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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 239 30 it is the complementary color RGB 168 16 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 239 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 239 30 shade: RGB 92 239 25, RGB 109 255 44, RGB 126 255 63, RGB 143 255 82 and RGB 160 255 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 239 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 239 30 shade: RGB 87 239 30, RGB 70 221 11, RGB 53 203 0, RGB 36 185 0 and RGB 19 167 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 239 30 shade: RGB 87 239 30, RGB 143 239 30, RGB 200 239 30, RGB 239 222 30 and RGB 239 166 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 239 30 shade: RGB 87 239 30, RGB 31 239 30, RGB 30 239 86, RGB 30 239 142 and RGB 30 239 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 239 30 shade matches the following richer shades: RGB 87 239 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 239 30 shade: RGB 87 239 30, RGB 96 220 50, RGB 105 200 69, RGB 114 181 89 and RGB 123 161 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 239 30 shade: RGB 201 239 30, RGB 145 239 30, RGB 89 239 30, RGB 34 239 30 and RGB 30 239 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 239 30 shade: RGB 56 175 12, RGB 69 214 14, RGB 87 239 30, RGB 116 242 69 and RGB 145 244 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 239 30 shade: RGB 87 239 30, RGB 30 239 222 and RGB 239 30 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 239 30 shade: RGB 87 239 30, RGB 30 89 239 and RGB 239 30 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 239 30 shade: RGB 87 239 30, RGB 30 239 222, RGB 180 30 239 and RGB 239 30 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 239 30 shade: RGB 87 239 30, RGB 30 194 239, RGB 180 30 239 and RGB 239 76 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 87 / 6

HEX #57EF1E

RGB 87 239 30

HSL 103.64, 0.87%, 0.53%

LAB 83.89, -72.07, 77.12

 

Complementary color

CMYK 25 / 93 / 0 / 12

HEX #A810E1

RGB 168 16 225

HSL 283.64, 0.87%, 0.47%

LAB 44.42, 79.71, -70.38

 

CMYK 62 / 0 / 90 / 6

HEX #5CEF19

RGB 92 239 25

HSL 101.21, 0.87%, 0.52%

LAB 84.01, -71.13, 78.11

 

CMYK 57 / 0 / 83 / 0

HEX #6DFF2C

RGB 109 255 44

HSL 101.52, 1%, 0.59%

LAB 89.37, -71.78, 79.29

 

CMYK 51 / 0 / 75 / 0

HEX #7EFF3F

RGB 126 255 63

HSL 100.31, 1%, 0.62%

LAB 90.01, -66.47, 74.97

 

CMYK 44 / 0 / 68 / 0

HEX #8FFF52

RGB 143 255 82

HSL 98.84, 1%, 0.66%

LAB 90.77, -60.34, 69.51

 

CMYK 37 / 0 / 60 / 0

HEX #A0FF65

RGB 160 255 101

HSL 97.01, 1%, 0.7%

LAB 91.65, -53.51, 63.2

 

CMYK 64 / 0 / 87 / 6

HEX #57EF1E

RGB 87 239 30

HSL 103.64, 0.87%, 0.53%

LAB 83.89, -72.07, 77.12

 

CMYK 68 / 0 / 95 / 13

HEX #46DD0B

RGB 70 221 11

HSL 103.14, 0.91%, 0.45%

LAB 77.9, -70.3, 74.59

 

CMYK 74 / 0 / 100 / 20

HEX #35CB00

RGB 53 203 0

HSL 104.33, 1%, 0.4%

LAB 71.87, -67.98, 70.67

 

CMYK 81 / 0 / 100 / 27

HEX #24B900

RGB 36 185 0

HSL 108.32, 1%, 0.36%

LAB 65.81, -65.07, 65.72

 

CMYK 89 / 0 / 100 / 35

HEX #13A700

RGB 19 167 0

HSL 113.17, 1%, 0.33%

LAB 59.69, -61.63, 60.74

 

