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Color name
RGB 84 173 149

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 173 149 it is the complementary color RGB 171 82 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 173 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 173 149 shade: RGB 89 173 144, RGB 106 191 163, RGB 123 209 182, RGB 140 227 201 and RGB 157 245 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 173 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 173 149 shade: RGB 84 173 149, RGB 67 155 130, RGB 50 137 111, RGB 33 119 92 and RGB 16 101 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 173 149 shade: RGB 82 172 148, RGB 82 172 123, RGB 82 172 99, RGB 89 172 82 and RGB 113 172 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 173 149 shade: RGB 82 172 148, RGB 82 172 172, RGB 82 148 172, RGB 82 123 172 and RGB 82 99 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 173 149 shade matches the following richer shades: RGB 82 172 148, RGB 62 192 157, RGB 41 213 167, RGB 20 234 176 and RGB 0 254 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 173 149 shade: RGB 82 172 148, RGB 103 151 138, RGB 124 130 129, RGB 144 110 119 and RGB 165 89 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 173 149 shade: RGB 82 172 99, RGB 82 172 123, RGB 82 172 146, RGB 82 172 170 and RGB 82 149 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 173 149 shade: RGB 56 116 100, RGB 69 144 124, RGB 82 172 148, RGB 110 185 165 and RGB 138 198 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 173 149 shade: RGB 84 173 149, RGB 82 90 172 and RGB 172 111 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 173 149 shade: RGB 84 173 149, RGB 146 82 172 and RGB 172 146 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 173 149 shade: RGB 84 173 149, RGB 82 90 172, RGB 172 82 108 and RGB 172 164 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 173 149 shade: RGB 84 173 149, RGB 102 82 172, RGB 172 82 108 and RGB 152 172 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 14 / 32

HEX #54AD95

RGB 84 173 149

HSL 163.82, 0.35%, 0.5%

LAB 64.92, -32.64, 4.2

 

Complementary color

CMYK 0 / 52 / 38 / 33

HEX #AB526A

RGB 171 82 106

HSL 343.82, 0.35%, 0.5%

LAB 46.62, 38.98, 3.56

 

CMYK 49 / 0 / 17 / 32

HEX #59AD90

RGB 89 173 144

HSL 159.29, 0.34%, 0.51%

LAB 64.98, -32.6, 7.09

 

CMYK 45 / 0 / 15 / 25

HEX #6ABFA3

RGB 106 191 163

HSL 160.24, 0.4%, 0.58%

LAB 71.53, -32.45, 6.15

 

CMYK 41 / 0 / 13 / 18

HEX #7BD1B6

RGB 123 209 182

HSL 161.16, 0.48%, 0.65%

LAB 77.99, -32.26, 5.27

 

CMYK 38 / 0 / 11 / 11

HEX #8CE3C9

RGB 140 227 201

HSL 162.07, 0.61%, 0.72%

LAB 84.34, -32.07, 4.45

 

CMYK 36 / 0 / 10 / 4

HEX #9DF5DC

RGB 157 245 220

HSL 162.95, 0.81%, 0.79%

LAB 90.62, -31.89, 3.68

 

CMYK 51 / 0 / 14 / 32

HEX #54AD95

RGB 84 173 149

HSL 163.82, 0.35%, 0.5%

LAB 64.92, -32.64, 4.2

 

CMYK 57 / 0 / 16 / 39

HEX #439B82

RGB 67 155 130

HSL 162.95, 0.4%, 0.44%

LAB 58.27, -32.66, 5.21

 

CMYK 64 / 0 / 19 / 46

HEX #32896F

RGB 50 137 111

HSL 162.07, 0.47%, 0.37%

LAB 51.52, -32.54, 6.33

 

CMYK 72 / 0 / 23 / 53

HEX #21775C

RGB 33 119 92

HSL 161.16, 0.57%, 0.3%

LAB 44.65, -32.2, 7.62

 

CMYK 84 / 0 / 28 / 60

HEX #106549

RGB 16 101 73

HSL 160.24, 0.73%, 0.23%

LAB 37.66, -31.44, 9.12

 

CMYK 52 / 0 / 14 / 33

HEX #52AC94

RGB 82 172 148

HSL 164, 0.35%, 0.5%

LAB 64.51, -32.88, 4.16

 

