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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 242 67 it is the complementary color RGB 168 13 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 242 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 242 67 shade: RGB 92 242 62, RGB 109 255 81, RGB 126 255 100, RGB 143 255 119 and RGB 160 255 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 242 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 242 67 shade: RGB 87 242 67, RGB 70 224 48, RGB 53 206 29, RGB 36 188 10 and RGB 19 170 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 242 67 shade: RGB 88 242 69, RGB 135 242 69, RGB 182 242 69, RGB 228 242 69 and RGB 242 208 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 242 67 shade: RGB 88 242 69, RGB 69 242 95, RGB 69 242 142, RGB 69 242 189 and RGB 69 242 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 242 67 shade matches the following richer shades: RGB 88 242 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 242 67 shade: RGB 88 242 69, RGB 101 225 85, RGB 113 209 101, RGB 126 193 117 and RGB 138 177 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 242 67 shade: RGB 181 242 69, RGB 135 242 69, RGB 89 242 69, RGB 69 242 94 and RGB 69 242 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 242 67 shade: RGB 37 213 14, RGB 54 239 30, RGB 88 242 69, RGB 123 244 107 and RGB 157 247 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 242 67 shade: RGB 87 242 67, RGB 69 227 242 and RGB 242 69 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 242 67 shade: RGB 87 242 67, RGB 69 89 242 and RGB 242 69 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 242 67 shade: RGB 87 242 67, RGB 69 227 242, RGB 221 69 242 and RGB 242 83 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 242 67 shade: RGB 87 242 67, RGB 69 175 242, RGB 221 69 242 and RGB 242 135 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 72 / 5

HEX #57F243

RGB 87 242 67

HSL 113.14, 0.87%, 0.61%

LAB 84.96, -71.11, 68.31

 

Complementary color

CMYK 11 / 93 / 0 / 26

HEX #A80DBC

RGB 168 13 188

HSL 293.14, 0.87%, 0.39%

LAB 41.6, 73.65, -53.54

 

CMYK 62 / 0 / 74 / 5

HEX #5CF23E

RGB 92 242 62

HSL 110, 0.87%, 0.6%

LAB 85.06, -70.41, 70.11

 

CMYK 57 / 0 / 68 / 0

HEX #6DFF51

RGB 109 255 81

HSL 110.34, 1%, 0.66%

LAB 89.56, -69.54, 68.25

 

CMYK 51 / 0 / 61 / 0

HEX #7EFF64

RGB 126 255 100

HSL 109.94, 1%, 0.7%

LAB 90.26, -63.59, 61.67

 

CMYK 44 / 0 / 53 / 0

HEX #8FFF77

RGB 143 255 119

HSL 109.41, 1%, 0.73%

LAB 91.09, -56.87, 54.53

 

CMYK 37 / 0 / 46 / 0

HEX #A0FF8A

RGB 160 255 138

HSL 108.72, 1%, 0.77%

LAB 92.06, -49.49, 47.05

 

CMYK 64 / 0 / 72 / 5

HEX #57F243

RGB 87 242 67

HSL 113.14, 0.87%, 0.61%

LAB 84.96, -71.11, 68.31

 

CMYK 69 / 0 / 79 / 12

HEX #46E030

RGB 70 224 48

HSL 112.5, 0.74%, 0.53%

LAB 78.94, -69.88, 68.3

 

CMYK 74 / 0 / 86 / 19

HEX #35CE1D

RGB 53 206 29

HSL 111.86, 0.75%, 0.46%

LAB 72.88, -68.14, 67.46

 

CMYK 81 / 0 / 95 / 26

HEX #24BC0A

RGB 36 188 10

HSL 111.24, 0.9%, 0.39%

LAB 66.8, -65.74, 65.33

 

CMYK 89 / 0 / 100 / 33

HEX #13AA00

RGB 19 170 0

HSL 113.29, 1%, 0.33%

LAB 60.68, -62.49, 61.54

 

