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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 191 182 it is the complementary color RGB 171 64 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 191 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 191 182 shade: RGB 89 191 177, RGB 106 209 196, RGB 123 227 215, RGB 140 245 234 and RGB 157 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 191 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 191 182 shade: RGB 84 191 182, RGB 67 173 163, RGB 50 155 144, RGB 33 137 125 and RGB 16 119 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 191 182 shade: RGB 83 191 182, RGB 83 191 153, RGB 83 191 124, RGB 83 191 95 and RGB 101 191 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 191 182 shade: RGB 83 191 182, RGB 83 171 191, RGB 83 142 191, RGB 83 113 191 and RGB 83 84 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 191 182 shade matches the following richer shades: RGB 83 191 182, RGB 64 210 198, RGB 45 229 214 and RGB 26 248 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 191 182 shade: RGB 83 191 182, RGB 102 172 166, RGB 121 153 151, RGB 140 134 135 and RGB 159 115 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 191 182 shade: RGB 83 191 123, RGB 83 191 152, RGB 83 191 180, RGB 83 173 191 and RGB 83 144 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 191 182 shade: RGB 52 140 133, RGB 63 170 161, RGB 83 191 182, RGB 113 202 195 and RGB 143 213 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 191 182 shade: RGB 84 191 182, RGB 94 83 191 and RGB 191 137 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 191 182 shade: RGB 84 191 182, RGB 180 83 191 and RGB 191 180 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 191 182 shade: RGB 84 191 182, RGB 94 83 191, RGB 191 83 94 and RGB 180 191 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 191 182 shade: RGB 84 191 182, RGB 126 83 191, RGB 191 83 94 and RGB 148 191 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 5 / 25

HEX #54BFB6

RGB 84 191 182

HSL 174.95, 0.46%, 0.54%

LAB 71.23, -32.82, -4.77

 

Complementary color

CMYK 0 / 63 / 57 / 33

HEX #AB4049

RGB 171 64 73

HSL 354.95, 0.46%, 0.46%

LAB 42.47, 44.53, 18

 

CMYK 53 / 0 / 7 / 25

HEX #59BFB1

RGB 89 191 177

HSL 171.76, 0.44%, 0.55%

LAB 71.26, -33.09, -1.98

 

CMYK 49 / 0 / 6 / 18

HEX #6AD1C4

RGB 106 209 196

HSL 172.43, 0.53%, 0.62%

LAB 77.67, -33.13, -2.79

 

CMYK 46 / 0 / 5 / 11

HEX #7BE3D7

RGB 123 227 215

HSL 173.08, 0.65%, 0.69%

LAB 83.99, -33.11, -3.54

 

CMYK 43 / 0 / 4 / 4

HEX #8CF5EA

RGB 140 245 234

HSL 173.71, 0.84%, 0.75%

LAB 90.24, -33.05, -4.25

 

CMYK 38 / 0 / 1 / 0

HEX #9DFFFD

RGB 157 255 253

HSL 178.78, 1%, 0.81%

LAB 94.22, -29.22, -8.15

 

CMYK 56 / 0 / 5 / 25

HEX #54BFB6

RGB 84 191 182

HSL 174.95, 0.46%, 0.54%

LAB 71.23, -32.82, -4.77

 

CMYK 61 / 0 / 6 / 32

HEX #43ADA3

RGB 67 173 163

HSL 174.34, 0.44%, 0.47%

LAB 64.74, -32.58, -3.91

 

CMYK 68 / 0 / 7 / 39

HEX #329B90

RGB 50 155 144

HSL 173.71, 0.51%, 0.4%

LAB 58.16, -32.17, -2.96

 

CMYK 76 / 0 / 9 / 46

HEX #21897D

RGB 33 137 125

HSL 173.08, 0.61%, 0.33%

LAB 51.49, -31.49, -1.88

 

CMYK 87 / 0 / 11 / 53

HEX #10776A

RGB 16 119 106

HSL 172.43, 0.76%, 0.26%

LAB 44.72, -30.41, -0.64

 

CMYK 57 / 0 / 5 / 25

HEX #53BFB6

RGB 83 191 182

HSL 175, 0.46%, 0.54%

LAB 71.2, -33.02, -4.82

 