CMYK 52 / 0 / 28 / 33

HEX #52AC7B

RGB 82 172 123

HSL 147.33, 0.35%, 0.5%

LAB 63.94, -38.48, 17.17

 

CMYK 52 / 0 / 42 / 33

HEX #52AC63

RGB 82 172 99

HSL 131.33, 0.35%, 0.5%

LAB 63.51, -42.93, 29.51

 

CMYK 48 / 0 / 52 / 33

HEX #59AC52

RGB 89 172 82

HSL 115.33, 0.35%, 0.5%

LAB 63.54, -43.5, 38.33

 

CMYK 34 / 0 / 52 / 33

HEX #71AC52

RGB 113 172 82

HSL 99.33, 0.35%, 0.5%

LAB 64.66, -35.73, 39.95

 

CMYK 52 / 0 / 14 / 33

HEX #52AC94

RGB 82 172 148

HSL 164, 0.35%, 0.5%

LAB 64.51, -32.88, 4.16

 

CMYK 52 / 0 / 0 / 33

HEX #52ACAC

RGB 82 172 172

HSL 180, 0.35%, 0.5%

LAB 65.18, -26.69, -8.22

 

CMYK 52 / 14 / 0 / 33

HEX #5294AC

RGB 82 148 172

HSL 196, 0.35%, 0.5%

LAB 57.99, -14.2, -19.05

 

CMYK 52 / 28 / 0 / 33

HEX #527BAC

RGB 82 123 172

HSL 212.67, 0.35%, 0.5%

LAB 50.61, 0.05, -30.43

 

CMYK 52 / 42 / 0 / 33

HEX #5263AC

RGB 82 99 172

HSL 228.67, 0.35%, 0.5%

LAB 43.79, 14.78, -41.17

 

CMYK 52 / 0 / 14 / 33

HEX #52AC94

RGB 82 172 148

HSL 164, 0.35%, 0.5%

LAB 64.51, -32.88, 4.16

 

CMYK 68 / 0 / 18 / 25

HEX #3EC09D

RGB 62 192 157

HSL 163.85, 0.51%, 0.5%

LAB 70.29, -43.56, 7.44

 

CMYK 81 / 0 / 22 / 16

HEX #29D5A7

RGB 41 213 167

HSL 163.95, 0.68%, 0.5%

LAB 76.59, -52.4, 10.99

 

CMYK 91 / 0 / 25 / 8

HEX #14EAB0

RGB 20 234 176

HSL 163.74, 0.84%, 0.5%

LAB 82.98, -59.77, 15.25

 

CMYK 100 / 0 / 27 / 0

HEX #00FEBA

RGB 0 254 186

HSL 163.94, 1%, 0.5%

LAB 89.12, -65.44, 18.67

 

CMYK 52 / 0 / 14 / 33

HEX #52AC94

RGB 82 172 148

HSL 164, 0.35%, 0.5%

LAB 64.51, -32.88, 4.16

 

CMYK 32 / 0 / 9 / 41

HEX #67978A

RGB 103 151 138

HSL 163.75, 0.19%, 0.5%

LAB 58.84, -19.12, 1.68

 

CMYK 5 / 0 / 1 / 49

HEX #7C8281

RGB 124 130 129

HSL 170, 0.02%, 0.5%

LAB 53.85, -2.42, -0.24

 

CMYK 0 / 24 / 17 / 44

HEX #906E77

RGB 144 110 119

HSL 344.12, 0.13%, 0.5%

LAB 49.99, 14.95, 0.22

 

CMYK 0 / 46 / 33 / 35

HEX #A5596E

RGB 165 89 110

HSL 343.42, 0.3%, 0.5%

LAB 47.33, 33.59, 2.05

 

CMYK 52 / 0 / 42 / 33

HEX #52AC63

RGB 82 172 99

HSL 131.33, 0.35%, 0.5%

LAB 63.51, -42.93, 29.51

 

CMYK 52 / 0 / 28 / 33

HEX #52AC7B

RGB 82 172 123

HSL 147.33, 0.35%, 0.5%

LAB 63.94, -38.48, 17.17

 

