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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 169 59 it is the complementary color RGB 171 86 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 169 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 169 59 shade: RGB 89 169 54, RGB 106 187 73, RGB 123 205 92, RGB 140 223 111 and RGB 157 241 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 169 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 169 59 shade: RGB 84 169 59, RGB 67 151 40, RGB 50 133 21, RGB 33 115 2 and RGB 16 97 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 169 59 shade: RGB 84 169 59, RGB 114 169 59, RGB 144 169 59, RGB 169 165 59 and RGB 169 136 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 169 59 shade: RGB 84 169 59, RGB 59 169 64, RGB 59 169 94, RGB 59 169 123 and RGB 59 169 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 169 59 shade matches the following richer shades: RGB 84 169 59, RGB 74 188 41, RGB 64 206 22 and RGB 54 225 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 169 59 shade: RGB 84 169 59, RGB 94 151 78, RGB 104 132 96, RGB 115 114 115 and RGB 125 95 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 169 59 shade: RGB 144 169 59, RGB 114 169 59, RGB 85 169 59, RGB 59 169 63 and RGB 59 169 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 169 59 shade: RGB 54 108 38, RGB 69 139 48, RGB 84 169 59, RGB 104 192 77 and RGB 130 203 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 169 59 shade: RGB 84 169 59, RGB 59 169 166 and RGB 169 59 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 169 59 shade: RGB 84 169 59, RGB 59 85 169 and RGB 169 59 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 169 59 shade: RGB 84 169 59, RGB 59 169 166, RGB 144 59 169 and RGB 169 59 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 169 59 shade: RGB 84 169 59, RGB 59 140 169, RGB 144 59 169 and RGB 169 89 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 65 / 34

HEX #54A93B

RGB 84 169 59

HSL 106.36, 0.48%, 0.45%

LAB 62.15, -46.39, 47.43

 

Complementary color

CMYK 13 / 56 / 0 / 23

HEX #AB56C4

RGB 171 86 196

HSL 286.36, 0.48%, 0.55%

LAB 51.04, 51.81, -43.09

 

CMYK 47 / 0 / 68 / 34

HEX #59A936

RGB 89 169 54

HSL 101.74, 0.52%, 0.44%

LAB 62.31, -45.32, 49.78

 

CMYK 43 / 0 / 61 / 27

HEX #6ABB49

RGB 106 187 73

HSL 102.63, 0.46%, 0.51%

LAB 68.81, -45.57, 48.94

 

CMYK 40 / 0 / 55 / 20

HEX #7BCD5C

RGB 123 205 92

HSL 103.54, 0.53%, 0.58%

LAB 75.23, -45.65, 47.87

 

CMYK 37 / 0 / 50 / 13

HEX #8CDF6F

RGB 140 223 111

HSL 104.46, 0.64%, 0.65%

LAB 81.56, -45.62, 46.72

 

CMYK 35 / 0 / 46 / 5

HEX #9DF182

RGB 157 241 130

HSL 105.41, 0.8%, 0.73%

LAB 87.82, -45.52, 45.54

 

CMYK 50 / 0 / 65 / 34

HEX #54A93B

RGB 84 169 59

HSL 106.36, 0.48%, 0.45%

LAB 62.15, -46.39, 47.43

 

CMYK 56 / 0 / 74 / 41

HEX #439728

RGB 67 151 40

HSL 105.41, 0.58%, 0.37%

LAB 55.56, -45.89, 48.07

 

CMYK 62 / 0 / 84 / 48

HEX #328515

RGB 50 133 21

HSL 104.46, 0.73%, 0.3%

LAB 48.89, -44.95, 47.87

 

CMYK 71 / 0 / 98 / 55

HEX #217302

RGB 33 115 2

HSL 103.54, 0.97%, 0.23%

LAB 42.14, -43.34, 46.34

 

CMYK 84 / 0 / 100 / 62

HEX #106100

RGB 16 97 0

HSL 110.1, 1%, 0.19%

LAB 35.32, -40.48, 41.24

 

CMYK 50 / 0 / 65 / 34

HEX #54A93B

RGB 84 169 59

HSL 106.36, 0.48%, 0.45%

LAB 62.15, -46.39, 47.43

 

