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Color name
RGB 84 99 172

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 99 172 it is the complementary color RGB 171 156 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 99 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 99 172 shade: RGB 89 99 167, RGB 106 117 186, RGB 123 135 205, RGB 140 153 224 and RGB 157 171 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 99 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 99 172 shade: RGB 84 99 172, RGB 67 81 153, RGB 50 63 134, RGB 33 45 115 and RGB 16 27 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 99 172 shade: RGB 82 98 172, RGB 91 82 172, RGB 115 82 172, RGB 139 82 172 and RGB 163 82 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 99 172 shade: RGB 82 98 172 and RGB 82 82 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 99 172 shade matches the following richer shades: RGB 82 98 172, RGB 62 84 192, RGB 41 70 213, RGB 20 57 234 and RGB 0 43 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 99 172 shade: RGB 82 98 172, RGB 103 111 151, RGB 124 125 130, RGB 144 138 110 and RGB 165 152 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 99 172 shade: RGB 82 146 172, RGB 82 123 172, RGB 82 99 172, RGB 90 82 172 and RGB 114 82 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 99 172 shade: RGB 56 66 116, RGB 69 82 144, RGB 82 98 172, RGB 110 123 185 and RGB 138 148 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 99 172 shade: RGB 84 99 172, RGB 172 82 170 and RGB 134 172 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 99 172 shade: RGB 84 99 172, RGB 172 82 99 and RGB 99 172 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 99 172 shade: RGB 84 99 172, RGB 172 82 170, RGB 172 155 82 and RGB 82 172 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 99 172 shade: RGB 84 99 172, RGB 172 82 143, RGB 172 155 82 and RGB 82 172 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 42 / 0 / 33

HEX #5463AC

RGB 84 99 172

HSL 229.77, 0.35%, 0.5%

LAB 43.93, 15.25, -40.95

 

Complementary color

CMYK 0 / 9 / 51 / 33

HEX #AB9C53

RGB 171 156 83

HSL 49.77, 0.35%, 0.5%

LAB 64.21, -4.37, 39.88

 

CMYK 47 / 41 / 0 / 35

HEX #5963A7

RGB 89 99 167

HSL 232.31, 0.31%, 0.5%

LAB 44, 14.89, -37.87

 

CMYK 43 / 37 / 0 / 27

HEX #6A75BA

RGB 106 117 186

HSL 231.75, 0.37%, 0.57%

LAB 51.07, 13.97, -37.69

 

CMYK 40 / 34 / 0 / 20

HEX #7B87CD

RGB 123 135 205

HSL 231.22, 0.45%, 0.64%

LAB 57.99, 13.2, -37.58

 

CMYK 38 / 32 / 0 / 12

HEX #8C99E0

RGB 140 153 224

HSL 230.71, 0.58%, 0.71%

LAB 64.76, 12.54, -37.52

 

CMYK 35 / 30 / 0 / 5

HEX #9DABF3

RGB 157 171 243

HSL 230.23, 0.78%, 0.78%

LAB 71.4, 11.97, -37.5

 

CMYK 51 / 42 / 0 / 33

HEX #5463AC

RGB 84 99 172

HSL 229.77, 0.35%, 0.5%

LAB 43.93, 15.25, -40.95

 

CMYK 56 / 47 / 0 / 40

HEX #435199

RGB 67 81 153

HSL 230.23, 0.39%, 0.43%

LAB 36.7, 16.55, -41.22

 

CMYK 63 / 53 / 0 / 47

HEX #323F86

RGB 50 63 134

HSL 230.71, 0.46%, 0.36%

LAB 29.3, 18.22, -41.55

 

CMYK 71 / 61 / 0 / 55

HEX #212D73

RGB 33 45 115

HSL 231.22, 0.55%, 0.29%

LAB 21.72, 20.42, -41.89

 

CMYK 83 / 72 / 0 / 62

HEX #101B60

RGB 16 27 96

HSL 231.75, 0.71%, 0.22%

LAB 14.05, 23.35, -42.06

 

