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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 31 244 it is the complementary color RGB 168 224 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 31 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 31 244 shade: RGB 92 31 239, RGB 109 49 255, RGB 126 67 255, RGB 143 85 255 and RGB 160 103 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 31 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 31 244 shade: RGB 87 31 244, RGB 70 13 225, RGB 53 0 206, RGB 36 0 187 and RGB 19 0 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 31 244 shade: RGB 87 30 244, RGB 144 30 244, RGB 202 30 244, RGB 244 30 229 and RGB 244 30 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 31 244 shade: RGB 87 30 244 and RGB 30 30 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 31 244 shade matches the following richer shades: RGB 87 30 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 31 244 shade: RGB 87 30 244, RGB 96 49 225, RGB 105 68 206, RGB 114 87 187 and RGB 123 106 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 31 244 shade: RGB 30 91 244, RGB 30 34 244, RGB 84 30 244, RGB 141 30 244 and RGB 198 30 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 31 244 shade: RGB 54 8 184, RGB 66 10 223, RGB 87 30 244, RGB 116 70 246 and RGB 146 109 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 31 244 shade: RGB 87 31 244, RGB 244 30 148 and RGB 62 244 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 31 244 shade: RGB 87 31 244, RGB 244 84 30 and RGB 30 244 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 31 244 shade: RGB 87 31 244, RGB 244 30 148, RGB 191 244 30 and RGB 30 244 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 31 244 shade: RGB 87 31 244, RGB 244 30 84, RGB 191 244 30 and RGB 30 244 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 87 / 0 / 4

HEX #571FF4

RGB 87 31 244

HSL 255.77, 0.91%, 0.54%

LAB 37, 72.62, -93.73

 

Complementary color

CMYK 25 / 0 / 95 / 12

HEX #A8E00B

RGB 168 224 11

HSL 75.77, 0.91%, 0.46%

LAB 82.73, -42.14, 80.12

 

CMYK 62 / 87 / 0 / 6

HEX #5C1FEF

RGB 92 31 239

HSL 257.6, 0.87%, 0.53%

LAB 36.91, 71.73, -91.05

 

CMYK 57 / 81 / 0 / 0

HEX #6D31FF

RGB 109 49 255

HSL 257.48, 1%, 0.6%

LAB 42.26, 71.18, -91.14

 

CMYK 51 / 74 / 0 / 0

HEX #7E43FF

RGB 126 67 255

HSL 258.83, 1%, 0.63%

LAB 46.54, 65.73, -84.03

 

CMYK 44 / 67 / 0 / 0

HEX #8F55FF

RGB 143 85 255

HSL 260.47, 1%, 0.67%

LAB 51.33, 59.86, -76.13

 

CMYK 37 / 60 / 0 / 0

HEX #A067FF

RGB 160 103 255

HSL 262.5, 1%, 0.7%

LAB 56.48, 53.97, -67.7

 

CMYK 64 / 87 / 0 / 4

HEX #571FF4

RGB 87 31 244

HSL 255.77, 0.91%, 0.54%

LAB 37, 72.62, -93.73

 

CMYK 69 / 94 / 0 / 12

HEX #460DE1

RGB 70 13 225

HSL 256.13, 0.89%, 0.47%

LAB 31.87, 71.25, -91.5

 

CMYK 74 / 100 / 0 / 19

HEX #3500CE

RGB 53 0 206

HSL 255.44, 1%, 0.4%

LAB 27.33, 68.22, -88.09

 

CMYK 81 / 100 / 0 / 27

HEX #2400BB

RGB 36 0 187

HSL 251.55, 1%, 0.37%

LAB 23.55, 63.17, -83.25

 

CMYK 89 / 100 / 0 / 34

HEX #1300A8

RGB 19 0 168

HSL 246.79, 1%, 0.33%

LAB 19.91, 58.12, -77.95

 

CMYK 64 / 88 / 0 / 4

HEX #571EF4

RGB 87 30 244

HSL 255.98, 0.91%, 0.54%

LAB 36.9, 72.9, -93.89

 

CMYK 41 / 88 / 0 / 4

HEX #901EF4

RGB 144 30 244

HSL 271.96, 0.91%, 0.54%

LAB 43.34, 78.06, -83.04

 

CMYK 17 / 88 / 0 / 4

HEX #CA1EF4

RGB 202 30 244

HSL 288.22, 0.91%, 0.54%

LAB 51.86, 85.77, -68.8

 

CMYK 0 / 88 / 6 / 4

HEX #F41EE5

RGB 244 30 229

HSL 304.21, 0.91%, 0.54%

LAB 57.86, 90.33, -50.35

 

CMYK 0 / 88 / 30 / 4

HEX #F41EAB

RGB 244 30 171

HSL 320.47, 0.91%, 0.54%

LAB 55.18, 83.26, -21.24

 

CMYK 64 / 88 / 0 / 4

HEX #571EF4

RGB 87 30 244

HSL 255.98, 0.91%, 0.54%

LAB 36.9, 72.9, -93.89

 

CMYK 88 / 88 / 0 / 4

HEX #1E1EF4

RGB 30 30 244

HSL 240, 0.91%, 0.54%

LAB 33.43, 70.47, -99.77

 

CMYK 64 / 88 / 0 / 4

HEX #571EF4

RGB 87 30 244

HSL 255.98, 0.91%, 0.54%

LAB 36.9, 72.9, -93.89

 

CMYK 64 / 88 / 0 / 4

HEX #571EF4

RGB 87 30 244

HSL 255.98, 0.91%, 0.54%

LAB 36.9, 72.9, -93.89

 

