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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 243 61 it is the complementary color RGB 171 12 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 243 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 243 61 shade: RGB 89 243 56, RGB 106 255 75, RGB 123 255 94, RGB 140 255 113 and RGB 157 255 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 243 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 243 61 shade: RGB 84 243 61, RGB 67 225 42, RGB 50 207 23, RGB 33 189 4 and RGB 16 171 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 243 61 shade: RGB 85 242 63, RGB 134 242 63, RGB 182 242 63, RGB 231 242 63 and RGB 242 205 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 243 61 shade: RGB 85 242 63, RGB 63 242 88, RGB 63 242 137, RGB 63 242 185 and RGB 63 242 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 243 61 shade matches the following richer shades: RGB 85 242 63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 243 61 shade: RGB 85 242 63, RGB 98 226 79, RGB 110 209 96, RGB 122 193 112 and RGB 135 176 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 243 61 shade: RGB 182 242 63, RGB 135 242 63, RGB 87 242 63, RGB 63 242 87 and RGB 63 242 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 243 61 shade: RGB 38 210 13, RGB 51 240 24, RGB 85 242 63, RGB 120 245 102 and RGB 154 247 140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 243 61 shade: RGB 84 243 61, RGB 63 230 242 and RGB 242 63 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 243 61 shade: RGB 84 243 61, RGB 63 87 242 and RGB 242 63 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 243 61 shade: RGB 84 243 61, RGB 63 230 242, RGB 218 63 242 and RGB 242 75 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 243 61 shade: RGB 84 243 61, RGB 63 176 242, RGB 218 63 242 and RGB 242 129 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 75 / 5

HEX #54F33D

RGB 84 243 61

HSL 112.42, 0.88%, 0.6%

LAB 85.16, -72.44, 70.46

 

Complementary color

CMYK 12 / 94 / 0 / 24

HEX #AB0CC2

RGB 171 12 194

HSL 292.42, 0.88%, 0.4%

LAB 42.48, 75.22, -55.6

 

CMYK 63 / 0 / 77 / 5

HEX #59F338

RGB 89 243 56

HSL 109.41, 0.89%, 0.59%

LAB 85.26, -71.75, 72.13

 

CMYK 58 / 0 / 71 / 0

HEX #6AFF4B

RGB 106 255 75

HSL 109.67, 1%, 0.65%

LAB 89.44, -70.71, 70.25

 

CMYK 52 / 0 / 63 / 0

HEX #7BFF5E

RGB 123 255 94

HSL 109.19, 1%, 0.68%

LAB 90.11, -64.95, 63.94

 

CMYK 45 / 0 / 56 / 0

HEX #8CFF71

RGB 140 255 113

HSL 108.59, 1%, 0.72%

LAB 90.91, -58.39, 56.96

 

CMYK 38 / 0 / 48 / 0

HEX #9DFF84

RGB 157 255 132

HSL 107.8, 1%, 0.76%

LAB 91.84, -51.16, 49.59

 

CMYK 65 / 0 / 75 / 5

HEX #54F33D

RGB 84 243 61

HSL 112.42, 0.88%, 0.6%

LAB 85.16, -72.44, 70.46

 

CMYK 70 / 0 / 81 / 12

HEX #43E12A

RGB 67 225 42

HSL 111.8, 0.75%, 0.52%

LAB 79.16, -71.05, 70.13

 

CMYK 76 / 0 / 89 / 19

HEX #32CF17

RGB 50 207 23

HSL 111.2, 0.8%, 0.45%

LAB 73.13, -69.12, 68.83

 

CMYK 83 / 0 / 98 / 26

HEX #21BD04

RGB 33 189 4

HSL 110.59, 0.96%, 0.38%

LAB 67.07, -66.5, 66.24

 

CMYK 91 / 0 / 100 / 33

HEX #10AB00

RGB 16 171 0

HSL 114.39, 1%, 0.34%

LAB 60.99, -63, 61.77

 

