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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 129 207 it is the complementary color RGB 171 126 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 129 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 129 207 shade: RGB 89 129 202, RGB 106 147 221, RGB 123 165 240, RGB 140 183 255 and RGB 157 201 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 129 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 129 207 shade: RGB 84 129 207, RGB 67 111 188, RGB 50 93 169, RGB 33 75 150 and RGB 16 57 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 129 207 shade: RGB 83 128 206, RGB 83 95 206, RGB 105 83 206, RGB 138 83 206 and RGB 171 83 206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 129 207 shade: RGB 83 128 206, RGB 83 95 206 and RGB 83 83 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 129 207 shade matches the following richer shades: RGB 83 128 206, RGB 66 124 224 and RGB 48 119 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 129 207 shade: RGB 83 128 206, RGB 101 133 189, RGB 119 138 171, RGB 137 143 153 and RGB 154 147 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 129 207 shade: RGB 83 194 206, RGB 83 161 206, RGB 83 128 206, RGB 83 96 206 and RGB 104 83 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 129 207 shade: RGB 45 88 162, RGB 54 105 194, RGB 83 128 206, RGB 116 152 215 and RGB 148 176 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 129 207 shade: RGB 84 129 207, RGB 186 83 206 and RGB 178 206 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 129 207 shade: RGB 84 129 207, RGB 206 83 128 and RGB 128 206 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 129 207 shade: RGB 84 129 207, RGB 186 83 206, RGB 206 161 83 and RGB 104 206 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 129 207 shade: RGB 84 129 207, RGB 206 83 190, RGB 206 161 83 and RGB 83 206 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 38 / 0 / 19

HEX #5481CF

RGB 84 129 207

HSL 218.05, 0.56%, 0.57%

LAB 54.12, 8.28, -44.95

 

Complementary color

CMYK 0 / 26 / 72 / 33

HEX #AB7E30

RGB 171 126 48

HSL 38.05, 0.56%, 0.43%

LAB 55.88, 9.63, 47.48

 

CMYK 56 / 36 / 0 / 21

HEX #5981CA

RGB 89 129 202

HSL 218.76, 0.52%, 0.57%

LAB 54.12, 7.66, -42.11

 

CMYK 52 / 33 / 0 / 13

HEX #6A93DD

RGB 106 147 221

HSL 218.61, 0.63%, 0.64%

LAB 60.92, 6.72, -42.02

 

CMYK 49 / 31 / 0 / 6

HEX #7BA5F0

RGB 123 165 240

HSL 218.46, 0.8%, 0.71%

LAB 67.59, 5.95, -41.97

 

CMYK 45 / 28 / 0 / 0

HEX #8CB7FF

RGB 140 183 255

HSL 217.57, 1%, 0.77%

LAB 73.97, 4.17, -40.05

 

CMYK 38 / 21 / 0 / 0

HEX #9DC9FF

RGB 157 201 255

HSL 213.06, 1%, 0.81%

LAB 79.71, -1.39, -31.11

 

CMYK 59 / 38 / 0 / 19

HEX #5481CF

RGB 84 129 207

HSL 218.05, 0.56%, 0.57%

LAB 54.12, 8.28, -44.95

 

CMYK 64 / 41 / 0 / 26

HEX #436FBC

RGB 67 111 188

HSL 218.18, 0.47%, 0.5%

LAB 47.23, 9.6, -45.09

 

CMYK 70 / 45 / 0 / 34

HEX #325DA9

RGB 50 93 169

HSL 218.32, 0.54%, 0.43%

LAB 40.2, 11.29, -45.24

 

CMYK 78 / 50 / 0 / 41

HEX #214B96

RGB 33 75 150

HSL 218.46, 0.64%, 0.36%

LAB 33.04, 13.49, -45.38

 

CMYK 88 / 56 / 0 / 49

HEX #103983

RGB 16 57 131

HSL 218.61, 0.78%, 0.29%

LAB 25.79, 16.43, -45.44

 