CMYK 52 / 43 / 0 / 33

HEX #5262AC

RGB 82 98 172

HSL 229.33, 0.35%, 0.5%

LAB 43.52, 15.41, -41.61

 

CMYK 47 / 52 / 0 / 33

HEX #5B52AC

RGB 91 82 172

HSL 246, 0.35%, 0.5%

LAB 39.98, 27.58, -47.23

 

CMYK 33 / 52 / 0 / 33

HEX #7352AC

RGB 115 82 172

HSL 262, 0.35%, 0.5%

LAB 42.24, 33.58, -43.47

 

CMYK 19 / 52 / 0 / 33

HEX #8B52AC

RGB 139 82 172

HSL 278, 0.35%, 0.5%

LAB 44.94, 40.11, -39.01

 

CMYK 5 / 52 / 0 / 33

HEX #A352AC

RGB 163 82 172

HSL 294, 0.35%, 0.5%

LAB 48.01, 46.88, -33.98

 

CMYK 52 / 43 / 0 / 33

HEX #5262AC

RGB 82 98 172

HSL 229.33, 0.35%, 0.5%

LAB 43.52, 15.41, -41.61

 

CMYK 52 / 52 / 0 / 33

HEX #5252AC

RGB 82 82 172

HSL 240, 0.35%, 0.5%

LAB 39.25, 25.54, -48.43

 

CMYK 52 / 43 / 0 / 33

HEX #5262AC

RGB 82 98 172

HSL 229.33, 0.35%, 0.5%

LAB 43.52, 15.41, -41.61

 

CMYK 68 / 56 / 0 / 25

HEX #3E54C0

RGB 62 84 192

HSL 229.85, 0.51%, 0.5%

LAB 39.87, 27.41, -59.26

 

CMYK 81 / 67 / 0 / 16

HEX #2946D5

RGB 41 70 213

HSL 229.88, 0.68%, 0.5%

LAB 37.22, 41.5, -75.8

 

CMYK 91 / 76 / 0 / 8

HEX #1439EA

RGB 20 57 234

HSL 229.63, 0.84%, 0.5%

LAB 36.01, 55.3, -89.81

 

CMYK 100 / 83 / 0 / 0

HEX #002BFE

RGB 0 43 254

HSL 229.84, 1%, 0.5%

LAB 35.76, 67.98, -101.53

 

CMYK 52 / 43 / 0 / 33

HEX #5262AC

RGB 82 98 172

HSL 229.33, 0.35%, 0.5%

LAB 43.52, 15.41, -41.61

 

CMYK 32 / 26 / 0 / 41

HEX #676F97

RGB 103 111 151

HSL 230, 0.19%, 0.5%

LAB 47.61, 6.79, -22.71

 

CMYK 5 / 4 / 0 / 49

HEX #7C7D82

RGB 124 125 130

HSL 230, 0.02%, 0.5%

LAB 52.47, 0.65, -2.85

 

CMYK 0 / 4 / 24 / 44

HEX #908A6E

RGB 144 138 110

HSL 49.41, 0.13%, 0.5%

LAB 57.3, -2.56, 15.83

 

CMYK 0 / 8 / 46 / 35

HEX #A59859

RGB 165 152 89

HSL 49.74, 0.3%, 0.5%

LAB 62.66, -4.19, 34.76

 

CMYK 52 / 15 / 0 / 33

HEX #5292AC

RGB 82 146 172

HSL 197.33, 0.35%, 0.5%

LAB 57.4, -13.11, -19.96

 

CMYK 52 / 28 / 0 / 33

HEX #527BAC

RGB 82 123 172

HSL 212.67, 0.35%, 0.5%

LAB 50.61, 0.05, -30.43

 

CMYK 52 / 42 / 0 / 33

HEX #5263AC

RGB 82 99 172

HSL 228.67, 0.35%, 0.5%

LAB 43.79, 14.78, -41.17

 

CMYK 48 / 52 / 0 / 33

HEX #5A52AC

RGB 90 82 172

HSL 245.33, 0.35%, 0.5%

LAB 39.89, 27.35, -47.37

 