CMYK 57 / 0 / 20 / 25

HEX #53BF99

RGB 83 191 153

HSL 158.89, 0.46%, 0.54%

LAB 70.46, -40.17, 9.93

 

CMYK 57 / 0 / 35 / 25

HEX #53BF7C

RGB 83 191 124

HSL 142.78, 0.46%, 0.54%

LAB 69.86, -46.21, 24.7

 

CMYK 57 / 0 / 50 / 25

HEX #53BF5F

RGB 83 191 95

HSL 126.67, 0.46%, 0.54%

LAB 69.42, -51, 39.04

 

CMYK 47 / 0 / 57 / 25

HEX #65BF53

RGB 101 191 83

HSL 110, 0.46%, 0.54%

LAB 69.93, -47.67, 45.6

 

CMYK 57 / 0 / 5 / 25

HEX #53BFB6

RGB 83 191 182

HSL 175, 0.46%, 0.54%

LAB 71.2, -33.02, -4.82

 

CMYK 57 / 10 / 0 / 25

HEX #53ABBF

RGB 83 171 191

HSL 191.11, 0.46%, 0.54%

LAB 65.54, -20.61, -18.26

 

CMYK 57 / 26 / 0 / 25

HEX #538EBF

RGB 83 142 191

HSL 207.22, 0.46%, 0.54%

LAB 57.02, -4.79, -31.34

 

CMYK 57 / 41 / 0 / 25

HEX #5371BF

RGB 83 113 191

HSL 223.33, 0.46%, 0.54%

LAB 48.77, 12.52, -44.31

 

CMYK 57 / 56 / 0 / 25

HEX #5354BF

RGB 83 84 191

HSL 239.44, 0.46%, 0.54%

LAB 41.12, 30.67, -56.57

 

CMYK 57 / 0 / 5 / 25

HEX #53BFB6

RGB 83 191 182

HSL 175, 0.46%, 0.54%

LAB 71.2, -33.02, -4.82

 

CMYK 70 / 0 / 6 / 18

HEX #40D2C6

RGB 64 210 198

HSL 175.07, 0.62%, 0.54%

LAB 76.84, -40.57, -5.22

 

CMYK 80 / 0 / 7 / 10

HEX #2DE5D6

RGB 45 229 214

HSL 175.11, 0.78%, 0.54%

LAB 82.62, -46.57, -5.25

 

CMYK 90 / 0 / 8 / 3

HEX #1AF8E5

RGB 26 248 229

HSL 174.86, 0.94%, 0.54%

LAB 88.45, -51.68, -4.56

 

CMYK 57 / 0 / 5 / 25

HEX #53BFB6

RGB 83 191 182

HSL 175, 0.46%, 0.54%

LAB 71.2, -33.02, -4.82

 

CMYK 41 / 0 / 3 / 33

HEX #66ACA6

RGB 102 172 166

HSL 174.86, 0.3%, 0.54%

LAB 65.81, -23.49, -3.86

 

CMYK 21 / 0 / 1 / 40

HEX #799997

RGB 121 153 151

HSL 176.25, 0.14%, 0.54%

LAB 60.85, -11.5, -2.62

 

CMYK 0 / 4 / 4 / 45

HEX #8C8687

RGB 140 134 135

HSL 350, 0.03%, 0.54%

LAB 56.46, 2.43, 0.26

 

CMYK 0 / 28 / 25 / 38

HEX #9F7377

RGB 159 115 119

HSL 354.55, 0.19%, 0.54%

LAB 52.91, 17.94, 4.66

 

CMYK 57 / 0 / 36 / 25

HEX #53BF7B

RGB 83 191 123

HSL 142.22, 0.46%, 0.54%

LAB 69.85, -46.4, 25.21

 

CMYK 57 / 0 / 20 / 25

HEX #53BF98

RGB 83 191 152

HSL 158.33, 0.46%, 0.54%

LAB 70.43, -40.4, 10.44

 

CMYK 57 / 0 / 6 / 25

HEX #53BFB4

RGB 83 191 180

HSL 173.89, 0.46%, 0.54%

LAB 71.14, -33.54, -3.81

 