CMYK 33 / 0 / 65 / 34

HEX #72A93B

RGB 114 169 59

HSL 90, 0.48%, 0.45%

LAB 63.56, -36.34, 49.38

 

CMYK 15 / 0 / 65 / 34

HEX #90A93B

RGB 144 169 59

HSL 73.64, 0.48%, 0.45%

LAB 65.45, -24.53, 51.97

 

CMYK 0 / 2 / 65 / 34

HEX #A9A53B

RGB 169 165 59

HSL 57.82, 0.48%, 0.45%

LAB 66.26, -11.86, 53.41

 

CMYK 0 / 20 / 65 / 34

HEX #A9883B

RGB 169 136 59

HSL 42, 0.48%, 0.45%

LAB 58.38, 3.8, 44.97

 

CMYK 50 / 0 / 65 / 34

HEX #54A93B

RGB 84 169 59

HSL 106.36, 0.48%, 0.45%

LAB 62.15, -46.39, 47.43

 

CMYK 65 / 0 / 62 / 34

HEX #3BA940

RGB 59 169 64

HSL 122.73, 0.48%, 0.45%

LAB 61.37, -52.25, 44.12

 

CMYK 65 / 0 / 44 / 34

HEX #3BA95E

RGB 59 169 94

HSL 139.09, 0.48%, 0.45%

LAB 61.75, -47.94, 29.73

 

CMYK 65 / 0 / 27 / 34

HEX #3BA97B

RGB 59 169 123

HSL 154.91, 0.48%, 0.45%

LAB 62.28, -42.2, 14.77

 

CMYK 65 / 0 / 9 / 34

HEX #3BA999

RGB 59 169 153

HSL 171.27, 0.48%, 0.45%

LAB 63.02, -34.8, -0.89

 

CMYK 50 / 0 / 65 / 34

HEX #54A93B

RGB 84 169 59

HSL 106.36, 0.48%, 0.45%

LAB 62.15, -46.39, 47.43

 

CMYK 61 / 0 / 78 / 26

HEX #4ABC29

RGB 74 188 41

HSL 106.53, 0.64%, 0.45%

LAB 67.71, -57.56, 59.75

 

CMYK 69 / 0 / 89 / 19

HEX #40CE16

RGB 64 206 22

HSL 106.3, 0.81%, 0.45%

LAB 73.08, -66.5, 69.07

 

CMYK 76 / 0 / 99 / 12

HEX #36E103

RGB 54 225 3

HSL 106.22, 0.97%, 0.45%

LAB 78.83, -74.25, 75.96

 

CMYK 50 / 0 / 65 / 34

HEX #54A93B

RGB 84 169 59

HSL 106.36, 0.48%, 0.45%

LAB 62.15, -46.39, 47.43

 

CMYK 38 / 0 / 48 / 41

HEX #5E974E

RGB 94 151 78

HSL 106.85, 0.32%, 0.45%

LAB 57.14, -33.21, 32.54

 

CMYK 21 / 0 / 27 / 48

HEX #688460

RGB 104 132 96

HSL 106.67, 0.16%, 0.45%

LAB 52.16, -17.32, 16.25

 

CMYK 0 / 1 / 0 / 55

HEX #737273

RGB 115 114 115

HSL 300, 0%, 0.45%

LAB 48.16, 0.59, -0.42

 

CMYK 6 / 29 / 0 / 48

HEX #7D5F85

RGB 125 95 133

HSL 287.37, 0.17%, 0.45%

LAB 44.57, 19.42, -16.47

 

CMYK 15 / 0 / 65 / 34

HEX #90A93B

RGB 144 169 59

HSL 73.64, 0.48%, 0.45%

LAB 65.45, -24.53, 51.97

 

CMYK 33 / 0 / 65 / 34

HEX #72A93B

RGB 114 169 59

HSL 90, 0.48%, 0.45%

LAB 63.56, -36.34, 49.38

 

CMYK 50 / 0 / 65 / 34

HEX #55A93B

RGB 85 169 59

HSL 105.82, 0.48%, 0.45%

LAB 62.19, -46.09, 47.49

 