CMYK 64 / 0 / 71 / 5

HEX #58F245

RGB 88 242 69

HSL 113.41, 0.87%, 0.61%

LAB 85, -70.76, 67.66

 

CMYK 44 / 0 / 71 / 5

HEX #87F245

RGB 135 242 69

HSL 97.11, 0.87%, 0.61%

LAB 86.55, -58.71, 69.73

 

CMYK 25 / 0 / 71 / 5

HEX #B6F245

RGB 182 242 69

HSL 80.81, 0.87%, 0.61%

LAB 88.87, -42.76, 72.81

 

CMYK 6 / 0 / 71 / 5

HEX #E4F245

RGB 228 242 69

HSL 64.86, 0.87%, 0.61%

LAB 91.88, -24.87, 76.76

 

CMYK 0 / 14 / 71 / 5

HEX #F2D045

RGB 242 208 69

HSL 48.21, 0.87%, 0.61%

LAB 84.18, -2.32, 69.69

 

CMYK 64 / 0 / 71 / 5

HEX #58F245

RGB 88 242 69

HSL 113.41, 0.87%, 0.61%

LAB 85, -70.76, 67.66

 

CMYK 71 / 0 / 61 / 5

HEX #45F25F

RGB 69 242 95

HSL 129.02, 0.87%, 0.61%

LAB 84.79, -71.77, 57.18

 

CMYK 71 / 0 / 41 / 5

HEX #45F28E

RGB 69 242 142

HSL 145.32, 0.87%, 0.61%

LAB 85.36, -65.08, 35.95

 

CMYK 71 / 0 / 22 / 5

HEX #45F2BD

RGB 69 242 189

HSL 161.62, 0.87%, 0.61%

LAB 86.23, -55.64, 13.14

 

CMYK 71 / 0 / 3 / 5

HEX #45F2EB

RGB 69 242 235

HSL 177.57, 0.87%, 0.61%

LAB 87.37, -44.1, -9.24

 

CMYK 64 / 0 / 71 / 5

HEX #58F245

RGB 88 242 69

HSL 113.41, 0.87%, 0.61%

LAB 85, -70.76, 67.66

 

CMYK 64 / 0 / 71 / 5

HEX #58F245

RGB 88 242 69

HSL 113.41, 0.87%, 0.61%

LAB 85, -70.76, 67.66

 

CMYK 55 / 0 / 62 / 12

HEX #65E155

RGB 101 225 85

HSL 113.14, 0.7%, 0.61%

LAB 80.33, -60.53, 56.61

 

CMYK 46 / 0 / 52 / 18

HEX #71D165

RGB 113 209 101

HSL 113.33, 0.54%, 0.61%

LAB 76.1, -49.3, 44.56

 

CMYK 35 / 0 / 39 / 24

HEX #7EC175

RGB 126 193 117

HSL 112.89, 0.38%, 0.61%

LAB 72.13, -36.14, 31.7

 

CMYK 22 / 0 / 25 / 31

HEX #8AB185

RGB 138 177 133

HSL 113.18, 0.22%, 0.61%

LAB 68.42, -21.79, 18.33

 

CMYK 25 / 0 / 71 / 5

HEX #B5F245

RGB 181 242 69

HSL 81.16, 0.87%, 0.61%

LAB 88.81, -43.13, 72.73

 

CMYK 44 / 0 / 71 / 5

HEX #87F245

RGB 135 242 69

HSL 97.11, 0.87%, 0.61%

LAB 86.55, -58.71, 69.73

 

CMYK 63 / 0 / 71 / 5

HEX #59F245

RGB 89 242 69

HSL 113.06, 0.87%, 0.61%

LAB 85.03, -70.55, 67.7

 

CMYK 71 / 0 / 61 / 5

HEX #45F25E

RGB 69 242 94

HSL 128.67, 0.87%, 0.61%

LAB 84.78, -71.88, 57.59

 