CMYK 60 / 38 / 0 / 19

HEX #5380CE

RGB 83 128 206

HSL 218.05, 0.56%, 0.57%

LAB 53.74, 8.35, -44.99

 

CMYK 60 / 54 / 0 / 19

HEX #535FCE

RGB 83 95 206

HSL 234.15, 0.56%, 0.57%

LAB 44.91, 28.77, -59.12

 

CMYK 49 / 60 / 0 / 19

HEX #6953CE

RGB 105 83 206

HSL 250.73, 0.56%, 0.57%

LAB 43.72, 40.27, -60.97

 

CMYK 33 / 60 / 0 / 19

HEX #8A53CE

RGB 138 83 206

HSL 266.83, 0.56%, 0.57%

LAB 47.03, 47.44, -55.46

 

CMYK 17 / 60 / 0 / 19

HEX #AB53CE

RGB 171 83 206

HSL 282.93, 0.56%, 0.57%

LAB 51.04, 55.33, -48.83

 

CMYK 60 / 38 / 0 / 19

HEX #5380CE

RGB 83 128 206

HSL 218.05, 0.56%, 0.57%

LAB 53.74, 8.35, -44.99

 

CMYK 60 / 54 / 0 / 19

HEX #535FCE

RGB 83 95 206

HSL 234.15, 0.56%, 0.57%

LAB 44.91, 28.77, -59.12

 

CMYK 60 / 60 / 0 / 19

HEX #5353CE

RGB 83 83 206

HSL 240, 0.56%, 0.57%

LAB 41.97, 36.19, -63.89

 

CMYK 60 / 38 / 0 / 19

HEX #5380CE

RGB 83 128 206

HSL 218.05, 0.56%, 0.57%

LAB 53.74, 8.35, -44.99

 

CMYK 71 / 45 / 0 / 12

HEX #427CE0

RGB 66 124 224

HSL 217.97, 0.72%, 0.57%

LAB 52.9, 14.18, -56.54

 

CMYK 80 / 51 / 0 / 5

HEX #3077F2

RGB 48 119 242

HSL 218.04, 0.88%, 0.57%

LAB 52.1, 21.81, -67.93

 

CMYK 60 / 38 / 0 / 19

HEX #5380CE

RGB 83 128 206

HSL 218.05, 0.56%, 0.57%

LAB 53.74, 8.35, -44.99

 

CMYK 47 / 30 / 0 / 26

HEX #6585BD

RGB 101 133 189

HSL 218.18, 0.4%, 0.57%

LAB 55.29, 4, -32.82

 

CMYK 30 / 19 / 0 / 33

HEX #778AAB

RGB 119 138 171

HSL 218.08, 0.24%, 0.57%

LAB 57.11, 1.09, -19.64

 

CMYK 10 / 7 / 0 / 40

HEX #898F99

RGB 137 143 153

HSL 217.5, 0.07%, 0.57%

LAB 59.22, -0.1, -6.05

 

CMYK 0 / 5 / 12 / 40

HEX #9A9387

RGB 154 147 135

HSL 37.89, 0.09%, 0.57%

LAB 61.21, 0.42, 7.27

 

CMYK 60 / 6 / 0 / 19

HEX #53C2CE

RGB 83 194 206

HSL 185.85, 0.56%, 0.57%

LAB 72.81, -27.88, -15.5

 

CMYK 60 / 22 / 0 / 19

HEX #53A1CE

RGB 83 161 206

HSL 201.95, 0.56%, 0.57%

LAB 63.16, -10.72, -30.24

 

CMYK 60 / 38 / 0 / 19

HEX #5380CE

RGB 83 128 206

HSL 218.05, 0.56%, 0.57%

LAB 53.74, 8.35, -44.99

 

CMYK 60 / 53 / 0 / 19

HEX #5360CE

RGB 83 96 206

HSL 233.66, 0.56%, 0.57%

LAB 45.17, 28.14, -58.72

 

