

HEX #9D69FF

RGB 157 105 255

HSL 260.8, 1%, 0.71%

LAB 56.58, 52.27, -67.56

 

CMYK 56 / 83 / 0 / 25

HEX #5421BE

RGB 84 33 190

HSL 259.49, 0.7%, 0.44%

LAB 31.09, 57.86, -72.38

 

CMYK 61 / 91 / 0 / 33

HEX #430FAB

RGB 67 15 171

HSL 260, 0.84%, 0.36%

LAB 25.18, 57.23, -70.88

 

CMYK 67 / 100 / 0 / 40

HEX #320098

RGB 50 0 152

HSL 259.74, 1%, 0.3%

LAB 19.82, 55, -68.24

 

CMYK 75 / 100 / 0 / 48

HEX #210085

RGB 33 0 133

HSL 254.89, 1%, 0.26%

LAB 15.58, 49.49, -63.49

 

CMYK 86 / 100 / 0 / 55

HEX #100072

RGB 16 0 114

HSL 248.42, 1%, 0.22%

LAB 11.45, 43.99, -58.22

 

CMYK 56 / 83 / 0 / 25

HEX #5421BE

RGB 84 33 190

HSL 259.49, 0.7%, 0.44%

LAB 31.09, 57.86, -72.38

 

CMYK 33 / 83 / 0 / 25

HEX #7F21BE

RGB 127 33 190

HSL 275.92, 0.7%, 0.44%

LAB 36.59, 63.56, -63.15

 

CMYK 11 / 83 / 0 / 25

HEX #A921BE

RGB 169 33 190

HSL 291.97, 0.7%, 0.44%

LAB 43.12, 70.56, -52.25

 

CMYK 0 / 83 / 11 / 25

HEX #BE21A9

RGB 190 33 169

HSL 308.03, 0.7%, 0.44%

LAB 45.5, 71.31, -35.87

 

CMYK 0 / 83 / 33 / 25

HEX #BE217F

RGB 190 33 127

HSL 324.08, 0.7%, 0.44%

LAB 43.61, 66.02, -13.42

 

CMYK 56 / 83 / 0 / 25

HEX #5421BE

RGB 84 33 190

HSL 259.49, 0.7%, 0.44%

LAB 31.09, 57.86, -72.38

 

CMYK 78 / 83 / 0 / 25

HEX #2A21BE

RGB 42 33 190

HSL 243.44, 0.7%, 0.44%

LAB 27.57, 54.34, -78.33

 

CMYK 83 / 83 / 0 / 25

HEX #2121BE

RGB 33 33 190

HSL 240, 0.7%, 0.44%

LAB 27.1, 53.88, -79.12

 

CMYK 56 / 83 / 0 / 25

HEX #5421BE

RGB 84 33 190

HSL 259.49, 0.7%, 0.44%

LAB 31.09, 57.86, -72.38

 

CMYK 63 / 93 / 0 / 18

HEX #4E0FD0

RGB 78 15 208

HSL 259.59, 0.87%, 0.44%

LAB 30.68, 67.18, -83.63

 

CMYK 56 / 83 / 0 / 25

HEX #5421BE

RGB 84 33 190

HSL 259.49, 0.7%, 0.44%

LAB 31.09, 57.86, -72.38

 

CMYK 47 / 70 / 0 / 33

HEX #5B33AC

RGB 91 51 172

HSL 259.83, 0.54%, 0.44%

LAB 33.07, 45.73, -58.4

 

CMYK 37 / 55 / 0 / 40

HEX #61459A

RGB 97 69 154

HSL 259.76, 0.38%, 0.44%

LAB 36.23, 31.74, -42.43

 

CMYK 24 / 35 / 0 / 47

HEX #675888

RGB 103 88 136

HSL 258.75, 0.21%, 0.44%

LAB 40.64, 16.92, -24.53

 

CMYK 7 / 10 / 0 / 54

HEX #6E6A76

RGB 110 106 118

HSL 260, 0.05%, 0.44%

LAB 45.54, 4.07, -6.13

 

CMYK 83 / 65 / 0 / 25

HEX #2143BE

RGB 33 67 190

HSL 227.01, 0.7%, 0.44%

LAB 34.1, 34.4, -67.55

 

CMYK 78 / 83 / 0 / 25

HEX #2921BE

RGB 41 33 190

HSL 243.06, 0.7%, 0.44%

LAB 27.51, 54.28, -78.42

 