CMYK 71 / 0 / 42 / 5

HEX #45F28D

RGB 69 242 141

HSL 144.97, 0.87%, 0.61%

LAB 85.35, -65.26, 36.42

 

CMYK 83 / 0 / 93 / 16

HEX #25D50E

RGB 37 213 14

HSL 113.07, 0.88%, 0.45%

LAB 74.83, -72.72, 71.52

 

CMYK 77 / 0 / 87 / 6

HEX #36EF1E

RGB 54 239 30

HSL 113.11, 0.87%, 0.53%

LAB 83.24, -77.67, 76.3

 

CMYK 64 / 0 / 71 / 5

HEX #58F245

RGB 88 242 69

HSL 113.41, 0.87%, 0.61%

LAB 85, -70.76, 67.66

 

CMYK 50 / 0 / 56 / 4

HEX #7BF46B

RGB 123 244 107

HSL 112.99, 0.86%, 0.69%

LAB 86.98, -59.55, 54.86

 

CMYK 36 / 0 / 41 / 3

HEX #9DF792

RGB 157 247 146

HSL 113.47, 0.86%, 0.77%

LAB 89.75, -45.96, 40.22

 

CMYK 64 / 0 / 72 / 5

HEX #57F243

RGB 87 242 67

HSL 113.14, 0.87%, 0.61%

LAB 84.96, -71.11, 68.31

 

CMYK 71 / 6 / 0 / 5

HEX #45E3F2

RGB 69 227 242

HSL 185.2, 0.87%, 0.61%

LAB 83.24, -35.33, -19.11

 

CMYK 0 / 71 / 35 / 5

HEX #F2459E

RGB 242 69 158

HSL 329.13, 0.87%, 0.61%

LAB 57.66, 71.97, -9.91

 

CMYK 64 / 0 / 72 / 5

HEX #57F243

RGB 87 242 67

HSL 113.14, 0.87%, 0.61%

LAB 84.96, -71.11, 68.31

 

CMYK 71 / 63 / 0 / 5

HEX #4559F2

RGB 69 89 242

HSL 233.06, 0.87%, 0.61%

LAB 45.39, 42.64, -78.82

 

CMYK 0 / 71 / 63 / 5

HEX #F24559

RGB 242 69 89

HSL 353.06, 0.87%, 0.61%

LAB 55.94, 66.31, 28.37

 

CMYK 64 / 0 / 72 / 5

HEX #57F243

RGB 87 242 67

HSL 113.14, 0.87%, 0.61%

LAB 84.96, -71.11, 68.31

 

CMYK 71 / 6 / 0 / 5

HEX #45E3F2

RGB 69 227 242

HSL 185.2, 0.87%, 0.61%

LAB 83.24, -35.33, -19.11

 

CMYK 9 / 71 / 0 / 5

HEX #DD45F2

RGB 221 69 242

HSL 292.72, 0.87%, 0.61%

LAB 58.07, 78.81, -57.52

 

CMYK 0 / 66 / 71 / 5

HEX #F25345

RGB 242 83 69

HSL 4.86, 0.87%, 0.61%

LAB 57.55, 60.09, 41.67

 

CMYK 64 / 0 / 72 / 5

HEX #57F243

RGB 87 242 67

HSL 113.14, 0.87%, 0.61%

LAB 84.96, -71.11, 68.31

 

CMYK 71 / 28 / 0 / 5

HEX #45AFF2

RGB 69 175 242

HSL 203.24, 0.87%, 0.61%

LAB 68.27, -8.94, -42.15

 

CMYK 9 / 71 / 0 / 5

HEX #DD45F2

RGB 221 69 242

HSL 292.72, 0.87%, 0.61%

LAB 58.07, 78.81, -57.52

 

CMYK 0 / 44 / 71 / 5

HEX #F28745

RGB 242 135 69

HSL 22.89, 0.87%, 0.61%

LAB 67, 35.81, 52.1

 

Description

Color code: RGB 87 242 67 | qconv.com Color code: RGB 87 242 67 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 242 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 242 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 72 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 72% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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