CMYK 57 / 78 / 0 / 12

HEX #6031E1

RGB 96 49 225

HSL 256.02, 0.75%, 0.54%

LAB 38.06, 61.96, -81.17

 

CMYK 49 / 67 / 0 / 19

HEX #6944CE

RGB 105 68 206

HSL 256.09, 0.58%, 0.54%

LAB 40.56, 48.72, -66.11

 

CMYK 39 / 53 / 0 / 27

HEX #7257BB

RGB 114 87 187

HSL 256.2, 0.42%, 0.54%

LAB 44.21, 34.46, -49.14

 

CMYK 27 / 37 / 0 / 34

HEX #7B6AA8

RGB 123 106 168

HSL 256.45, 0.26%, 0.54%

LAB 48.69, 20.47, -30.88

 

CMYK 88 / 63 / 0 / 4

HEX #1E5BF4

RGB 30 91 244

HSL 222.9, 0.91%, 0.54%

LAB 44.65, 38.96, -81.21

 

CMYK 88 / 86 / 0 / 4

HEX #1E22F4

RGB 30 34 244

HSL 238.88, 0.91%, 0.54%

LAB 33.88, 69.09, -99.02

 

CMYK 66 / 88 / 0 / 4

HEX #541EF4

RGB 84 30 244

HSL 255.14, 0.91%, 0.54%

LAB 36.64, 72.71, -94.34

 

CMYK 42 / 88 / 0 / 4

HEX #8D1EF4

RGB 141 30 244

HSL 271.12, 0.91%, 0.54%

LAB 42.95, 77.73, -83.71

 

CMYK 19 / 88 / 0 / 4

HEX #C61EF4

RGB 198 30 244

HSL 287.1, 0.91%, 0.54%

LAB 51.23, 85.17, -69.84

 

CMYK 71 / 96 / 0 / 28

HEX #3608B8

RGB 54 8 184

HSL 255.68, 0.92%, 0.38%

LAB 25.01, 61.3, -78.99

 

CMYK 70 / 96 / 0 / 13

HEX #420ADF

RGB 66 10 223

HSL 255.77, 0.91%, 0.46%

LAB 31.12, 71.08, -91.6

 

CMYK 64 / 88 / 0 / 4

HEX #571EF4

RGB 87 30 244

HSL 255.98, 0.91%, 0.54%

LAB 36.9, 72.9, -93.89

 

CMYK 53 / 72 / 0 / 4

HEX #7446F6

RGB 116 70 246

HSL 255.68, 0.91%, 0.62%

LAB 45.29, 60.52, -81.1

 

CMYK 41 / 56 / 0 / 3

HEX #926DF8

RGB 146 109 248

HSL 255.97, 0.91%, 0.7%

LAB 55.91, 45.89, -64.82

 

CMYK 64 / 87 / 0 / 4

HEX #571FF4

RGB 87 31 244

HSL 255.77, 0.91%, 0.54%

LAB 37, 72.62, -93.73

 

CMYK 0 / 88 / 39 / 4

HEX #F41E94

RGB 244 30 148

HSL 326.92, 0.91%, 0.54%

LAB 54.34, 80.98, -8.93

 

CMYK 75 / 0 / 88 / 4

HEX #3EF41E

RGB 62 244 30

HSL 111.03, 0.91%, 0.54%

LAB 84.9, -78.02, 77.79

 

CMYK 64 / 87 / 0 / 4

HEX #571FF4

RGB 87 31 244

HSL 255.77, 0.91%, 0.54%

LAB 37, 72.62, -93.73

 

CMYK 0 / 66 / 88 / 4

HEX #F4541E

RGB 244 84 30

HSL 15.14, 0.91%, 0.54%

LAB 57.72, 59.15, 60.41

 

CMYK 88 / 0 / 66 / 4

HEX #1EF454

RGB 30 244 84

HSL 135.14, 0.91%, 0.54%

LAB 84.8, -77.87, 61.57

 

CMYK 64 / 87 / 0 / 4

HEX #571FF4

RGB 87 31 244

HSL 255.77, 0.91%, 0.54%

LAB 37, 72.62, -93.73

 

CMYK 0 / 88 / 39 / 4

HEX #F41E94

RGB 244 30 148

HSL 326.92, 0.91%, 0.54%

LAB 54.34, 80.98, -8.93

 

CMYK 22 / 0 / 88 / 4

HEX #BFF41E

RGB 191 244 30

HSL 74.86, 0.91%, 0.54%

LAB 89.8, -41.74, 83.87

 

CMYK 88 / 0 / 48 / 4

HEX #1EF47F

RGB 30 244 127

HSL 147.2, 0.91%, 0.54%

LAB 85.26, -72.3, 43.03

 

CMYK 64 / 87 / 0 / 4

HEX #571FF4

RGB 87 31 244

HSL 255.77, 0.91%, 0.54%

LAB 37, 72.62, -93.73

 

CMYK 0 / 88 / 66 / 4

HEX #F41E54

RGB 244 30 84

HSL 344.86, 0.91%, 0.54%

LAB 52.73, 76.47, 27.29

 

CMYK 22 / 0 / 88 / 4

HEX #BFF41E

RGB 191 244 30

HSL 74.86, 0.91%, 0.54%

LAB 89.8, -41.74, 83.87

 

CMYK 88 / 0 / 22 / 4

HEX #1EF4BF

RGB 30 244 191

HSL 165.14, 0.91%, 0.54%

LAB 86.37, -59.56, 12.24

 

Description

Color code: RGB 87 31 244 | qconv.com Color code: RGB 87 31 244 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 31 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 31 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 87 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 87% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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