CMYK 56 / 83 / 0 / 25

HEX #5321BE

RGB 83 33 190

HSL 259.11, 0.7%, 0.44%

LAB 30.98, 57.75, -72.56

 

CMYK 34 / 83 / 0 / 25

HEX #7D21BE

RGB 125 33 190

HSL 275.16, 0.7%, 0.44%

LAB 36.3, 63.26, -63.63

 

CMYK 12 / 83 / 0 / 25

HEX #A721BE

RGB 167 33 190

HSL 291.21, 0.7%, 0.44%

LAB 42.79, 70.21, -52.8

 

CMYK 56 / 83 / 0 / 53

HEX #351578

RGB 53 21 120

HSL 259.39, 0.7%, 0.28%

LAB 18.58, 39.86, -50.17

 

CMYK 55 / 83 / 0 / 39

HEX #451B9B

RGB 69 27 155

HSL 259.69, 0.7%, 0.36%

LAB 25, 49.15, -61.45

 

CMYK 56 / 83 / 0 / 25

HEX #5421BE

RGB 84 33 190

HSL 259.49, 0.7%, 0.44%

LAB 31.09, 57.86, -72.38

 

CMYK 53 / 78 / 0 / 15

HEX #662FDA

RGB 102 47 218

HSL 259.3, 0.7%, 0.52%

LAB 37.7, 61.67, -77.73

 

CMYK 43 / 63 / 0 / 12

HEX #8052E0

RGB 128 82 224

HSL 259.44, 0.7%, 0.6%

LAB 46.98, 50.48, -65.87

 

CMYK 56 / 83 / 0 / 25

HEX #5421BE

RGB 84 33 190

HSL 259.49, 0.7%, 0.44%

LAB 31.09, 57.86, -72.38

 

CMYK 0 / 83 / 43 / 25

HEX #BE216D

RGB 190 33 109

HSL 330.96, 0.7%, 0.44%

LAB 42.97, 64.19, -3.22

 

CMYK 76 / 0 / 83 / 25

HEX #2EBE21

RGB 46 190 33

HSL 115.03, 0.7%, 0.44%

LAB 67.66, -64.14, 61.77

 

CMYK 56 / 83 / 0 / 25

HEX #5421BE

RGB 84 33 190

HSL 259.49, 0.7%, 0.44%

LAB 31.09, 57.86, -72.38

 

CMYK 0 / 56 / 83 / 25

HEX #BE5321

RGB 190 83 33

HSL 19.11, 0.7%, 0.44%

LAB 48.57, 40.36, 47.91

 

CMYK 83 / 0 / 56 / 25

HEX #21BE53

RGB 33 190 83

HSL 139.11, 0.7%, 0.44%

LAB 67.85, -61.09, 42.7

 

CMYK 56 / 83 / 0 / 25

HEX #5421BE

RGB 84 33 190

HSL 259.49, 0.7%, 0.44%

LAB 31.09, 57.86, -72.38

 

CMYK 0 / 83 / 43 / 25

HEX #BE216D

RGB 190 33 109

HSL 330.96, 0.7%, 0.44%

LAB 42.97, 64.19, -3.22

 

CMYK 26 / 0 / 83 / 25

HEX #8CBE21

RGB 140 190 33

HSL 79.11, 0.7%, 0.44%

LAB 71.22, -37.42, 66.31

 

CMYK 83 / 0 / 40 / 25

HEX #21BE72

RGB 33 190 114

HSL 150.96, 0.7%, 0.44%

LAB 68.29, -55.96, 27.68

 

CMYK 56 / 83 / 0 / 25

HEX #5421BE

RGB 84 33 190

HSL 259.49, 0.7%, 0.44%

LAB 31.09, 57.86, -72.38

 

CMYK 0 / 83 / 67 / 25

HEX #BE213E

RGB 190 33 62

HSL 348.92, 0.7%, 0.44%

LAB 41.82, 60.77, 24.63

 

CMYK 26 / 0 / 83 / 25

HEX #8CBE21

RGB 140 190 33

HSL 79.11, 0.7%, 0.44%

LAB 71.22, -37.42, 66.31

 

CMYK 83 / 0 / 15 / 25

HEX #21BEA1

RGB 33 190 161

HSL 168.92, 0.7%, 0.44%

LAB 69.27, -45.18, 3.73

 

Description

Color code: RGB 84 33 190 | qconv.com Color code: RGB 84 33 190 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 33 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 33 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 83 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 83% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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