CMYK 64 / 0 / 87 / 6

HEX #57EF1E

RGB 87 239 30

HSL 103.64, 0.87%, 0.53%

LAB 83.89, -72.07, 77.12

 

CMYK 40 / 0 / 87 / 6

HEX #8FEF1E

RGB 143 239 30

HSL 87.56, 0.87%, 0.53%

LAB 85.84, -56.83, 79.55

 

CMYK 16 / 0 / 87 / 6

HEX #C8EF1E

RGB 200 239 30

HSL 71.2, 0.87%, 0.53%

LAB 88.97, -36.01, 83.43

 

CMYK 0 / 7 / 87 / 6

HEX #EFDE1E

RGB 239 222 30

HSL 55.12, 0.87%, 0.53%

LAB 87.33, -11.88, 83.33

 

CMYK 0 / 31 / 87 / 6

HEX #EFA61E

RGB 239 166 30

HSL 39.04, 0.87%, 0.53%

LAB 73.36, 17.01, 72.29

 

CMYK 64 / 0 / 87 / 6

HEX #57EF1E

RGB 87 239 30

HSL 103.64, 0.87%, 0.53%

LAB 83.89, -72.07, 77.12

 

CMYK 87 / 0 / 87 / 6

HEX #1FEF1E

RGB 31 239 30

HSL 119.71, 0.87%, 0.53%

LAB 82.98, -80, 75.97

 

CMYK 87 / 0 / 64 / 6

HEX #1EEF56

RGB 30 239 86

HSL 136.08, 0.87%, 0.53%

LAB 83.27, -76.19, 59.09

 

CMYK 87 / 0 / 41 / 6

HEX #1EEF8E

RGB 30 239 142

HSL 152.15, 0.87%, 0.53%

LAB 83.95, -68.09, 33.99

 

CMYK 87 / 0 / 17 / 6

HEX #1EEFC6

RGB 30 239 198

HSL 168.23, 0.87%, 0.53%

LAB 85.04, -55.91, 6.68

 

CMYK 64 / 0 / 87 / 6

HEX #57EF1E

RGB 87 239 30

HSL 103.64, 0.87%, 0.53%

LAB 83.89, -72.07, 77.12

 

CMYK 64 / 0 / 87 / 6

HEX #57EF1E

RGB 87 239 30

HSL 103.64, 0.87%, 0.53%

LAB 83.89, -72.07, 77.12

 

CMYK 56 / 0 / 77 / 14

HEX #60DC32

RGB 96 220 50

HSL 103.76, 0.71%, 0.53%

LAB 78.41, -62.77, 67.45

 

CMYK 48 / 0 / 66 / 22

HEX #69C845

RGB 105 200 69

HSL 103.51, 0.54%, 0.53%

LAB 72.72, -51.5, 54.96

 

CMYK 37 / 0 / 51 / 29

HEX #72B559

RGB 114 181 89

HSL 103.7, 0.38%, 0.53%

LAB 67.54, -38.58, 39.99

 

CMYK 24 / 0 / 33 / 37

HEX #7BA16C

RGB 123 161 108

HSL 103.02, 0.22%, 0.53%

LAB 62.32, -23.25, 23.51

 

CMYK 16 / 0 / 87 / 6

HEX #C9EF1E

RGB 201 239 30

HSL 70.91, 0.87%, 0.53%

LAB 89.04, -35.62, 83.51

 

CMYK 39 / 0 / 87 / 6

HEX #91EF1E

RGB 145 239 30

HSL 86.99, 0.87%, 0.53%

LAB 85.93, -56.18, 79.67

 

CMYK 63 / 0 / 87 / 6

HEX #59EF1E

RGB 89 239 30

HSL 103.06, 0.87%, 0.53%

LAB 83.94, -71.64, 77.18

 

CMYK 86 / 0 / 87 / 6

HEX #22EF1E

RGB 34 239 30

HSL 118.85, 0.87%, 0.53%

LAB 83, -79.77, 76.01

 

CMYK 87 / 0 / 65 / 6

HEX #1EEF53

RGB 30 239 83

HSL 135.22, 0.87%, 0.53%

LAB 83.25, -76.51, 60.27

 