CMYK 52 / 0 / 15 / 33

HEX #52AC92

RGB 82 172 146

HSL 162.67, 0.35%, 0.5%

LAB 64.46, -33.36, 5.2

 

CMYK 52 / 0 / 1 / 33

HEX #52ACAA

RGB 82 172 170

HSL 178.67, 0.35%, 0.5%

LAB 65.12, -27.23, -7.2

 

CMYK 52 / 13 / 0 / 33

HEX #5295AC

RGB 82 149 172

HSL 195.33, 0.35%, 0.5%

LAB 58.29, -14.75, -18.6

 

CMYK 52 / 0 / 14 / 55

HEX #387464

RGB 56 116 100

HSL 164, 0.35%, 0.34%

LAB 44.59, -23.75, 2.88

 

CMYK 52 / 0 / 14 / 44

HEX #45907C

RGB 69 144 124

HSL 164, 0.35%, 0.42%

LAB 54.73, -28.41, 3.53

 

CMYK 52 / 0 / 14 / 33

HEX #52AC94

RGB 82 172 148

HSL 164, 0.35%, 0.5%

LAB 64.51, -32.88, 4.16

 

CMYK 41 / 0 / 11 / 27

HEX #6EB9A5

RGB 110 185 165

HSL 164, 0.35%, 0.58%

LAB 69.99, -28.05, 2.84

 

CMYK 30 / 0 / 8 / 22

HEX #8AC6B6

RGB 138 198 182

HSL 164, 0.34%, 0.66%

LAB 75.56, -22.72, 1.84

 

CMYK 51 / 0 / 14 / 32

HEX #54AD95

RGB 84 173 149

HSL 163.82, 0.35%, 0.5%

LAB 64.92, -32.64, 4.2

 

CMYK 52 / 48 / 0 / 33

HEX #525AAC

RGB 82 90 172

HSL 234.67, 0.35%, 0.5%

LAB 41.35, 20.47, -45.06

 

CMYK 0 / 35 / 52 / 33

HEX #AC6F52

RGB 172 111 82

HSL 19.33, 0.35%, 0.5%

LAB 52.67, 20.99, 26.08

 

CMYK 51 / 0 / 14 / 32

HEX #54AD95

RGB 84 173 149

HSL 163.82, 0.35%, 0.5%

LAB 64.92, -32.64, 4.2

 

CMYK 15 / 52 / 0 / 33

HEX #9252AC

RGB 146 82 172

HSL 282.67, 0.35%, 0.5%

LAB 45.8, 42.07, -37.6

 

CMYK 0 / 15 / 52 / 33

HEX #AC9252

RGB 172 146 82

HSL 42.67, 0.35%, 0.5%

LAB 61.6, 1.41, 37.26

 

CMYK 51 / 0 / 14 / 32

HEX #54AD95

RGB 84 173 149

HSL 163.82, 0.35%, 0.5%

LAB 64.92, -32.64, 4.2

 

CMYK 52 / 48 / 0 / 33

HEX #525AAC

RGB 82 90 172

HSL 234.67, 0.35%, 0.5%

LAB 41.35, 20.47, -45.06

 

CMYK 0 / 52 / 37 / 33

HEX #AC526C

RGB 172 82 108

HSL 342.67, 0.35%, 0.5%

LAB 46.83, 39.58, 2.66

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 51 / 0 / 14 / 32

HEX #54AD95

RGB 84 173 149

HSL 163.82, 0.35%, 0.5%

LAB 64.92, -32.64, 4.2

 

CMYK 41 / 52 / 0 / 33

HEX #6652AC

RGB 102 82 172

HSL 253.33, 0.35%, 0.5%

LAB 40.96, 30.24, -45.6

 

CMYK 0 / 52 / 37 / 33

HEX #AC526C

RGB 172 82 108

HSL 342.67, 0.35%, 0.5%

LAB 46.83, 39.58, 2.66

 

CMYK 12 / 0 / 52 / 33

HEX #98AC52

RGB 152 172 82

HSL 73.33, 0.35%, 0.5%

LAB 67.12, -20.8, 43.47

 

Description

Color code: RGB 84 173 149 | qconv.com Color code: RGB 84 173 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 173 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 173 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 14 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 14% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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