CMYK 65 / 0 / 74 / 5

HEX #55F23F

RGB 85 242 63

HSL 112.63, 0.87%, 0.6%

LAB 84.89, -71.79, 69.56

 

CMYK 45 / 0 / 74 / 5

HEX #86F23F

RGB 134 242 63

HSL 96.2, 0.87%, 0.6%

LAB 86.47, -59.4, 71.64

 

CMYK 25 / 0 / 74 / 5

HEX #B6F23F

RGB 182 242 63

HSL 80.11, 0.87%, 0.6%

LAB 88.83, -43.08, 74.74

 

CMYK 5 / 0 / 74 / 5

HEX #E7F23F

RGB 231 242 63

HSL 63.69, 0.87%, 0.6%

LAB 92.07, -23.92, 78.94

 

CMYK 0 / 15 / 74 / 5

HEX #F2CD3F

RGB 242 205 63

HSL 47.6, 0.87%, 0.6%

LAB 83.39, -1.05, 71.1

 

CMYK 65 / 0 / 74 / 5

HEX #55F23F

RGB 85 242 63

HSL 112.63, 0.87%, 0.6%

LAB 84.89, -71.79, 69.56

 

CMYK 74 / 0 / 64 / 5

HEX #3FF258

RGB 63 242 88

HSL 128.38, 0.87%, 0.6%

LAB 84.62, -73.41, 59.88

 

CMYK 74 / 0 / 43 / 5

HEX #3FF289

RGB 63 242 137

HSL 144.8, 0.87%, 0.6%

LAB 85.18, -66.77, 38.16

 

CMYK 74 / 0 / 24 / 5

HEX #3FF2B9

RGB 63 242 185

HSL 160.89, 0.87%, 0.6%

LAB 86.04, -57.3, 14.93

 

CMYK 74 / 0 / 3 / 5

HEX #3FF2EA

RGB 63 242 234

HSL 177.32, 0.87%, 0.6%

LAB 87.24, -45.04, -8.92

 

CMYK 65 / 0 / 74 / 5

HEX #55F23F

RGB 85 242 63

HSL 112.63, 0.87%, 0.6%

LAB 84.89, -71.79, 69.56

 

CMYK 65 / 0 / 74 / 5

HEX #55F23F

RGB 85 242 63

HSL 112.63, 0.87%, 0.6%

LAB 84.89, -71.79, 69.56

 

CMYK 57 / 0 / 65 / 11

HEX #62E24F

RGB 98 226 79

HSL 112.24, 0.72%, 0.6%

LAB 80.49, -62.21, 59.23

 

CMYK 47 / 0 / 54 / 18

HEX #6ED160

RGB 110 209 96

HSL 112.57, 0.55%, 0.6%

LAB 75.92, -50.78, 46.69

 

CMYK 37 / 0 / 42 / 24

HEX #7AC170

RGB 122 193 112

HSL 112.59, 0.4%, 0.6%

LAB 71.86, -38.19, 33.88

 

CMYK 23 / 0 / 27 / 31

HEX #87B081

RGB 135 176 129

HSL 112.34, 0.23%, 0.6%

LAB 67.86, -23.03, 19.71

 

CMYK 25 / 0 / 74 / 5

HEX #B6F23F

RGB 182 242 63

HSL 80.11, 0.87%, 0.6%

LAB 88.83, -43.08, 74.74

 

CMYK 44 / 0 / 74 / 5

HEX #87F23F

RGB 135 242 63

HSL 95.87, 0.87%, 0.6%

LAB 86.51, -59.09, 71.7

 

CMYK 64 / 0 / 74 / 5

HEX #57F23F

RGB 87 242 63

HSL 111.96, 0.87%, 0.6%

LAB 84.94, -71.39, 69.62

 

CMYK 74 / 0 / 64 / 5

HEX #3FF257

RGB 63 242 87

HSL 128.04, 0.87%, 0.6%

LAB 84.61, -73.52, 60.28

 