CMYK 34 / 52 / 0 / 33

HEX #7252AC

RGB 114 82 172

HSL 261.33, 0.35%, 0.5%

LAB 42.14, 33.32, -43.64

 

CMYK 52 / 43 / 0 / 55

HEX #384274

RGB 56 66 116

HSL 230, 0.35%, 0.34%

LAB 29.41, 11.15, -30.09

 

CMYK 52 / 43 / 0 / 44

HEX #455290

RGB 69 82 144

HSL 229.6, 0.35%, 0.42%

LAB 36.58, 13.31, -35.96

 

CMYK 52 / 43 / 0 / 33

HEX #5262AC

RGB 82 98 172

HSL 229.33, 0.35%, 0.5%

LAB 43.52, 15.41, -41.61

 

CMYK 41 / 34 / 0 / 27

HEX #6E7BB9

RGB 110 123 185

HSL 229.6, 0.35%, 0.58%

LAB 52.93, 11.13, -34.18

 

CMYK 30 / 25 / 0 / 22

HEX #8A94C6

RGB 138 148 198

HSL 230, 0.34%, 0.66%

LAB 62.22, 7.99, -26.98

 

CMYK 51 / 42 / 0 / 33

HEX #5463AC

RGB 84 99 172

HSL 229.77, 0.35%, 0.5%

LAB 43.93, 15.25, -40.95

 

CMYK 0 / 52 / 1 / 33

HEX #AC52AA

RGB 172 82 170

HSL 301.33, 0.35%, 0.5%

LAB 49.14, 49.07, -30.94

 

CMYK 22 / 0 / 52 / 33

HEX #86AC52

RGB 134 172 82

HSL 85.33, 0.35%, 0.5%

LAB 65.89, -27.96, 41.71

 

CMYK 51 / 42 / 0 / 33

HEX #5463AC

RGB 84 99 172

HSL 229.77, 0.35%, 0.5%

LAB 43.93, 15.25, -40.95

 

CMYK 0 / 52 / 42 / 33

HEX #AC5263

RGB 172 82 99

HSL 348.67, 0.35%, 0.5%

LAB 46.59, 38.53, 7.78

 

CMYK 42 / 0 / 52 / 33

HEX #63AC52

RGB 99 172 82

HSL 108.67, 0.35%, 0.5%

LAB 63.97, -40.43, 38.95

 

CMYK 51 / 42 / 0 / 33

HEX #5463AC

RGB 84 99 172

HSL 229.77, 0.35%, 0.5%

LAB 43.93, 15.25, -40.95

 

CMYK 0 / 52 / 1 / 33

HEX #AC52AA

RGB 172 82 170

HSL 301.33, 0.35%, 0.5%

LAB 49.14, 49.07, -30.94

 

CMYK 0 / 10 / 52 / 33

HEX #AC9B52

RGB 172 155 82

HSL 48.67, 0.35%, 0.5%

LAB 64.02, -3.5, 40.18

 

CMYK 52 / 0 / 51 / 33

HEX #52AC54

RGB 82 172 84

HSL 121.33, 0.35%, 0.5%

LAB 63.29, -45.22, 36.96

 

CMYK 51 / 42 / 0 / 33

HEX #5463AC

RGB 84 99 172

HSL 229.77, 0.35%, 0.5%

LAB 43.93, 15.25, -40.95

 

CMYK 0 / 52 / 17 / 33

HEX #AC528F

RGB 172 82 143

HSL 319.33, 0.35%, 0.5%

LAB 47.99, 44.48, -16.72

 

CMYK 0 / 10 / 52 / 33

HEX #AC9B52

RGB 172 155 82

HSL 48.67, 0.35%, 0.5%

LAB 64.02, -3.5, 40.18

 

CMYK 52 / 0 / 35 / 33

HEX #52AC6F

RGB 82 172 111

HSL 139.33, 0.35%, 0.5%

LAB 63.71, -40.82, 23.38

 

Description

Color code: RGB 84 99 172 | qconv.com Color code: RGB 84 99 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 99 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 99 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 42 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 42% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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