CMYK 68 / 0 / 93 / 31

HEX #38AF0C

RGB 56 175 12

HSL 103.8, 0.87%, 0.37%

LAB 62.95, -58.44, 62.03

 

CMYK 68 / 0 / 93 / 16

HEX #45D60E

RGB 69 214 14

HSL 103.5, 0.88%, 0.45%

LAB 75.69, -68.26, 72.46

 

CMYK 64 / 0 / 87 / 6

HEX #57EF1E

RGB 87 239 30

HSL 103.64, 0.87%, 0.53%

LAB 83.89, -72.07, 77.12

 

CMYK 52 / 0 / 71 / 5

HEX #74F245

RGB 116 242 69

HSL 103.7, 0.87%, 0.61%

LAB 85.83, -64.14, 68.77

 

CMYK 41 / 0 / 56 / 4

HEX #91F46C

RGB 145 244 108

HSL 103.68, 0.86%, 0.69%

LAB 87.87, -53.09, 55.68

 

CMYK 64 / 0 / 87 / 6

HEX #57EF1E

RGB 87 239 30

HSL 103.64, 0.87%, 0.53%

LAB 83.89, -72.07, 77.12

 

CMYK 87 / 0 / 7 / 6

HEX #1EEFDE

RGB 30 239 222

HSL 175.12, 0.87%, 0.53%

LAB 85.65, -49.63, -5.03

 

CMYK 0 / 87 / 28 / 6

HEX #EF1EAD

RGB 239 30 173

HSL 318.95, 0.87%, 0.53%

LAB 54.34, 82.43, -23.78

 

CMYK 64 / 0 / 87 / 6

HEX #57EF1E

RGB 87 239 30

HSL 103.64, 0.87%, 0.53%

LAB 83.89, -72.07, 77.12

 

CMYK 87 / 63 / 0 / 6

HEX #1E59EF

RGB 30 89 239

HSL 223.06, 0.87%, 0.53%

LAB 43.73, 38.38, -79.9

 

CMYK 0 / 87 / 63 / 6

HEX #EF1E59

RGB 239 30 89

HSL 343.06, 0.87%, 0.53%

LAB 51.84, 75.5, 22.93

 

CMYK 64 / 0 / 87 / 6

HEX #57EF1E

RGB 87 239 30

HSL 103.64, 0.87%, 0.53%

LAB 83.89, -72.07, 77.12

 

CMYK 87 / 0 / 7 / 6

HEX #1EEFDE

RGB 30 239 222

HSL 175.12, 0.87%, 0.53%

LAB 85.65, -49.63, -5.03

 

CMYK 25 / 87 / 0 / 6

HEX #B41EEF

RGB 180 30 239

HSL 283.06, 0.87%, 0.53%

LAB 48.09, 81.69, -72.26

 

CMYK 0 / 87 / 80 / 6

HEX #EF1E30

RGB 239 30 48

HSL 354.83, 0.87%, 0.53%

LAB 51.26, 73.84, 46.16

 

CMYK 64 / 0 / 87 / 6

HEX #57EF1E

RGB 87 239 30

HSL 103.64, 0.87%, 0.53%

LAB 83.89, -72.07, 77.12

 

CMYK 87 / 19 / 0 / 6

HEX #1EC2EF

RGB 30 194 239

HSL 192.92, 0.87%, 0.53%

LAB 72.95, -23.65, -33.28

 

CMYK 25 / 87 / 0 / 6

HEX #B41EEF

RGB 180 30 239

HSL 283.06, 0.87%, 0.53%

LAB 48.09, 81.69, -72.26

 

CMYK 0 / 68 / 87 / 6

HEX #EF4C1E

RGB 239 76 30

HSL 13.21, 0.87%, 0.53%

LAB 55.7, 60.63, 58.48

 

Description

Color code: RGB 87 239 30 | qconv.com Color code: RGB 87 239 30 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 239 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 239 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 87 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 87% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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