CMYK 74 / 0 / 44 / 5

HEX #3FF287

RGB 63 242 135

HSL 144.13, 0.87%, 0.6%

LAB 85.15, -67.1, 39.11

 

CMYK 82 / 0 / 94 / 18

HEX #26D20D

RGB 38 210 13

HSL 112.39, 0.88%, 0.44%

LAB 73.89, -71.79, 70.86

 

CMYK 79 / 0 / 90 / 6

HEX #33F018

RGB 51 240 24

HSL 112.5, 0.88%, 0.52%

LAB 83.49, -78.52, 77.49

 

CMYK 65 / 0 / 74 / 5

HEX #55F23F

RGB 85 242 63

HSL 112.63, 0.87%, 0.6%

LAB 84.89, -71.79, 69.56

 

CMYK 51 / 0 / 58 / 4

HEX #78F566

RGB 120 245 102

HSL 112.45, 0.88%, 0.68%

LAB 87.12, -61.26, 57.19

 

CMYK 38 / 0 / 43 / 3

HEX #9AF78C

RGB 154 247 140

HSL 112.15, 0.87%, 0.76%

LAB 89.53, -47.7, 42.83

 

CMYK 65 / 0 / 75 / 5

HEX #54F33D

RGB 84 243 61

HSL 112.42, 0.88%, 0.6%

LAB 85.16, -72.44, 70.46

 

CMYK 74 / 5 / 0 / 5

HEX #3FE6F2

RGB 63 230 242

HSL 184.02, 0.87%, 0.6%

LAB 84, -37.4, -17.98

 

CMYK 0 / 74 / 35 / 5

HEX #F23F9E

RGB 242 63 158

HSL 328.16, 0.87%, 0.6%

LAB 56.98, 73.88, -10.92

 

CMYK 65 / 0 / 75 / 5

HEX #54F33D

RGB 84 243 61

HSL 112.42, 0.88%, 0.6%

LAB 85.16, -72.44, 70.46

 

CMYK 74 / 64 / 0 / 5

HEX #3F57F2

RGB 63 87 242

HSL 231.96, 0.87%, 0.6%

LAB 44.64, 43.21, -80.06

 

CMYK 0 / 74 / 64 / 5

HEX #F23F57

RGB 242 63 87

HSL 351.96, 0.87%, 0.6%

LAB 55.2, 68.18, 28.58

 

CMYK 65 / 0 / 75 / 5

HEX #54F33D

RGB 84 243 61

HSL 112.42, 0.88%, 0.6%

LAB 85.16, -72.44, 70.46

 

CMYK 74 / 5 / 0 / 5

HEX #3FE6F2

RGB 63 230 242

HSL 184.02, 0.87%, 0.6%

LAB 84, -37.4, -17.98

 

CMYK 10 / 74 / 0 / 5

HEX #DA3FF2

RGB 218 63 242

HSL 291.96, 0.87%, 0.6%

LAB 56.95, 80.16, -59.34

 

CMYK 0 / 69 / 74 / 5

HEX #F24B3F

RGB 242 75 63

HSL 4.02, 0.87%, 0.6%

LAB 56.36, 62.92, 43.59

 

CMYK 65 / 0 / 75 / 5

HEX #54F33D

RGB 84 243 61

HSL 112.42, 0.88%, 0.6%

LAB 85.16, -72.44, 70.46

 

CMYK 74 / 27 / 0 / 5

HEX #3FB0F2

RGB 63 176 242

HSL 202.12, 0.87%, 0.6%

LAB 68.4, -10.25, -41.95

 

CMYK 10 / 74 / 0 / 5

HEX #DA3FF2

RGB 218 63 242

HSL 291.96, 0.87%, 0.6%

LAB 56.95, 80.16, -59.34

 

CMYK 0 / 47 / 74 / 5

HEX #F2813F

RGB 242 129 63

HSL 22.12, 0.87%, 0.6%

LAB 65.7, 38.6, 53.56

 

Description

Color code: RGB 84 243 61 | qconv.com Color code: RGB 84 243 61 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 243 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 243 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 75 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 75% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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