CMYK 65 / 0 / 63 / 34

HEX #3BA93F

RGB 59 169 63

HSL 122.18, 0.48%, 0.45%

LAB 61.36, -52.37, 44.56

 

CMYK 65 / 0 / 46 / 34

HEX #3BA95C

RGB 59 169 92

HSL 138, 0.48%, 0.45%

LAB 61.72, -48.28, 30.74

 

CMYK 50 / 0 / 65 / 58

HEX #366C26

RGB 54 108 38

HSL 106.29, 0.48%, 0.29%

LAB 40.65, -32.3, 32.89

 

CMYK 50 / 0 / 65 / 45

HEX #458B30

RGB 69 139 48

HSL 106.15, 0.49%, 0.37%

LAB 51.77, -39.77, 40.74

 

CMYK 50 / 0 / 65 / 34

HEX #54A93B

RGB 84 169 59

HSL 106.36, 0.48%, 0.45%

LAB 62.15, -46.39, 47.43

 

CMYK 46 / 0 / 60 / 25

HEX #68C04D

RGB 104 192 77

HSL 105.91, 0.48%, 0.53%

LAB 70.3, -47.83, 48.81

 

CMYK 36 / 0 / 47 / 20

HEX #82CB6C

RGB 130 203 108

HSL 106.11, 0.48%, 0.61%

LAB 75.16, -40.58, 40.17

 

CMYK 50 / 0 / 65 / 34

HEX #54A93B

RGB 84 169 59

HSL 106.36, 0.48%, 0.45%

LAB 62.15, -46.39, 47.43

 

CMYK 65 / 0 / 2 / 34

HEX #3BA9A6

RGB 59 169 166

HSL 178.36, 0.48%, 0.45%

LAB 63.39, -31.19, -7.61

 

CMYK 0 / 65 / 24 / 34

HEX #A93B81

RGB 169 59 129

HSL 321.82, 0.48%, 0.45%

LAB 42.99, 52.23, -15.93

 

CMYK 50 / 0 / 65 / 34

HEX #54A93B

RGB 84 169 59

HSL 106.36, 0.48%, 0.45%

LAB 62.15, -46.39, 47.43

 

CMYK 65 / 50 / 0 / 34

HEX #3B55A9

RGB 59 85 169

HSL 225.82, 0.48%, 0.45%

LAB 38.36, 18, -48.16

 

CMYK 0 / 65 / 50 / 34

HEX #A93B55

RGB 169 59 85

HSL 345.82, 0.48%, 0.45%

LAB 41.56, 47.12, 9.25

 

CMYK 50 / 0 / 65 / 34

HEX #54A93B

RGB 84 169 59

HSL 106.36, 0.48%, 0.45%

LAB 62.15, -46.39, 47.43

 

CMYK 65 / 0 / 2 / 34

HEX #3BA9A6

RGB 59 169 166

HSL 178.36, 0.48%, 0.45%

LAB 63.39, -31.19, -7.61

 

CMYK 15 / 65 / 0 / 34

HEX #903BA9

RGB 144 59 169

HSL 286.36, 0.48%, 0.45%

LAB 41.09, 52.43, -43.32

 

CMYK 0 / 65 / 63 / 34

HEX #A93B3F

RGB 169 59 63

HSL 357.82, 0.48%, 0.45%

LAB 41.09, 45.36, 22.28

 

CMYK 50 / 0 / 65 / 34

HEX #54A93B

RGB 84 169 59

HSL 106.36, 0.48%, 0.45%

LAB 62.15, -46.39, 47.43

 

CMYK 65 / 17 / 0 / 34

HEX #3B8CA9

RGB 59 140 169

HSL 195.82, 0.48%, 0.45%

LAB 54.61, -15.39, -22.6

 

CMYK 15 / 65 / 0 / 34

HEX #903BA9

RGB 144 59 169

HSL 286.36, 0.48%, 0.45%

LAB 41.09, 52.43, -43.32

 

CMYK 0 / 47 / 65 / 34

HEX #A9593B

RGB 169 89 59

HSL 16.36, 0.48%, 0.45%

LAB 46.84, 30.09, 31.76

 

Description

Color code: RGB 84 169 59 | qconv.com Color code: RGB 84 169 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 169 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 169 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 65 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 65% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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