CMYK 50 / 60 / 0 / 19

HEX #6853CE

RGB 104 83 206

HSL 250.24, 0.56%, 0.57%

LAB 43.63, 40.07, -61.12

 

CMYK 72 / 46 / 0 / 36

HEX #2D58A2

RGB 45 88 162

HSL 217.95, 0.57%, 0.41%

LAB 38.1, 11.15, -44.44

 

CMYK 72 / 46 / 0 / 24

HEX #3669C2

RGB 54 105 194

HSL 218.14, 0.56%, 0.49%

LAB 45.33, 13.48, -51.61

 

CMYK 60 / 38 / 0 / 19

HEX #5380CE

RGB 83 128 206

HSL 218.05, 0.56%, 0.57%

LAB 53.74, 8.35, -44.99

 

CMYK 46 / 29 / 0 / 16

HEX #7498D7

RGB 116 152 215

HSL 218.18, 0.55%, 0.65%

LAB 62.57, 4.38, -36.05

 

CMYK 34 / 21 / 0 / 12

HEX #94B0E0

RGB 148 176 224

HSL 217.89, 0.55%, 0.73%

LAB 71.37, 1.79, -27.24

 

CMYK 59 / 38 / 0 / 19

HEX #5481CF

RGB 84 129 207

HSL 218.05, 0.56%, 0.57%

LAB 54.12, 8.28, -44.95

 

CMYK 10 / 60 / 0 / 19

HEX #BA53CE

RGB 186 83 206

HSL 290.24, 0.56%, 0.57%

LAB 53.04, 59.03, -45.52

 

CMYK 14 / 0 / 60 / 19

HEX #B2CE53

RGB 178 206 83

HSL 73.66, 0.56%, 0.57%

LAB 78.6, -26.93, 56.6

 

CMYK 59 / 38 / 0 / 19

HEX #5481CF

RGB 84 129 207

HSL 218.05, 0.56%, 0.57%

LAB 54.12, 8.28, -44.95

 

CMYK 0 / 60 / 38 / 19

HEX #CE5380

RGB 206 83 128

HSL 338.05, 0.56%, 0.57%

LAB 52.8, 52.87, -0.03

 

CMYK 38 / 0 / 60 / 19

HEX #80CE53

RGB 128 206 83

HSL 98.05, 0.56%, 0.57%

LAB 75.67, -45.38, 52.53

 

CMYK 59 / 38 / 0 / 19

HEX #5481CF

RGB 84 129 207

HSL 218.05, 0.56%, 0.57%

LAB 54.12, 8.28, -44.95

 

CMYK 10 / 60 / 0 / 19

HEX #BA53CE

RGB 186 83 206

HSL 290.24, 0.56%, 0.57%

LAB 53.04, 59.03, -45.52

 

CMYK 0 / 22 / 60 / 19

HEX #CEA153

RGB 206 161 83

HSL 38.05, 0.56%, 0.57%

LAB 68.92, 7.9, 46.29

 

CMYK 50 / 0 / 60 / 19

HEX #68CE53

RGB 104 206 83

HSL 109.76, 0.56%, 0.57%

LAB 74.64, -52.77, 51.08

 

CMYK 59 / 38 / 0 / 19

HEX #5481CF

RGB 84 129 207

HSL 218.05, 0.56%, 0.57%

LAB 54.12, 8.28, -44.95

 

CMYK 0 / 60 / 8 / 19

HEX #CE53BE

RGB 206 83 190

HSL 307.8, 0.56%, 0.57%

LAB 55.1, 61.37, -32.9

 

CMYK 0 / 22 / 60 / 19

HEX #CEA153

RGB 206 161 83

HSL 38.05, 0.56%, 0.57%

LAB 68.92, 7.9, 46.29

 

CMYK 60 / 0 / 51 / 19

HEX #53CE64

RGB 83 206 100

HSL 128.29, 0.56%, 0.57%

LAB 74.13, -56.03, 42.39

 

Description

Color code: RGB 84 129 207 | qconv.com Color code: RGB 84 129 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 129 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 129 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 38 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 38% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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