CMYK 57 / 9 / 0 / 25

HEX #53ADBF

RGB 83 173 191

HSL 190, 0.46%, 0.54%

LAB 66.13, -21.64, -17.36

 

CMYK 57 / 25 / 0 / 25

HEX #5390BF

RGB 83 144 191

HSL 206.11, 0.46%, 0.54%

LAB 57.6, -5.93, -30.43

 

CMYK 63 / 0 / 5 / 45

HEX #348C85

RGB 52 140 133

HSL 175.23, 0.46%, 0.38%

LAB 53.15, -27.67, -4.04

 

CMYK 63 / 0 / 5 / 33

HEX #3FAAA1

RGB 63 170 161

HSL 174.95, 0.46%, 0.46%

LAB 63.66, -32.41, -4.41

 

CMYK 57 / 0 / 5 / 25

HEX #53BFB6

RGB 83 191 182

HSL 175, 0.46%, 0.54%

LAB 71.2, -33.02, -4.82

 

CMYK 44 / 0 / 3 / 21

HEX #71CAC3

RGB 113 202 195

HSL 175.28, 0.46%, 0.62%

LAB 75.88, -28.4, -4.85

 

CMYK 33 / 0 / 2 / 16

HEX #8FD5D0

RGB 143 213 208

HSL 175.71, 0.45%, 0.7%

LAB 80.73, -22.93, -4.53

 

CMYK 56 / 0 / 5 / 25

HEX #54BFB6

RGB 84 191 182

HSL 174.95, 0.46%, 0.54%

LAB 71.23, -32.82, -4.77

 

CMYK 51 / 57 / 0 / 25

HEX #5E53BF

RGB 94 83 191

HSL 246.11, 0.46%, 0.54%

LAB 41.73, 33.49, -55.55

 

CMYK 0 / 28 / 57 / 25

HEX #BF8953

RGB 191 137 83

HSL 30, 0.46%, 0.54%

LAB 61.3, 14.62, 36.83

 

CMYK 56 / 0 / 5 / 25

HEX #54BFB6

RGB 84 191 182

HSL 174.95, 0.46%, 0.54%

LAB 71.23, -32.82, -4.77

 

CMYK 6 / 57 / 0 / 25

HEX #B453BF

RGB 180 83 191

HSL 293.89, 0.46%, 0.54%

LAB 51.44, 54.66, -39.48

 

CMYK 0 / 6 / 57 / 25

HEX #BFB453

RGB 191 180 83

HSL 53.89, 0.46%, 0.54%

LAB 72.46, -8.57, 49.99

 

CMYK 56 / 0 / 5 / 25

HEX #54BFB6

RGB 84 191 182

HSL 174.95, 0.46%, 0.54%

LAB 71.23, -32.82, -4.77

 

CMYK 51 / 57 / 0 / 25

HEX #5E53BF

RGB 94 83 191

HSL 246.11, 0.46%, 0.54%

LAB 41.73, 33.49, -55.55

 

CMYK 0 / 57 / 51 / 25

HEX #BF535E

RGB 191 83 94

HSL 353.89, 0.46%, 0.54%

LAB 49.58, 44.37, 15.42

 

CMYK 6 / 0 / 57 / 25

HEX #B4BF53

RGB 180 191 83

HSL 66.11, 0.46%, 0.54%

LAB 74.57, -18.78, 52.14

 

CMYK 56 / 0 / 5 / 25

HEX #54BFB6

RGB 84 191 182

HSL 174.95, 0.46%, 0.54%

LAB 71.23, -32.82, -4.77

 

CMYK 34 / 57 / 0 / 25

HEX #7E53BF

RGB 126 83 191

HSL 263.89, 0.46%, 0.54%

LAB 44.78, 40.78, -50.49

 

CMYK 0 / 57 / 51 / 25

HEX #BF535E

RGB 191 83 94

HSL 353.89, 0.46%, 0.54%

LAB 49.58, 44.37, 15.42

 

CMYK 23 / 0 / 57 / 25

HEX #94BF53

RGB 148 191 83

HSL 83.89, 0.46%, 0.54%

LAB 72.35, -31.52, 49.03

 

Description

Color code: RGB 84 191 182 | qconv.com Color code: RGB 84 191 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 191 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 191 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 5 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 5% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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